The rubrics (regulations) for the type of vestments to be worn vary between the various communions and denominations. In some, clergy are directed to wear special clerical clothing in public at all, most, or some times. This generally consists of a clerical collar, clergy shirt, and (on certain occasions) a cassock. In the case of members of religious orders, non-liturgical wear includes a religious habit. This ordinary wear does not constitute liturgical vestment, but simply acts as a means of identifying the wearer as a member of the clergy or a religious order.
A distinction is often made between the type of vestment worn for Holy Eucharist or Holy Communion and that worn for other services. Non-Eucharistic vestments are typically referred to as "choir dress" or "choir habit" in the Roman Catholic, Orthodox, and Anglican churches, because they are worn for the chanting of the Daily Office, which, in the West, takes place in the choir rather than the sanctuary. In other traditions, there is no specific name for this attire, although it often takes the form of a Geneva gown worn with or without preaching bands and a stole or preaching scarf.
In the more ancient traditions, each vestment—or at least the stole—will have a cross on it, which the clergy kiss before putting it on. A number of churches also have special vesting prayers which are recited before putting each vestment on, especially the Eucharistic vestments.
Latin Catholic, Anglican, Lutheran and Protestant vestments
For the Eucharist, each vestment symbolizes a spiritual dimension of the priesthood, with roots in the very origins of the Church. In some measure these vestments harken to the Roman roots of the Western Church.
Use of the following vestments varies. Some are used by all Western Christians in liturgical traditions. Many are used only in the Roman Catholic and Anglican churches, and there is much variation within each of those churches.
Used by Roman Catholics, Anglicans, Lutherans and some other Protestants
The long, narrow strip of cloth draped around the neck, a vestment of distinction, a symbol of ordination. Deacons wear it draped across the left shoulder diagonally across the body to the right hip while priests and bishops wear it draped around the back of the neck. It may be crossed in the front and secured with the cincture. Traditionally, this is done by priests, whereas bishops always wear it uncrossed, as they possess the fullness of the priesthood. Corresponds to the Orthodox orarion and epitrachelion (see below).
or cassalb is a relatively modern garment and is a combination of the traditional cassock and alb. It developed as a convenient undergarment (or alternative to a cassock at the Eucharist) worn by clergy and as an alternative to the alb for deacons and acolytes.
A white or off-white cassock-alb has replaced the traditional cassock and alb in some Anglican and Lutheran churches since the 1970s. On rules concerning its use, see The Church Times.
A large cross worn on a chain or necklace around the neck by clergy of many Christian denominations. In some traditions it is associated with bishops. In the Roman Catholic tradition it is only worn by bishops, abbots, and certain canons who are granted the use of the pectoral cross by special indult. In choir dress the cross is gold with a green rope, red for cardinals. In house dress, it is silver with a silver chain.
Used by Roman Catholics, Anglicans and Lutherans
A liturgical handkerchief bound about the wrist, it is only used during the Mass. The maniple fell out of common use with the 1970 post conciliar liturgical reform, but is gaining in popularity in many circles and is used today in the context of the Tridentine Mass, in which it is required by rubrics, and in some Anglo-Catholic and other parishes. According to some authorities, this corresponds to the Orthodox epigonation (see below).
The outermost sacramental garment of priests and bishops, often quite decorated. It is only worn for the celebration of the Eucharist. Corresponds to the Orthodox phelonion (see below). See also chasuble-alb.
A narrow band of lamb's wool decorated with six black crosses, worn about the neck with short pendants front and back, worn by the Pope and bestowed by him to Metropolitan bishops and Archbishops. Corresponds to the Orthodox omophorion (see below).
Formerly worn by the Pope at his coronation and at other key moments; it has fallen out of use but may be revived at any time if the reigning Pontiff wishes. Apart from the coronation, this was only worn on special occasions such as during Ex Cathedra announcements, some solemn processions and the blessing Urbi et Orbi.
A vestment similar to a broad maniple but worn suspended from the right side of the cincture, decorated with a cross on one end and an agnus dei on the other; worn only by the Pope during a Pontifical High Mass.
(or preaching scarf). A black scarf worn by bishops, priests and deacons in Anglican churches. It is worn in the same fashion as a stole, but does not have the same significance. Dissenting ministers also historically wore these and, though now rare, it is re-emerging in some Presbyterian and Baptist circles. A blue tippet is also used in Anglican churches by readers, which are members of the laity who have been given special license from the bishop to lead non-sacramental services in the absence of an ordained person. The blue colour differentiates readers from clergy.
Also known as the "Geneva Gown", this is simple vestments with open, wide and bell-shaped sleeves. The gown is traditionally worn open (or vented) over a cassock, with preaching bands and an academic hood. Historically, Anglican clergy would remove their surplice and put on a black gown for the preaching, though this practice is rare today. Also, along with preaching bands, it formed the typical daily dress of Anglican clergy from the Reformation until the early 19th century. English Dissenting churches (Presbyterians, Congregationalists and Baptists) preferred to wear the gown alone with the cassock and bands at all times, most being wary of the surplice (a remnant of the "Surplice War" cause by the reforms enacted by Archbishop William Laud, referred to as "Laudianism").
Hoods are usually worn by Anglican clergy at choir offices. It is also sometimes worn by Methodists and Reformed/Presbyterian clergy with an academic gown ("Geneva Gown"), though this is fairly rare in the United States.
a type of neckwear taking the form of two oblong pieces of white cloth which is tied about the neck so to hang from the collar. Sometimes they are erroneously referred to as "preaching bands". They actually have nothing to do with preachers, being worn traditionally by most of the Anglican, Lutheran, and Reformed clergy with a cassock (with or without a surplice) or gown.
Paleo-Orthodoxy and Emerging Church movements
Among the Paleo-Orthodoxy and Emerging Church movements in Protestant and evangelical churches, which includes many Methodists and Presbyterians, clergy are moving away from the traditional black Geneva gown and reclaiming not only the more ancient Eucharist vestments of alb and chasuble, but also cassock and surplice (typically a full length Old English style surplice which resembles the Celtic alb, an ungirdled liturgical tunic of the old Gallican Rite).
In the Orthodox Church, any member of the clergy of whatever rank, will be vested when serving his particular function during the Divine Liturgy or other service. Eastern Catholics use identical vestments as their Orthodox counterparts. As in the Latin-rite Catholic Church, the use of vestments is rooted in the early history of the church. The various vestments serve several different functions. The three forms of stole (Orarion, Epitrachelion, and Omophorion) are marks of rank. The three outer garments (Sticharion, Phelonion, and Sakkos) serve to distinguish the clergy from the laity. Some are practical (Zone and Epimanikia), holding the other vestments in place. Some (Nabedrennik and Epigonation) are awards of distinction.
In addition to these functions, most vestments carry a symbolic meaning as well. These symbolic meanings are often indicated by the prayer that the priest says as he puts each item on. These prayers are verses taken directly from the Old Testament, usually the Psalms. For example, the prayer for the Sticharion is from Isaiah 61:10:
My soul will rejoice in the Lord, for he has clothed me with a garment of salvation and wrapped me in a robe of gladness; he has placed a crown on my head as on a bridegroom, and adorned me with beauty as a bride. 
Actually a form of the garment worn at baptism, this is the one vestment worn by all clergy. It is also used by non-ordained persons carrying out a liturgical function, such as altar servers. For priests and bishops, it is made of lightweight material, usually white. It corresponds most closely with the Western alb (see above).
A long narrow strip of cloth worn by deacons over the left shoulder and reaching to the ankle in both front and back. It is also worn by subdeacons and, in some places of the Greek tradition, by tonsuredaltar servers. It corresponds to the Western stole (see above).
This stole is worn by priests and bishops as the symbol of their priesthood. It is worn around the neck with the two adjacent sides sewn or buttoned together, leaving enough space through which to place the head. It corresponds to the Western stole (see above).
Large conical sleeveless garment worn by priests over all other vestments, with the front largely cut away to free the hands. Byzantine rite Bishops may also wear the phelonion when not serving according to hierarchical rubrics. Corresponds to the Western chasuble (see above).
Instead of the phelonion, the bishop usually wears the sakkos or Imperial dalmatic. This is a tunic reaching below the knees with wide sleeves and a distinctive pattern of trim. It is always buttoned up the sides.
A square or rectangular cloth suspended on the right side by two adjacent corners from a strap drawn over the left shoulder. This is a relatively recent Russian invention and is not used in the Greek tradition. It is an award, so it is not worn by all priests. Bishops do not use it.
The Byzantine Orthodox mitre is modeled on the ancient Byzantine imperial crown; it is worn by all bishops and in some Slavic traditions also awarded to some high-ranking priests. The bishop's mitre is surmounted by a cross, but the priest's is not; both are bulbous and adorned with icons. Coptic Orthodox & Ethiopian Orthodox bishops also wear the Byzantine mitre. Armenian Orthodox, on the other hand, have the Byzantine mitre as part of the normal vestments worn by priests of all ranks, and their bishops are distinguished by wearing mitres after the western shape. Mitres are not worn in the Syriac Orthodox tradition, where a decorated hood like an amice called masnaphto, meaning 'turban', is worn instead by prelates. .
Engolpion (Greek ἐγκόλπιον) is a general term for something worn upon the bosom; here, it refers to a medallion with an icon in the center. A Panagia (Greek Παναγία, All-holy, one of the titles of the Theotokos) is an engolpion with Mary as the subject of the icon; this is worn by all bishops. All primates and some bishops below primatial rank have the dignity of a second engolpion, which usually depicts Christ.
This is a sleeveless cape that fastens at the neck and the feet, worn by all monks. The usual monastic mantle is black; that worn by the bishop as he enters the church for a service but before he is vested is more elaborately colored and decorated. This is, strictly speaking, an item of street wear, not a vestment; however, in modern usage it is worn only in church.
This is a broad stiff band of heavily embroidered brocade and decoration, functioning like a collar, worn exclusively by Armenian Orthodox priests over the phelonion. It corresponds to, and is likely derived from, the Western amice.
Despite their often elaborate design, the vestments are generally intended to focus attention on God, and the office of the person wearing them, rather than on the person himself. It is partly for this reason that a Russian phelonion is designed with a very high back, so that when the priest is standing facing the altar his head is almost completely hidden. Other items, such as the epimanikia or cuffs, represent manacles or chains, reminding the wearer and others that their office is a position of service.
Eastern Orthodox Examples
Priest vested for Liturgy, this is an Archpriest who wears an Epigonation.
Priest vested for Liturgy
Priest vested for Vespers and smaller services
Protodeacon vested for Liturgy
Subdeacon vested for Liturgy
Altar Server/Chanter vested for Liturgy
Priest with grey Zostikon, a Kontorasson and wearing a Skufia.
In these Churches, general only a white robe will be used for the Eucharistic Service. On more solemn occasions, an Epitrachelion-like vestment is worn, and sometimes a vestment resembling a Cope is worn. Priests and Bishops always carry a Hand Cross during services. Deacons wear either a Orarion crossed over the left shoulder, or brought around the back (where the two pieces form a cross) and then hanging down in front (not crossed), secured by the cross piece.
In these Churches, a more full set of vestments is used. Apart from the usual Sticharion (called Kutino in Syriac), Epitrachelion (called Hamnikho), Zone (called Zenoro), and Epimanikia (called Zende), a priest will wear a Cope-like vestment called a Phanyo. Prelates will in addition wear a hood-like head-covering called a Masnaphto over the Kutino and under the Phanyo. Prelates will also wear a Batrashil or Pallium (similar to an Epitrachelion but reaching down in both front and back) as well as Pectoral Icons. In addition, they will have a vestment similar to the Epigonation worn attached the Zenoro on the right side (called a Sakro) and will carry a crosier and hand cross. Deacons wear the Kutino and a Orarion (called an Uroro) in different ways depending on their order:
Chanters wear only the Kutino
Readers wear the Uroro crossed like a Greek Subdeacon
Subdeacons wear the Uroro crossed over the left shoulder
Boyle, J. R. (1896) Ecclesiastical Vestments: their origin and significance. London: A. Brown & Sons
Fortescue, Adrian (1934) Ceremonies of the Roman Rite Described; 5th ed. London: Burns, Oates & Washbourne
Johnstone, Pauline (2004) "High Fashion in the Church: the Place of Church Vestments in the History of Art from the Ninth to the Nineteenth Century," review on Catholics
Lamburn, E. C. R., edited and largely re-written by. (1964) Ritual Notes: a comprehensive guide to the rites and ceremonies of the Book of Common Prayer of the English Church interpreted in accordance with the latest revisions of the Western Use; 11th ed. London: W. Knott (based on the work compiled by John Nelson Burrows and Walter Plimpton ca. 1893)
Lesage, Robert (1960) Vestments and Church Furniture; translated from the French by Fergus Murphy. London: Burns & Oates (French ed.: 'Objets et habits liturgiques'. Paris: Fayard)
Norris, Herbert (1949) Church Vestments, their origin & development. London: J. M. Dent (reissued by Dover, Mineola, NY, 2002 ISBN 0486422569)
Roulin, Eugène Augustin (1931) Vestments and Vesture: a manual of liturgical art; translated by Dom Justin McCann. London: Sands & Co. (French ed.: 'Linges, insignes et vêtements liturgiques')
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