From Wikipedia, the free encyclopedia - View original article
"The Village Blacksmith" is a poem by Henry Wadsworth Longfellow, first published in 1840. The poem describes a local blacksmith and his daily life. The blacksmith serves as a role model who balances his job with the role he plays with his family and community. Years after its publication, a tree mentioned in the poem was cut down and part of it was made into an armchair which was then presented to Longfellow by local schoolchildren.
The poem is about a local blacksmith. Noted as being strong, he works by the sweat of his brow and does not owe anyone anything. Children coming home from school stop to stare at him as he works, impressed by the roaring bellows and burning sparks. On Sundays, the blacksmith, a single father after the death of his wife, takes his children to church, where his daughter sings in the choir. He goes through his life following the daily tasks assigned to him and has earned his sleep at night.
Longfellow said the poem was a tribute to his ancestor Stephen Longfellow, who had been a blacksmith, a schoolmaster, then a town clerk. In 1745, this ancestor was the first Longfellow to make his way to Portland, Maine, the town where the poet would be born. Longfellow wrote to his father on October 25, 1840: "There will be a kind of Ballad on a Blacksmith in the next Knickerbocker, which you may consider, if you please, as a song in praise of your ancestors at Newbury."
The actual village blacksmith in the poem, however, was a Cambridge resident named Dexter Pratt, a neighbor of Longfellow's. Pratt's house is still standing at 54 Brattle Street in Cambridge. Several other blacksmiths have been posited as inspirations for the character in the poem, including "The Learned Blacksmith" Elihu Burritt, who Longfellow once offered a scholarship to attend Harvard College.
"The Village Blacksmith" was first published in the November 1840 issue of The Knickerbocker. It was soon after printed as part of Longfellow's poetry collection Ballads and Other Poems in 1841. The collection, which also included "The Wreck of the Hesperus", was instantly popular. In 1879, years after the publication of "The Village Blacksmith", the local schoolchildren in Cambridge, Massachusetts presented Longfellow with an armchair made from "the spreading chestnut tree" in the poem which was recently cut down. Under the cushion of the chair is a brass plate on which is inscribed, in part: "This chair made from the wood of the spreading chestnut-tree is presented as an expression of his grateful regard and veneration by the children of Cambridge". From then on, Longfellow made it a rule to allow schoolchildren to be admitted into his study to see the chair. He also composed a poem to commemorate his gift called "From my Arm-Chair". The site on Brattle Street in Cambridge where the tree once stood is now designated with a stone marker.
The poem, along with several others by Longfellow, was translated into Spanish by Colombian poet Rafael Pombo. In several interviews, baseball player and manager Billy Southworth noted that his father recited the poem to him as a child, that he himself memorized it, and that it inspired him as an adult. In 1938, songwriters Tommie Connor, Jimmy Kennedy, and Hamilton Kennedy created a comical song and dance routine inspired by the poem; Glenn Miller's recording of the song was featured in the 1990 film Memphis Belle.
The title character of "The Village Blacksmith" is presented as an "everyman" and a role model: he balances his commitments to work, the community, and his family. The character is presented as an iconic tradesman who is embedded in the history of the town and its defining institutions because he is a longtime resident with deeply rooted strength, as symbolized by the "spreading chestnut tree". Longfellow uses the poem to glorify and celebrate a humble, plain person, much as John Greenleaf Whittier does in his poem "The Barefoot Boy". Further, Simon Bronner notes that, like Nathaniel Hawthorne's woodcarver character in "Drowne's Wooden Image", Longfellow is praising the craftsman in a time of industrialization.
|Wikisource has original text related to this article:|