Room 237

From Wikipedia, the free encyclopedia - View original article

Room 237
Room 237 (2012 film).jpg
Film poster
Directed byRodney Ascher
Produced byTim Kirk
StarringBill Blakemore
Geoffrey Cocks
Juli Kearns
John Fell Ryan
Jay Weidner
Music byJonathan Snipes
William Hutson
The Caretaker
Film music:
Wendy Carlos
Rachel Elkind
Editing byRodney Ascher
Distributed byIFC Films
IFC Midnight
Release dates
  • January 23, 2012 (2012-01-23) (Sundance)
Running time102 minutes[1]
CountryUnited States
LanguageEnglish
Box office$203,672[2]
 
Jump to: navigation, search
Room 237
Room 237 (2012 film).jpg
Film poster
Directed byRodney Ascher
Produced byTim Kirk
StarringBill Blakemore
Geoffrey Cocks
Juli Kearns
John Fell Ryan
Jay Weidner
Music byJonathan Snipes
William Hutson
The Caretaker
Film music:
Wendy Carlos
Rachel Elkind
Editing byRodney Ascher
Distributed byIFC Films
IFC Midnight
Release dates
  • January 23, 2012 (2012-01-23) (Sundance)
Running time102 minutes[1]
CountryUnited States
LanguageEnglish
Box office$203,672[2]

Room 237 is a 2012 American documentary film directed by Rodney Ascher about perceived meanings in Stanley Kubrick's film The Shining.[3] The film includes footage from The Shining, and other Kubrick films, along with discussions by a number of Kubrick enthusiasts. The film has nine segments, each segment focusing on different elements within the film which "may reveal hidden clues and hint at a bigger thematic oeuvre."[4] The film was produced by Tim Kirk.

The film was screened in the Directors' Fortnight section at the 2012 Cannes Film Festival[5][6] and the 2012 Sundance Film Festival.

The film's distribution rights were acquired by IFC Midnight and was exhibited theatrically and on VOD on March 29, 2013.[7]

Synopsis[edit]

The film interviews fans of The Shining who, using their own brands of film analysis, connect Kubrick's film with (among others) genocide of Native Americans, the Holocaust, and the Apollo 11 moon landing. The interviewees are not seen in Room 237, but rather, their commentaries and claims about the film are heard over a variety of visual clips (primarily from the film The Shining itself) which loosely connect with their dialogue.

The film makers do not attempt to promote any of the particular claims made by their interview subjects.[8][9] Director Rodney Ascher offered his own interpretation in an interview for Complex magazine:

My personal take on it is, for one, I don’t think it's nearly as visionary as any one of these folks have found. I just see it as sort of a story about juggling the responsibilities of your career and family and as cautionary tale of what may happen if you make the wrong choice. And even maybe looking at the ghosts as these figures that represent fortune or prestige or things that you might be chasing at the expense of paying proper attention to your family.

[10]

Cast[edit]

The film features narration by Bill Blakemore, Geoffrey Cocks, Juli Kearns, John Fell Ryan and Jay Weidner. Buffy Visick appears as the VHS enthusiast.

The film also contains archive footage featuring Stanley Kubrick, Stephen King, Jack Nicholson, Shelley Duval, Danny Lloyd, Scatman Crothers, Joe Turkel, Barry Nelson, Philip Stone, Keir Dullea, Martin Potter, Tom Cruise, and Nicole Kidman.

Critical reception[edit]

Room 237 opened to general acclaim from critics. It currently holds a 93% on Rotten Tomatoes, based on 108 critic reviews.[11] At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream critics, the film has received an average score of 80% based on 30 critics, considered to be "generally favorable reviews".[12]

Manohla Dargis of The New York Times praised the movie as "an ode to movie love at its most deliriously unfettered" and wrote: "The doc positions The Shining as a comparably coiled, thematically overflowing microcosm—standing in for cinema, for history, for obsession, for postmodern theory buckling under the film's heft."[13] Owen Gleiberman of Entertainment Weekly gave the movie an "A", writing: "Room 237 makes perfect sense of The Shining because, even more than The Shining itself, it places you right inside the logic of how an insane person thinks."[14] Another positive review came from Peter Travers of Rolling Stone, who rated the movie 3.5 stars out of 4 and called the "unique and unforgettable film" a "tribute to movie love".[15] Mary Pols of Time commented that the movie was "as fresh, crisp and strangely exciting as a new dollar bill." She commented on the theories of the movie: "Maybe they’re all right. Or wrong. It can’t be settled. What matters is that people are still crazy about the beauty of a beautiful movie about going crazy."[16]

A negative review came from Kyle Smith of New York Post, who gave the movie 1.5 stars out of four and deemed the theories put forward in the movie "laughable" and further wrote that "you could do the same with Ghost Rider: Spirit of Vengeance. But to be enlightening (or entertaining) the analysis has to persuade, or at least be clever."[17]

In a March 27, 2013 article in The New York Times, Leon Vitali, who served as personal assistant to Kubrick on the film, stated "There are ideas espoused in the movie that I know to be total balderdash"; for example, the documentary's theory concerning a poster of a minotaur is in fact referencing a poster of a skier and the film's usage of a German typewriter, interpreted to be symbolic of the Holocaust, was chosen by Kubrick for pragmatic reasons. He concluded that "[Kubrick] didn’t tell an audience what to think or how to think and if everyone came out thinking something differently that was fine with him. That said, I’m certain that he wouldn’t have wanted to listen to about 70, or maybe 80 percent [of Room 237]... Because it’s pure gibberish."[18]

Awards and nominations[edit]

Governing bodyAwardCategoryNameOutcome
Chicago International Film FestivalGold HugoBest DocumentaryRodney AscherNominated
Gotham Independent Film AwardsGotham AwardBest DocumentaryRodney Ascher (director), Tim Kirk (producer)Nominated
Hawaii International Film FestivalHalekulani Golden Orchid AwardDocumentary FeatureRodney AscherNominated
International Documentary AssociationCreative Recognition AwardBest EditingRodney AscherWon
IDA AwardBest EditingRodney AscherWon

See also[edit]

References[edit]

  1. ^ "Room 237 – Being an Inquiry into The Shining in 9 Parts (15)". British Board of Film Classification. 2012-09-14. Retrieved 2013-01-01. 
  2. ^ Room 237 at Box Office Mojo
  3. ^ "The Shining theories explored in spooky new documentary". BBC News. Retrieved 2012-10-24. 
  4. ^ "Room 237 Sundance 2012 Review", Jan. 27, 2012
  5. ^ Leffler, Rebecca. "Cannes 2012: Michel Gondry’s 'The We & The I' to Open Director's Fortnight". The Hollywood Reporter. Retrieved 2012-04-25. 
  6. ^ "2012 Selection". Directors' Fortnight. quinzaine-realisateurs.com. Retrieved 2012-04-25. 
  7. ^ Fowler, Tara. "'Room 237' poster exclusive | Inside Movies | EW.com". Insidemovies.ew.com. Retrieved 2013-03-14. 
  8. ^ Dargis, Manohla. "Fans Possessed by ‘The Shining’". Movie Review. New York Times. Retrieved 6 September 2013. 
  9. ^ Semley, John. "Room 237 review". Article. Slant Magazine. Retrieved 6 September 2013. 
  10. ^ Barone, Matt. "Interview: "Room 237" Director Rodney Ascher Talks Getting Lost in "The Shining" and How to Get Back Out". article. Complex Magazine. Retrieved 6 September 2013. 
  11. ^ "Room 237 Reviews". Retrieved 29 March 2013. 
  12. ^ "Room 237 Metacritic Reviews". Retrieved 29 March 2013. 
  13. ^ Dargis, Manhola. "Fans Possessed by ‘The Shining’". The New York Times. Retrieved March 29, 2013. 
  14. ^ Gleiberman, Owen. "Room 237". Entertainment Weekly. Retrieved March 29, 2013. 
  15. ^ Travers, Peter. "Room 237". Rolling Stone. Retrieved March 29, 2013. 
  16. ^ Pols, Mary. "Room 237: Deconstructing Stanley". Time. Retrieved March 29, 2013. 
  17. ^ Smith, Kyle. "Room 237". New York Post. Retrieved March 29, 2013. 
  18. ^ Segal, David (March 27, 2013). "It’s Back. But What Does It Mean? Aide to Kubrick on ‘Shining’ Scoffs at ‘Room 237’ Theories". The New York Times. Retrieved March 27, 2013. 

External links[edit]