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Ozawa was born on September 1, 1935 to Japanese parents in the city of Mukden, Manchukuo (now Shenyang, China). When his family returned to Japan in 1944, he began studying piano with Noboru Toyomasu, heavily studying the works of Johann Sebastian Bach. After graduating from the Seijo Junior High School in 1950, Ozawa sprained his finger in a rugby game. Unable to continue studying the piano, his teacher at the Toho Gakuen School of Music (Hideo Saito), brought Ozawa to a life-changing performance of Beethoven's Symphony No. 5, which ultimately shifted his musical focus from piano performance to conducting.
Almost a decade after the sports injury, Ozawa won the first prize at the International Competition of Orchestra Conductors in Besançon, France. His success in France led to an invitation by Charles Münch, then the music director of the Boston Symphony Orchestra, to attend the Berkshire Music Center (now the Tanglewood Music Center) where he studied with Munch and Pierre Monteux. In 1960, shortly after his arrival, Ozawa won the Koussevitzky Prize for outstanding student conductor, Tanglewood's highest honor. Receiving a scholarship to study conducting with famous Austrian conductor Herbert von Karajan, Ozawa moved to West Berlin. Under the tutelage of von Karajan, Ozawa caught the attention of prominent conductor Leonard Bernstein. Bernstein then appointed him as assistant conductor of the New York Philharmonic where he remained for the next four years. While with the New York Philharmonic, he made his first professional concert appearance with the San Francisco Symphony in 1962.
In December 1962 Ozawa was involved in a controversy with the prestigious Japanese NHK Symphony Orchestra when certain players, unhappy with his style and personality, refused to play under him. Ozawa went on to conduct the rival Japan Philharmonic Orchestra instead. From 1964 to 1971, Ozawa served as the first music director of the Ravinia Festival, the summer home of the Chicago Symphony Orchestra.
He was music director of the Toronto Symphony Orchestra from 1965 to 1969 and of the San Francisco Symphony from 1970 to 1977. In 1972, he led the San Francisco Symphony in its first commercial recordings in a decade, recording music inspired by William Shakespeare's Romeo and Juliet. In 1973, he took the San Francisco orchestra on a European tour, which included a Paris concert that was broadcast via satellite in stereo to San Francisco station KKHI. He left San Francisco after a dispute with a players committee over granting tenure to two young musicians Ozawa had selected. From 1977 to 1979, he was the resident conductor for the Singapore Philharmonic Orchestra. He returned to San Francisco as a guest conductor, including a 1978 concert featuring music from Tchaikovsky's ballet Swan Lake.
Between the years of 1964 and 1973, he directed various orchestras until he became music director of the Boston Symphony Orchestra in 1973. His tenure at the BSO was maintained for 29 years, the longest tenure of any music director, surpassing the 25 years held by Serge Koussevitzky. Ozawa won his first Emmy Award in 1976, for the Boston Symphony Orchestra's PBS television series, Evening at Symphony. In 1994, the BSO dedicated its new Tanglewood concert hall "Seiji Ozawa Hall" in honor of his 20th season with the orchestra. In 1994, he was awarded his second Emmy for Individual Achievement in Cultural Programming for "Dvořák in Prague: A Celebration".
In an effort to merge all-Japanese orchestras and performers with international artists, Ozawa, along with Kazuyoshi Akiyama, founded the Saito Kinen Orchestra in 1992. Since its creation, the orchestra has gained a prominent position in the international music community. In the same year, he also made his debut with the Metropolitan Opera in New York.
Ozawa caused controversy in 1996/97 with sudden demands for change at the Tanglewood Music Center, which caused Gilbert Kalish and Leon Fleisher to resign in protest. A controversy subsequently developed over various perceptions of the quality of Ozawa's work with the BSO. Ozawa stood down from the BSO music directorship in 2002.
Ozawa has been an advocate of 20th-century classical music, giving the premieres of a number of works including György Ligeti's San Francisco Polyphony in 1975 and Olivier Messiaen's opera Saint François d'Assise in 1983. He also became known for his unorthodox conducting wardrobe, where he wore the traditional formal dress with a white turtleneck rather than the usual starched shirt, waistcoat, and white tie.
In 2001, Ozawa was recognized by the Japanese government as a Person of Cultural Merit. In 2002, Ozawa became principal conductor of the Vienna State Opera. Ozawa continues to play a key role as a teacher and administrator at the Tanglewood Music Center, the Boston Symphony Orchestra's summer music home that has programs for young professionals and high school students. On New Year's Day 2002, Ozawa conducted the Vienna New Year's Concert for the first (and only) time. In 2005, he conducted the Tokyo Opera Nomori's debut of Richard Strauss’ Elektra. On February 1, 2006, the Vienna State Opera announced that he had to cancel all his 2006 conducting engagements because of illness, including pneumonia and shingles. He returned to conducting in March 2007 at the Tokyo Opera Nomori. Ozawa stepped down from his post at the Vienna State Opera in 2010, to be succeeded by Franz Welser-Möst.
In October 2008, Ozawa was honored with Japan's Order of Culture; and an awards ceremony for the Order of Culture was held at the Imperial Palace. He is a recipient of the 34th Suntory Music Award (2002) and the International Center in New York's Award of Excellence.
On January 7, 2010, Ozawa announced that he was canceling all engagements for six months in order to undergo treatments for esophageal cancer. The doctor with Ozawa at the time of the announcement said it was detected at an early stage. Other health problems with Ozawa have included pneumonia and lower back surgery.
Inauguration of Seiji Ozawa Hall at Tanglewood, the BSO's summer home in Massachusetts, where he also taught for the International Academy of Young Musicians.
|Music Director, Vienna State Opera|