Screamin' Jay Hawkins

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Screamin' Jay Hawkins
Screaming Jay Hawkins.jpg
Hawkins in concert
Background information
Birth nameJalacy Hawkins
Born(1929-07-18)July 18, 1929
Cleveland, Ohio, USA
DiedFebruary 12, 2000(2000-02-12) (aged 70)
Neuilly-sur-Seine, France
GenresRhythm and blues, soul, shock rock
OccupationsMusician, songwriter, actor, producer
Years active1946–2000
 
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Screamin' Jay Hawkins
Screaming Jay Hawkins.jpg
Hawkins in concert
Background information
Birth nameJalacy Hawkins
Born(1929-07-18)July 18, 1929
Cleveland, Ohio, USA
DiedFebruary 12, 2000(2000-02-12) (aged 70)
Neuilly-sur-Seine, France
GenresRhythm and blues, soul, shock rock
OccupationsMusician, songwriter, actor, producer
Years active1946–2000

Jalacy Hawkins (July 18, 1929 – February 12, 2000) — known as Screamin' Jay Hawkins — was an American musician, singer, and actor. Famed chiefly for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You", Hawkins sometimes used macabre props onstage, making him an early pioneer of shock rock.[1]

Early career[edit]

Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties.[2] His initial goal was to become an opera singer (Hawkins has cited Paul Robeson as his musical idol in interviews),[3] but when his initial ambitions failed he began his career as a conventional blues singer and pianist.

Hawkins was an avid and formidable boxer.[citation needed] In 1949, he was the middleweight boxing champion of Alaska.[citation needed]

In 1951, Hawkins joined guitarist Tiny Grimes's band, and was subsequently featured on some of Grimes's recordings.[3] When Hawkins became a solo performer, he often performed in a stylish wardrobe of leopard skins, red leather and wild hats.

"I Put a Spell on You"[edit]

His most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues, "Hawkins originally envisioned the tune as a refined ballad."[3] The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon."[3] The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and reportedly surpassed a million copies in sales,[4][5] although it failed to make the Billboard pop or R&B charts.[6][7]

The performance was mesmerizing, although Hawkins himself blacked out and was unable to remember the session.[5] Afterward he had to relearn the song from the recorded version.[5] Meanwhile the record label released a second version of the single, removing most of the grunts that had embellished the original performance; this was in response to complaints about the recording's overt sexuality.[5] Nonetheless it was banned from radio in some areas.

Soon after the release of "I Put a Spell on You", radio disc jockey Alan Freed offered Hawkins $300 to emerge from a coffin onstage.[4] Hawkins accepted and soon created an outlandish stage persona in which performances began with the coffin and included "gold and leopard skin costumes and notable voodoo stage props, such as his smoking skull on a stick – named Henry – and rubber snakes."[4] These props were suggestive of voodoo, but also presented with comic overtones that invited comparison to "a black Vincent Price."[2][5]

Later career[edit]

Hawkins' later releases included "Constipation Blues" (which included a spoken introduction by Hawkins in which he states he wrote the song because no one had written a blues song before about "real pain"), "Orange Colored Sky", and "Feast of the Mau Mau". Nothing he released, however, had the monumental success of "I Put a Spell on You". In fact, "Constipation Blues" has been described as "gross".[8] In Paris in 1999 and at the Taste of Chicago festival, he actually performed the song with a toilet onstage.[9]

He continued to tour and record through the 1960s and 1970s, particularly in Europe, where he was very popular. He appeared in performance (as himself) in the Alan Freed bio-pic American Hot Wax in 1978. Subsequently, filmmaker Jim Jarmusch featured "I Put a Spell on You" on the soundtrack – and deep in the plot – of his film Stranger Than Paradise (1983) and then Hawkins himself as a hotel night clerk in his Mystery Train and in roles in Álex de la Iglesia's Perdita Durango and Bill Duke's adaptation of Chester Himes' A Rage in Harlem.

His 1957 single "Frenzy" (found on the early 1980s compilation of the same name) was included in the compilation CD, Songs in the Key of X: Music from and Inspired by the X-Files, in 1996.[10] This song was featured in the show's Season 2 episode "Humbug". It was also covered by the band Batmobile.[citation needed] "I Put a Spell on You" was featured during the show and over the credits of Episode 303 of The Simpsons.[11]

In 1983, Hawkins relocated to the New York area. In 1984 and 1985, Hawkins collaborated with garage rockers The Fuzztones, resulting in "Screamin' Jay Hawkins and The Fuzztones Live" album recorded at Irving Plaza in December 1984. They perform in the 1986 movie Joey.[12]

In July 1991, Hawkins released his album Black Music for White People.[13] The record features covers of two Tom Waits compositions: "Heart Attack and Vine"[14] (which, later that year, was used in a European Levi's advertisement without Waits' permission, resulting in a lawsuit),[15] and "Ice Cream Man" (which, contrary to popular belief,[citation needed] is a Waits original, and not a cover of the John Brim classic).[16] Hawkins also covered the Waits song, "Whistlin' Past the Graveyard", for his album Somethin' Funny Goin' On. In 1993, his version of "Heart Attack and Vine" became his only UK hit, reaching #42 on the UK singles chart.[17]

When Dread Zeppelin recorded their "disco" album, It's Not Unusual in 1992, producer Jah Paul Jo asked Hawkins to guest. He performed the songs "Jungle Boogie" and "Disco Inferno".

Hawkins also toured with The Clash and Nick Cave during this period, and not only became a fixture of blues festivals, but appeared at many film festivals as well.[citation needed]

Hawkins died on February 12, 2000 after surgery to treat an aneurysm.[18] He left behind many children by many women; an estimated 55 at the time of his death, and upon investigation, that number "soon became perhaps 75 offspring".[19]

Influence[edit]

Although Hawkins was not a major success as a recording artist, his highly theatrical performances from "I Put a Spell On You" onward earned him a steady career as a live performer for decades afterward, and influenced subsequent acts.[2] He opened for Fats Domino, Tiny Grimes and the Rolling Stones.[2] This exposure in turn influenced rock groups such as The Cramps, Screaming Lord Sutch, Black Sabbath, Arthur Brown, Dread Zeppelin, The Horrors, Marilyn Manson, Tom Waits, Alice Cooper and Glenn Danzig.[2]

Discography[edit]

Albums[edit]

Singles[edit]

Multi-artist samplers and budget compilations[edit]

Filmography[edit]

References[edit]

  1. ^ Gillespie, Paula, and Neal Lerner. The Allyn and Bacon Guide to Peer Tutoring. Boston: Allyn, 2000. Print.
  2. ^ a b c d e Jeremy Simmonds (2008). The Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches. Chicago Review Press. pp. 427–428. Retrieved 2008-12-04. 
  3. ^ a b c d Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine (2003). All Music Guide to the Blues: The Definitive Guide to the Blues. Backbeat Books. p. 226. Retrieved 2008-12-04. 
  4. ^ a b c Edward M. Komara (2006). Encyclopedia of the Blues: A-J. Routledge. p. 415. Retrieved 2008-12-04. 
  5. ^ a b c d e Ed Sikov (1996). Laughing Hysterically: American Screen Comedy of the 1950s. Columbia University Press. p. 17. Retrieved 2008-12-04. 
  6. ^ Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. ISBN 0-89820-155-1. 
  7. ^ Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-2004. Menomonee Falls, Wisconsin: Record Research. ISBN 0-89820-115-2. 
  8. ^ Vladimir Bogdanov, Stephen Thomas Erlewine, and Chris Woodstra, All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul (Backbeat Books, 2002), 513.
  9. ^ Patricia Romanowski Bashe, Holly George-Warren, and Jon Pareles, The Rolling Stone Encyclopedia of Rock & Roll: Revised and Updated for the 21st Century (Fireside, 2001), 419.
  10. ^ Cesare Rizzi, Enciclopedia della musica rock (Giunti, 1996), 249.
  11. ^ "I'm Spelling as Fast as I Can". Wikipedia.
  12. ^ Maslin, Janet (January 31, 1986). "Screen: 'Joey,' Rock Tale". The New York Times. [dead link]
  13. ^ Edward M. Komara, "Hawkins, Screamin' Jay," Encyclopedia of the Blues (Routledge, 2006), 415-416.
  14. ^ Peter Buckley, The rough guide to rock (Rough Guides, 2003), 207.
  15. ^ Copyright: Waits v. Levi Strauss at Tom Waits Library.
  16. ^ Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine. All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul. Hal Leonard Corporation, 2002. p. 513. ISBN 978-0-87930-653-3
  17. ^ Betts, Graham (2004). Complete UK Hit Singles 1952-2004 (1st ed.). London: Collins. p. 346. ISBN 0-00-717931-6. 
  18. ^ Ashyia N. Henderson, Contemporary Black Biography (Gale Group, 2001), 83.
  19. ^ Feature: Screamin' Jay Hawkins, All Things Considered, 1 January 2001.
  20. ^ "Screamin' Jay Hawkins: I Put a Spell on Me (2001)". IMDb.com. Retrieved 2012-12-25.