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|Author||Frances Hodgson Burnett|
|Publisher||Frederick A. Stokes (US)|
|Author||Frances Hodgson Burnett|
|Publisher||Frederick A. Stokes (US)|
The Secret Garden is a novel by Frances Hodgson Burnett. It was initially published in serial format starting in the autumn of 1910, and was first published in its entirety in 1911. It is now one of Burnett's most popular novels, and is considered to be a classic of English children's literature. Several stage and film adaptations have been produced.
Mary Lennox is a "disagreeable-looking" 10-year-old girl who is born in India to selfish wealthy British parents who had not wanted her and were too wrapped up in their own lives. She was taken care of primarily by servants, who pacified her as much as possible to keep her out of the way. Spoilt and with a temper, she is unaffectionate, angry, rude and obstinate. Later, there is a cholera epidemic which hits India and kills her mother, father and all the servants. She is discovered alone but alive after the house is empty. She briefly lives with an English clergyman and his family and is then sent to Yorkshire, England to live with her uncle Archibald Craven at his home called Misselthwaite Manor.
At first, Mary is her usual self, sour and rude, disliking her uncle's large house, the people within it and most of all the vast stretch of moor, which seems scrubby and grey after the winter. She is told that she must stay confined to her two rooms and that nobody will bother much with her and she must amuse herself. Martha Sowerby, her good-natured maidservant, tells Mary a story of the late Mrs. Craven, and how she would spend hours in a private garden growing roses. Later, Mrs. Craven was killed in an accident, and Mr. Craven had the garden locked and the key buried. Mary is roused by this story and starts to soften her ill manner despite herself. Soon she begins to lose her disposition and gradually comes to enjoy the company of Martha, Ben Weatherstaff the gardener, and also that of a friendly robin redbreast to whom she attaches human qualities. Her appetite increases and she finds herself getting stronger as she plays by herself on the moor. Martha's mother buys Mary a skipping rope to encourage this, and she takes to it immediately. Mary's time is occupied by wondering about the secret garden and a strange crying sound that can sometimes be heard around the house which the servants ignore or deny.
Whilst exploring the gardens, Mary is alerted to some turned up soil by the inquisitive robin, and finds a key belonging to the locked garden. She chances to ask Martha for garden tools, which Martha has delivered by Dickon, her twelve-year-old brother. Mary and Dickon take a liking to each other, as Dickon has a soft way with animals and a good nature. Eager to absorb his gardening knowledge, Mary lets him into the secret of the garden, which he agrees to keep.
That night, Mary hears the crying again. She follows the noise and, to her surprise, finds a small boy her age, living in a hidden bedroom. His name is Colin and she discovers that they are cousins: he is the son of her uncle; his mother died when he was a baby, and he suffers from an unspecified problem with his spine. Mary visits every day that week, distracting him from his troubles with stories of the moor, of Dickon and his animals and of the garden. It is decided he needs fresh air and the secret garden, to which Mary finally admits she has access. Colin is put into his wheelchair and brought outside into the garden, the first time he's been outdoors in years.
While in the garden, the children are surprised to see Ben Weatherstaff looking over the wall on a ladder. Startled and angry to find the children there in his late mistress' (Colin's mother's) garden he admits he believed Colin to be a cripple. Colin stands up out of his chair to prove him wrong and finds that his legs are fine, though weak from not using them for a long time.
Colin spends every day in the garden, becoming stronger. The children conspire to keep Colin's health a secret so he can surprise his father, who is travelling and mourning over his late wife. As Colin's health improves, his father's mood does as well, and he has a dream of his wife calling him into the garden that makes him immediately pack his bags and head home. He walks the outer wall in memory but hears voices inside, finds the door unlocked and is shocked to see the garden in full bloom with children in it and his son running around. The servants watch as Mr. Craven walks back to the manor, and all are stunned that Colin runs beside him.
...What was this under her hands which was square and made of iron and which her finger found a hole in?
It was the lock of the door which had been closed ten years and she put her hand in her pocket, drew out the key and found it fitted the keyhole. She put the key in and turned it. It took two hands to turn it, but it did turn. And then she took a long breath and looked behind her up the long walk to see if anyone was coming. No one was coming. No one ever did it seemed, and she took another long breath, because she could not help it, and she held back the swinging curtain of ivy and pushed back the door that opened slowly – slowly. Then she slipped through it, and shut it behind her, and stood with her back against it, looking about her and breathing quite fast with excitement, and wonder, and delight.
She was standing inside the secret garden.
— From author Frances Hodgson Burnett's The Secret Garden (1911)
The Secret Garden is the book's central symbol, inspired by Burnett's interest in Mary Baker Eddy's Christian Science theories. The secret garden at Misselthwaite Manor is the site of both the near-destruction and the subsequent regeneration of a family. Using the garden motif, Burnett explores the healing power inherent in living things. (H. G. Wells's short story 'The Door in the Wall' described a similarly transforming secret garden.)
The story constitutes a struggle between common sense and the accepted wisdom of the day, in which common sense wins. Servants and father are seen to do harm by getting caught up in false ideas that come from the doctor who espouses medical practices of the day, though another doctor does take a different view. The children, by their own observations, strengthened by the common-sense of Dickon's family, break free of the imposed regime and triumph.
Mary finds that she has a great fear of the outside world and Colin helps her become more aware of the joy of life as he mends.
Another theme is what today might be called 'positive thinking', and belief in its power to bring about psychological and physical healing. Along with this goes a powerful message about the way in which life circumstances affect the formation of personality. Mary, described as 'sour faced' and 'spoilt' becomes more aware of her own personality when confronted with selfishness and tantrums in the boy Colin. Both are very affected by the simple kindness and understanding of Dickon, and his mother, who live a happy family life despite being poor, with the emphasis on fresh air, exercise and being at one with nature, as well as kind to other people.
Dickon's mother has an old-fashioned down-to-earth approach to life, and what constitutes a good upbringing for children, which comes across the better for being expressed in Yorkshire dialect. Instead of mocking Dickon's dialect, Mary comes to like it and finds it soothing and direct, to the extent that both she and Colin make an effort to talk like Dickon at times, strengthening the bond between them and their ability to express emotions.
Belief in 'magic' also features strongly, though the exact nature of this 'magic' is not made clear, and Colin talks of a career in science where he will discover the nature of magic through experiment and will lecture about it. Christian Science, with its belief in God as a life force rather than a person is clearly an influence here, the author being a follower of the movement.
Maytham Hall in Kent, England, where Burnett lived for a number of years during her marriage is often cited as the inspiration for the book's setting. Burnett kept an extensive garden, including an impressive rose garden. However, it has been noted that besides the garden, Maytham Hall and Misselthwaite Manor are physically very different.
In part written on Burnett's visits to Buile Hill Park, The Secret Garden was first serialised, starting in autumn 1910, in The American Magazine, a publication aimed at adults. The entire book was first published in the summer 1911 by Frederick A. Stokes in New York, and by Heinemann in London. The 1911 edition was illustrated by M.B.Kork. Its copyright expired in the United States in 1987, and in most other parts of the world in 1995, placing the book in the public domain. As a result several abridged and unabridged editions were published during the late 1980s and early 1990s.
The book's working title was Mistress Mary, in reference to the English nursery rhyme Mary, Mary, Quite Contrary.
Marketing to both adult and juvenile audiences may have had an effect on its early reception; the book was not as celebrated as Burnett's previous works during her lifetime. The Secret Garden paled in comparison to the popularity of Burnett's other works for a long period. Tracing the book's revival from almost complete eclipse at the time of Burnett's death in 1924, Anne H. Lundin noted that the author's obituary notices all remarked on Little Lord Fauntleroy and passed over The Secret Garden in silence.
With the rise of scholarly work in children's literature over the past quarter-century, The Secret Garden has steadily risen to prominence, and is now one of Burnett's best-known works. The book is often noted as one of the best children's books of the twentieth century. In 2003, the novel was listed at number 51 on the BBC's survey The Big Read. Based on a 2007 online poll, the National Education Association named the book one of its "Teachers' Top 100 Books for Children." It was one of the "Top 100 Chapter Books" of all time in a 2012 poll by School Library Journal. Jeffrey Masson considers it, "one of the greatest books ever written for children".
In 1949, MGM filmed the second adaptation with Margaret O'Brien as Mary, Dean Stockwell as Colin and Brian Roper as Dickon. This version was mostly in black-and-white, but the sequences set in the restored garden were filmed in Technicolor.
Dorothea Brooking adapted the book into several different television serials for the BBC: an eight-part serial in 1952, an eight-part serial in 1960 (starring Colin Spaull as Dickon). The seven-part TV serial made by the BBC in 1975 has been released on DVD.
In 1987, Hallmark Hall of Fame filmed a TV adaptation of the novel starring Gennie James as Mary, Barret Oliver as Dickon, and Jadrien Steele as Colin. Billie Whitelaw as Mrs Medlock Derek Jacobi played the role of Archibald Craven, with Alison Doody appearing in flashbacks and visions as Lilias; Colin Firth made a brief appearance as the adult Colin Craven.
An The Secret Garden animated adaptation starred Honor Blackman, Sir Derek Jacobi, Glynis Johns, Victor Spinetti, Anndi McAfee as Mary Lennox, Joe Baker as Ben Weatherstaff, Felix Bell as Dickon, Naomi Bell as Martha, Richard Stuart as Colin, and Frank Welker as Robin.
In Japan, NHK produced and broadcast an anime adaptation of the novel in 1991–1992 titled Anime Himitsu no Hanazono (アニメ ひみつの花園). Miina Tominaga was featured as the voice of Mary, while Mayumi Tanaka voiced Colin. The 39-episode TV series was directed by Tameo Kohanawa and written by Kaoru Umeno. Based on the title, this anime is sometimes mistakenly assumed to be related to the popular dorama series Himitsu no Hanazono. Surprisingly unavailable in the English language, it has been dubbed into several other languages including Spanish, Italian, Polish, and Tagalog.
Stage adaptations of the book have also been created. In 1991, a musical version opened on Broadway, with music by Lucy Simon, and book and lyrics by Marsha Norman. The production was nominated for seven Tony Awards, winning Best Book of a Musical and Best Featured Actress in a Musical for Daisy Eagan as Mary, then eleven years old. In 2013, an opera by the American composer Nolan Gasser which had been commissioned by the San Francisco Opera premiered at the Zellerbach Hall at the University of California, Berkeley.
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