Sweeney Todd: The Demon Barber of Fleet Street (2007 film)

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Sweeney Todd:
The Demon Barber of Fleet Street
Sweeneylarge.jpg
Theatrical release poster
Directed byTim Burton
Produced byRichard D. Zanuck
John Logan
Walter F. Parkes
Laurie MacDonald
Screenplay byJohn Logan
Based onSweeney Todd: The Demon Barber of Fleet Street by Stephen Sondheim and Hugh Wheeler
StarringJohnny Depp
Helena Bonham Carter
Alan Rickman
Timothy Spall
Jayne Wisener
Sacha Baron Cohen
Jamie Campbell Bower
Laura Michelle Kelly
Ed Sanders
Music byStephen Sondheim
CinematographyDariusz Wolski
Editing byChris Lebenzon
StudioParkes/MacDonald Productions
The Zanuck Company
Neal Street Productions[1]
Distributed byDreamWorks Pictures (US)
Warner Bros. Pictures (International)
Release dates
  • December 3, 2007 (2007-12-03) (New York City premiere)
  • December 21, 2007 (2007-12-21) (United States)
  • January 25, 2008 (2008-01-25) (United Kingdom)
Running time116 minutes[2]
CountryUnited Kingdom
United States
LanguageEnglish
Budget$50 million[3][4]
Box office$152,523,164[3]
 
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Sweeney Todd:
The Demon Barber of Fleet Street
Sweeneylarge.jpg
Theatrical release poster
Directed byTim Burton
Produced byRichard D. Zanuck
John Logan
Walter F. Parkes
Laurie MacDonald
Screenplay byJohn Logan
Based onSweeney Todd: The Demon Barber of Fleet Street by Stephen Sondheim and Hugh Wheeler
StarringJohnny Depp
Helena Bonham Carter
Alan Rickman
Timothy Spall
Jayne Wisener
Sacha Baron Cohen
Jamie Campbell Bower
Laura Michelle Kelly
Ed Sanders
Music byStephen Sondheim
CinematographyDariusz Wolski
Editing byChris Lebenzon
StudioParkes/MacDonald Productions
The Zanuck Company
Neal Street Productions[1]
Distributed byDreamWorks Pictures (US)
Warner Bros. Pictures (International)
Release dates
  • December 3, 2007 (2007-12-03) (New York City premiere)
  • December 21, 2007 (2007-12-21) (United States)
  • January 25, 2008 (2008-01-25) (United Kingdom)
Running time116 minutes[2]
CountryUnited Kingdom
United States
LanguageEnglish
Budget$50 million[3][4]
Box office$152,523,164[3]

Sweeney Todd: The Demon Barber of Fleet Street is a 2007 musical horror film directed by Tim Burton. It is an adaptation of Stephen Sondheim and Hugh Wheeler's Tony Award-winning 1979 musical of the same name and re-tells the Victorian melodramatic tale of Sweeney Todd, an English barber and serial killer who murders his customers with a straight razor and, with the help of his accomplice, Mrs. Lovett, processes their corpses into meat pies.

Having been struck by the cinematic qualities of Sondheim's musical while still a student, Burton had entertained the notion of a film version since the early 1980s. However, it was not until 2006 that he had the opportunity to realize this ambition, when DreamWorks announced his appointment as replacement for director Sam Mendes, who had been working on such an adaptation. Sondheim, although not directly involved, was extensively consulted during the film's production.

It stars Johnny Depp as Sweeney Todd and Helena Bonham Carter as Mrs. Lovett. Depp, not known for his singing, took lessons in preparation for his role, which producer Richard D. Zanuck acknowledged was something of a gamble. However, Depp's vocal performance, despite being criticized as lacking certain musical qualities, was generally thought by critics to suit the part (see Music section below).

Sweeney Todd: The Demon Barber of Fleet Street was released in the United States on December 21, 2007, and in the United Kingdom on January 25, 2008, to largely enthusiastic reviews. The film won a number of awards, including the Golden Globe Award for Best Motion Picture – Musical or Comedy, the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy and the Academy Award for Best Art Direction. Helena Bonham Carter was nominated for a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and Johnny Depp was also nominated for an Academy Award for Best Actor. Although not an outstanding financial success in the U.S., it performed well worldwide, and has spawned a soundtrack album and various DVD releases.

Plot[edit]

In 1833 London, a skilled barber named Benjamin Barker, is falsely charged and banished from London by the corrupt Judge Turpin, who had lusted after his wife, Lucy, and wanted Barker out of the way so he could take her for himself. Barker is sent to a prison colony in Australia. 15 years later, Barker returns to London, adopting the alias Sweeney Todd, and is accompanied by sailor and his close friend, Anthony Hope. At Mrs. Nellie Lovett's meat pie shop on Fleet Street, he learns that Lucy poisoned herself with arsenic after Turpin raped her as soon as Barker left. Todd's teenage daughter Johanna is now Turpin's ward and, like her mother before her, is the object of Turpin's lust. Todd vows revenge, reopening his barber shop in the upstairs flat after Mrs. Lovett returns his old straight razors to him.

While roaming London, Anthony spots Johanna in an upstairs room of a large house singing to her birds, and a beggar woman tells him her name. Anthony is instantly smitten with her, and Turpin invites him in and mocks him for travelling the world and further reveals his grossly lustful personality by asking about Anthony's sexual experiences with women and boasting about his extensive collection of pornography. He tells Anthony that he saw him lusting after Johanna and has his associate Beadle Bamford throw him out. Though Bamford warns and threatens Anthony against going after Turpin's ward, and that he will be punished if he is seen there again, the sailor becomes convinced that he and Johanna are meant to be together.

During a visit to the marketplace, Todd denounces a fraudulent hair tonic made from urine and ink by faux-Italian barber Adolfo Pirelli, and humiliates him in a public shaving contest, winning £5 and gaining the attention of Beadle Bamford. A few days later, Pirelli and his boy assistant, Tobias Ragg, who is frequently physically abused by his master, arrive. Mrs. Lovett keeps Toby occupied downstairs, while in the parlor Pirelli reveals himself to be Todd's former assistant, Davy Collins, and threatens to reveal Todd's secret to Beadle Bamford unless Todd gives him half his earnings. Instead of giving Pirelli a payoff, Todd beats him with a boiling kettle. He then stuffs Pirelli in a trunk to hide him from Toby, later slitting his throat upon realizing that he is still alive.

After receiving some advice from Beadle, Turpin, intending to propose to Johanna so he can keep her for himself, pays a visit to Todd's parlor to groom himself. Todd shaves Turpin while preparing to slit his throat; before he can do so, however, he is interrupted by Anthony, who bursts in and reveals his plan to elope with Johanna before he realizes Turpin is there. Turpin leaves enraged, vowing never to return. His chance at revenge missed, Todd swears revenge on the entire world and vents his murderous rage upon his customers while waiting for another chance to kill Turpin.

As he starts his vengeful killings, he kills aristocrats and commoners alike, believing that he is punishing the former for their exploitation of those below them, while saving the latter from their misery. Mrs. Lovett becomes his willing accomplice, suggesting they dispose of the bodies by baking them into pies to improve her business. Todd rigs his barber's chair with a pedal-operated mechanism, which deposits his victims through a trap door into Lovett's bake-house. Meanwhile, Anthony begins to search for Johanna, who was sent by Turpin to Fogg's insane asylum upon discovering her plans to elope with Anthony.

The barbering and pie-making business prospers, and Lovett takes in Toby. With both of the shops being such a success, Mrs. Lovett tells an uninterested Todd of her plans to marry him and move to the seaside. Anthony finally discovers Johanna's whereabouts, and under advice from Todd, he poses as a wig-maker's apprentice, who are allowed into asylums to collect hair for wigs, thus providing him the access he needs to rescue Johanna. Todd comes up with a new plan to lure Turpin back, and has Toby deliver a letter to him telling him where Johanna will be brought when Anthony frees her. Toby has become wary of Todd and tells Mrs. Lovett, unaware of her role in the crimes: he promises to protect her, loving her as a surrogate mother only to discover that she possesses his old boss Pirelli's purse, but she quickly explains that it was a gift from Todd and that she is not suspicious of him and so Toby shouldn't be either.

Meanwhile, Beadle Bamford arrives at the barber shop, informing them that neighbors complain of the stink coming out of the chimney. He is murdered by Todd, and Mrs. Lovett informs him of Toby's suspicions. The pair search for Toby, whom Mrs. Lovett has locked in the basement bake-house to keep him out of the way. Toby is nowhere to be found, having hidden in the sewers after seeing the Beadle's body drop into the room from the trap door above, as well as finding a toe in a pie. Meanwhile, Anthony frees Johanna and brings her to the shop in disguise, while locking an asylum staff-member in a cell, where it is implied the inmates kill him. In Todd's shop Johanna hides herself in a trunk in a corner of the room while Anthony finds a coach.

The insane beggar woman who has been pestering Todd, Lovett, and Anthony throughout the film makes her way into the shop seemingly searching for the Beadle. As Todd enters, she claims that she recognizes him. Just then, Turpin's voice is heard. Todd quickly slits the beggar woman's throat and deposits her body through the trap door. As Turpin enters, Todd explains to him that Johanna had repented, and offers a free shave. Todd reveals his true identity to Turpin and stabs him in the neck numerous times before finally slitting his throat and dropping him through the trap door. As Johanna peeks out of the trunk, Todd spots her and prepares to slit her throat as well, not recognizing her as his daughter.

Upon hearing Mrs. Lovett scream in horror as a still-alive Turpin grabs her dress, Todd is distracted. He tells Johanna to "forget my face", and leaves her alive in his shop. Todd runs to the basement, where he discovers that the beggar woman was his wife Lucy, whom he had believed to be dead based on Lovett's account of the poisoning. Todd realizes that Lovett knew Lucy was alive, and she attempts to convince him that she misled him for his own good, confessing she loves him. Todd pretends to forgive her, waltzing maniacally with her around the bake-house before hurling her into the open furnace and locking her in. He returns to Lucy and cradles her dead body in his arms. Having witnessed the death of the only mother he has ever known, a vengeful Toby emerges from the sewer, picks up the discarded razor and slits Todd's throat. The film ends with Toby walking away as Todd bleeds to death over his dead wife.

Cast[edit]

Production[edit]

Development[edit]

Tim Burton first saw Stephen Sondheim's 1979 stage musical, Sweeney Todd: The Demon Barber of Fleet Street, as a CalArts student in London in 1980.[4] Burton recalled his experience of seeing the show, saying, "I was still a student, I didn't know if I would be making movies or working in a restaurant, I had no idea what I would be doing. I just wandered into the theatre and it just blew me away because I'd never really seen anything that had the mixture of all those elements. I actually went three nights in a row because I loved it so much."[5] Although not a fan of the musical genre,[6] Burton was struck by how cinematic the musical was, and repeatedly attended subsequent performances.[7] He described it as a silent film with music,[7] and was "dazzled both by the music and its sense of the macabre."[4] When his directing career took off in the late 1980s, Burton approached Sondheim with a view to making a cinematic adaptation, but nothing came of it. In Sondheim's words, "[Burton] went off and did other things."[7]

Meanwhile, director Sam Mendes had been working on a film version of the story for several years,[6] and in June 2003 Sondheim was approached to write the script.[8] Although he turned down the offer, Mendes and producer Walter F. Parkes obtained his approval to use writer John Logan instead. Logan (writer of Star Trek: Nemesis) had previously collaborated with Parkes on Gladiator, and claimed his biggest challenge in adapting the Sondheim stage play "was taking a sprawling, magnificent Broadway musical and making it cinematic, and an emotionally honest film. Onstage, you can have a chorus sing as the people of London, but I think that would be alienating in a movie."[9] Mendes left to direct the 2005 film Jarhead, and Burton leaped at taking over the direction after his project, Ripley's Believe It or Not!, fell apart due to its excessive budget.[6][10]

On Burton's hiring, he and Logan reworked the screenplay;[9] Logan felt they agreed over the film's tone due to "share[d] stunted childhoods watching Amicus movies".[4] Turning a three-hour stage musical into a two-hour film required some changes. Some songs were shortened, while others were completely removed.[11] Burton said "In terms of the show, it was three hours long, but we weren't out to film the Broadway show, we were out to make a movie, so we tried to keep the pace like those old melodramas. Sondheim himself is not a real big fan of movie musicals, so he was really open to honing it down to a more pacey shape.""[5] Burton and Logan also reduced the prominence of other secondary elements, such as the romance between Todd's daughter Johanna and Anthony, to allow them to focus on the triangular relationship between Todd, Mrs. Lovett, and Toby.[11][12]

Casting[edit]

DreamWorks announced Burton's appointment in August 2006, and Johnny Depp was cast as Todd.[13] Christopher Lee, Peter Bowles, Anthony Head, and five other actors were set to play the ghost narrators, but their roles were cut. According to Lee, these deletions were due to time constraints caused by a break in filming during March 2007, while Depp's daughter recovered from an illness.[14] Burton's domestic partner Helena Bonham Carter was cast in October 2006, as well as Sacha Baron Cohen.[15][16] In December of 2006, Alan Rickman was cast.[17] In January of 2007, Laura Michelle Kelly was cast as Lucy Barker.[18] Timothy Spall was added to the cast, and said he was urged to audition by his daughter, who wanted him to work with Depp. He recalled, "I really wanted this one – I knew Tim was directing and that Johnny Depp was going to be in it. My daughter, my youngest daughter, really wanted me to do it for that reason – Johnny Depp was in it. (She came on set to meet Depp) and he was really delightful to her, she had a great time. Then, I took her to the junket – and (Depp) greeted her like an old pal when he saw her. I've got plenty of brownie points at the moment."[19]

Three members of the cast had never been in a film before: Ed Sanders was cast as Toby, Jayne Wisener as Johanna, and Jamie Campbell Bower, who auditioned, and after four days got the part of Anthony said "I think I weed myself. I was out shopping at the time and I got this call on my mobile. I was just like, 'OH MY GOD!' Honestly, I was like a little girl running around this shop like oh-my-god-oh-my-god-oh-my-god."[20]

Filming[edit]

Filming began on February 5, 2007 at Pinewood Studios, and was completed by May 11, despite a brief interruption when Depp's daughter was taken seriously ill.[21][22] Burton opted to film in London, where he had felt "very much at home" since his work on Batman in 1989.[4] Production designer Dante Ferretti created a darker, more sinister London by adapting Fleet Street and its surrounding area. Burton initially planned to use minimal sets and film in front of a green screen, but decided against it, stating that physical sets helped actors get into a musical frame of mind: "Just having people singing in front of a green screen seemed more disconnected".[7]

Depp created his own image of Todd. Heavy purple and brown make-up was applied around his eyes to suggest fatigue and rage, as if "he's never slept".[23] Burton said of the character Sweeney Todd, "We always saw him as a sad character, not a tragic villain or anything. He's basically a dead person when you meet him; the only thing that's keeping him going is the one single minded thing which is tragic. You don't see anything else around him."[24] Depp said of the character, "He makes Sid Vicious look like the innocent paper boy. He's beyond dark. He's already dead. He's been dead for years."[25] Depp also commented on the streak of white in Todd's hair, saying, "The idea was that he'd had this hideous trauma, from being sent away, locked away. That streak of white hair became the shock of that rage. It represented his rage over what had happened. It's certainly not the first time anyone's used it. But it's effective. It tells a story all by itself. My brother had a white spot growing up, and his son has this kind of shock of white in his hair."[26]

Burton insisted that the film be bloody, as he felt stage versions of the play which cut back on the bloodshed robbed it of its power. For him, "Everything is so internal with Sweeney that [the blood] is like his emotional release. It's more about catharsis than it is a literal thing."[6] Producer Richard D. Zanuck said that "[Burton] had a very clear plan that he wanted to lift that up into a surreal, almost Kill Bill kind of stylization. We had done tests and experiments with the neck slashing, with the blood popping out. I remember saying to Tim, 'My God, do we dare do this?'"[7] On set, the fake blood was colored orange to render correctly on the desaturated color film used, and crew members wore bin liners to avoid getting stained while filming.[23] This macabre tone made some studios nervous, and it was not until Warner Bros., DreamWorks and Paramount had signed up for the project that the film's $50 million budget was covered.[4] Burton said "the studio was cool about it and they accepted it because they knew what the show was. Any movie is a risk, but it is nice to be able to do something like that that doesn't fit into the musical or slasher movie categories."[27]

After the filming, Burton said of the cast, "All I can say is this is one of the best casts I've ever worked with. These people are not professional singers, so to do a musical like this which I think is one of the most difficult musicals, they all went for it. Every day on the set was a very, very special thing for me. Hearing all these guys sing, I don't know if I can ever have an experience like that again.""[5] Burton said of the singing, "You can't just lip synch, you'd see the throat and the breath, every take they all had to belt it out. It was very enjoyable for me to see, with music on the set everybody just moved differently. I'd seen Johnny (Depp) act in a way I'd never seen before, walking across the room or sitting in the chair, picking up a razor or making a pie, whatever. They all did it in a way that you could sense."[24]

Depp said of working with Baron Cohen, when asked what he was like in real life (meaning, not doing one of his trademark characters), "He's not what I expected. I didn't look at those characters and think, 'This will be the sweetest guy in the world'. He's incredibly nice. A real gentleman, kind of elegant. I was impressed with him. He's kind of today's equivalent of Peter Sellers."[28]

Music[edit]

Sweeney Todd is the second film in Burton's directing career not to include music composed by Danny Elfman (the first being Ed Wood.) Burton wanted to avoid the traditional approach of patches of dialogue interrupted by song, "We didn't want it to be what I'd say was a traditional musical with a lot of dialogue and then singing. That's why we cut out a lot of choruses and extras singing and dancing down the street. Each of the characters, because a lot of them are repressed and have their emotions inside, the music was a way to let them express their feelings."[24]

He cut the show's famous opening number, "The Ballad of Sweeney Todd", explaining, "Why have a chorus singing about 'attending the tale of Sweeney Todd' when you could just go ahead and attend it?" Sondheim acknowledged that, in adapting a musical to film, the plot has to be kept moving, and was sent MP3 files of his shortened songs by Mike Higham, the film's music producer, for approval. Several other songs were also cut, and Sondheim noted that there were "many changes, additions and deletions... [though]... if you just go along with it, I think you'll have a spectacular time."[9] To create a larger, more cinematic feel, the score was re-orchestrated by the stage musical's original orchestrator, Jonathan Tunick, who increased the orchestra from 27 musicians to 78.[citation needed]

The Deluxe Complete Edition soundtrack was released on December 18, 2007. Depp's singing was described by a New York Times reviewer as "harsh and thin, but amazingly forceful".[29] Another critic adds that, though Depp's voice "does not have much heft or power", "his ear is obviously excellent, because his pitch is dead-on accurate... Beyond his good pitch and phrasing, the expressive colorings of his singing are crucial to the portrayal. Beneath this Sweeney’s vacant, sullen exterior is a man consumed with a murderous rage that threatens to burst forth every time he slowly takes a breath and is poised to speak. Yet when he sings, his voice crackles and breaks with sadness."[30]

Marketing[edit]

The film's marketing has been criticized for not advertising it as a musical. Michael Halberstam of the Writers' Theatre said, "By de-emphasizing the score to the extent they did in the trailer, it is possible the producers were condescending to us – a tactic which cannot ultimately end in anything but tears."[31] In the UK, a number of audience members walked out of the film on realizing it was a musical, and complaints that advertisements for the film were deliberately misleading were made to both the Advertising Standards Authority and Trading Standards agency.[32][33] The studios involved opted for a low-key approach to their marketing. Producer Walter Parkes stated, "All these things that could be described as difficulties could also be the movie's greatest strengths." Warner Bros. felt it should take a similar approach to marketing as with The Departed, with little early exposure and discouraging talk of awards.[34]

Release[edit]

Sweeney Todd: The Demon Barber of Fleet Street officially opened at the United States box office on December 21, 2007 in 1,249 theatres, and took $9,300,805 in its opening weekend. Worldwide releases followed during January and February 2008, with the film performing well in the United Kingdom and Japan.[3] The film grossed $52,898,073 in the United States and Canada, and $99,625,091 in other markets, accumulating a worldwide total of $152,523,164.[3] In the United States, the Marcus Theaters Corporation was not initially planning to screen the film following its premiere, because it was unable to reach a pricing agreement with Paramount.[35] However, the dispute was resolved in time for the official release.[36]

Critical reception[edit]

Although Sondheim was cautious of a cinematic adaptation of his musical, he was largely impressed by the results.[4] The film received critical acclaim — the review aggregator Rotten Tomatoes reports that 86% of critics gave the film positive reviews, based on 221 reviews,[37] and Metacritic gave the film an average score of 83 out of 100, based on 39 reviews.[38] Sweeney Todd appeared on many critics' top ten lists of the best films of 2007.[39]

Of the reviewers, Time rated it an A-minus and added, "Burton and Depp infuse the brilliant cold steel of Stephen Sondheim's score with a burning passion. Helena Bonham Carter and a superb supporting cast bring focused fury to this musical nightmare. It's bloody great." Time's Richard Corliss named the film one of its top ten movies of 2007, placing it fifth.[40] Roger Ebert of the Chicago Sun-Times gave it four stars out of four, lauding Burton's visual style.[41] In his review in Variety, Todd McCarthy called it "both sharp and fleet" and "a satisfying screen version of Stephen Sondheim's landmark 1979 theatrical musical ... things have turned out uniformly right thanks to highly focused direction by Tim Burton, expert screw-tightening by scenarist John Logan, and haunted and musically adept lead performances from Johnny Depp and Helena Bonham Carter. Assembled artistic combo assures the film will reap by far the biggest audience to see a pure Sondheim musical, although just how big depends on the upscale crowd’s tolerance for buckets of blood, and the degree to which the masses stay away due to the whiff of the highbrow."[42] Lisa Schwarzbaum of Entertainment Weekly gave the film a B-plus in its Movie Reviews section and stated, "To stage a proper Sweeney Todd, necks must be slit, human flesh must be squished into pastries, and blood ought to spurt in fountains and rivers of death. Enter Tim Burton, who ... has tenderly art-directed soup-thick, tomato-red, fake-gore blood with the zest of a Hollywood-funded Jackson Pollock." She went on to refer to the piece as "opulent, attentive ... so finely minced a mixture of Sondheim's original melodrama and Burton's signature spicing that it's difficult to think of any other filmmaker so naturally suited for the job."[43]

In its DVD Reviews section, EW's Chris Nashawaty gave the film an A-minus, stating, "Depp's soaring voice makes you wonder what other tricks he's been hiding... Watching Depp's barber wield his razors... it's hard not to be reminded of Edward Scissorhands frantically shaping hedges into animal topiaries 18 years ago... and all of the twisted beauty we would've missed out on had [Burton and Depp] never met."[44] In Rolling Stone, Peter Travers awarded it 3½ out of 4 stars and added, "Sweeney Todd is a thriller-diller from start to finish: scary, monstrously funny and melodically thrilling ... [the film] is a bloody wonder, intimate and epic, horrific and heart-rending as it flies on the wings of Sondheim's most thunderously exciting score."[45] As with Time, the critic ranked it fifth on his list of the best movies of 2007.[46] Kirk Honeycutt of The Hollywood Reporter said, "The blood juxtaposed to the music is highly unsettling. It runs contrary to expectations. Burton pushes this gore into his audiences' faces so as to feel the madness and the destructive fury of Sweeney's obsession. Teaming with Depp, his long-time alter ego, Burton makes Sweeney a smoldering dark pit of fury and hate that consumes itself. With his sturdy acting and surprisingly good voice, Depp is a Sweeney Todd for the ages."[47] Harry Knowles gave the film a highly positive review, calling it Burton's best film since Ed Wood, his favorite Burton film, and said it was possibly superior. He praised all of the cast and the cinematography, but noted it would probably not appeal to non-musical fans due to the dominance of music in the film.[48]

Awards and nominations[edit]

Sweeney Todd: The Demon Barber of Fleet Street received four Golden Globe nominations for the January 2008 65th Golden Globe Awards, winning two. The film received the award for Best Motion Picture in the Musical or Comedy genre, and Depp for his performance as Sweeney Todd.[49] Burton was nominated for Best Director, and Helena Bonham Carter was nominated for her performance as Mrs. Lovett.[50][51] The film was included in the National Board of Review of Motion Pictures's top ten films of 2007, and Burton was presented with their award for Best Director.[52] The film was also nominated for two BAFTA awards, in the categories of Costume Design and Make Up and Hair.[53] Sweeney Todd further received three Oscar nominations at the 80th Academy Awards: Best Actor in a Leading Role for Depp; Best Achievement in Costume Design; and Best Achievement in Art Direction, which it won.[54] Depp won the award for Best Villain at the 2008 MTV Movie Awards. He thanked his fans for "sticking with me on this very obtuse and strange road."[55] He also won the Choice Movie Villain award at the Teen Choice Awards;[56][dead link] and at Spike TV's 2008 Scream Awards (filmed on October 18, 2008, and aired three days later), the film won two awards: Best Horror Movie, and Best Actor in a Horror Movie or TV Show (Depp).[57]

YearAwardCategoryNomineeResult
2007London Film Critics' Circle AwardBritish Actress of the YearHelena Bonham CarterNominated
2008Academy AwardBest Performance by an Actor in a Leading RoleJohnny DeppNominated
Best Costume DesignColleen AtwoodNominated
Best Art DirectionDante Ferretti and Francesca Lo SchiavoWon
Evening Standard British Film AwardBest ActressHelena Bonham CarterWon
American Cinema EditorsBest Edited Feature Film - Comedy or MusicalWon
British Academy Film AwardBest Costume DesignColleen AtwoodNominated
Best Makeup and HairIvana PrimoracNominated
Broadcast Film Critics Association AwardBest FilmNominated
Best CastNominated
Best ActorJohnny DeppNominated
Best Young PerformerEd SandersNominated
Best DirectorTim BurtonNominated
Golden Globe AwardBest Motion Picture - Musical or ComedyWon
Best Actor - Motion Picture Musical or ComedyJohnny DeppWon
Best Actress - Motion Picture Musical or ComedyHelena Bonham CarterNominated
Best DirectorTim BurtonNominated
Italian Online Movie AwardBest Actor in a Leading RoleJohnny DeppNominated
Best Actress in a Supporting RoleHelena Bonham CarterNominated
Best Art DirectionDante Ferretti and Francesca Lo SchiavoWon
Best Costume DesignColleen AtwoodWon
Best Make-upIvana PrimoracWon
MTV Movie AwardBest VillainJohnny DeppWon
National Movie AwardBest MusicalNominated
Best Performance (Male)Johnny DeppWon
Best Performance (Female)Helena Bonham CarterNominated
Saturn AwardBest Horror FilmWon
Best ActorJohnny DeppNominated
Best ActressHelena Bonham CarterNominated
Best Supporting ActorAlan RickmanNominated
Best DirectorTim BurtonNominated
Best CostumeColleen AtwoodWon
Best Make-upPeter Owen and Ivana PrimoracNominated
Best WritingJohn LoganNominated
Scream AwardBest Horror ActorJohnny DeppWon
Best Horror ActressHelena Bonham CarterNominated
Best DirectorTim BurtonNominated
Teen Choice AwardChoice Movie VillainJohnny DeppWon
2009Empire AwardBest HorrorNominated
Best ActorJohnny DeppNominated
Best ActressHelena Bonham CarterWon
Best DirectorTim BurtonNominated

Home release[edit]

Sweeney Todd: The Demon Barber of Fleet Street was released on DVD in North America on April 1, 2008, and the UK on May 19. A Blu-ray was released on October 21, 2008.[58] An HD DVD release was announced for the same date, but due to the discontinuation of the format, Paramount canceled this version in preference for international distribution of the Blu-ray release.[59]

The DVD was released on April 1, 2008 and has thus far sold approximately 1,892,489 units, bringing in more than $38 million in revenue.[60]

Sweeney Todd officially premiered on television on BBC America in October 2010. An edited version of the film appeared as part of "Shocktober", a Halloween themed month event for This TV network in October 2013.

The film premiered on British television on Channel 4 on 27 November 2010.

References[edit]

  1. ^ "Company Information". nytimes.movies.com. Retrieved November 11, 2010. 
  2. ^ "SWEENEY TODD - THE DEMON BARBER OF FLEET STREET (18)". Warner Bros. British Board of Film Classification. December 18, 2007. Retrieved August 28, 2013. 
  3. ^ a b c d "Box office release data". Box Office Mojo, LLC. 2008-03-20. Retrieved 2008-06-30. 
  4. ^ a b c d e f g Brownfield, Paul (2007-11-25). "Tim Burton's slasher film". Los Angeles Times. Retrieved 2007-12-14. 
  5. ^ a b c Prince, Chris (2008). "Director's Cut". Ultimate DVD (Visual Imagination) (89): p.18. ISSN 1468-6112. 
  6. ^ a b c d Daly, Steve (2007-10-31). "'Sweeney Todd': A Musical on the Cutting Edge". Entertainment Weekly. Retrieved 2007-11-06. 
  7. ^ a b c d e Gold, Sylviane (2007-11-04). "Demon Barber, Meat Pies and All, Sings on Screen". New York Times. Retrieved 2007-11-07. 
  8. ^ Susman, Gary (2003-06-26). "Tuning Up". Entertainment Weekly. Retrieved 2007-12-13. 
  9. ^ a b c Buckley, Michael (2007-12-16). "Stage to Screens: Logan, Zanuck and Parkes of "Sweeney Todd," Plus "Atonement" Writer Hampton". Playbill. Retrieved 2007-12-16. 
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