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Sarasota Opera is a professional opera company in Sarasota, Florida, USA, which was founded as the Asolo Opera Guild and, until 1974, presented a visiting company's productions. Between 1974 and 1979, it set about mounting its own productions in the same venue until, in 1979, it acquired the Edwards Theatre, which became the Sarasota Opera House in 1984. The house underwent a further renovations in 2008, creating a 1,119-seat venue.
In addition to two or three operas in the popular repertoire, each season typically includes an opera as part of the long-running "Verdi Cycle", the company's planned presentations of every Verdi opera, and one in the "American Classics" series.
Initially bringing the Turnau Opera of Woodstock, New York to perform chamber-sized operas at the historic Asolo Theater on the grounds of the John and Mable Ringling Museum of Art, the guild then began mounting its own productions, also at the Asolo, in 1974, but when it acquired the Edwards Theatre in 1979, the company set about a rehabilitation of the old vaudeville and movie theater and opened it in 1984.
Under the artistic direction of Victor DeRenzi since 1982 and executive director Richard Russell, the company presents its Winter Opera Festival in February and March, usually offering four fully staged operas with the Sarasota Opera Orchestra. The repertoire includes standard works as well as lesser known operas.
In March 2008, the Sarasota Opera House reopened after a $20 million renovation with Verdi's Rigoletto, and in the same year, the company added its first fully staged fall production, Rossini's The Barber of Seville bringing the number of operas presented in a season to five. For the most part, the Fall operas have been popular favourites, but in 2012, it will present Daron Hagen's world premiere opera, Little Nemo in Slumberland.
One of the company's longest standing initiatives is the Verdi Cycle, an effort—which began in 1989—to perform all of the works of Giuseppe Verdi, including every one of his operas (as well as all alternative versions), all his orchestral and chamber music, as well as the Requiem. In recent years, the Verdi Cycle operas have included I due Foscari, Giovanna d'Arco, I Lombardi and Otello. In 2009, the company staged performances of the composer's Don Carlo in the four-act Italian version of 1884 (the "La Scala" version). This was the largest opera ever presented by the company.
The first grand opera which Verdi wrote for Paris, Jérusalem (a revised version of the 1843 I Lombardi), was given in French in 2014, while his first comedy, Un giorno di regno, appeared in 2013. . The only operas which remain to be presented are Don Carlos, in the original, 5-act, Paris version in French, which is planned for 2015, while La battaglia di Legnano and Aida are planned for 2016 to complete the Verdi Cycle, a feat which distinguishes Sarasota Opera as the only company in the world to have performed every note which the composer wrote.
The series includes presentations of neglected works of artistic merit. Operas presented in this cycle have included Alfredo Catalani's La Wally, Carl Nielsen's Maskarade, Engelbert Humperdinck's Königskinder, Stanisław Moniuszko's Halka, and Mascagni's L'amico Fritz.
The company also runs an Apprentice Program and a Studio Artists Program. Both programs provide young singers with additional training and performance opportunities in the chorus or other small roles in the company's productions.
The 2010-2011 opera season marked the beginning of Sarasota Opera's newest initiative, the American Classics Series, through which Sarasota Opera has made the commitment to produce one opera by an American composer each season. Robert Ward's opera, The Crucible based on the play by Arthur Miller, served as the inaugural production of this new series, and it was received with critical acclaim.  The 2012 Festival Season featured Samuel Barber's Vanessa and, in 2013, the American Classic opera was Carlisle Floyd's Of Mice and Men. In 2013 the company announced that they would no longer continue this series, with Lawrence Johnson noting in London's Opera magazine that "Richard Russell, the company's new executive director, decided to pull the plug on the enterprising project due to lack of enthusiasm from the company's local patron base, heavy on seniors who prefer conservative repertoire".
The SarasotaYouth Opera program, begun in 1984, is a comprehensive training program designed for young people ages 8 to 18. The program admits all who apply, regardless of skill level, and provides instruction in the musical and theatrical aspects of opera. In recent years, the Sarasota Youth Opera has mounted world premieres on Sarasota's stage, the best-known being The Language of Birds, and gave the United States premiere of Canadian composer Dean Burry's opera The Hobbit in 2008. In 2010, the Sarasota Youth Opera presented the opera The Black Spider by Judith Weir. Sarasota Opera presented Little Nemo in Slumberland, an opera with music by Daron Hagen and words by J.D. McClatchy, in November 2012.
For a more detailed article on the opera house, see Sarasota Opera House
Recognizing the need for a larger theater with an orchestra pit, the guild purchased the then-closed A. B. Edwards Theatre, which had been renamed as the Florida Theatre in December 1936. The theater had been built in 1926 by an important early resident of Sarasota, Arthur Britton Edwards, as a versatile performance venue that could be adapted for vaudeville or as a movie house. The guild members renovated the building beginning in 1982. The next year the A. B. Edwards Theatre was listed on the National Register of Historic Places, and was reopened as the Sarasota Theatre of the Arts in 1984. The name was changed to the Sarasota Opera House a few years later. From 2007 until the opening of the new season on 1 March 2008, the opera house was extensively remodeled and updated throughout its interior and exterior. The $20 million renovations included a gutting of the auditorium, resulting in a newly configured seating plan, expansion of the public areas and Opera Club on the second level, the opening up of the atrium to reveal a newly installed skylight system which had existed in the 1926 building. Seating has been expanded to 1,119.