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Listen to the Russian alphabet
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The Russian alphabet is as follows:
|Letter||Handwriting||Name||Old name||IPA||English example||Russian example [Pronunciation]|
|1||U+0410 / U+0430|
|/b/ or /bʲ/||bad||без [byez]|
|–||U+0411 / U+0431|
|/v/ or /vʲ/||vine||вот [vot]|
|2||U+0412 / U+0432|
|3||U+0413 / U+0433|
|/d/ or /dʲ/||do||да [da]|
|4||U+0414 / U+0434|
|/je/, / ʲe/ or /e/||yes||не [nye]|
|5||U+0415 / U+0435|
|–||/jo/ or / ʲɵ/||yawn||своё [svoyo]|
(one's own, my, our)
|–||U+0401 / U+0451|
(and, as for)
|–||U+0416 / U+0436|
|/z/ or /zʲ/||zoo||за [za]|
|7||U+0417 / U+0437|
|/i/ or / ʲi/||me||или [ili]|
|8||U+0418 / U+0438|
|и съ краткой|
[ɪ s ˈkrätkəj]
|–||U+0419 / U+0439|
|/k/ or /kʲ/||kiss||кто [kto]|
|20||U+041A / U+043A|
|Лл†||эл or эль|
[ɛl] or [ɛlʲ]
|/l/ or /lʲ/||lamp||ли [li]|
|30||U+041B / U+043B|
|/m/ or /mʲ/||map||чем [tsem]|
|40||U+041C / U+043C|
|/n/ or /ɲ/||not||но [no]|
|50||U+041D / U+043D|
|70||U+041E / U+043E|
|/p/ or /pʲ/||pet||под [pod]|
|80||U+041F / U+043F|
|/r/ or /rʲ/||rolled r||при [pri]|
|100||U+0420 / U+0440|
|/s/ or /sʲ/||see||если [yesli]|
|200||U+0421 / U+0441|
|/t/ or /tʲ/||tool||тот [tot]|
|300||U+0422 / U+0442|
|400||U+0423 / U+0443|
|/f/ or /fʲ/||face||форма [forma]|
|500||U+0424 / U+0444|
|600||U+0425 / U+0445|
|900||U+0426 / U+0446|
|90||U+0427 / U+0447|
|/ʂ/||Close to sharp, like the German stehen (voiceless retroflex fricative)||ваш [vash]|
|–||U+0428 / U+0448|
|/ɕɕ/||sheer (sometimes instead pronounced as in pushchair) (a voiceless alveolo-palatal fricative)||ещё [yeshchyo]|
|–||U+0429 / U+0449|
|silent, prevents palatalization of the preceding consonant||объект [ob.yekt]|
|–||U+042A / U+044A|
|[ɨ]||roses or silly (close central unrounded vowel)||ты [tɨ]|
|–||U+042B / U+044B|
|/ ʲ/||silent, slightly palatalizes the preceding consonant (if it is phonologically possible)||весь [vye(sh)]|
|–||U+042C / U+044C|
|–||U+042D / U+044D|
|/ju/ or / ʲʉ/||use||юг [yug]|
|–||U+042E / U+044E|
|/ja/ or / ʲæ/||yard||себя [syebya]|
|–||U+042F / U+044F|
|letters eliminated in 1917–18|
|/i/ or / ʲi/ or /j/||Like и or й||стихотворенія (now стихотворения) [stihotvoryeniya]|
|/f/ or /fʲ/||Like ф||орѳографія (now орфография) [orfografiya]|
|/e/ or / ʲe/||Like е||Алексѣй (now Алексeй) [alyeksyey]|
|/i/ or / ʲi/||Usually like и, see below||мѵро (now миро) [miro]|
|letters eliminated before 1750|
|/z/ or /zʲ/||Like з||n/a||6|
|/ks/ or /ksʲ/||Like кс||n/a||60|
|/ps/ or /psʲ/||Like пс||n/a||700|
|/u/, /ju/ or / ʲu/||Like у or ю||n/a||–|
|/ja/ or / ʲa/||Like я||n/a||–|
|Ѭѭ||–||–||юсъ большой іотированный|
[jus bɐlʲˈʂoj jɪˈtʲirəvənnɨj]
|/ju/ or / ʲu/||Like ю||n/a||–|
|Ѩѩ||–||–||юсъ малый іотированный|
[jus ˈmɑlɨj jɪˈtʲirəvən.nɨj]
|/ja/ or / ʲa/||Like я||n/a||–|
The consonant letters represent both as "soft" (palatalized, represented in the IPA with a 〈ʲ〉) and "hard" consonant phonemes. If a consonant letter is followed by a vowel letter, then the soft/hard quality of the consonant depends on whether the vowel is meant to follow "hard" consonants 〈а, о, э, у, ы〉 or "soft" ones 〈я, ё, е, ю, и〉; see below. A handful of consonant phonemes do not have phonemically distinct "soft" and "hard" variants. See Russian phonology for details.
The frequency of letters in the Russian Alphabet is as follows:
|О||11.07%||The most popular letter in the Russian Alphabet.|
|E||8.50%||Foreign words sometimes use E rather than Э, even if it is pronounced "e" instead of "ye". This makes E even more common. For more information, see Vowels.|
|H||6.70%||The most popular consonant in the Russian Alphabet.|
|Й||1.21%||The letter Й was originally used in foreign words only. However, it then started to become more and more common in Russian-origin words, too. In 1930, the letter was thought to be so popular that it became an official letter of the Russian Alphabet.|
|Э||0.36%||Foreign words sometimes use E rather than Э, even if it is pronounced "e" instead of "ye". This makes Э even less common. For more information, see Vowels.|
|Ф||0.21%||The least popular consonant in the Russian Alphabet.|
|Ё||0.20%||In written Russian, Ё is often replaced by E. For more information, see Vowels.|
|Ъ||0.02%||Ъ used to be a very common letter in the Russian Alphabet. This was because before the 1918 reform, no word could end with a consonant - they had to end in either a vowel, Ь or Ъ. However, the reform greatly reduced the use of Ъ, making it the least common letter in the alphabet. For more information, see Non-vocalized letters.|
The vowels 〈е, ё, и, ю, я〉 indicate a preceding palatal consonant and with the exception of 〈и〉 are iotated (pronounced with a preceding /j/) when written at the beginning of a word or following another vowel (initial 〈и〉 was iotated until the nineteenth century). The IPA vowels shown are a guideline only and sometimes are realized as different sounds, particularly when unstressed. However, 〈е〉 may be used in words of foreign origin without palatalization (/e/), and 〈я〉 is often realized as [æ] between soft consonants, such as in мяч ("toy ball").
〈ы〉 is an old Common Slavonic tense intermediate vowel, thought to have been preserved better in modern Russian than in other Slavic languages. It was originally nasalized in certain positions: камы [ˈka.mɨ̃]; камень [ˈka.mʲɪnʲ] ("rock"). Its written form developed as follows: 〈ъ〉 + 〈і〉 → 〈ъı〉 → 〈ы〉.
〈э〉 was introduced in 1708 to distinguish the non-iotated/non-palatalizing /e/ from the iotated/palatalizing one. The original usage had been 〈е〉 for the uniotated /e/, 〈ѥ〉 or 〈ѣ〉 for the iotated, but 〈ѥ〉 had dropped out of use by the sixteenth century. In native Russian words, 〈э〉 is found only at the beginnings of words or in compound words (e.g. поэтому "therefore" = по + этому). In words that come from foreign languages in which the use of iotated /e/ in uncommon or non-existing (such as English, for example), there is currently shallow grammatical basis on whether to use 〈э〉 or 〈е〉, as rules were only established roughly after 1990. During Soviet era the written use of 〈е〉 was predominant for all foreign words, except for those which could create confusion by their pronunciation (ex: поэт (poet) and поет (poyot — "[he/she] sings", today accepted in formal writing as поёт; although this very example is more likely to be vestigial to influence of the French language on Russian Imperial elite during the 19th century). Starting 1990, any one-syllable words with 〈е〉 and words in which 〈е〉 does not occupy the first syllable are predominantly pronounced as /e/: секс (seks — "sex"), проект (proekt — "project"). Cases otherwise will retain /ʲe/ on their first syllable: секта (syekta — "sect"), дебют (dyebut — "debut"). Proper names are usually not concerned by the rule (Сэм — "Sam", Пэмела — "Pamela"), with some exceptions such as Джек ("Jack") or Шепард ("Shepard"), since both 〈э〉 and 〈е〉 are not palatalized in cases of же ("che") or ше ("she"), yet in writing 〈е〉 usually prevails.
〈ё〉, introduced by Karamzin in 1797 and made official in 1943 by the Soviet Ministry of Education, marks a /jo/ sound that has historically developed from /je/ under stress, a process that continues today. The letter 〈ё〉 is optional (in writing, not in pronunciation): it is formally correct to write 〈e〉 for both /je/ and /jo/. None of the several attempts in the twentieth century to mandate the use of 〈ё〉 have stuck.
|і||Decimal I||identical in pronunciation to 〈и〉, was used exclusively immediately in front of other vowels and the 〈й〉 ("Short I") (for example, 〈патріархъ〉 [pətrʲɪˈarx], 'patriarch') and in the word 〈міръ〉 [mʲir] ('world') and its derivatives, to distinguish it from the word 〈миръ〉 [mʲir] ('peace') (the two words are actually etymologically cognate and not arbitrarily homonyms).|
|ѳ||Fita||from the Greek theta, was identical to 〈ф〉 in pronunciation, but was used etymologically (for example, 〈Ѳёдор〉 "Theodore").|
|ѣ||Yat||originally had a distinct sound, but by the middle of the eighteenth century had become identical in pronunciation to 〈е〉 in the standard language. Since its elimination in 1918, it has remained a political symbol of the old orthography.|
|ѵ||Izhitsa||from the Greek upsilon, usually identical to 〈и〉 in pronunciation, as in Byzantine Greek, was used etymologically for Greek loanwords, like Latin Y (as in synod, myrrh); by 1918, it had become very rare. In spellings of the eighteenth century, it was also used after some vowels that have since been replaced with 〈в〉. For example, a Greek prefix originally spelled 〈аѵто〉 is now spelled 〈авто〉.|
〈ѯ〉 and 〈ѱ〉 derived from Greek letters xi and psi, used etymologically though inconsistently in secular writing until the eighteenth century, and more consistently to the present day in Church Slavonic.
〈ѡ〉 is the Greek letter omega, identical in pronunciation to 〈о〉, used in secular writing until the eighteenth century, but to the present day in Church Slavonic, mostly to distinguish inflexional forms otherwise written identically.
〈ѕ〉 corresponded to a more archaic /dz/ pronunciation, already absent in East Slavic at the start of the historical period, but kept by tradition in certain words until the eighteenth century in secular writing, and in Church Slavonic and Macedonian to the present day.
The yuses 〈ѫ〉 and 〈ѧ〉, letters that originally used to stand for nasalized vowels /õ/ and /ẽ/, had become, according to linguistic reconstruction, irrelevant for East Slavic phonology already at the beginning of the historical period, but were introduced along with the rest of the Cyrillic script. The letters 〈ѭ〉 and 〈ѩ〉 had largely vanished by the twelfth century. The uniotated 〈ѫ〉 continued to be used, etymologically, until the sixteenth century. Thereafter it was restricted to being a dominical letter in the Paschal tables. The seventeenth-century usage of 〈ѫ〉 and 〈ѧ〉 (see next note) survives in contemporary Church Slavonic, and the sounds (but not the letters) in Polish.
The letter 〈ѧ〉 was adapted to represent the iotated /ja/ 〈я〉 in the middle or end of a word; the modern letter 〈я〉 is an adaptation of its cursive form of the seventeenth century, enshrined by the typographical reform of 1708.
Until 1708, the iotated /ja/ was written 〈ıa〉 at the beginning of a word. This distinction between 〈ѧ〉 and 〈ıa〉 survives in Church Slavonic.
Although it is usually stated that the letters labelled "fallen into disuse by the eighteenth century" in the table above were eliminated in the typographical reform of 1708, reality is somewhat more complex. The letters were indeed originally omitted from the sample alphabet, printed in a western-style serif font, presented in Peter's edict, along with the modern letter 〈й〉, but were reinstated under pressure from the Russian Orthodox Church in a later variant of the modern typeface. Nonetheless, they fell completely out of use in secular writing by 1750.
Because Russian borrows terms from other languages, there are various conventions in dealing with sounds not present in Russian. For example, while Russian has no [h], there are a number of common words (particularly proper nouns) borrowed from languages like English and German that contain such a sound in the original language. In well-established terms, such as галлюцинация [ɡəlʲutsɨˈnatsɨjə] ('hallucination'), this is written with 〈г〉 and pronounced with /ɡ/ while newer terms use 〈х〉, pronounced with /x/, such as хобби [ˈxobʲɪ] ('hobby').
Similarly, words originally with [θ] in their source language are either pronounced with /t(ʲ)/), as in the name Тельма ('Thelma') or, if borrowed early enough, with /f(ʲ)/ or /v(ʲ)/, as in the names Фёдор ('Theodore') and Матве́й ('Matthew').
The numerical values correspond to the Greek numerals, with 〈ѕ〉 being used for digamma, 〈ч〉 for koppa, and 〈ц〉 for sampi. The system was abandoned for secular purposes in 1708, after a transitional period of a century or so; it continues to be used in Church Slavonic.
Russian spelling uses fewer diacritics than those used for most European languages. The only diacritic, in the proper sense, is the acute accent 〈◌́〉 (Russian: знак ударения 'mark of stress'), which marks stress on a vowel, as it is done in Spanish. Although Russian word stress is often unpredictable and can fall on different syllables in different forms of the same word, this diacritic is only used in special cases: in dictionaries, children's books, or language-learning resources, on minimal pairs distinguished only by stress (for instance, за́мок 'castle' vs. замо́к 'lock'). Rarely, it is used to specify the stress in uncommon foreign words and in poems where unusual stress is used to fit the meter.
The letter 〈ё〉 is a special variant of the letter 〈е〉, which is not always distinguished in written Russian, but the umlaut-like sign has no other uses. Stress on this letter is never marked, as it is always stressed, except in some loanwords.
Unlike the case of 〈ё〉, the letter 〈й〉 has completely separated from 〈и〉. It is neither considered a vowel, nor even a diacriticized letter.
The standard Russian keyboard layout for PC computers is as follows:
However, there are several choices of so called "phonetic keyboards" that one may use on a PC that are often used by non-Russians. For example, typing an English (Latin) letter on a keyboard will actually type a Russian letter with a similar sound. See kbd and Russian keyboard layout (wikipedia).
The great Russian poet Alexander Pushkin wrote: "The letters constituting the Slavonic alphabet do not produce any sense. Аз, буки, веди, глаголь, добро etc. are separate words, chosen just for their initial sound". But since the names of the first letters of the Slavonic alphabet seem to form text, attempts were made to compose sensible text from all letters of the alphabet.
Here is one such attempt to "decode" the message:
|аз буки веди||I know letters|
|глаголь добро есть||"To speak is a beneficence" or "The word is property"|
|живете зело, земля, и иже и како люди||"Live, while working heartily, people of the Earth, in the manner people should obey"|
|мыслете наш он покой||"try to understand the Universe (the world that is around)"|
|рцы слово твердо||"carry the knowledge ("word" here refers to "knowledge") firmly"|
|ук ферт хер||"The knowledge is fertilized by the Creator, knowledge is the gift of God"|
|цы червь ша ер ять ю||"Try harder, to understand the Light of the Creator"|
In this attempt words only in two first lines somewhat correspond to real meanings of the letters' names, while "translations" in other lines seem to be fabrications or fantasies. For example, "покой" ("rest" or "apartment") doesn't mean "the Universe", and "ферт" doesn't have any meaning in Russian or other Slavonic languages (there are no words of Slavonic origin beginning with "f" at all). The last line contains only one translatable word – "червь" ("worm"), which, however, was not included in the "translation".
Another version of "the message", incorporating the letters phased out by mid-1750s, reads:
|"А(в)се буквы ведая глаголить – добро есть. Живет зло (на) земле вечно и каждому людину мыслить надо о покаянии, речью (и) словом твердить учение веры Христовой (в) Царствие Божие, чаще шептать, щтоб (все буквы) (вз)ятием этим усвоить и по законам божьим стремиться писать слова и жить"||A(v)sye bukvy vyedaya glagolit' – dobro yest'. Zhivyet zlo (na) zyemlye vyechno i kazhdomu lyudinu myslit' nado o pokayaniyi, ryech'yu (i) slovom tverdit' uchyeniye vyery Khristovoy (v) Tsarstviye Bozhiye, chashchye sheptat', shchtob (vsye bukvy) (vz)yatiyem etim usvoyit' i po zakonam bozh'im stremit'sya pisat' slova i zhit')||"Knowing all these letters renders speech a virtue. Evil lives on Earth eternally, and each person must think of repentance, with speech and word making firm in their mind the faith in Christ and the Kingdom of God. Whisper [the letters] frequently to make them yours by this repetition in order to write and live according to laws of God".|
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