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There are four main methods of sparkling wine production.
Grapes used for Champagne are generally picked earlier, when sugar levels are lower and acid levels higher. Except for pink or rosé Champagnes, the juice of harvested grapes is pressed off quickly, to keep the wine white. The first fermentation begins in the same way as any wine, converting the natural sugar in the grapes into alcohol while the resultant carbon dioxide is allowed to escape. This produces the base wine. This wine is not very pleasant by itself, being too acidic. At this point the blend, known as the cuvée, is assembled, using wines from various vineyards, and, in the case of non-vintage Champagne, various years.
The traditional method is the process used in the Champagne region of France to produce the sparkling wine known as Champagne. It is also the method used in various French regions to produce Crémant or other traditional method sparkling wines, in Spain to produce Cava and in Italy to produce Franciacorta. The method is known as the méthode champenoise, but the Champagne producers have successfully lobbied the European Union to restrict the use of that term within the EU to wines produced from their region. Thus, wines from elsewhere cannot use the term "méthode champenoise" on products sold in the EU, and instead the term "traditional method" (méthode traditionnelle) or the local language equivalent may be seen; for instance, in Germany the term used is "klassische flaschengärung". South African wines from the Western Cape are labelled with the term "Methode Cap Classique". However, consumers outside the EU may see méthode champenoise used on labels for products made outside of France.
After primary fermentation, blending (assemblage in Champagne) and bottling, a second alcoholic fermentation occurs in the bottle.
Although known as the Champagne method and associated with the name of Dom Perignon in the late seventeenth century, this method of bottle fermentation was already used in Limoux, south western France, since 1531 for the production of Blanquette de Limoux.
The blended wine is put in bottles along with yeast and a small amount of sugar, called the liqueur de tirage, stopped with a crown cap or another temporary plug, and stored in a wine cellar horizontally for a second fermentation. Under the Appellation d'origine contrôlée, NV (non-vintage) Champagne is required to age for 15 months to develop completely. In years where the harvest is exceptional, a vintage (millesime) is declared and the wine must mature for at least three years.
During the secondary fermentation, the carbon dioxide is trapped in the wine in solution. The amount of added sugar determines the pressure of the bottle. To reach the standard value of 6 bars (600 kPa) inside the bottle, it is necessary to have 18 grams of sugar; the amount of yeast (Saccharomyces cerevisiae) is regulated by the European Commission (Regulation 1622/2000, 24 July 2000) to be 0.3 gram per bottle. The liqueur de tirage is then a mixture of sugar, yeast and still Champagne wine.
Non-vintage wine from Champagne cannot legally be sold until it has aged on the lees in the bottle for at least 15 months. Champagne's AOC regulations further require that vintage Champagnes be aged in cellars for three years or more before disgorgement, but most top producers exceed the requirement, holding bottles on the lees for 6 to 8 years.
After aging, the lees must be consolidated for removal. The bottles undergo a process known as riddling (remuage in French). In this stage, the bottles are placed on special racks called pupitres that hold them at a 45° angle, with the crown cap pointed down. Once a day (every two days for Champagne), the bottles are given a slight shake and turn, alternatively on right then left, and dropped back into the pupitres, with the angle gradually increased. The drop back into the rack causes a slight tap, pushing sediments toward the neck of the bottle. In 10 to 14 days (8 to 10 weeks for Champagne), the position of the bottle is straight down, with the lees settled in the neck. (This time can be shortened by moving the bottle more than once a day, and by using modern, less sticky strains of yeast.) Manual riddling is still done for Prestige Cuvées in Champagne, but has otherwise been largely abandoned because of the high labour costs. Mechanised riddling equipment (a gyropalette) is used instead.
Many stores now sell riddling racks for decorative storage of finished wine.
The lees removal process is called disgorging (dégorgement in French), traditionally a skilled manual process where the crown cap and lees are removed without losing much of the liquid, and a varying amount of sugar added. Before the invention of this process by Madame Clicquot in 1816, Champagne was cloudy. Modern automated disgorgement is done by freezing a small amount of the liquid in the neck and removing this plug of ice containing the lees.
Immediately after disgorging but before final corking, the liquid level is topped up with liqueur d'expédition, commonly a little sugar, a practice known as dosage. The liqueur d'expédition is a mixture of the base wine and sucrose, plus 0.02 to 0.03 grams of sulfur dioxide as a preservative. Some maisons de Champagne (Champagne brands) claim to have secret recipes for this, adding ingredients such as old Champagne wine and candi sugar. In the Traité théorique et pratique du travail des vins (1873), Maumené lists the additional ingredients "usually present in the liqueur d'expédition": port wine, cognac, elderberry wine, kirsch, framboise wine, alum solutions, tartaric acid, and tannins.
The amount of sugar in the liqueur d'expédition determines the sweetness of the Champagne, the sugar previously in the wine having been consumed in the second fermentation. Generally, sugar is added to balance the high acidity of the Champagne, rather than to produce a sweet taste. Brut Champagne will only have a little sugar added, and Champagne called nature or zéro dosage will have no sugar added at all. A cork is then inserted, with a capsule and wire cage (muselet) securing it in place.
Champagne's sugar content varies. The sweetest level is 'doux' (meaning sweet) and then, in increasing dryness, 'demi-sec' (half-dry), 'sec' (dry), 'extra sec' (extra dry), 'brut' (very dry-dry), 'extra brut' (very dry), 'brut nature/brut zero/ultra brut' (no additional sugar, bone dry).
While the traditional, or "Champagne method", is the most widely known style of production, there are several ways to produce sparkling wine that are less costly in labor.
The Charmat process is known as Metodo Charmat-Martinotti (or Metodo Martinotti) in Italy, where it was invented and is most used. In France, the process is referred to as Méthode Charmat. The wine undergoes secondary fermentation in stainless steel tanks or steel vessels covered with vitreous enamel rather than in individual bottles, and is bottled under pressure in a continuous process. Many grape varieties, including Prosecco, are best suited for fermentation in tanks. Charmat method sparkling wines can be produced at a slightly lower cost than méthode champenoise wines.
This follows the first steps of "méthode champenoise" in that after primary fermentation the cuvée is transferred to bottles to complete secondary fermentation. When the secondary fermentation is complete and the wine has spent the desired amount of time in bottle on yeast lees (six months is the requirement to label a wine 'bottle fermented') then the individual bottles are transferred (hence the name) into a larger tank. The wine is then filtered, the liqueur de dosage added, and then filled back into new bottles for sale. This method allows for complexity to be built into the wine, but also gives scope for blending options after the wine has gone into bottle and reduces the bottle-to-bottle variations that can be hard to control in the "méthode champenoise".
Comparatively inexpensive sparkling wine is made by simple injection of CO2 from a carbonator. This way of manufacturing is allowed in the European Union. Sparkling wines made via this method must use terms ‘aerated sparkling wine’ and ‘aerated semi-sparkling wine’ must be supplemented, where necessary, by the words ‘obtained by adding carbon dioxide’ or ‘obtained by adding carbon anhydride.' 
Even experts disagree about the effects of aging on Champagne after disgorgement. Some prefer the freshness and vitality of young, recently disgorged Champagne, and others prefer the baked apple and caramel flavors that develop from a year or more of bottle aging. In 2009, a 184-year-old bottle of Perrier-Jouët was opened and tasted, still drinkable, with notes of "truffles and caramel", according to the experts.
The majority of the Champagne produced is non-vintage (also known as mixed vintage or multivintage), a blend of wines from several years. This means that no declared year will be displayed on the bottle label. Typically, however, the majority of the wine is from the current year but a percentage is made of reserve wine from previous years. This serves to smooth out some of the vintage variations caused by the marginal growing climate of Champagne, which is the most northerly winegrowing region in France. Most Champagne houses strive for a consistent house style from year to year (largely for reasons related to price-setting and successful marketing), and this is arguably one of the hardest tasks of the house winemaker.
The grapes to produce vintage Champagne must be 100% from the year indicated (some other wines in the EU need only be 85% to be called vintage, depending on their type and appellation). To maintain the quality of non-vintage Champagne a maximum of half the grapes harvested in one year can be used in the production of vintage Champagne ensuring at least 50%, though usually more, is reserved for non-vintage wines. Vintage Champagnes are the product of a single high-quality year, and bottles from prestigious makers can be rare and expensive.
Several wine faults can occur in sparkling wine production. Some that were present in early production methods include yeux de crapauds (toad's eyes) which was a condition of big, viscous bubbles that resulted from the wine spending too much time in wooden casks. Another fault could occur when the wine is exposed to bacteria or direct sunlight, leaving the wine with murky coloring and an oily texture.
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