The Gumps

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This article is about the comic strip. For the San Francisco retailer, see Gump's.
Sidney Smith's The Gumps (September 30, 1923).
Comic strip within a strip: Min reads The Gumps in Gus Edson's The Gumps page with Edson's Cousin Juniper strip at bottom (January 23, 1955). To see this image at a higher resolution, go to Potrzebie.

The Gumps, a popular comic strip about a middle-class family, was created by Sidney Smith in 1917, launching a 42-year run in newspapers from February 12, 1917, until October 17, 1959.

As revealed in Life in 1937, Smith's strip was inspired by a real-life person he met through his brother: "Born 47 years ago in Bay St. Louis, Mississippi, as Andy Wheat, he acquired his unusual physiognomy as the result of an infection following the extraction of a tooth, which eventually necessitated the removal of his entire lower jaw. Through Dr. Thomas Smith of Bloomingdale, Illinois, a dentist and a brother of Sidney Smith, he met the cartoonist, who saw in him an ideal comic character. Andy subsequently had his name legally changed to Gump. His wife's name is Min and he has two children named Chester and Goliath, now living in San Francisco, and an Uncle Bim who lives in Georgia. His home is in Tucson, Arizona, but he also has a farm near his birthplace in Mississippi."[1]

Characters and story[edit]

The Gumps were utterly ordinary: chinless, bombastic blowhard Andy Gump (short for Andrew), who is henpecked by his wife, Min (short for Minerva); their sons Sam and baby James; wealthy Uncle Jim; and their annoying maid Mary. They had a cat named Hope and a dog named Buck. The idea was envisioned by Joseph Patterson, editor and publisher of the Chicago Tribune, who was important in the early histories of Little Orphan Annie and other long-run comic strips. Patterson referred to the masses as "gumps" and thought a strip about the domestic lives of ordinary people and their ordinary activities would appeal to the average American newspaper reader. He hired Smith to write and draw the strip, and it was Smith who breathed life into the characters. Smith was the first cartoonist to kill off a regular character: His May 1929 storyline about the death of Mary Gold caused a national sensation.[2]

Debut[edit]

The Gumps made its debut in an unusual way. Cartoonist Sidney Smith had previously drawn and written Old Doc Yak, a talking-animal strip that sustained only a brief run. The very last Old Doc Yak strip depicted Yak and his family moving out of their house, while wondering who might move into the house next. On Thursday, February 8, 1917, the last panel showed only the empty house. On Monday, February 12, 1917, after the Gumps were introduced in the space formerly occupied by Old Doc Yak, they moved into the house formerly occupied by the Yak family.

Sidney Smith's The Gumps (February 12, 1917). To see this image at a higher resolution, go to Barnacle Press.

The Gumps had a key role in the rise of syndication when Robert R. McCormick and Patterson, who had both been publishing the Chicago Tribune since 1914, planned to launch a tabloid in New York, as comics historian Coulton Waugh explained:

So originated on June 16, 1919, the Illustrated Daily News, a title which, as too English, was almost at once clipped to Daily News. It was a picture paper, and it was a perfect setting for the newly developed art of the comic strip. The first issue shows but a single strip, The Gumps. It was the almost instant popularity of this famous strip that directly brought national syndication into being. Midwestern and other papers began writing to the Chicago Tribune, which also published The Gumps, requesting to be allowed to use the new comic, and the result was that the heads of the two papers collaborated and founded the Chicago Tribune New York News Syndicate, which soon was distributing Tribune-News features to every nook and cranny of the country.[3]

Films[edit]

As one of the earliest continuity strips, The Gumps was extremely popular, with newspaper readers anxiously following the convoluted storylines. By 1919, this popularity prompted an interest in film adaptations, and in 1920-21, with writing credited to Smith, animation director Wallace A. Carlson produced and directed more than 50 animated shorts, some no longer than two minutes, for distribution through Paramount. Between 1923 and 1928, Universal Pictures produced at least four dozen Gumps two-reel comedies starring Joe Murphy (1877–1961), one of the original Keystone Cops, as Andy Gump, Fay Tincher as Min and Jack Morgan as Chester. Many of these shorts were directed by Norman Taurog, later famed as the leading director of Elvis Presley movies.

In the comic strip, Sidney Smith had Andy run for Congress in 1922 and for President in 1924 and in practically every succeeding election, one of the first of many comic strip and cartoon characters to run for office. In 1924, Smith wrote his characters into a novel, Andy Gump: His Life Story, published in Chicago by Reilly & Lee. In 1929, when Smith killed off Mary Gold, she was the first major comic strip character to die, and the Chicago Tribune had to hire extra staff to deal with the constant phone calls and letters from stunned readers.

The strip and its merchandising (toys, games, a popular song, playing cards, food products) made Smith a wealthy man. On his way home from signing a $150,000 a year contract in 1935, he crashed his new Rolls-Royce and died. Patterson replaced Smith with sports cartoonist Gus Edson. In the late 1940s and early 1950s, when actor Martin Landau was a cartoonist, he worked as Edson's assistant on The Gumps, eventually drawing the Sunday strips for Edson.

Radio[edit]

The Gumps launched a craze for continuity strips in newspapers. It also had a huge influence on the history of radio and television programming. Radio/TV sitcoms and serialized dramas can all be traced back to The Gumps, as detailed by broadcast historian Elizabeth McLeod in the "Andy Gump to Andy Brown" section of her popular culture essay,[4] and her book, The Original Amos 'n' Andy: Freeman Gosden, Charles Correll, and the 1928-43 Radio Serial (McFarland, 2005).

At the Chicago Tribune's radio station WGN, Freeman Gosden and Charles Correll signed on as staffers in 1925. WGN executive Ben McCanna believed that a dramatic serial could work on radio just as it did in newspapers. When he approached Gosden and Correll to adapt The Gumps to radio, they declined and instead devised their own characters for the 1926-27 radio serial, Sam 'n' Henry. After reworking these characters for Amos 'n' Andy in 1928-29, while borrowing certain elements from The Gumps, they were on their way to becoming millionaires, and the radio serial format they created soon became the model for many other serialized radio dramas.[5]

After The Gumps were finally heard on WGN in 1931, the series moved to CBS for a four-year run (1934-1937), produced and directed by Himan Brown with scripts by Irwin Shaw. Shaw had been scripting the Dick Tracy radio series, when Brown asked him if he thought he could write comedy. Brown later said, "He was sensational". Karo Syrup and Pebeco toothpaste/tooth powder were the sponsors.

In the early programs, Jack Boyle portrayed Andy Gump with Dorothy Denvir as Min, Charles Flynn as their son Chester and Bess Flynn as Tilda the maid. Bess Flynn, who was born August 18, 1899 in Tama, Iowa. Flynn scripted for soap operas, including Bachelor's Children, Martha Webster and We, the Abbotts, and she also portrayed the title role on Martha Webster. In 1935, Wilmer Walter played Andy Gump with Agnes Moorehead, in her first radio role, portraying Min during the last two years of the series when Lester Jay and Jackie Kelk were heard as Chester.[6]

Reprints[edit]

Sidney Smith's The Gumps (1926)

Herb Galewitz assembled a selective compilation of the comic strips for the book, Sidney Smith's The Gumps, published in 1974 by Charles Scribner's Sons. However, the strips in this book were assembled in a slipshod manner with no apparent restoration.

In 2012, IDW's Library of American Comics announced a new series reprinting daily strips, the Library of American Comics Essentials. A Gumps volume, The Saga of Mary Gold (1928-29), is scheduled for March 2013 publication.

Tributes[edit]

A gift from the Tribune management to Smith was a large statue of Andy Gump, which stood on Smith's Lake Geneva, Wisconsin, estate. After Smith died in 1935, the statue was moved to a city park. In 1943, the statue was acquired by the city of Lake Geneva, but it was destroyed in 1967 during a drunken riot. It was replaced with a new statue, which was stolen in 1989 and again replaced. A plaque honoring Smith was also stolen from Lake Geneva in 1952, but it was later found.[7] The statue is currently on display at the Lake Geneva Museum.[8]

Hockey great Gump Worsley, born Lorne Worsley, was nicknamed for his resemblance to Andy Gump.

Jazz musician Min Leibrook, born Wilford Leibrook, received his nickname from Andy Gump's wife, Min.

References[edit]

External links[edit]