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The Sedlec Ossuary (Czech: Kostnice v Sedlci) is a small Roman Catholic chapel, located beneath the Cemetery Church of All Saints (Czech: Hřbitovní kostel Všech Svatých) in Sedlec, a suburb of Kutná Hora in the Czech Republic. The ossuary is estimated to contain the skeletons of between 40,000 and 70,000 people, whose bones have in many cases been artistically arranged to form decorations and furnishings for the chapel. The ossuary is among the most visited tourist attractions of the Czech Republic, attracting over 200,000 visitors yearly.
Four enormous bell-shaped mounds occupy the corners of the chapel. An enormous chandelier of bones, which contains at least one of every bone in the human body, hangs from the center of the nave with garlands of skulls draping the vault. Other works include piers and monstrances flanking the altar, a large Schwarzenberg coat of arms, and the signature of Rint, also executed in bone, on the wall near the entrance.
In 1278, Henry, the abbot of the Cistercian monastery in Sedlec, was sent to the Holy Land by King Otakar II of Bohemia. He returned with him a small amount of earth he had removed from Golgotha and sprinkled it over the abbey cemetery. The word of this pious act soon spread and the cemetery in Sedlec became a desirable burial site throughout Central Europe.
Around 1400, a Gothic church was built in the center of the cemetery with a vaulted upper level and a lower chapel to be used as an ossuary for the mass graves unearthed during construction, or simply slated for demolition to make room for new burials.
Between 1703 and 1710, a new entrance was constructed to support the front wall, which was leaning outward, and the upper chapel was rebuilt. This work, in the Czech Baroque style, was designed by Jan Santini Aichel.
In 1970, the centenary of Rint's contributions, Czech filmmaker Jan Švankmajer was commissioned to document the ossuary. The result was a 10 minute long frantic-cut film of skeletal images overdubbed with an actual tour-guide's neutral voice narration. This version was initially banned by the Czech Communist authorities for alleged subversion, and the soundtrack was replaced by a brief spoken introduction and a jazz arrangement by Zdeněk Liška of the poem "Comment dessiner le portrait d'un oiseau" ("How to Draw the Portrait of a Bird") by Jacques Prévert. Since the Velvet Revolution, the original tour guide soundtrack has been made available.
The ossuary is a major plot device in the John Connolly novel The Black Angel.
The ossuary was also the influence for Make Believe's album entitled Going to the Bone Church
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