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|Other names||Magic Cube|
|Company||Rubiks Brand Ltd|
|Availability||1977 (as Hungarian Magic Cube); 1980 (as Rubik's Cube, worldwide)–present|
|Other names||Magic Cube|
|Company||Rubiks Brand Ltd|
|Availability||1977 (as Hungarian Magic Cube); 1980 (as Rubik's Cube, worldwide)–present|
Rubik's Cube is a 3-D combination puzzle invented in 1974 by Hungarian sculptor and professor of architecture Ernő Rubik. Originally called the Magic Cube, the puzzle was licensed by Rubik to be sold by Ideal Toy Corp. in 1980 via businessman Tibor Laczi and Seven Towns founder Tom Kremer, and won the German Game of the Year special award for Best Puzzle that year. As of January 2009, 350 million cubes had been sold worldwide making it the world's top-selling puzzle game. It is widely considered to be the world's best-selling toy.
In a classic Rubik's Cube, each of the six faces is covered by nine stickers, each of one of six solid colours: white, red, blue, orange, green, and yellow. In currently sold models, white is opposite yellow, blue is opposite green, and orange is opposite red, and the red, white and blue are arranged in that order in a clockwise arrangement. On early cubes, the position of the colours varied from cube to cube. An internal pivot mechanism enables each face to turn independently, thus mixing up the colours. For the puzzle to be solved, each face must be returned to consisting of one colour. Similar puzzles have now been produced with various numbers of sides, dimensions, and stickers, not all of them by Rubik.
Although the Rubik's Cube reached its height of mainstream popularity in the 1980s, it is still widely known and used. Many speedcubers continue to practice it and other twisty puzzles and compete for the fastest times in various categories. Since 2003, The World Cube Association, the Rubik's Cube's international governing body, has organized competitions and kept the official world records.
In March 1970, Larry Nichols invented a 2×2×2 "Puzzle with Pieces Rotatable in Groups" and filed a Canadian patent application for it. Nichols's cube was held together with magnets. Nichols was granted U.S. Patent 3,655,201 on April 11, 1972, two years before Rubik invented his Cube.
On April 9, 1970, Frank Fox applied to patent his "Spherical 3×3×3". He received his UK patent (1344259) on January 16, 1974.
In the mid-1970s, Ernő Rubik worked at the Department of Interior Design at the Academy of Applied Arts and Crafts in Budapest. Although it is widely reported that the Cube was built as a teaching tool to help his students understand 3D objects, his actual purpose was solving the structural problem of moving the parts independently without the entire mechanism falling apart. He did not realize that he had created a puzzle until the first time he scrambled his new Cube and then tried to restore it. Rubik obtained Hungarian patent HU170062 for his "Magic Cube" in 1975. Rubik's Cube was first called the Magic Cube (Bűvös kocka) in Hungary. The puzzle had not been patented internationally within a year of the original patent. Patent law then prevented the possibility of an international patent. Ideal wanted at least a recognizable name to trademark; of course, that arrangement put Rubik in the spotlight because the Magic Cube was renamed after its inventor in 1980.
The first test batches of the Magic Cube were produced in late 1977 and released in Budapest toy shops. Magic Cube was held together with interlocking plastic pieces that prevented the puzzle being easily pulled apart, unlike the magnets in Nichols's design. In September 1979, a deal was signed with Ideal to release the Magic Cube worldwide, and the puzzle made its international debut at the toy fairs of London, Paris, Nuremberg and New York in January and February 1980.
After its international debut, the progress of the Cube towards the toy shop shelves of the West was briefly halted so that it could be manufactured to Western safety and packaging specifications. A lighter Cube was produced, and Ideal decided to rename it. "The Gordian Knot" and "Inca Gold" were considered, but the company finally decided on "Rubik's Cube", and the first batch was exported from Hungary in May 1980.
Taking advantage of an initial shortage of Cubes, many imitations and variations appeared, many of which may have violated one or more patents.
Today, the patents have expired and many Chinese companies produce copies of, and in some cases improvements upon, the Rubik and V-Cube designs. The most popular are 包大庆 Bao Daqing's DaYan (大雁, literally Great Goose) company, who make the GuHong (孤鸿, lit. Lone Swan Goose), ZhanChi (展翅, lit. Spreading Wings) and now PanShi (磐石, lit. Solid Rock) models, amongst others. They are often preferred over the originals by expert speed cubers because of their ease of movement.
Nichols assigned his patent to his employer Moleculon Research Corp., which sued Ideal in 1982. In 1984, Ideal lost the patent infringement suit and appealed. In 1986, the appeals court affirmed the judgment that Rubik's 2×2×2 Pocket Cube infringed Nichols's patent, but overturned the judgment on Rubik's 3×3×3 Cube.
Even while Rubik's patent application was being processed, Terutoshi Ishigi, a self-taught engineer and ironworks owner near Tokyo, filed for a Japanese patent for a nearly identical mechanism, which was granted in 1976 (Japanese patent publication JP55-008192). Until 1999, when an amended Japanese patent law was enforced, Japan's patent office granted Japanese patents for non-disclosed technology within Japan without requiring worldwide novelty. Hence, Ishigi's patent is generally accepted as an independent reinvention at that time. Rubik applied for more patents in 1980, including another Hungarian patent on October 28. In the United States, Rubik was granted U.S. Patent 4,378,116 on March 29, 1983, for the Cube. This patent expired in 2000.
Greek inventor Panagiotis Verdes patented a method of creating cubes beyond the 5×5×5, up to 11×11×11, in 2003 although he claims he originally thought of the idea around 1985. As of June 19, 2008, the 5×5×5, 6×6×6, and 7×7×7 models are in production in his "V-Cube" line. V-Cube also produces a 2×2×2, 3×3×3 and a 4x4x4.
According to Rubik's Brand Ltd., Professor Ernő Rubik holds "the copyright" for the Rubik's Cube and gave them the licensing and enforcement rights. However copyright does not extend to ideas, inventions or physical objects, so presumably this refers to the manufacturing instructions and diagrams which Ernő Rubik wrote when producing his samples.
Rubik's Brand Ltd. also holds the registered trademarks for the word Rubik and Rubik's and for the 2D and 3D visualizations of the puzzle and claim that permission is needed to mention these words or reproduce the images. This claim, however is not upheld by trademark law, which only prohibits use which might lead the consumer to believe such use was endorsed by the trademark holder.
A standard Rubik's Cube measures 5.7 cm (approximately 2¼ inches) on each side. The puzzle consists of twenty-six unique miniature cubes, also called "cubies" or "cubelets". Each of these includes a concealed inward extension that interlocks with the other cubes, while permitting them to move to different locations. However, the centre cube of each of the six faces is merely a single square façade; all six are affixed to the core mechanism. These provide structure for the other pieces to fit into and rotate around. So there are twenty-one pieces: a single core piece consisting of three intersecting axes holding the six centre squares in place but letting them rotate, and twenty smaller plastic pieces which fit into it to form the assembled puzzle.
Each of the six centre pieces pivots on a screw (fastener) held by the centre piece, a "3-D cross". A spring between each screw head and its corresponding piece tensions the piece inward, so that collectively, the whole assembly remains compact, but can still be easily manipulated. The screw can be tightened or loosened to change the "feel" of the Cube. Newer official Rubik's brand cubes have rivets instead of screws and cannot be adjusted.
The Cube can be taken apart without much difficulty, typically by rotating the top layer by 45° and then prying one of its edge cubes away from the other two layers. Consequently it is a simple process to "solve" a Cube by taking it apart and reassembling it in a solved state.
There are six central pieces which show one coloured face, twelve edge pieces which show two coloured faces, and eight corner pieces which show three coloured faces. Each piece shows a unique colour combination, but not all combinations are present (for example, if red and orange are on opposite sides of the solved Cube, there is no edge piece with both red and orange sides). The location of these cubes relative to one another can be altered by twisting an outer third of the Cube 90°, 180° or 270°, but the location of the coloured sides relative to one another in the completed state of the puzzle cannot be altered: it is fixed by the relative positions of the centre squares. However, Cubes with alternative colour arrangements also exist; for example, with the yellow face opposite the green, the blue face opposite the white, and red and orange remaining opposite each other.
Douglas Hofstadter, in the July 1982 issue of Scientific American, pointed out that Cubes could be coloured in such a way as to emphasise the corners or edges, rather than the faces as the standard colouring does; but neither of these alternative colourings has ever become popular.
The original (3×3×3) Rubik's Cube has eight corners and twelve edges. There are 8! (40,320) ways to arrange the corner cubes. Seven can be oriented independently, and the orientation of the eighth depends on the preceding seven, giving 37 (2,187) possibilities. There are 12!/2 (239,500,800) ways to arrange the edges, since an even permutation of the corners implies an even permutation of the edges as well. (When arrangements of centres are also permitted, as described below, the rule is that the combined arrangement of corners, edges, and centres must be an even permutation.) Eleven edges can be flipped independently, with the flip of the twelfth depending on the preceding ones, giving 211 (2,048) possibilities.
The puzzle is often advertised as having only "billions" of positions, as the larger numbers are unfamiliar to many. To put this into perspective, if one had as many standard sized Rubik's Cubes as there are permutations, one could cover the Earth's surface 275 times.
The preceding figure is limited to permutations that can be reached solely by turning the sides of the cube. If one considers permutations reached through disassembly of the cube, the number becomes twelve times as large:
which is approximately 519 quintillion possible arrangements of the pieces that make up the Cube, but only one in twelve of these are actually solvable. This is because there is no sequence of moves that will swap a single pair of pieces or rotate a single corner or edge cube. Thus there are twelve possible sets of reachable configurations, sometimes called "universes" or "orbits", into which the Cube can be placed by dismantling and reassembling it.
The original Rubik's Cube had no orientation markings on the centre faces (although some carried the words "Rubik's Cube" on the centre square of the white face), and therefore solving it does not require any attention to orienting those faces correctly. However, with marker pens, one could, for example, mark the central squares of an unscrambled Cube with four coloured marks on each edge, each corresponding to the colour of the adjacent face; a cube marked in this way is referred to as a "supercube". Some Cubes have also been produced commercially with markings on all of the squares, such as the Lo Shu magic square or playing card suits. Thus one can nominally solve a Cube yet have the markings on the centres rotated; it then becomes an additional test to solve the centres as well.
Marking the Rubik's Cube's centres increases its difficulty because this expands the set of distinguishable possible configurations. There are 46/2 (2,048) ways to orient the centres, since an even permutation of the corners implies an even number of quarter turns of centres as well. In particular, when the Cube is unscrambled apart from the orientations of the central squares, there will always be an even number of centre squares requiring a quarter turn. Thus orientations of centres increases the total number of possible Cube permutations from 43,252,003,274,489,856,000 (4.3×1019) to 88,580,102,706,155,225,088,000 (8.9×1022).
When turning a cube over is considered to be a change in permutation then we must also count arrangements of the centre faces. Nominally there are 6! ways to arrange the six centre faces of the cube, but only 24 of these are achievable without disassembly of the cube. When the orientations of centres are also counted, as above, this increases the total number of possible Cube permutations from 88,580,102,706,155,225,088,000 (8.9×1022) to 2,125,922,464,947,725,402,112,000 (2.1×1024).
In Rubik's cubers' parlance, a memorised sequence of moves that has a desired effect on the cube, is called an algorithm. This terminology is derived from the mathematical use of algorithm, meaning a list of well-defined instructions for performing a task from a given initial state, through well-defined successive states, to a desired end-state. Each method of solving the Rubik's Cube employs its own set of algorithms, together with descriptions of what effect the algorithm has, and when it can be used to bring the cube closer to being solved.
Many algorithms are designed to transform only a small part of the cube without interfering with other parts that have already been solved, so that they can be applied repeatedly to different parts of the cube until the whole is solved. For example, there are well-known algorithms for cycling three corners without changing the rest of the puzzle, or flipping the orientation of a pair of edges while leaving the others intact.
Some algorithms do have a certain desired effect on the cube (for example, swapping two corners) but may also have the side-effect of changing other parts of the cube (such as permuting some edges). Such algorithms are often simpler than the ones without side-effects, and are employed early on in the solution when most of the puzzle has not yet been solved and the side-effects are not important. Most are long and difficult to memorize. Towards the end of the solution, the more specific (and usually more complicated) algorithms are used instead.
Rubik's Cube lends itself to the application of mathematical group theory, which has been helpful for deducing certain algorithms - in particular, those which have a commutator structure, namely XYX−1Y−1 (where X and Y are specific moves or move-sequences and X−1 and Y−1 are their respective inverses), or a conjugate structure, namely XYX−1, often referred to by speedcubers colloquially as a "setup move". In addition, the fact that there are well-defined subgroups within the Rubik's Cube group, enables the puzzle to be learned and mastered by moving up through various self-contained "levels of Difficulty". For example, one such "level" could involve solving cubes which have been scrambled using only 180-degree turns. These subgroups are the principle underlying the computer cubing methods Thistlethwaite and Kociemba, which solve the cube by further reducing it to another subgroup.
Many 3×3×3 Rubik's Cube enthusiasts use a notation developed by David Singmaster to denote a sequence of moves, referred to as "Singmaster notation". Its relative nature allows algorithms to be written in such a way that they can be applied regardless of which side is designated the top or how the colours are organised on a particular cube.
When a prime symbol ( ′ ) follows a letter, it denotes a face turn counter-clockwise, while a letter without a prime symbol denotes a clockwise turn. A letter followed by a 2 (occasionally a superscript 2) denotes two turns, or a 180-degree turn. R is right side clockwise, but R' is right side counter-clockwise. The letters x, y, and z are used to indicate that the entire Cube should be turned about one of its axes, corresponding to R, U, and F turns respectively. When x, y or z are primed, it is an indication that the cube must be rotated in the opposite direction. When they are squared, the cube must be rotated 180 degrees.
The most common deviation from Singmaster notation, and in fact the current official standard, is to use "w", for "wide", instead of lowercase letters to represent moves of two layers; thus, a move of Rw is equivalent to one of r.
For methods using middle-layer turns (particularly corners-first methods) there is a generally accepted "MES" extension to the notation where letters M, E, and S denote middle layer turns. It was used e.g. in Marc Waterman's Algorithm.
The 4×4×4 and larger cubes use an extended notation to refer to the additional middle layers. Generally speaking, uppercase letters (F B U D L R) refer to the outermost portions of the cube (called faces). Lowercase letters (f b u d l r) refer to the inner portions of the cube (called slices). An asterisk (L*), a number in front of it (2L), or two layers in parenthesis (Ll), means to turn the two layers at the same time (both the inner and the outer left faces) For example: (Rr)' l2 f' means to turn the two rightmost layers counterclockwise, then the left inner layer twice, and then the inner front layer counterclockwise. By extension, for cubes of 6x6 and larger, moves of three layers are notated by the number 3, for example 3L.
An alternative notation, Wolstenholme notation, is designed to make memorizing sequences of moves easier for novices. This notation uses the same letters for faces except it replaces U with T (top), so that all are consonants. The key difference is the use of the vowels O, A and I for clockwise, counterclockwise and 180-degree turns, which results in word-like sequences such as LOTA RATO LATA ROTI (equivalent to LU′R′UL′U′RU2 in Singmaster notation). Addition of a C implies rotation of the entire cube, so ROC is the clockwise rotation of the cube around its right face.
Although there are a significant number of possible permutations for the Rubik's Cube, a number of solutions have been developed which allow solving the cube in well under 100 moves.
Many general solutions for the Rubik's Cube have been discovered independently. David Singmaster first published his solution in the book Notes on Rubik's "Magic Cube" in 1981. This solution involves solving the Cube layer by layer, in which one layer (designated the top) is solved first, followed by the middle layer, and then the final and bottom layer. After sufficient practice, solving the Cube layer by layer can be done in under one minute. Other general solutions include "corners first" methods or combinations of several other methods. In 1982, David Singmaster and Alexander Frey hypothesised that the number of moves needed to solve the Rubik's Cube, given an ideal algorithm, might be in "the low twenties". In 2007, Daniel Kunkle and Gene Cooperman used computer search methods to demonstrate that any 3×3×3 Rubik's Cube configuration can be solved in 26 moves or fewer. In 2008, Tomas Rokicki lowered that number to 22 moves, and in July 2010, a team of researchers including Rokicki, working with Google, proved the so-called "God's number" to be 20. This is optimal, since there exist some starting positions which require at least 20 moves to solve. More generally, it has been shown that an n × n × n Rubik's Cube can be solved optimally in Θ(n2 / log(n)) moves.
In 1981, schoolboy Patrick Bossert developed a solution for solving the cube, along with a graphical notation, designed to be easily understood by novices. It was subsequently published as You Can Do The Cube and became a best-seller.
A solution commonly used by speed cubers was developed by Jessica Fridrich. It is similar to the layer-by-layer method but employs the use of a large number of algorithms, especially for orienting and permuting the last layer. The cross is done first, followed by first layer corners and second layer edges simultaneously, with each corner paired up with a second-layer edge piece, thus completing the first two layers (F2L). This is then followed by orienting the last layer, then permuting the last layer (OLL and PLL respectively). Fridrich's solution requires learning roughly 120 algorithms but allows the Cube to be solved in only 55 moves on average.
Philip Marshall's The Ultimate Solution to Rubik's Cube takes a different approach, averaging only 65 twists yet requiring the memorization of only two algorithms. The cross is solved first, followed by the remaining edges, then five corners, and finally the last three corners. 
A now well-known method was developed by Lars Petrus. In this method, a 2×2×2 section is solved first, followed by a 2×2×3, and then the incorrect edges are solved using a three-move algorithm, which eliminates the need for a possible 32-move algorithm later. The principle behind this is that in layer-by-layer you must constantly break and fix the first layer; the 2×2×2 and 2×2×3 sections allow three or two layers to be turned without ruining progress. One of the advantages of this method is that it tends to give solutions in fewer moves.
The Roux Method, developed by Gilles Roux, is similar to the Petrus method in that it relies on block building rather than layers, but derives from corners-first methods. In Roux, a 3×2×1 block is solved, followed by another 3×2×1 on the opposite side. Next the corners of the top layer are solved. The cube can then be solved using only moves of the U layer and M slice.
In 1997, Denny Dedmore published a solution described using diagrammatic icons representing the moves to be made, instead of the usual notation.
Speedcubing (or speedsolving) is the practice of trying to solve a Rubik's Cube in the shortest time possible. There are a number of speedcubing competitions that take place around the world.
The first world championship organised by the Guinness Book of World Records was held in Munich on March 13, 1981. All Cubes were moved 40 times and lubricated with petroleum jelly. The official winner, with a record of 38 seconds, was Jury Froeschl, born in Munich. The first international world championship was held in Budapest on June 5, 1982, and was won by Minh Thai, a Vietnamese student from Los Angeles, with a time of 22.95 seconds.
Since 2003, the winner of a competition is determined by taking the average time of the middle three of five attempts. However, the single best time of all tries is also recorded. The World Cube Association maintains a history of world records. In 2004, the WCA made it mandatory to use a special timing device called a Stackmat timer.
In addition to official competitions, informal alternative competitions have been held which invite participants to solve the Cube in unusual situations. Some such situations include:
Of these informal competitions, the World Cube Association sanctions only blindfolded, multiple blindfolded, fewest moves, one-handed, and feet solving as official competition events.
In blindfolded solving, the contestant first studies the scrambled cube (i.e., looking at it normally with no blindfold), and is then blindfolded before beginning to turn the cube's faces. Their recorded time for this event includes both the time spent examining the cube and the time spent manipulating it.
In multiple blindfolded, all of the cubes are memorized, and then all of the cubes are solved once blindfolded; thus, the main challenge is memorizing many - often ten or more - separate cube positions. The event is scored not by time but by the number of solved cubes minus the number of unsolved cubes after one hour has elapsed.
In fewest moves solving, the contestant is given one hour to find his or her solution, and must write it down as an algorithm.
There are different variations of Rubik's Cubes with up to seventeen layers: the 2×2×2 (Pocket/Mini Cube), the standard 3×3×3 cube, the 4×4×4 (Rubik's Revenge/Master Cube), and the 5×5×5 (Professor's Cube), the 6×6×6 (V-Cube 6), and 7×7×7 (V-Cube 7). The 173 "Over The Top" cube (available late 2011) is currently the largest (and most expensive, costing more than a thousand dollars) available. Chinese manufacturer ShengShou has been producing cubes in all sizes from 2x2x2 to 10x10x10 (as of late 2013). 
Non-licensed physical cubes as large as 11×11×11 based on the V-Cube are commercially available to the mass-market circa 2011 in China; these represent about the limit of practicality for the purpose of "speed-solving" competitively (as the cubes become increasingly ungainly and solve-times increase exponentially). These cubes are illegal (even in China) due to the fact that they violate Panagiotis Verdes' patents; however some countries do not enforce patent law strictly, leading to their general availability. In addition, Chinese companies have produced 3×3×3 cubes with variations on the original mechanism that, while legally controversial, are generally considered to be superior for competitive speedcubing.
There are many variations of the original cube, some of which are made by Rubik. The mechanical products include the Rubik's Magic, 360, and Twist. Also, electronics like the Rubik's Revolution and Slide were also inspired by the original. One of the newest 3×3×3 Cube variants is the Rubik's TouchCube. Sliding a finger across its faces causes its patterns of coloured lights to rotate the same way they would on a mechanical cube. The TouchCube also has buttons for hints and self-solving, and it includes a charging stand. The TouchCube was introduced at the American International Toy Fair in New York on February 15, 2009.
The Cube has inspired an entire category of similar puzzles, commonly referred to as twisty puzzles, which includes the cubes of different sizes mentioned above as well as various other geometric shapes. Some such shapes include the tetrahedron (Pyraminx), the octahedron (Skewb Diamond), the dodecahedron (Megaminx), the icosahedron (Dogic). There are also puzzles that change shape such as Rubik's Snake and the Square One.
In the past, puzzles have been built resembling the Rubik's Cube or based on its inner workings. For example, a cuboid is a puzzle based on the Rubik's Cube, but with different functional dimensions, such as 2×2×4, 2×3×4, and 3×3×5. Many cuboids are based on 4×4×4 or 5×5×5 mechanisms, via building plastic extensions or by directly modifying the mechanism itself.
Some custom puzzles are not derived from any existing mechanism, such as the Gigaminx v1.5-v2, Bevel Cube, SuperX, Toru, Rua, and 1×2×3. These puzzles usually have a set of masters 3D printed, which then are copied using molding and casting techniques to create the final puzzle.
Other Rubik's Cube modifications include cubes that have been extended or truncated to form a new shape. An example of this is the Trabjer's Octahedron, which can be built by truncating and extending portions of a regular 3×3. Most shape mods can be adapted to higher-order cubes. In the case of Tony Fisher's Rhombic Dodecahedron, there are 3×3, 4×4, 5×5, and 6×6 versions of the puzzle.
Puzzles like the Rubik's Cube can be simulated by computer software, which provide functions such as recording of player metrics, storing scrambled Cube positions, conducting online competitions, analyzing of move sequences, and converting between different move notations. Software can also simulate very large puzzles that are impractical to build, such as 100×100×100 and 1,000×1,000×1,000 cubes, as well as virtual puzzles that cannot be physically built, such as 4- and 5-dimensional analogues of the cube.
Google has released the Chrome Cube Lab in association with Ernő Rubik. The site has various interactive objects based on Rubik's Cube. Customised versions of Rubik's Cube can be created and uploaded.
Many films and television shows have featured characters that solve Rubik's Cubes quickly to establish their high intelligence. Rubik's Cubes also regularly feature as motifs in works of art.
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