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|Birth name||Rodney Mullen|
|Born|| August 17, 1966 |
Gainesville, Florida, U.S.
|Height||5 ft 11 in (1.80m)|
|This biographical article needs additional citations for verification. (October 2012)|
|Birth name||Rodney Mullen|
|Born|| August 17, 1966 |
Gainesville, Florida, U.S.
|Height||5 ft 11 in (1.80m)|
John Rodney Mullen (born August 17, 1966) is a professional skateboarder, company owner, inventor, and public speaker who practices freestyle and street skateboarding. Mullen is credited with inventing numerous skateboarding tricks, including the flatground ollie, kickflip, heelflip, impossible, and 360-flip (or Tre-flip). Mullen has appeared in more than twenty skateboarding videos and has co-authored an autobiography, entitled The Mutt: How to Skateboard and Not kill Yourself, with writer, Sean Mortimer.
Mullen was born in Gainesville, Florida, United States, and began skateboarding at the age of ten, on New Years Day of 1977, after a neighborhood friend introduced him to a skateboard. He promised his strict father, a dentist, that he would cease skateboarding the first time he became seriously injured:
My dad wouldn’t let me have a skateboard. He thought I’d get hurt and never get good, and the culture was bums, and I’d turn into one. He was a dentist, but before that he was military, and there were times you’d call him, ‘Sir.’ New Year’s Day he had a drink and felt better, and the skate shop was open. I learned to skate in our garage. We lived in the country in Florida, it was sort of farmish, and there was no cement anywhere else. Vert skating was the kind of skating that was done in pools, where you could get airborne and be weightless. The other style, which is what I did, was called free style, which was tricks you could do on flat ground
Mullen began practicing in the garage of the family home while wearing a comprehensive pads setup, a precaution that was part of the deal with his father, and spent time with his sister's surfer friends, who skateboarded on weekdays. Mullen became obsessed with the skateboard and practiced for many hours on a daily basis.
In 1978, having owned a skateboard for less than a year, Mullen placed fifth in the Boy's Freestyle category at the US Open Championships at Kona Skatepark in Jacksonville, Florida. Skateboard manufacturer, Bruce Walker, saw his performance and sponsored Mullen through Walker Skateboards from 1978 to 1980. Mullen's biggest influence in skateboarding at the time was Walker professional skateboarder, Jim McCall, who was coached in his early years by Walker (Walker also coached a young Kelly Slater).
In later years, Mullen was coached by Barry Zaritzky (also known as "SIO Barry"). When his family moved to a farm in a remote part of Florida, Mullen began perfecting his flatground techniques in the family garage; he has said that the isolation and lack of terrain naturally guided him towards freestyle skateboarding. Mullen cites July 1979–August 1980 as his "most creative time", a time when he was predominantly a loner who counted the cows of the family farm as his best friends. Mullen then proceeded to win thirty successive amateur competitive victories in the late 1970s, mostly in his home state of Florida, culminating in a win at the Oceanside Nationals in June 1979.
In 1980, the fourteen-year-old Mullen entered the Oasis Pro competition, defeating the world champion, Steve Rocco. Mullen later turned professional as a member of the renowned Bones Brigade team, sponsored by Powell Peralta, after a recommendation from one of the company's riders, who was also from Florida, and who had seen Mullen at the contest. Powell Peralta was co-owned by Stacy Peralta, who Mullen highly admired. Mullen competed voraciously throughout the 1980s—often frustrating competitors and judges with his consistency and progressive ability. By 1990, Mullen had won thirty-four out of thirty-five freestyle competitions that he had entered, losing only to fellow Bones Brigade member, Per Welinder, due to falling over in his run. However, Mullen had already established the most successful competitive run in the history of competitive skateboarding.
Despite the recognition that Alan Gelfand has received for inventing the ollie air in the transitional context, Mullen is responsible for the invention and development of the flatground ollie that formed the basis for street-style skateboarding. The ability to pop the board off of the ground and land back on the board, while in motion, has been one of the most significant developments in modern skateboarding. The invention of this trick alone, regardless of the numerous other tricks that he has invented and his design work, has ranked Mullen as one of the most important skateboarders of all time. In response to the praise that he has received for the flatground ollie, Mullen stated in mid-2012:
I had for a long time done a really simple movement, which was ... it was just a transfer trick ... and there are a ton of tricks where I need to get to this side [the nose of the board touching the ground]. A transfer trick—I'd been doing that since the late seventies, so that I could, in turn, do things like that [performs a trick]. When I saw him [Gelfland] do it on the wall, I'm immediately thinking of the mechanics of it; how do you get your board off the ground, how would you get your board off the ground like he did off the wall? 'Cause I'm stuck on flat ground, not weightless ... the first ones I did took about, I don't know, about five or ten minutes ... I realized that's just the same motion I've been doing for years—it's a seesaw motion. That's how ollies work ... it's just a punch and a little hop ... in a back-handed way, people credit me with ... in the documentary, Stacy's [Peralta] Bones Brigade documentary, credit me with the importance of the ollie that gave the foundation for street skating, which is skateboarding today, all that, and to me it was like, 'Yeah, but, it's not a big deal'. Just ten, fifteen, half-an-hour, an hour, and the next thing you know, you're getting 'em this high. And that's what made the foundation for everything else. So, in a sense, the biggest innovation for street skating, for which they credit me for ... is not a big deal!
Throughout the 1980s, he invented the majority of skating's ollie and flip tricks, including the flatground ollie, the kickflip, the heelflip, the 360-flip, and many others. These tricks are now considered an essential part of both modern vert skateboarding and street skateboarding.
|This section requires expansion. (December 2012)|
In early 1989, Mullen left the Bones Brigade to join World Industries as a principal investor with longtime friend and former rival, Rocco, in the formation of the very first skateboarder-owned company—professional skateboarder, Mike Vallely, later joined the pair for a brief period of time. Mullen and Rocco had embarked on a very risky venture, as Powell Peralta was an established company and Rocco's upstart company had been struggling at the time. World Industries would later develop into the distribution company, Dwindle Distribution, which is the world's largest skateboard manufacturer in the 21st century.
As the popularity of freestyle skateboarding declined, Mullen was urged to transform his style to join the street skating trend that was becoming increasingly popular at that time; however, Mullen was very reluctant due to a fear of compromising his integrity, whereby the foundation of his skateboarding would be "sold out". Such pressure is alluded to in the World Industries video, Rubbish Heap, in which Mullen's sequence ends with team member, Jeremy Klein, deliberately breaking his freestyle skateboard and then handing him a note from Rocco, accompanied by a street skateboard deck, in which the end of freestyle is declared.
In 1991, Mullen joined the high-profile skateboarding team, Plan B. Mike Ternasky, the owner of Plan B, influenced Mullen to transition from freestyle to street skating, and showcased his skills in the 1992 Plan B video, Questionable. His segment begins with traditional freestyle tricks executed on flat ground, but quickly transitions into Mullen skateboarding across public terrain to shift into street skating tricks and lines. Mullen's video part signified a major transformation in relation to both his career and his skateboarding—Ternasky filmed Mullen as he sequenced tricks and mixed flip tricks with grinds and boardslides, while he also negotiated obstacles. Mullen also introduced two newly invented tricks in Questionable, the kickflip underflip and the Casper slide.
Mullen's Questionable performance might have marked the beginning of a new era in street skateboarding. His reluctant transition from freestyle to street skateboarding was a symbol that legitimized the technical direction street skating had taken over the previous few years. Mullen focused on the progression of this transition in subsequent Plan B videos, including 1993's Virtual Reality, in which Mullen showcases the newly mastered trick, the darkslide. Mullen's participation in Plan B dissolved after Ternasky was killed in a car crash on May 17, 1994. Mullen later explained, "He was such a great person. He would lift you so high and that is why Plan B was what it was. And it was clear once Mike was gone that it was never the same."
In 1997, Mullen started another company, the A-Team, with the intention of forming a "super team" following the gradual dissolution of Plan B over the four years following Ternasky's death. It was at this time that Mullen also initiated discussions with friend and fellow professional skateboarder, Daewon Song, to plan the video Rodney vs. Daewon, released in 1997, which featured the two skaters "competing" with their respective video parts (the concept developed into a series and, as of December 2012, three "rounds" have been produced).
The A-Team folded in 2000 and Mullen made the transition from company founder to company rider, as former Maple rider, Marc Johnson, founded Enjoi Skateboards (other riders included Chris Cole and Bobby Puleo, with Jerry Hsu and Louie Barletta, the current mainstays of the team, recruited later).
Around the turn of the 21st century, Mullen had been engaged in the design and creation of his own skateboard truck concept, a concept that would later become the foundation for the company, Tensor. In 2000, Mullen filed for a Unites States patent in support of his innovational work in the area and submitted the following abstract to the US Patent office:
A skateboard having one or more truck assemblies configured to eliminate undesired ride characteristics such as hanger-jiggle and wheel bite, without sacrificing the skateboard's steering responsiveness. Each truck assembly includes an axle assembly with a ring-shaped hanger that is confined on a kingpin using a pair of bushings, at least one of which includes an annular flange that projects into an annular gap defined between the hanger and the kingpin. This prevents the hanger from moving laterally relative to the kingpin and thereby eliminates undesired ride characteristics such as hanger-jiggle and wheel bite. In a separate feature of the invention, the skateboard truck assembly further incorporates a low-friction slider plate that enhances the rider's performance of certain maneuvers and at the same time protects other components of the truck assembly from undue wear.
A subsequent advertisement was released, entitled "The Patented Tensor Design", and the company recruited team riders such as Daewon Song, Chris Cole, Chris Haslam, Salman Agah, Ryan Sheckler, Kanten Russell, and Gailea Momolu. As of December 2012, the Tensor team consists of Daewon Song, Rodney Mullen, Ronnie Creager, Enrique Lorenzo, Manny Santiago, Zered Bassett, Felipe Ortiz, and Joey Brezinski.
Mullen subsequently left Enjoi to co-found Almost Skateboards with Song, who had been unable to find success with the two preceding deck companies that he had founded, Deca and Artefact. Mullen and Song proceeded to recruit Cooper Wilt (a former Artefact rider), Chris Haslam (a former Deca and Artefact rider), Greg Lutzka, and Ryan Scheckler to form the initial basis of the company.
After years of success and controversy, Rocco decided to sell the company that he had co-founded with Mullen. In 2002, World Industries under the holding name Kubic Marketing, was sold to Globe International for US$46 million, making Mullen and Rocco instant multi-millionaires. Kubic's management remained intact and Mullen began working for Globe under the Dwindle Distribution brand. In 2003, Mullen wrote and released his autobiography entitled The Mutt: How to Skateboard and Not Kill Yourself. In late 2003 he was voted as the all-time greatest action sports athlete on the Extreme Sports Channel's Legends of the Extreme countdown.
As of December 2012, remains the co-owner and a team rider for the Almost brand; his role at Almost also includes research and development on new designs and technologies, including Impact Support, Double Impact, and Uber Light. The Uber Light design was a collaborative effort between Mullen and the CL Composites company, utilizing a design that consists of "a deck inside a deck", whereby, "The internal carbon fiber foam deck is ultra light and nearly as stiff as metal. It acts like rebar, or a skeleton embodied by a standard 7-ply layup. It also vastly improved the lateral rigidity. The deck wears, slides, and looks like a normal 7-ply, but its lighter and has a supernatural pop last lasts far longer than any normal deck."
From 2007 onwards, Mullen has worked to erase his riding stance, allowing him ride a skateboard in the absence of the conception of "stance". In an interview with Tony Hawk, Mullen explained that he had developed problems in his right hip joint and that his transition between stances came out of an effort to favor his leg. He goes on to describe that scar tissue had built up in his joint as a result of habitually hyper-extending his leg while skating. Mullen stated that through extensive and consistent stretching he was able to tear away the scar tissue.
Mullen further explained in an interview at Germany's Bright tradeshow in 2011:
... for me, it was a grinding to a halt, until I could barely walk really, and, so I just set up myself into ... I took about a couple of years, a year-and-a-half of breaking myself apart; pretty medievally. And as I did so, I realized that that was helping me unravel my stance; and so now, I've just been investigating, or pushing myself to try to, to, take apart my stance so that I no longer have one. And so it's not just doing everything switch, because everybody does whatever switch. It's to have no stance at a physical level. And so even what you did in your regular, native stance, it feels ... ah ... new.
In December 2010, Mullen stated in an interview that he was preparing to film a part for the upcoming Almost video, although he did not appear in the 2012 video, 5-Incher. In the 2011 Bright tradeshow interview, Mullen stated, "At first, I just wanted to be able to be alright and walk okay and run. And then it was like, okay, skate again and now it's like 'Yeah, I can do something new!'. So, if I can do that, then I'll film. If I can't, then I'll keep my skating private." Both the skateboard media and in responses from Almost indicate that a full part from Mullen is scheduled for release following 5-Incher—Mullen was in attendance at the premiere of 5-Incher. A June 2012 interview confirmed that Mullen anticipates previously-unseen tricks in the upcoming part: "A couple of years ago, I met Rodney at a warehouse near his home in Redondo Beach. He demonstrated a switch nollie laserflip, a trick long deemed impossible, and said he’d filmed a few others but wasn’t sure about their public release. The most recent official video footage from Mullen can be seen in the 2007 United By Fate series that was produced by the Globe shoe company.
In a 1992 skateboarding media article, entitled "The House That Rodney Built", Mullen was credited with inventing the following list of tricks (years included):
In 2002, Mullen won the Transworld Skateboarding Readers' Choice Award for Skater of the Year. Transworld also included Mullen in its "30 Most Influential Skaters of All Time" list, released in December 2011 and he was elected into the third position, behind Tony Hawk (second) and Mark Gonzales (first).
Mullen has completed numerous public speaking engagements and has been invited to present on topics such as his personal life, skateboarding, innovation, creation, and the concept of community.
The Lemelson Center invited Mullen to visit the center, a part of the Smithsonian's National Museum of American History to discuss invention and innovation from within the context of American society. The Lemelson Center exchanged ideas and views with Mullen about skateboarding, in addition to the manner in which creativity and innovation can contribute to the development of an improved society.
Mullen was invited by the Sapling Foundation, as part of its TED (Technology, Entertainment and Design) public speaking series, to present at the University of Southern California (USC) in June 2012. Mullen's talk was entitled, "How context shapes content", and featured his perspectives on the manner in which the street-based context of skateboarding influences his practice, in addition to his view of the skateboarding community, whereby he compared the community to the open source and hacking movements.
Mullen has publicly stated that an identification of his favorite skateboarders is an "endless" task. However, he has provided examples such as Chris Haslam, Bryan Herman, Paul Rodriguez, Antwuan Dixon, and Eric Koston.
Mullen performed as Christian Slater's double in the skateboarding film, Gleaming the Cube, released in 1989, and has filmed The Secret Life of Walter Mitty (film), a 2013 film, in which he fulfilled the role of Ben Stiller's double.
Any eyes on me—a late-night street sweeper, some dude texting in his parked car, the homeless guy talking to himself—make me feel uncomfortable when I skate. Everyone expects me to do certain things. It puts a ceiling on your progress. You’re blocked by your pride. To get good, you have to throw your board around and fall.
In August 2012, Mullen revealed in a brief interview with Hawk, that the last YouTube video that he watched was a documentary by Stanton T. Friedman, a nuclear physicist who subsequently devoted his life to the exploration of extraterrestrial investigation. It has also been publicly revealed that Mullen owns a pair of high-powered audio speakers, each weighing around 200 pounds (91 kg), through which he play a diverse range of music, including Sabaton and Beethoven:
Me and my neighbors, we have an understanding ... and so I sit perfect, you know, triangle at the front. You sit there with the remote and you turn it up, just when it starts to hurt, and hit one more and then go like [presses his hands to his ears] that, and then you just feel it in your whole body for a while, as long as you can take it. And then you 'arrgh!', and then you turn it off you know and [hold his hand to his heart and breathes heavily], and then I go skate [laughs]. It's awesome, but only if I'm really usually, like, just sometimes when you really need it, you know?"
Fellow team rider, Haslam, stated in an interview that Mullen had advised him to buy a similar set of speakers prior to the purchase of a house.
Mullen has self-described himself as "juvenile" in an online interview.
Mullen explained during his Lemelson Foundation interview:
Skateboarding is as much, or more, an art of mode of expression than it is a sport. What skateboarding has given me is precisely that: a form of expression that drew me to it, and, in so doing, I was able to express and be who I wanted to be through it, in a sense. And establish myself within a community that were all essentially outsiders like myself. And by doing that, it gave me a place, a sense of belonging and, in the end, I was able to contribute, at a foundational level, a lot of the tricks that the entire community uses to express themselves. Which, again, is one of the beauties of skateboarding, is that we all draw from the same pool, and give back; so that others can do the same and keep expounding. Very much like an open source community.