Tupac Shakur

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Tupac Shakur

Tupac performing Live at the House of Blues in Los Angeles, California on July 4, 1996.
Background information
Birth nameTupac Amaru Shakur
Also known as2Pac, Makaveli, MC New York
Born(1971-06-16)June 16, 1971
New York, New York, U.S.
OriginMarin City, California, U.S.
DiedSeptember 13, 1996(1996-09-13) (aged 25)
Las Vegas, Nevada, U.S.
GenresHip hop
OccupationsRapper, actor, record producer, poet, screenwriter, activist, writer
Years active1988–1996
LabelsInterscope (1991-1996)
Death Row (1995-1996)
Associated actsOutlawz, Johnny "J", Snoop Dogg, Digital Underground, Dr. Dre, Danny Boy, Big Syke, E-40, Tha Dogg Pound, Nate Dogg, Young Noble, MC Breed, Above the Law, Bone Thugs-n-Harmony, The Notorious B.I.G.
Websitewww.2pac.com
 
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Tupac Shakur

Tupac performing Live at the House of Blues in Los Angeles, California on July 4, 1996.
Background information
Birth nameTupac Amaru Shakur
Also known as2Pac, Makaveli, MC New York
Born(1971-06-16)June 16, 1971
New York, New York, U.S.
OriginMarin City, California, U.S.
DiedSeptember 13, 1996(1996-09-13) (aged 25)
Las Vegas, Nevada, U.S.
GenresHip hop
OccupationsRapper, actor, record producer, poet, screenwriter, activist, writer
Years active1988–1996
LabelsInterscope (1991-1996)
Death Row (1995-1996)
Associated actsOutlawz, Johnny "J", Snoop Dogg, Digital Underground, Dr. Dre, Danny Boy, Big Syke, E-40, Tha Dogg Pound, Nate Dogg, Young Noble, MC Breed, Above the Law, Bone Thugs-n-Harmony, The Notorious B.I.G.
Websitewww.2pac.com

Tupac Amaru Shakur (June 16, 1971 – September 13, 1996), known by his stage names 2Pac and Makaveli, was an American rapper and actor.[1] Shakur has sold over 75 million albums worldwide as of 2010,[2] making him one of the best-selling music artists in the world. Rolling Stone Magazine named him the 86th Greatest Artist of All Time.[3] The themes of most of Tupac's songs are the violence and hardship in inner cities, racism, social problems, and conflicts with other rappers during the East Coast–West Coast hip hop rivalry. Shakur began his career as a roadie, backup dancer, and MC for the alternative hip hop group Digital Underground.[4][5][6]

Both of his parents and several other of his family members were members of the Black Panther Party. Shakur was involved in an East Coast–West Coast rivalry after a major feud with East Coast rappers, producers and record-label staff members, most notably The Notorious B.I.G. and Bad Boy Records.[7]

On September 7, 1996, Shakur was shot multiple times in a drive-by shooting in Las Vegas, Nevada. He was taken to the Southern Nevada University Medical Center, where he died six days later.[8]

Contents

Life and career

1971–1990: Early life and career beginnings

East Harlem neighborhood of New York City, where Shakur was born

Shakur was born on June 16, 1971, in the East Harlem section of Manhattan in New York City.[9] He was named after Túpac Amaru,[10] a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed.[11] His mother, Afeni Shakur, and his father, Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s. The infant boy was born a month after his mother was acquitted of more than 150 charges of "Conspiracy against the United States government and New York landmarks" in the New York "Panther 21" court case.[12]

Although unconfirmed by the Shakur family, several sources (including the official coroner's report) list his birth name as Lesane Parish Crooks.[13] This name was supposedly entered on the birth certificate because Afeni feared her enemies would attack her son, and disguised his true identity using a different last name. She changed it later, following her separation from Garland and marriage to Mutulu Shakur.[14]

Shakur lived from an early age with people who were struggling and who were imprisoned. His godfather, Elmer "Geronimo" Pratt, a high ranking Black Panther, was convicted of murdering a school teacher during a 1968 robbery, although his sentence was later overturned. His stepfather, Mutulu, spent four years at large on the FBI's Ten Most Wanted Fugitives list beginning in 1982. Mutulu was wanted for having helped his sister Assata Shakur (also known as Joanne Chesimard) to escape from a penitentiary in New Jersey. She had been imprisoned for killing a state trooper in 1973. Mutulu was caught in 1986 and imprisoned for the robbery of a Brinks armored truck in which two police officers and a guard were killed.[15] Shakur had a half-sister, Sekyiwa, two years his junior, and an older stepbrother, Mopreme "Komani" Shakur, who appeared in many of his recordings.[16]

At the age of twelve, Shakur enrolled in Harlem's 127th Street Repertory Ensemble and was cast as the Travis Younger character in the play A Raisin in the Sun, which was performed at the Apollo Theater. In 1986, the family relocated to Baltimore, Maryland.[17] After completing his second year at Paul Laurence Dunbar High School, he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. He performed in Shakespeare plays, and in the role of the Mouse King in The Nutcracker.[15] Shakur, accompanied by one of his friends, Dana "Mouse" Smith, as his beatbox, won many rap competitions and was considered to be the best rapper in his school.[18] He was remembered as one of the most popular kids in his school because of his sense of humor, superior rapping skills, and ability to mix with all crowds.[19] He developed a close friendship with a young Jada Pinkett (later Jada Pinkett Smith) that lasted until his death.

In the documentary Tupac: Resurrection, Shakur says, "Jada is my heart. She will be my friend for my whole life." Pinkett Smith calls him "one of my best friends. He was like a brother. It was beyond friendship for us. The type of relationship we had, you only get that once in a lifetime." A poem written by Shakur titled "Jada" appears in his book, The Rose That Grew From Concrete, which also includes a poem dedicated to Pinkett Smith called "The Tears in Cupid's Eyes". During his time in art school, Shakur became affiliated with the Baltimore Young Communist League USA,[20][21] and began dating the daughter of the director of the local Communist Party USA.[22]

In June 1988, Shakur and his family moved to Marin City, California, a residential community located 5 miles (8.0 km) north of San Francisco,[17] where he attended Tamalpais High School in nearby Mill Valley.[23] He began attending the poetry classes of Leila Steinberg in 1989.[24] That same year, Steinberg organized a concert with a former group of Shakur's, "Strictly Dope"; the concert led to him being signed with Atron Gregory. He set him up as a roadie and backup dancer with the young rap group Digital Underground in 1990.[4][5][6]

1990–92: 2Pacalypse Now, police brutality and shooting in Marin City

Shakur's professional entertainment career began in the early 1990s, when he debuted his rapping skills in a vocal turn in Digital Underground's "Same Song" from the soundtrack to the 1991 film Nothing but Trouble and also appeared with the group in the film of the same name. The song was later released as the lead song of the Digital Underground extended play (EP) This is an EP Release, the follow-up to their debut hit album Sex Packets. Shakur appeared in the accompanying music video. After his rap debut, he performed with Digital Underground again on the album Sons of the P. Later, he released his first solo album, 2Pacalypse Now. Though the album did not generate any "Top Ten" hits, 2Pacalypse Now is hailed by many critics and fans for its underground feel, with many rappers such as Nas, Eminem, Game, and Talib Kweli having pointed to it as inspiration.[25] Although the album was originally released on Interscope Records, rights of it are now owned by Amaru Entertainment. The album's name is a reference to the 1979 film Apocalypse Now.

The album generated significant controversy. Dan Quayle criticized it after a Texas youth's defense attorney claimed he was influenced by 2Pacalypse Now and its strong theme of police brutality before shooting a state trooper. Quayle said, "There's no reason for a record like this to be released. It has no place in our society." The record was important in showcasing 2Pac's political conviction and his focus on lyrical prowess. On MTV's Greatest Rappers of All Time List, 2Pacalypse Now was listed as one of 2Pac's "certified classic" albums, along with Me Against the World, All Eyez On Me and The Don Killuminati: The 7 Day Theory.

2Pacalypse Now went on to be certified Gold by the RIAA. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls". 2Pacalypse Now can be found in the Vinyl Countdown and in the instruction manual for Grand Theft Auto: San Andreas, along with the track "I Don't Give a Fuck," which appeared on the in-game radio station, Radio Los Santos.

In October 1991, Tupac filed a $10 million civil suit against the Oakland Police Department, alleging they brutally beat him for jaywalking.[26] On August 22, 1992, in Marin City, Shakur performed at an outdoor festival, and stayed for an hour afterwards signing autographs and pictures. A confrontation occurred in which someone drew a Colt Mustang, and accidentally dropped it. As it was picked up, a bullet discharged. About 100 yards away, Qa'id Walker-Teal, a 6-year-old, was hit and killed by a bullet at a playground. Some sources report that the child was the victim of a stray bullet in a shootout between Shakur's entourage and a rival group.[27][28] Shakur and Mopreme left in their car and were stopped by an angry mob. The police "rescued" them and took the two into custody, who were soon released without charge. In 1995, a wrongful death suit was brought against Shakur by Qa'id's mother. Ballistics tests proved the bullet that killed the boy was not from Shakur's or any members of his entourage's gun. Shakur's attorney stated that the festival was a "nasty situation," and his client was saddened by the death of the young boy. Shakur's record company settled the lawsuit for an undisclosed amount, reportedly between $300,000 and $500,000.[29]

1993: Strictly 4 My N.I.G.G.A.Z., rape charge and shooting in Atlanta

His second studio album, Strictly 4 My N.I.G.G.A.Z., was released in February 1993. The album did better than the previous one debuting on number 24 on the Billboard 200. The album contains many tracks emphasizing 2Pac's political and social views. This album had more commercial success than its predecessor, and there were noticeable differences in production. While Tupac's first effort had an indie-rap-oriented sound, this album was considered his "breakout" album. It spawned the hits "Keep Ya Head Up" and "I Get Around" and reached platinum status. On vinyl, Side A (tracks 1-8) was labeled the "Black Side" and Side B (tracks 9-16) the "Dark Side." It's known as his tenth-biggest selling album with 1,366,000 units moved as of 2004.[30]

In October 1993, in Atlanta, two brothers and off-duty police officers, Mark and Scott Whitwell, were with their wives celebrating Mrs. Whitwell's recent passing of the state bar examination. As they crossed the street, a car with Shakur inside passed by them or "almost struck them." The Whitwells began an altercation with the driver, Shakur and the other passengers, which was joined by a second passing car. Shakur shot one officer in the buttocks, and the other in the leg, back, or abdomen, according to varying news reports. There were no other injuries. Mark Whitwell was charged with firing at Shakur's car and later lying to the police during the investigation; Shakur was charged with the shooting; the prosecutors decided to drop all charges against all parties.[31][32]

In November 1993, Shakur and others were charged with sexually assaulting a woman in a hotel room. Shakur denied the charges. According to Shakur, he had prior relations days earlier with the woman that were consensual. The complainant claimed sexual assault after her second visit to Shakur's hotel room; she alleged that Shakur and his entourage raped her.[33][34] In the ensuing trial, Shakur was convicted of sexual abuse. In sentencing Shakur to 1½–4½ years in prison, the judge described the crime as "an act of brutal violence against a helpless woman."[35][36] After serving part of his sentence, Shakur was released on bail pending appeal. On April 5, 1996, a judge sentenced him to serve 120 days in jail for violating terms of his release on bail.[37]

1994: Thug Life, Thug Life: Volume 1 and November shooting

In late 1993, Shakur formed the group Thug Life with a number of his friends, including Big Syke, Macadoshis, his stepbrother Mopreme Shakur, and Rated R. The group released their only album Thug Life: Volume 1 on September 26, 1994, which went gold. The album featured the single "Pour Out a Little Liquor," produced by Johnny "J" Jackson, who went on to produce a large part of Shakur's album All Eyez on Me. The group usually performed their concerts without Shakur.[38] The album was originally released by Shakur's label Out Da Gutta Records. Due to criticism about gangsta rap at the time, the original version of the album was scrapped and re-recorded with many of the original songs being cut. Among the notable tracks on the album are "Bury Me a G," "Cradle to the Grave," "Pour Out a Little Liquor" (which also appears in the soundtrack to the 1994 film Above the Rim), "How Long Will They Mourn Me?" and "Str8 Ballin'." The album contains ten tracks because Interscope Records felt many of the other recorded songs were too controversial to release. Although the original version of the album was not completed, Tupac performed the planned first single from the album, "Out on Bail" at the 1994 Source Awards.[39] Although the album was originally released on Shakur's label Out Da Gutta, Amaru Entertainment, the label owned by the mother of Tupac Shakur, has since gained the rights to it. Thug Life: Volume 1 was certified Gold. The track "How Long Will They Mourn Me?" appeared later in 1998 from 2Pac's Greatest Hits album.[40]

Shakur was rushed to Bellevue Hospital after a near-fatal shooting in 1994

On the night of November 30, 1994, the day before the verdict in his sexual abuse trial was to be announced, Shakur was shot five times and robbed by two armed men in army fatigues after entering the lobby of Quad Recording Studios in Manhattan. He would later accuse Sean Combs,[41] Andre Harrell, and Biggie Smalls—whom he saw after the shooting—of setting him up. Shakur also suspected his close friend and associate, Randy "Stretch" Walker, of being involved in the attack. In the documentary,[which?] Biggie says that they were in the recording studio and did not know Shakur would be there. Once they heard he was downstairs, Lil' Cease went to get him but came back with news that he had just been shot. When Biggie's entourage went downstairs to check on the incident, Shakur was being taken out on a stretcher, still conscious and giving the finger to those around.[42][43][44]

According to the doctors at Bellevue Hospital, where he was admitted immediately following the incident, Shakur had received five bullet wounds; twice in the head, twice in the groin and once through the arm and thigh. In the documentary "Biggie and Tupac", Tupac's father is interviewed and said that Tupac made a point to show him that no damage was inflicted upon his penis and/or testicles. His father also mentions that when he saw Tupac's groin, he knew that he was his son. He checked out of the hospital against doctor's orders, three hours after surgery. In the day that followed, Shakur entered the courthouse in a wheelchair and was found guilty of three counts of molestation, but innocent of six others, including sodomy. On February 6, 1995, he was sentenced to one-and-a-half to four-and-a-half years in prison on a sexual assault charge.[45]

A year later on November 30, 1995, Stretch was killed after being shot twice in the back by three men who pulled up alongside his green minivan at 112th Ave. and 209th St. in Queens Village, while he was driving. His minivan smashed into a tree and hit a parked car.[46]

On March 17, 2008, Chuck Philips wrote a Los Angeles Times article stating that Jimmy Henchman, a hip hop talent manager, ordered a trio of thugs to rough up Shakur. The article, which was later retracted by the LA Times because it partially relied on FBI documents which turned out to be forged [47] was thought to be vindicated in 2011 when Dexter Isaac admitted to attacking Tupac on orders from Henchman.[48][49][50] Following Isaac’s public confession, Philips corroborated Isaac as one (among many) of his key unnamed sources.[51] In a June 12, 2012 exclusive for the Village Voice, Philips reported that Jimmy Henchman admitted to setting up Tupac's ambush during one of nine "Queen For A Day" proffer sessions with the government in autumn of 2011, according to prosecutors,[52][53] key evidence supporting Philips' theory of the attack.[53]

1995: Prison sentence, Me Against the World and bail

Shakur began serving his prison sentence at Clinton Correctional Facility on February 14, 1995. Shortly afterward, he released his multi-platinum album Me Against the World. Shakur became the first artist to have an album at number one on the Billboard 200 while serving a prison sentence. Me Against the World made its debut on the Billboard 200 and stayed at the top of the charts for four weeks. The album sold 240,000 copies in its first week, setting a record for highest first week sales for a solo male rap artist at the time.[54] While serving his sentence, he married his long-time girlfriend, Keisha Morris, on April 4, 1995; the couple divorced in 1996.[55] While imprisoned, Shakur read many books by Niccolò Machiavelli, Sun Tzu's The Art of War and other works of political philosophy and strategy.[56] He wrote a screenplay titled Live 2 Tell while incarcerated, a story about an adolescent who becomes a drug baron.[57]

The album was very well received, with many calling it the magnum opus of his career. It is considered one of the greatest and most influential hip hop albums of all-time. It is his fourth biggest selling album with 2,439,000 units moved to date.[58] Me Against the World won best rap album at the 1996 Soul Train Music Awards.[59]

"Dear Mama" was released as the album's first single in February 1995, along with the track "Old School" as the B-side.[60] "Dear Mama" would be the album's most successful single, topping the Hot Rap Singles chart, and peaking at the ninth spot on the Billboard Hot 100.[61] The single was certified platinum in July 1995,[62] and later placed at #51 on the year-end charts. The second single, "So Many Tears", was released in June, four months after the first single.[63] The single would reach the number six spot on the Hot Rap Singles chart, and the 44th on the Billboard Hot 100.[61] "Temptations", released in August, was the third and final single from the album.[64] The single would be the least successful of the three released, but still did fairly well on the charts, reaching number 68 on the Billboard Hot 100, 35 on the Hot R&B/Hip-Hop Singles & Tracks, and 13 on the Hot Rap Singles charts.[61]

In October 1995, Shakur's case was on appeal but due to all of his legal fees he could not raise the $1.4 million bail. After serving eleven months of his one-and-a-half year to four-and-a-half year sentence,[65] Shakur was released from the Clinton Correctional Facility due in large part to the help and influence of Suge Knight, the CEO of Death Row Records, who posted a $1.4 million bail pending appeal of the conviction in exchange for Shakur to release three albums under the Death Row label.[66]

1996: All Eyez on Me and The Don Killuminati: The 7 Day Theory

All Eyez on Me was the fourth studio album by 2Pac, released on February 13, 1996 by Death Row Records and Interscope Records. The album is frequently recognized as one of the crowning achievements of 1990s rap music.[67] It has been said that "despite some undeniable filler, it is easily the best production 2Pac's ever had on record".[68] It was certified 5× Platinum after just 2 months in April 1996 and 9× platinum in 1998. The album featured the Billboard Hot 100 number one singles "How Do U Want It" and "California Love". It featured 5 singles in all, the most of any 2Pac album. Moreover, All Eyez On Me (which was the only Death Row release to be distributed through PolyGram by way of Island Records) made history as the first double-full-length hip-hop solo studio album released for mass consumption. It was issued on two compact discs and four LPs. Chartwise, All Eyez on Me was the second album from 2Pac to hit number-one on both the Billboard 200 and the Top R&B/Hip-Hop Albums charts.[69] It sold 566,000 copies in the first week of its release, and was charted on the top 100 with the top one-week Soundscan sales since 1991. The album won the 1997 Soul Train R&B/Soul or Rap Album of the Year Award.[70][71] Shakur also won the Award for Favorite Rap/Hip-Hop Artist at the 24th Annual American Music Awards.[72]

Makaveli The Don - Killuminati: The 7 Day Theory, commonly shortened to The 7 Day Theory, is the fifth and final studio album by Tupac Shakur, under the new stage name Makaveli, finished before his death and his first studio album to be posthumously released.[73] The album was completely finished in a total of seven days during the month of August 1996.[74] The lyrics were written and recorded in only three days and mixing took an additional four days. These are among the very last songs he recorded before his fatal shooting on September 7, 1996. In 2005, MTV.com ranked Killuminati: The 7 Day Theory at #9 on their greatest hip hop albums of all time list[75] and, in 2006, recognized it as a classic.[76] The emotion and anger showcased on the album has been admired by a large part of the hip-hop community, including other rappers.[77] Ronald "Riskie" Brent is the creator of the Makaveli Don Killuminati cover painting.[78] George "Papa G" Pryce, Former Head of Publicity for Death Row, claimed that "Makaveli which we did was a sort of tongue and cheek and it was not really to come out and after Tupac was murdered, it did come out. But before that it was going to be a sort of an underground."[79] The album peaked at number one on the Billboard Top R&B/Hip-Hop Albums chart and the Billboard 200.[80] The album generated the second-highest debut-week sales total of any album that year,[81] selling 664,000 copies on the first week. This album was certified 4× Platinum on June 15, 1999.[82]

Death

On the night of September 7, 1996, Shakur attended the Mike TysonBruce Seldon boxing match at the MGM Grand in Las Vegas, Nevada. After leaving the match, one of Knight's associates spotted 21-year-old Orlando "Baby Lane" Anderson, an alleged member of the Southside Crips, in the MGM Grand lobby. Earlier that year, Anderson and a group of Crips had robbed a member of Death Row's entourage in a Foot Locker store. Knight's associate told Shakur, who attacked Anderson. Shakur's entourage, as well as Knight and his followers, assisted in assaulting Anderson. The fight was captured on the hotel's video surveillance. After the brawl, Shakur went with Knight to go to Death Row-owned Club 662 (now known as restaurant/club Seven). He rode in Knight's 1996 black BMW 750iL sedan as part of a larger convoy, including many in Shakur's entourage.[83]

At around 11:00–11:05 pm, they were halted on Las Vegas Boulevard by Metro bicycle police for playing the car stereo too loudly and not having license plates. The plates were found in the trunk of Knight's car; the party was released without being fined a few minutes later.[84] At about 11:10 pm, while they were stopped at a red light at Flamingo Road near the intersection of Koval Lane in front of the Maxim Hotel, a vehicle occupied by two women pulled up on their left side. Shakur, who was standing up through the sunroof, exchanged words with the two women, and invited them to go to Club 662.[84] At approximately 11:15 pm, a white, four-door, late-model Cadillac with an unknown number of occupants pulled up to the sedan's right side, rolled down a window, and rapidly fired gunshots at Shakur. He was hit in the chest, pelvis, and his right hand and thigh.[8][84] One of the rounds went into Shakur's right lung.[85] Knight was hit in the head by fragmentation, though it is thought[by whom?] that a bullet grazed him.[86] The bodyguard, Frank Alexander, stated that when he was about to ride along with the rapper in Knight's car, Shakur asked him to drive the car of Shakur's fiancée Kidada Jones instead, in case they needed additional vehicles from Club 662 back to the hotel. The bodyguard reported in his documentary, Before I Wake, that shortly after the assault, one of the convoy's cars drove off after the assailant but he never heard from the occupants.[87]

After arriving on the scene, police and paramedics took Knight and a wounded Shakur to the University Medical Center. According to an interview with the music video director Gobi, while at the hospital, he received news from a Death Row marketing employee that the shooters had called the record label and threatened Shakur.[88] Gobi told the Las Vegas police, but said they claimed to be understaffed.[88] No attackers came.[88] At the hospital, Shakur was heavily sedated, was placed on life support machines, and was ultimately put under a barbiturate-induced coma after repeatedly trying to get out of the bed.[8] While in the critical care unit, on the afternoon of Friday, September 13, 1996, Shakur died of internal bleeding; doctors attempted to revive him but could not stop the hemorrhaging.[8] His mother, Afeni, made the decision to tell the doctors to stop.[85] He was pronounced dead at 4:03 pm (PDT).[8] The official cause of death was noted as respiratory failure and cardiopulmonary arrest in connection with multiple gunshot wounds.[8] Shakur's body was cremated the next day and some of his ashes were later mixed with marijuana and smoked by members of the Outlawz.[89]

Aftermath

Murder case

In 2002, the LA Times published a story by Pulitzer Prize-winning investigative reporter Chuck Philips, titled "Who Killed Tupac Shakur", based on a yearlong investigation that reconstructed the crime and the events leading up to it. Evidence gathered by the paper indicated that: "the shooting was carried out by a Compton gang called the Southside Crips to avenge the beating of one of its members by Shakur a few hours earlier. Orlando Anderson, the Crip whom Shakur had attacked, fired the fatal shots. Las Vegas police discounted Anderson as a suspect and interviewed him only once, briefly. He was later killed in an unrelated gang shooting." Philips's article also included East Coast rappers including Biggie, Tupac's rival at the time, and several New York criminals.[90]

Before they died, The Notorious B.I.G. and Anderson denied their role in the murder. In support of their claims, Biggie's family produced computerized invoices suggesting that Biggie was working in a New York recording studio the night of the drive-by shooting. His manager Wayne Barrow and fellow rapper James "Lil' Cease" Lloyd made public announcements denying Biggie's role in the crime and claimed further that they were both with him in the recording studio during the night of the event.[91] Philips' article, however, was based on police affidavits and court documents as well as interviews with investigators, witnesses to the crime and members of the Southside Crips who had never before discussed the killing outside the gang. The main thrust of Philips' article, implicating Anderson and the Crips, remains the best supported theory of the murder of Shakur to date.

Artistry

Influences and musical style

Shakur's music and philosophy is rooted in many American, African-American, and world entities, including the Black Panther Party, Black nationalism, egalitarianism, and liberty.

Tupac’s love of theater and Shakespeare also influenced his work. A student of the Baltimore school of Arts where he studied theater, Tupac understood the Shakespearian psychology of inter-gang wars and inter-cultural conflict. During a 1995 interview, Tupac told the Pulitzer prize-winning Los Angeles Times reporter Chuck Philips:[92]

… I love Shakespeare. He wrote some of the rawest stories, man. I mean look at Romeo and Juliet. That's some serious ghetto shit. You got this guy Romeo from the Bloods who falls for Juliet, a female from the Crips, and everybody in both gangs are against them. So they have to sneak out and they end up dead for nothing. Real tragic stuff.

And look how Shakespeare busts it up with Macbeth. He creates a tale about this king's wife who convinces a happy man to chase after her and kill her husband so he can take over the country. After he commits the murder, the dude starts having delusions just like in a Scarface song. I mean the king's wife just screws this guy's whole life up for nothing…”.[92]

Chuck Philips made his recorded 1995 interview with Tupac available at chuckphilipspost.com on September 13, 2012, the 16th anniversary of Tupac's death.[93] In a European interview[94] Philips said that what impressed him the most about Tupac was that he was a poet. Philips said "I like sacred texts, myths, proverbs and scriptures. ... When Tupac came along, I thought he was quite the poet... It wasn’t just how cleverly they rhymed. It wasn’t just the rhythm or the cadence. I liked their attitude. It was protest music in a way nobody had ever thought about before. ...These artists were brave, wise and smart – wickedly smart. The thing about Tupac was he had so many sides. He was unafraid to write about his vulnerabilities."[94]

Tupac's debut album, 2Pacalypse Now, revealed the socially conscious side of Shakur. On this album, Shakur attacked social injustice, poverty and police brutality on songs "Brenda's Got a Baby", "Trapped" and "Part Time Mutha". His style on this album was highly influenced by the social consciousness and Afrocentrism pervading hip hop in the late 1980s and early 1990s. On this initial release, Shakur helped extend the success of such rap groups as Boogie Down Productions, Public Enemy, X-Clan, and Grandmaster Flash, as he became one of the first major socially conscious rappers from the West Coast.[95]

On his second record, Shakur continued to rap about the social ills facing African-Americans, with songs like "The Streetz R Deathrow" and "Last Wordz". He also showed his compassionate side with the anthem "Keep Ya Head Up", while simultaneously putting his legendary aggressiveness on display with the title track from the album Strictly 4 My N.I.G.G.A.Z. he added a salute to his former group Digital Underground by including them on the playful track "I Get Around". Throughout his career, an increasingly aggressive attitude can be seen pervading Shakur's subsequent albums.[96]

The contradictory themes of social inequality and injustice, unbridled aggression, compassion, playfulness, and hope all continued to shape Shakur's work, as witnessed with the release of his incendiary 1995 album Me Against the World. In 1996, Shakur released All Eyez on Me. Many of these tracks are considered by many critics to be classics, including "Ambitionz Az a Ridah", "I Ain't Mad at Cha", "California Love", "Life Goes On" and "Picture Me Rollin".; All Eyez on Me was a change of style from his earlier works. While still containing socially conscious songs and themes, Shakur's album was heavily influenced by party tracks and tended to have a more "feel good" vibe than his first albums. Shakur described it as a celebration of life, and the record was critically and commercially successful.[97]

He had enjoyed and had been influenced by the work of contemporary English and Irish pop musicians as a teenager such as Kate Bush, Culture Club, Sinéad O'Connor and U2.[98]

Other ventures

Death Row Records

Upon his release from Clinton Correctional Facility, Shakur immediately went back to song recording. He began a new group called Outlaw Immortalz. Shakur began recording his first album with Death Row and released the single "California Love" soon after. On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold over nine million copies.[99] The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums R U Still Down? (Remember Me), Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album with the Boot Camp Clik and their label Duck Down Records, both New York–based, entitled One Nation.[100]

On June 4, 1996, he and Outlawz released the diss track "Hit 'Em Up", a scathing lyrical assault on Biggie and others associated with him. In the track, Shakur claimed to have had sexual intercourse with Faith Evans, Biggie's wife at the time, and attacked Bad Boy's street credibility. Shakur was convinced that some members associated with Bad Boy had known about the '94 attack on him beforehand due to their behavior that night and what his sources told him. After the attack, Shakur immediately accused Jimmy Henchman (an associate of Bad Boy CEO Sean Combs) of orchestrating the attack, according to a 2005 interview with Henchman in Vibe magazine. After the attack, Shakur therefore aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Suge's friend and bodyguard, Jake Robles; Suge was adamant in voicing his suspicions of Combs' involvement.[101] (In a June 12, 2012 Village Voice article, Chuck Philips reported that Sean Comb's associate Jimmy Henchman, remarkably, admitted to setting up Tupac's ambush during one of nine "Queen For A Day" proffer sessions with the government in autumn of 2011, according to prosecutors).[52]

While incarcerated in Clinton Correctional Facility, Shakur read and studied Niccolò Machiavelli and other published works, which inspired his pseudonym "Makaveli" under which he released the album The Don Killuminati: The 7 Day Theory. The album presents a stark contrast to previous works. Throughout the album, Shakur continues to focus on the themes of pain and aggression, making this album one of the emotionally darker works of his career. Shakur wrote and recorded all the lyrics in only three days and the production took another four days, combining for a total of seven days to complete the album (hence the name).

Outlawz

When Tupac Shakur recorded "Hit 'Em Up" a diss song towards his former friend and rival, The Notorious B.I.G., also known as Biggie Smalls he recruited three members from the former group Dramacydal whom he had worked with previously, and was eager to work with again. Together with the three New Jersey rappers and other associates, they formed the original lineup of the Outlawz. When 2Pac signed to Death Row upon his release from prison, he recruited his step brother Mopreme Shakur and Big Syke from Thug Life. Hussein Fatal, Napoleon, E.D.I. Mean, Kastro, Yaki Kadafi, and Storm (the only female Outlaw) were also added, and together they formed the original lineup of the Outlaw Immortalz that debuted on 2Pac's multi-platinum smash All Eyez on Me. They later dropped the immortal after the untimely deaths of 2Pac and Yaki Kadafi and moved on as Outlawz without the members of Thug Life. Young Noble was later added and appeared on 2Pac's second Death Row release The Don Killuminati: The 7 Day Theory. It was on 2Pac's Makaveli album that Outlawz first came to the greater rap community's notice, appearing on a few songs. The idea behind the group was for each member to have a rap name coinciding with the names of various tyrants or enemies of America, past and present. Outlawz chose in later years to make a backronym out of the letters of their group name Operating Under Thug Laws As Warriorz although it does not stand for the groups name and is used infrequently.

On forming the Outlawz, Tupac gave each of them a name of a dictator/military leader or an enemy of America.

For himself, Tupac created the alias "Makaveli" from Renaissance Italian philosopher and strategist Niccolo Machiavelli, whose writings inspired Shakur in prison, but who also preached that a leader could eliminate his enemies by all means necessary.

He mentioned Makaveli Records a few times before his death. This was supposed to be a music label for up and coming artists that Shakur had an interest in developing or potentially signing, and his own future projects would have also been published through it as well.[102]

Acting career

In addition to rapping and hip hop music, Shakur acted in films. He made his first film appearance in the motion picture Nothing But Trouble, as part of a cameo by the Digital Underground. His first starring role was in the film Juice. In this film, he played the character Roland Bishop, a violent member of the Wrecking Crew, for which he was hailed by Rolling Stone's Peter Travers as "the film's most magnetic figure."[103] He then went on to star with Janet Jackson in Poetic Justice and with Duane Martin in Above the Rim. After his death, three of Shakur's completed films, Bullet, Gridlock'd and Gang Related, were released.[104][105]

He had also been slated to star in the Hughes brothers' film Menace II Society but was replaced by Larenz Tate after assaulting Allen Hughes as a result of a quarrel. Director John Singleton mentioned that he wrote the script for Baby Boy with Shakur in mind for the leading role.[106] It was eventually filmed with Tyrese Gibson in his place and released in 2001, five years after Shakur's death. The film features a mural of Shakur in the protagonist's bedroom as well as featuring the song "Hail Mary" in the film's score.[107]

Personal life

Shakur was a voracious reader. He was inspired by a wide variety of writers, including William Shakespeare, Niccolò Machiavelli, Donald Goines, Sun Tzu, Kurt Vonnegut, Mikhail Bakunin, Maya Angelou, Alice Walker, and Khalil Gibran.

Shakur never professed following a particular religion, but his lyrics in singles such as 'Only God Can Judge Me' and poems such as The Rose That Grew from Concrete suggest he believed in God. This means many analysts currently describe him as a deist.[108][109][110] He believed in Karma, but rejected a literal afterlife and organized religion.[111]

Tupac has had several family members who were members of the Black Panthers; Mutulu Shakur, the step-father of Tupac, Assata Shakur, his step-aunt, Billy Garland the biological father of Tupac and Afeni Shakur his mother.

Accolades

Legacy

Since his death, Tupac has become an international martyr, a symbol on the level of Bob Marley or Che Guevara, whose life has inspired Tupacistas on the streets of Brazil, memorial murals in the Bronx and Spain, and bandanna-wearing youth gangs in South Africa.

Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture[112]

At a Mobb Deep concert following the death of Shakur and the release of The Don Killuminati: The 7 Day Theory, Cormega recalled in an interview that the fans were all shouting "Makaveli,"[113] and emphasized the influence of The Don Killuminati: The 7 Day Theory and of Shakur himself even in New York at the height of the media-dubbed 'intercoastal rivalry'.[114] Tupac Shakur was also one of the few rappers that were paid a tribute during the Up in Smoke Tour that featured many west coast hip-hop artists.

Shakur is held in high esteem by other MCs – in the book How to Rap, Bishop Lamont notes that Shakur “mastered every element, every aspect” of rapping[115] and Fredro Starr of Onyx says Shakur, "was a master of the flow."[116] "Every rapper who grew up in the Nineties owes something to Tupac," wrote 50 Cent. "He didn't sound like anyone who came before him."[3] About.com for their part named Shakur the most influential rapper ever.[117]

Statue of Tupac created by Italian artist Paolo Chiasera at Marta Museum in Herford, Germany.

To preserve Shakur's legacy, his mother founded the Shakur Family Foundation (later renamed the Tupac Amaru Shakur Foundation or TASF) in 1997. The TASF's stated mission is to "provide training and support for students who aspire to enhance their creative talents." The TASF sponsors essay contests, charity events, a performing arts day camp for teenagers and undergraduate scholarships. The Foundation officially opened the Tupac Amaru Shakur Center for the Arts (TASCA) in Stone Mountain, Georgia, on June 11, 2005. On November 14, 2003, a documentary about Shakur entitled Tupac: Resurrection was released under the supervision of his mother and narrated entirely in his voice. It was nominated for Best Documentary in the 2005 Academy Awards. Proceeds will go to a charity set up by Shakur's mother Afeni. On April 17, 2003, Harvard University co-sponsored an academic symposium entitled "All Eyez on Me: Tupac Shakur and the Search for the Modern Folk Hero." The speakers discussed a wide range of topics dealing with Shakur's impact on everything from entertainment to sociology.[118]

Many of the speakers discussed Shakur's status and public persona, including State University of New York at Buffalo English professor Mark Anthony Neal who gave the talk "Thug Nigga Intellectual: Tupac as Celebrity Gramscian" in which he argued that Shakur was an example of the "organic intellectual" expressing the concerns of a larger group.[119] Professor Neal has also indicated in his writings that the death of Shakur has left a "leadership void amongst hip-hop artists."[120] Neal further describes him as a "walking contradiction", a status that allowed him to "make being an intellectual accessible to ordinary people."[121]

Professor of Communications Murray Forman, of Northeastern University, spoke of the mythical status about Shakur's life and death. He addressed the symbolism and mythology surrounding Shakur's death in his talk entitled "Tupac Shakur: O.G. (Ostensibly Gone)". Among his findings were that Shakur's fans have "succeeded in resurrecting Tupac as an ethereal life force."[122] In "From Thug Life to Legend: Realization of a Black Folk Hero", Professor of Music at Northeastern University, Emmett Price, compared Shakur's public image to that of the trickster-figures of African-American folklore which gave rise to the urban "bad-man" persona of the post-slavery period. He ultimately described Shakur as a "prolific artist" who was "driven by a terrible sense of urgency" in a quest to "unify mind, body, and spirit".[123]

In Holler If You Hear Me: Searching for Tupac Shakur, Michael Eric Dyson indicated that Shakur "spoke with brilliance and insight as someone who bears witness to the pain of those who would never have his platform. He told the truth, even as he struggled with the fragments of his identity."[124] At one Harvard Conference the theme was Shakur's impact on entertainment, race relations, politics and the "hero/martyr".[125] In late 1997, the University of California, Berkeley offered a student-led course entitled "History 98: Poetry and History of Tupac Shakur."[126]

Graffitis of Tupac

East Harlem, New York City
Ipanema, Rio de Janeiro, Brazil
Tupac Shakur in Madame Tussauds, New York.

In late 2003, the Makaveli Branded Clothing line was launched by Afeni. In 2005, Death Row released Tupac: Live at the House of Blues. The DVD was the final recorded performance of Shakur's career, which took place on July 4, 1996, and features a plethora of Death Row artists. In August 2006, Tupac Shakur Legacy was released. The interactive biography was written by Jamal Joseph. It features unseen family photographs, intimate stories, and over 20 removable reproductions of his handwritten song lyrics, contracts, scripts, poetry, and other personal papers. Shakur's sixth posthumous studio album, Pac's Life, was released on November 21, 2006. It commemorates the 10th anniversary of Shakur's death. He is still considered one of the most popular artists in the music industry as of 2006.[127]

According to Forbes, in 2008 Shakur's estate made $15 million.[128] In 2002, they recognized him as a Top Earning Dead celebrity coming in on number ten on their list.[129]

On April 15, 2012, a "hologram" of Tupac Shakur (technically a 2-D video projection[130]) performed his songs "Hail Mary" and "2 of Amerikaz Most Wanted" with Snoop Dogg[131] at the Coachella Music Festival, the effect was created using an optical illusion called Pepper's ghost.[132] The video footage was created by visual effects company Digital Domain.[130] The Wall Street Journal reported Dr. Dre and Snoop Dogg were in talks of a possible tour involving the two rappers and the hologram version of Tupac,[133] which was later turned down by Dr. Dre.[134]

Library of Congress

Shakur's hit song "Dear Mama" is one of 25 songs that were added to the National Recording Registry in 2010. The Library of Congress has called "Dear Mama" "a moving and eloquent homage to both the murdered rapper's own mother and all mothers struggling to maintain a family in the face of addiction, poverty and societal indifference." The honor came seven days after what would have been Shakur's 39th birthday. Shakur is the third rapper to enter the library, behind Grandmaster Flash and Public Enemy.[135]

Honors

Discography

Studio albums

Posthumous solo albums

Collaboration albums

Posthumous collaboration albums

Compilation albums

Filmography

YearTitleRoleNotes
1991Nothing But TroubleHimself(Brief appearance)
1992JuiceBishopFirst starring role
1993Poetic JusticeLuckyCo-starred with Janet Jackson
1994Above the RimBirdieCo-starred with Duane Martin
1995Murder Was the Case: The MovieSniper(Uncredited). Segment "Natural Born Killaz".
1996BulletTankReleased one month after Shakur's death
1997Gridlock'dEzekiel 'Spoon' WhitmoreReleased four months after Shakur's death
1997Gang RelatedDetective RodríguezShakur's last performance in a film

Documentaries Shakur's life has been recognized in big and small documentaries each trying capture the many different events during his short lifetime, most notably the Academy Award–nominated Tupac: Resurrection, released in 2003.

See also

References

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Sources

External links