Tony Shafrazi

From Wikipedia, the free encyclopedia - View original article

 
Jump to: navigation, search

Tony Shafrazi is the owner of the Shafrazi Art Gallery in New York, who deals artwork by artists such as Francis Bacon, Keith Haring, and David LaChapelle.

Early life and education[edit]

Shafrazi was born in Abadan, Iran to Armenian parents who divorced when he was two.[1][2] At the age of 13, his father – an oil-company executive – and stepmother took Shafrazi to England and left him to study there.[3] He first went to a vicarage in Bilston, then to boarding school in Whittlebury[4] and later Hammersmith College of Art & Building. He attended the Royal College of Art from 1963 to 1967[5] before coming to New York in 1969,[6] where he lectured at several universities, including the School of Visual Arts.[7]

Artist[edit]

On February 28, 1974, Shafrazi spray-painted Picasso's painting Guernica, which hung in the Museum of Modern Art, with the words "KILL LIES ALL" in foot-high letters.[8] When a guard finally grabbed him, Shafrazi shouted, "Call the curator. I am an artist."[9] The paint was easily removed as the painting was heavily varnished. It is believed that Shafrazi was protesting the announcement, the day before, of the release on bail of U.S. lieutenant William Calley. Calley, then under house arrest following his conviction, in 1971, for his part in the My Lai massacre in Vietnam, had petitioned for habeas corpus; he had initially been sentenced to life imprisonment. Although his appeal was overturned in June, he was finally released from U.S. Army custody later in the year after having received a limited pardon from Richard Nixon. Shafrazi was a member of the Art Workers' Coalition, which in 1970 had staged a protest at MoMA by unfurling a copy of the famous My Lai protest poster And babies in front of the Guernica painting, which itself depicts the tragedies of war and the suffering it inflicts upon innocent civilians. Shafrazi was later given five years' probation, without a trial.[10]

In regard to his 1974 vandalism of the painting, he gave the following statement to Art in America in December 1980: "I wanted to bring the art absolutely up to date, to retrieve it from art history and give it life. Maybe that's why the Guernica action remains so difficult to deal with. I tried to trespass beyond that invisible barrier that no one is allowed to cross; I wanted to dwell within the act of the painting's creation, get involved with the making of the work, put my hand within it and by that act encourage the individual viewer to challenge it, deal with it and thus see it in its dynamic raw state as it was being made, not as a piece of history."

Art dealer[edit]

In 1976, only a few years after the spray painting incident, Shafrazi returned to his homeland and became the art advisor to the Shah of Iran and Kamran Diba, then director of the Teheran Museum of Contemporary Art.[11] Shafrazi went to about 15 of the top New York dealers at the time — including Leo Castelli, Ileana Sonnabend, Paula Cooper, John Weber, and Irving Blum — and helped assemble a 20th-century art collection on the Shah's behalf within four years.[12] As he did so his power expanded into the art market. The museum Shafrazi had constructed in Tehran to house this collection epitomized the Shah's modern Iranian state, thus the collection was predominantly Western: from Impressionism to Abstract Expressionism, Pop and Conceptual Art, including works by Andy Warhol, Roy Lichtenstein, and Willem de Kooning.

In 1978, Shafrazi briefly opened his own commercial gallery in a small Tehran shopfront but closed it because of conditions in the country leading up to the 1979 Revolution.

Resettling in New York, Shafrazi converted his rented apartment into a makeshift gallery where he slept on a small loft bed at night.[13] In 1979, he opened his first New York gallery, and within a few years he had made his reputation handling talents like Donald Baechler and then-hot graffiti artists like Jean-Michel Basquiat, Keith Haring, and Kenny Scharf and also Europeans artits like Brian Clark, Enzo Cucchi, Hervé Di Rosa and Jean-Charles Blais.[14] In 1990, he opened a new 13,000-square-foot gallery at 119 Wooster Street, with an exhibition entitled "American Masters of the 60's" and including Carl Andre, Tom Wesselmann, Jasper Johns, Donald Judd, Frank Stella, and Andy Warhol.[15]

In 1999, the Francis Bacon estate chose Shafrazi as its United States representative.[16] In 2004, the gallery opened another space on 26th Street with a large show of paintings by Picasso, Francis Bacon and Jean-Michel Basquiat.[17]

Personal life[edit]

A longtime friend of Stephanie Seymour and Peter Brant, Shafrazi was best man at their 1995 wedding in a chapel on an estate outside Paris.[18]

External links[edit]

  1. ^ David Grogan (March 26, 1984), Once He Vandalized Picasso's Guernica, but Now Tony Shafrazi Is a Successful Patron of the Arts People.
  2. ^ Bettina von Hase (February 20 2010), The fine art of philanthropy Financial Times.
  3. ^ David Grogan (March 26, 1984), Once He Vandalized Picasso's Guernica, but Now Tony Shafrazi Is a Successful Patron of the Arts People.
  4. ^ Bettina von Hase (February 20 2010), The fine art of philanthropy Financial Times.
  5. ^ Owen Wilson (November 2007), Tony Shafrazi Interview Magazine.
  6. ^ Carol Vogel (October 12, 1998), Another Look at Bacon; Newfound Canvases Shed More Light on a Master New York Times.
  7. ^ David Grogan (March 26, 1984), Once He Vandalized Picasso's Guernica, but Now Tony Shafrazi Is a Successful Patron of the Arts People.
  8. ^ David Grogan (March 26, 1984), Once He Vandalized Picasso's Guernica, but Now Tony Shafrazi Is a Successful Patron of the Arts People.
  9. ^ David Grogan (March 26, 1984), Once He Vandalized Picasso's Guernica, but Now Tony Shafrazi Is a Successful Patron of the Arts People.
  10. ^ David Grogan (March 26, 1984), Once He Vandalized Picasso's Guernica, but Now Tony Shafrazi Is a Successful Patron of the Arts People.
  11. ^ Carol Vogel (October 12, 1998), Another Look at Bacon; Newfound Canvases Shed More Light on a Master New York Times.
  12. ^ Olga of Greece (December 2, 2007), Masterpiece Basement New York Times.
  13. ^ David Grogan (March 26, 1984), Once He Vandalized Picasso's Guernica, but Now Tony Shafrazi Is a Successful Patron of the Arts People.
  14. ^ Carol Vogel (October 12, 1998), Another Look at Bacon; Newfound Canvases Shed More Light on a Master New York Times.
  15. ^ Roberta Smith (May 11, 1990), So Big and So Dressed Up, New Galleries Bloom in SoHo New York Times.
  16. ^ Sarah Thornton (August 29, 2008), Francis Bacon claims his place at the top of the market The Art Newspaper.
  17. ^ Roberta Smith (November 28, 2004), Chelsea Enters Its High Baroque Period New York Times.
  18. ^ Laura M. Holson (August 20, 2010), Brant vs. Brant: Divorce Celebrity Style New York Times.