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Tippi Hedren at Universal Studios, 1965
|Born||Nathalie Kay Hedren|
January 19, 1930
New Ulm, Minnesota, U.S.
|Occupation||Actress, animal rights activist|
|Spouse(s)||Peter Griffith (1952–1961)|
Noel Marshall (1964–1982)
Luis Barrenechea (1985–1995)
|Partner(s)||Martin Dinnes (2002–present)|
Tippi Hedren at Universal Studios, 1965
|Born||Nathalie Kay Hedren|
January 19, 1930
New Ulm, Minnesota, U.S.
|Occupation||Actress, animal rights activist|
|Spouse(s)||Peter Griffith (1952–1961)|
Noel Marshall (1964–1982)
Luis Barrenechea (1985–1995)
|Partner(s)||Martin Dinnes (2002–present)|
Nathalie Kay "Tippi" Hedren (born January 19, 1930) is an American actress, former fashion model and an animal rights activist. She is known for her roles in the Alfred Hitchcock films The Birds and Marnie (in which she played the title role). She has been involved with animal rescue at Shambala Preserve, an 80-acre (320,000 m2) wildlife habitat which she founded in 1983. Hedren was also instrumental in the development of Vietnamese-American nail salons in the United States.
For the first 40 years of her career, Hedren's year of birth was reported to be 1935, although in 2004, she acknowledged that she was actually born in 1930. Hedren was born in New Ulm, Minnesota, the daughter of Bernard Carl and Dorothea Henrietta (née Eckhardt) Hedren. Her paternal grandparents were emigrants from Sweden, while her maternal ancestry is German and Norwegian. Her father ran a small general store in the small town of Lafayette, Minnesota, and gave her the nickname "Tippi".
When she was four, she moved with her parents to Minneapolis.
As a teenager, Hedren took part in department store fashion shows. Her parents relocated to California while she was a high school student. On reaching her 18th birthday, she bought a ticket to New York and began a professional modeling career. Within a year she made her unofficial film debut as an uncredited extra in the musical comedy The Petty Girl; in interviews she refers to The Birds as her first film.
On Friday the 13th of October 1961, Hedren received a call from an agent who told her a producer was interested in working with her. When she was told it was Alfred Hitchcock who, while he was watching The Today Show, saw her in a commercial for a diet drink called Sego, she agreed to sign a seven-year contract. During their first meeting, the two talked about everything except the role he was considering her for. Hedren was convinced for several weeks it was for his television series, Alfred Hitchcock Presents.
Hitchcock put Hedren through a $25,000 screen test, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. According to Balsam, Hedren was very nervous but studied every line and move she was asked and tried to do everything right. Hitchcock asked costume designer Edith Head to design clothes for Hedren's private life and he personally advised her about wine and food. He also insisted for publicity purposes that her name should be printed only in single quotes, 'Tippi'. The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to her name.
Hitchcock was impressed with Hedren as production designer Robert F. Boyle explained. "Hitch always liked women who behaved like well-bred ladies. Tippi generated that quality." Because he was happy with her screen test, Hitchcock invited Hedren to a dinner where he offered her a golden pin of three birds in flight and asked her to play the leading role in his film, The Birds.
The Birds (1963) was Hedren's screen debut. Hitchcock became her drama coach and gave her an education in film-making as she attended many of the production meetings like script, music or photography conferences. Hedren said, "I probably learned in three years what it would have taken me 15 years to learn otherwise." She learned how to break down a script, to become another character and to study the relationship of different characters. Hedren portrayed her role of Melanie Daniels as Hitchcock requested. "He gives his actors very little leeway. He'll listen, but he has a very definite plan in mind as to how he wants his characters to act. With me, it was understandable, because I was not an actress of stature. I welcomed his guidance."
During the six months of principal photography, Hedren's schedule was tight as she was given one afternoon off a week. She found the shooting to be at first "wonderful". Hitchcock told a reporter, after a few weeks of filming, she was remarkable and said, "She's already reaching the lows and highs of terror." Nonetheless, Hedren recalled the week she did the final attack scene in a second-floor bedroom as the worst of her life. Before filming it, she asked Hitchcock about her character's motivations to go upstairs and his response was, "Because I tell you to." She was then assured that the crew would use mechanical birds. Instead, Hedren endured five solid days of prop men, protected by thick leather gloves, flinging dozens of live gulls, ravens and crows at her (their beaks clamped shut with elastic bands). In a state of exhaustion, when one of the birds gouged her cheek and narrowly missed her eye, Hedren sat down on the set and began crying. A physician ordered a week's rest. Hitchcock protested, according to Hedren, saying there was nobody but her to film. Her doctor's reply was, "Are you trying to kill her?" However, she admitted the week appeared to be an ordeal for the director.
While promoting The Birds, Hitchcock was full of praise for his new protégé and compared her to Grace Kelly. "Tippi has a faster tempo, city glibness, more humor [than Grace Kelly]. She displayed jaunty assuredness, pertness, an attractive throw of the head. And she memorized and read lines extraordinarily well and is sharper in expression." For her performance, Hedren received the Golden Globe Award for New Star of the Year, tied with Elke Sommer and Ursula Andress.
Hitchcock was impressed with Hedren's performance in The Birds and decided to offer her the leading title role of his next film, Marnie (1964), a romantic drama and psychological thriller from the novel by Winston Graham. Hedren was stunned and later said, "I thought Marnie was an extremely interesting role to play and a once-in-a-lifetime opportunity". She voiced doubts about her ability to play that demanding role but was assured by Hitchcock she could do it. Contrary to The Birds where she had received little acting guidance, Hedren studied every scene with the director.
Hedren recalled Marnie as her favorite of the two films she did with Hitchcock for the challenge of playing an emotionally battered young woman who travels from city to city assuming various guises in order to rob her employers. During the filming, Hitchcock was quoted as saying about Hedren, "an Academy Award performance is in the making". On release, the film was greeted by mixed reviews and indifferent box-office returns, and received no Oscar nominations.
Hedren's relationship with Hitchcock caused much controversy. In 1973, she admitted that a major life-style difference caused a split in their relationship. "He was too possessive and too demanding. I cannot be possessed by anyone. But, then, that's my own hangup."
In 1983, author Donald Spoto published his second book about Hitchcock, The Dark Side of a Genius, in which Hedren agreed to talk about her relationship with the director in detail for the first time. Hedren explained the shooting of the attack scene in The Birds and recalled that, during the filming of Marnie, Hitchcock made "an overt sexual proposition that she could neither ignore nor answer casually, as she could his previous gestures." The book was controversial as several of Hitchcock's friends claimed the Hitchcock portrayed in the book was not the man they knew. For years after its release, Hedren was not keen to talk about it in interviews but thought the chapter devoted to her story was "accurate as to just what he was."
However, in 2008, Hedren gave Spoto new details for his third book about Hitchcock, Spellbound by Beauty, in which she made a series of claims. She said that it was during production of The Birds that she began to feel uncomfortable over him as she remembered he was watching her all the time. Hitchcock tried to control everything from what she wore to what she ate and drank. She said she was being followed outside the set and reports were made and sent to Hitchcock about her comings and goings. He told the cast and crew they were not allowed to talk to her. Hedren claimed he tried, on one occasion, to kiss her in the back of a car when they were alone. Hedren said she told his assistant, Peggy Robertson, and the studio chief, Lew Wasserman, she was becoming very unhappy about the whole situation. "But he was Alfred Hitchcock, the great and famous director, and I was Tippi Hedren, an inexperienced actress who had no clout." She decided she couldn't quit her contract because she was afraid to be blacklisted and unable to find work.
During Marnie, Hedren found Hitchcock's behavior toward her more difficult to bear as filming progressed. "Everyone - I mean everyone - knew he was obsessed with me. He always wanted a glass of wine or champagne, with me alone, at the end of the day. (...) he was really isolating me from everyone." Hedren asked Hitchcock’s permission one day to travel to New York to appear on The Tonight Show where she was supposed to be presented an award as the Most Promising New Star. Hitchcock refused because he thought a break would harm her performance. Hedren was furious and apparently called the director a fat pig in front of people on the set. Hitchcock made only a comment about it to his biographer, John Russell Taylor, "She did what no one is permitted to do. She referred to my weight." The two communicated only through a third party for the rest of the film.
Near the end of the production, Hedren remembered Hitchcock called her into his office. "He stared at me and simply said, as if it was the most natural thing in the world, that from this time on, he expected me to make myself sexually available and accessible to him – however and whenever and wherever he wanted." She tried to get out of her contract because, "He made these demands on me, and no way could I acquiesce to them," and recalls Hitchcock telling her he'd ruin her career. "And he did: kept me under contract, kept paying me every week for almost two years to do nothing." As her contract allowed Hitchcock to approve or not any offers she received, Hedren said that he turned down several film roles on her behalf and was particularly disappointed when French director François Truffaut told her he had wanted her for a film. Truffaut's daughter Laura disputed this saying her father was not secretive about the actors he considered and never mentioned Hedren, "It is extremely unlikely in my view, that my father seriously entertained this project without sharing it with my mother or mentioning it to us in later years." Hitchcock finally sold her contract to Universal Studios and Hedren appeared in two of their TV shows, Kraft Suspense Theatre and Run for Your Life in 1965, a year after Marnie, but was fired after she refused to work on a TV Western for them. 
Hedren's account contrasted with the many interviews she gave about her time with Hitchcock, her warm tribute she paid to him when he was honoured with the AFI Life Achievement Award by the American Film Institute in 1979, and her presence at his funeral. When asked about it, Hedren answered, "He ruined my career, but he didn’t ruin my life. That time of my life was over. I still admire the man for who he was."
The BBC/HBO film The Girl (2012), featuring Sienna Miller as Hedren and Toby Jones as Hitchcock, was based on Spoto's book Spellbound by Beauty. The film was controversial as others who knew and worked with Hitchcock, including Eva Marie Saint and Kim Novak, refuted Hedren's account of him. While Saint said, "There were six of us Hitchcock blondes, and it’s like we all were married to the man at one time or another and we all have a different take on him," Novak disputed its portrayal of Hitchcock as a sexual predator and told The Daily Telegraph, "I never saw him make a pass at anybody or act strange to anybody. And wouldn't you think if he was that way, I would've seen it or at least seen him with somebody? I think it's unfortunate when someone's no longer around and can't defend themselves." James H. Brown, the first assistant director on The Birds and Marnie, who was interviewed several years before The Girl, said Hedren and Hitchcock had differences on Marnie, recognized it was possible the director lost control and interest on the set of the film, but added, "I thought some of the things expressed about Hitchcock were highly over exaggerated. I think Hitchcock became a little upset with Tippi because she wasn't fulfilling the star qualities that he thought she had or was looking for."
Rod Taylor, her co-star in The Birds, remembered, "Hitch was becoming very domineering and covetous of 'Tippi,' and it was very difficult for her. (...) No one was permitted to come physically close to her during the production. 'Don't touch the girl after I call "Cut!" he said to me repeatedly." Diane Baker, Hedren's co-star in Marnie, said that her memories of the film were so painful she tried to forget the experience and turned down participation in any Hitchcock tributes. She added, "I never saw Tippi enjoying herself with the rest of us. (...) None of us ever saw her having a warm, friendly relationship with him. (...) Nothing could have been more horrible for me than to arrive on that movie set and to see her being treated the way she was." Virginia Darcy, Hedren's hairdresser, declined an invitation from Hedren to see The Girl, but she admitted she told Hitchcock he should not be possessive with Hedren. "Tippi felt rightly that she was not his property, but he'd say, 'You are, I have a contract.'" Hedren's own daughter, Melanie Griffith, remembered that while Hedren was doing The Birds, she thought Hitchcock was taking her mother away from her. "Suddenly, I wasn't allowed even to visit my mom at the studio."
Since her falling out with Hitchcock, Hedren has appeared in over fifty films and TV shows. Hedren's first feature film appearance after Marnie was in A Countess from Hong Kong (1967), starring Marlon Brando and Sophia Loren. She was told by writer/director Charlie Chaplin that she was offered a major supporting role as Brando's estranged wife and had to accept the film without reading the script. However, when she finally received it, she realized that it was only a small part, and asked Chaplin to expand her role. Although Chaplin tried to accommodate her, he could not, as the story mostly takes place on a ship, which Hedren's character boards near the end of the film. Hedren later said that it was both very amusing and strange working for him.
After working with Hitchcock and Chaplin, Hedren told she was waiting for a special project to come along.
In 1970, Hedren returned to film with the leading role of Rita Armstrong, a socialite who helps her boyfriend (played by George Armstrong) to catch a killer, in Tiger by the Tail. In the same year, she guest-starred on The Courtship of Eddie's Father as Bill Bixby's girlfriend. She then agreed to take part in two films, Satan's Harvest (1970), opposite George Montgomery, and Mister Kingstreet's War (1973), shot back-to-back, for the only reason they were made in Africa.
Hedren starred alongside her then-husband, the agent and occasional producer Noel Marshall in the 1981 film Roar (directed by Marshall), about a family whose array of wild pets turn on them. The film cost $17 million to make but grossed only $2 million worldwide. In 1982, she co-starred with Leslie Nielsen in Foxfire Light.
In the 1980s, Hedren appeared in several primetime television series including Hart to Hart in 1983 and Tales from the Darkside in 1984. In the 1985 pilot episode of The New Alfred Hitchcock Presents, she made a brief appearance as a waitress in a bar. In 1990, Hedren had a role on the daytime soap opera The Bold and the Beautiful. That same year, she had a non-speaking, minor part in the film Pacific Heights (1990), which starred her daughter Melanie Griffith.
In the early 1990s, Hedren appeared in many television movies such as Return to Green Acres (1990), Through the Eyes of a Killer (1992), and Treacherous Beauties (1994). In 1994, she appeared in the made-for-cable sequel The Birds II: Land's End, in a role different from the one she played in the original. Before its release, she admitted she was unhappy that she didn't get a starring role and, when asked about what could have been Hitchcock's opinion, she answered : "I'd hate to think what he would say!". In a 2007 interview, Hedren said of the film, "It's absolutely horrible, it embarrasses me horribly."
In 1996, Hedren played an abortion rights activist in the independent film Citizen Ruth with Laura Dern. In 1998, she co-starred alongside Billy Zane, Christina Ricci, Eartha Kitt, Andrew McCarthy and Ron Perlman in I Woke Up Early the Day I Died, a film she particularly liked due to the fact that it had no dialogue in it. After appearing in a number of little-exposed films between 1999 and 2003, Hedren had a small but showy role in the 2004 comedy I Heart Huckabees, as a foul-mouthed attractive older woman who slaps Jude Law in an elevator.
Hedren continued to guest-star on television series throughout the 1990s and 2000s, in series such as Chicago Hope (1998), The 4400 (2006) and CSI: Crime Scene Investigation (2008). She was a cast member of the short-lived primetime soap opera Fashion House in 2006 with Bo Derek and Morgan Fairchild.
In 2009, Hedren appeared in the Lifetime movie Tribute, which starred actress Brittany Murphy in one of Murphy's last roles. She provided the voice for the character of Queen Hippolyta on the animated series Batman: The Brave and the Bold in 2011. In 2012, Hedren appeared in Jayne Mansfield's Car, directed by Billy Bob Thornton and starring Thornton, Robert Duvall and Kevin Bacon. In the same year Hedren starred, alongside Jess Weixler and Jesse Eisenberg, in one of her own favourite films, Free Samples, directed by Jay Gammill. Hedren guest-starred in the fourth season finale of Cougar Town; her episode ("Have Love Will Travel") aired on the 9th April, 2013.
In 2013, exactly fifty years after The Birds, Hedren returned to Bodega to shoot a film called The Ghost and the Whale.
A Louis Vuitton ad campaign in 2006 paid tribute to Hedren and Hitchcock with a modern-day interpretation of the deserted railway station opening sequence of Marnie. Bridget Fonda, who played Hedren's daughter in the straight-to-cable film Break Up (1998), gushed to her that she had watched Marnie "a million times."
In interviews, Naomi Watts has stated that her character interpretation in Mulholland Drive (2001) was influenced by the look and performances of Hedren in Hitchcock films. Watts and Hedren later acted in I Heart Huckabees (2004) but didn't share any scenes together onscreen. Off-screen, the film's director David O. Russell introduced them both, and Watts has said about Hedren, "I was pretty fascinated by her then because people have often said that we're alike." Watts dressed up as Hedren's title character from Marnie for a photo shoot for March 2008 issue of Vanity Fair. In the same issue, Jodie Foster dressed up as Hedren's character, Melanie Daniels from The Birds.
Another issue of Vanity Fair referred to January Jones's character in Mad Men as "Tippi Hedren's soul sister from Marnie". The New York Times television critic earlier had echoed the same sentiment in his review of Mad Men. January Jones said that she "takes it a compliment of sorts" when compared to Grace Kelly and Hedren. Actress Téa Leoni said that her character in the film Manure (2009) is made up to look like Hedren.
In 1981, Hedren produced Roar, an 11-year project that ended up costing $17 million and starring dozens of African lions. "This was probably one of the most dangerous films that Hollywood has ever seen", remarked the actress. "It's amazing no one was killed." During the production of Roar, Hedren, her husband at the time, Noel Marshall, and daughter Melanie were attacked by lions; Jan de Bont, the director of photography, was scalped. She later co-wrote the book Cats of Shambala (1985) about the experience. Roar made only $2 million worldwide. Hedren ended her marriage to Marshall a year later in 1982. The film directly led to the 1983 establishment of the non-profit Roar Foundation and Hedren's Shambala Preserve, located at the edge of the Mojave Desert in Acton, California between the Antelope Valley and the Santa Clarita Valley 40 miles (64 km) northeast of Los Angeles. Shambala currently houses some 70 animals, including African lions, Siberian and Bengal tigers, leopards, servals, mountain lions and bobcats. Hedren lives on the Shambala site and conducts monthly tours of the preserve for the public. Hedren took in and cared for Togar, a lion that belonged to Anton LaVey, after he was told by San Francisco officials that he couldn't keep a fully grown lion as a house pet. More recently, Shambala became the new home for Michael Jackson’s two Bengal tigers, Sabu and Thriller, after he decided to close his zoo at his Neverland Valley Ranch in Los Olivos, California. Thriller died in June 2012 of lung cancer. On December 3, 2007, Shambala Preserve made headlines when Chris Orr, a caretaker for the animals, was mauled by a tiger named Alexander.
Several documentaries have focused on Shambala Preserve, including the 30-minute Lions: Kings of the Serengeti (1995), narrated by Melanie Griffith, and Animal Planet's Life with Big Cats (1998), which won the Genesis Award for best documentary in 1999. The animals at the preserve served as the initial inspiration for the life's work of artist A. E. London, who started her career working for Hedren.
In 1952, Hedren met and married 18-year-old future advertising executive Peter Griffith. Their daughter, actress Melanie Griffith, was born on August 9, 1957. They were divorced in 1961. She married her then-agent Noel Marshall, who later produced three of her films, on September 22, 1964; they divorced in 1982. In 1985, she married steel manufacturer Luis Barrenechea, but they divorced in 1995. From 2002 she has reportedly been engaged to veterinarian Martin Dinnes. Hedren has three grandchildren from daughter Griffith: Alexander Bauer, Dakota Johnson and Stella Banderas. Her son-in-law is Antonio Banderas.
Hedren played a role in the development of Vietnamese-American nail salons in the United States. In 1975, while an international relief coordinator with Food for the Hungry, she began visiting with refugees at Hope Village outside Sacramento, California. When Hedren found that the women were interested in her manicured nails, she employed her manicurist to teach them the skills of the trade and worked with a local beauty school to help them find jobs. Vietnamese-Americans now dominate the multi-billion dollar nail salon business in North America. CND and Beauty Changes Lives Foundation (BCL) have announced the BCL CND Tippi Hedren Nail Scholarship Fund to support professional nail education and will be administered starting January 1, 2014.
|The Petty Girl||1950||Ice Box Petty Girl||Uncredited|
|The Birds||1963||Melanie Daniels|
|A Countess from Hong Kong||1967||Martha|
|Tiger by the Tail||1970||Rita Armstrong|
|Satan's Harvest||1970||Marla Oaks|
|Mr. Kingstreet's War||1971||Maggie Kingstreet|
|The Harrad Experiment||1973||Margaret Tenhausen|
|Where the Wind Dies||1976||unknow|
|Foxfire Light||1982||Elizabeth Morgan|
|In the Cold of the Night||1990||Clara|
|Pacific Heights||1990||Florence Peters|
|Teresa's Tattoo||1994||Evelyn Hill|
|Inevitable Grace||1994||Dr. Marcia Stevens|
|Citizen Ruth||1996||Jessica Weiss|
|I Woke Up Early the Day I Died||1998||Maylinda Austed|
|The Storytellers||1999||Lillian Glosner|
|Ice Cream Sundae||2001||Lady||Short film|
|Tea with Grandma||2001||Rae||Short film|
|Julie and Jack||2003||Julie McNeal|
|Searching for Haizmann||2003||Dr. Michelle Labner|
|Return to Babylon||2004||Mrs. Peabody|
|Mind Rage||2004||Dr. Wilma Randolph|
|I Heart Huckabees||2004||Mary Jane Hutchinson|
|Diamond Zero||2005||Eleanor Kelly|
|Strike the Tent||2005||Mrs. Adams|
|The Boneyhard Collection||2008||Gloria||Segment "Her Morbid Desires"|
|Jayne Mansfield's Car||2012||Naomi Caldwell|
|The Ghost and the Whale||2014||Tippi|
|Kraft Suspense Theatre||1965||Lee Anne Wickheimer||Season 2, Episode 28: "The Trains of Silence"|
|Run for Your Life||1965||Jessica Braden||Season 1, Episode 3: "Someone Who Makes Me Feel Beautiful"|
|The Courtship of Eddie's Father||1970/1971||Cissy Drummond-Randolph||Season 1, Episode 24: "Free Is a Four Letter Word"|
Season 2, Episode 4: "A Little Get Together for Cissy"
|Docteur Caraïbes||1973||Sonia||Season 1, Episode 4: "The Man and the Albatross"|
|The Bionic Woman||1976||Susan Victor||Season 1, Episode 5: "Claws"|
|Hart to Hart||1983||Liza Atterton||Season 4, Episode 11: "Hunted Harts"|
|Tales from the Darkside||1984||Ruth Anderson||Season 1, Episode 5: "Mookie and Pookie"|
|The New Alfred Hitchcock Presents||1985||Waitress||Season 1, Pilot: "Man from the South"|
|Hotel||1988||Barbara Lyman||Season 5, Episode 12: "Double Take"|
|Baby Boom||1988||Laura Curtis||Season 1, Episode 7: "Christmas '88"|
|Return to Green Acres||1990||Arleen||Television film|
|The Bold and the Beautiful||1990||Helen Maclaine||Season 1, Episode 896|
|Shadow of a Doubt||1991||Mrs. Matthewson||Television film|
|In the Heat of the Night||1991||Annabelle Van Buren||Season 5, Episode 4: "Liar's Poker"|
|Through the Eyes of a Killer||1992||Mrs. Bellano||Television film|
|Perry Mason: The Case of the Skin-Deep Scandal||1993||Beverly Courtney||Television film|
|Murder, She Wrote||1993||Catherine Noble||Season 10, Episode 6: "Bloodlines"|
|The Birds II: Land's End||1994||Helen||Television film|
|Treacherous Beauties||1994||Lettie Hollister||Television film|
|Dream On||1994/1996||Di||Season 5, Episode 12: "I Never Promised You Charoses, Martin"|
Season 6, Episode 11: "She Won't Do It, But Her Sister Will"
Season 6, Episode 18: "Second Time Aground"
Season 6, Episode 21: "The Way We War"
Season 6, Episode 27: " Finale with a Vengeance"
|The Guardian||1997||Wynn||Television film|
|Adventures from the Book of Virtues||1997||Madame Sofroni/Molly Mouse (voice)||Season 2, Episode 3: "Generosity"|
|Chicago Hope||1998||Alfreda Perkins||Season 4, Episode 14: "Psychodrama"|
|The New Batman Adventures||1998||Donna Day (voice)||Season 1, Episode 9: "Mean Seasons"|
|Invasion America||1998||Mrs. McAllister|
|Arliss||1998||Donna Day (voice)||Season 3, Episode 9: "Stanley Babson - Win, Place or Show"|
|The Darklings||1999||Martha Jackson||Television film|
|Replacing Dad||1999||Dixie||Television film|
|Bull||2000||Caitlin Coyle||Season 1, Episode 20: "A Beautiful Life"|
|Hollywood Off-Ramp||2000||Season 1, Episode 2: "Simple Simon"|
|Providence||2000||Constance Hemming||Season 3, Episode 5: "The Unsinkable Sydney Hansen"|
Season 3, Episode 6: "The Thanksgiving Story: Part 1"
Season 3, Episode 7: "The Thanksgiving Story: Part 2"
|The Nightmare Room||2001||The Witch||Season 1, Episode 5: "Fear Games"|
|111 Gramercy Park||2003||Mrs. Granville||Television film|
|The 4400||2006||Lily Moore Tyler||Season 3, Episode 1: "The New World"|
|Fashion House||2006||Doris Thompson||Season1, Episode 1: "It Takes One to Know One"|
Season 1, Episode 6: "The Best Laid Plans"
Season 1, Episode 16: "Multiple Offers"
Season 1, Episode 19: "Maternal Instincts"
Season 1, Episode 24: "All in the Family"
Season 1, Episode 30: "Coup de Grace"
Season 1, Episode 31: "Irreconcilable Differences"
Season 1, Episode 35: "Gaggle at the Gallery"
Season 1, Episode 44: "Women on Verge"
Season 1, Episode 46: "Opportunity Knocks, Rings the Doorbell and Beats Down Your Door!"
|CSI: Crime Scene Investigation||2008||Karen Rosenthal||Season 9, Episode 8: "Young Man with a Horn"|
|Tribute||2009||Mrs. Hennessey||Television film|
|Batman: The Brave and the Bold||2011||Queen Hippolyta (voice)||Season 3, Episode 8: "Triumvirate of Terror!"|
|Raising Hope||2012||Nana||Season 3, Episode 1: "Not Indecent, But Not Quite Decent Enough Proposal"|
|Cougar Town||2013||Herself||Season 4, Episode 15: "Have Love Will Travel"|
|Wikimedia Commons has media related to Tippi Hedren.|