|Studio album by Robyn|
|Released||27 April 2005|
|Recorded||Apmamman, Cosmos Studios|
|Genre||Electropop, synthpop, dance-pop, R&B, alternative hip hop|
|Producer||Klas Åhlund, Patrik Berger, Kleerup, The Knife, Johan Liljedahl, Teddybears, Fabian "Phat Fabe" Torsson|
|Singles from Robyn|
- "Be Mine!"
Released: 30 March 2005
- "Who's That Girl"
Released: 29 June 2005
- "With Every Heartbeat"
Released: 15 January 2007
- "Konichiwa Bitches"
Released: 26 March 2007
- "Handle Me"
Released: 26 October 2007
Robyn is the fourth studio album by Swedish recording artist Robyn. It was released in Sweden on 27 April 2005 by Konichiwa Records. The album represented a change in Robyn's musical style, and featured pop and electronic dance music; inspirations were electronic duo The Knife and rock band Teddybears. It also marks Robyn's first album release on her own record label, Konichiwa Records, which she founded in 2005.
The album debuted at number one on the Swedish Albums Chart in 2005, becoming Robyn's first-ever number-one album on the chart. It was released Internationally in 2007, two years after it was originally released. The album received a 2009 Grammy Awards nomination for Best Electronic/Dance Album in 2009. Five singles were released from the album: "Be Mine!", "Who's That Girl", UK number one song With Every Heartbeat, Konichiwa Bitches and Handle Me.
In 2003, Robyn left her record label, Jive Records, because of the lack of artistic control offered to her by the label. The previous year she had released her third album, Don't Stop the Music, but felt disillusioned by the label's attempt to market her as the next Christina Aguilera in the United States. Robyn described the album as a "big compromise" and was upset because she "was going backwards" and not "doing what [she] wanted to".
That same year, Robyn returned home to Sweden and discovered the electronic music brother-and-sister duo The Knife while browsing through a record store. She became inspired by how the duo self-financed and released their recordings and bought herself out of her recording contract with Jive Records. She was free from her contract, but did not want to sign with another major label because she felt that "it was totally illogical. Why would I do that? I felt like either I quit making music or I start my own record company". Six months after leaving Jive Records, Robyn founded her own record label Konichiwa Records and began recording songs for her fourth album.
Regarding the album's lyrical inspiration, Robyn told Pete Lewis of Blues & Soul in March 2008: "I think the biggest lyrical inspiration for this album was going back to when I was like 15 and on the subway listening to hip hop. Back then—because I didn't know many people in Sweden who knew about rap, it was like my own music world—where the lyrics were very direct. So I tried to return to that age when you're so strong and self-confident, while acknowledging there's also a part of being a teenager when you're sometimes very insecure and feel very fragile."
Upon its release, Robyn received general acclaim from most music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 86, based on 17 reviews, which indicates "universal acclaim". Allmusic editor Heather Phares, giving the album four-and-a-half out of five stars, called it "a freewheeling, accomplished pop album that is so fresh that it could pass for a debut", adding that it is "the pop tour de force that Robyn has always had in her". Chris Willman of Entertainment Weekly graded the album an A, referring to it as "hooky dance-pop greatness" and "[f]antastic all of the time". Barry Walters of Spin stated that Robyn "flashes lyrical smarts that veer between wisecracking sass and heartbroken eloquence", and that the album "achieves the sort of pure pop perfection that her more mainstream records never did." Rolling Stone's Will Hermes gave the album three-and-a-half out of five stars and concluded, "Sexy without being pandering, arty without being pretentious, Robyn is a public service: a record that can make indie-minded geeks dance without shame." Priya Elan of the NME opined that the album "manages to piece together many of the elements of her chameleon-like career [...] and come up with what is the most inventive pop album you'll hear all year."
Slant Magazine's Sal Cinquemani expressed that the album is "definitely a slow-burner [...], but it's also everything pop music should be: provocative, poignant, inventive, and fun." Daniel Rivera of PopMatters scored the album nine out of ten, naming it Robyn's "most honest and infectious outing to date" and noting that "the most impressive thing about Robyn is just how timeless it is proving to be." Stylus Magazine's Jessica Popper wrote that the album "manages to combine several of the currently popular music genres whilst still making a perfect pop album [...] It's one of the few Europop albums that not only deserves worldwide domination, but also has a really good chance of achieving it." In a review for the Manchester Evening News, Paul Taylor described the album as "undeniably sexy" and dubbed Robyn "a mini-Madonna in the making". Billboard's Jill Menze praised its "sassy and sweet dance pop gems". In his consumer guide for MSN Music, critic Robert Christgau gave the album an A− rating, commenting that he was "[initially] disoriented by the hype for 'With Every Heartbeat' [...] But without that add-on, which does grow on you the way pop breakthroughs will sometimes, this 2005 EU release might never have materialized here to prepare the way for Robyn 2010". James Hunter of The Village Voice complimented its "fast electro arrangements tending toward the geometric" and found that "[h]er appeal is questionable when she tries to sound like an American rapper, but on tracks where she just sings [...] she gives Europop a swift Swedish energy and presence". Pitchfork Media reviewer Jess Harvell felt that Robyn's "pop fun is a bit knowing—she's 26 after all. But trust the Swedes. They know what they're doing with this sort of thing."
According to Metacritic, Robyn was the tenth best-reviewed album of 2008, as well as the best-reviewed pop album of the 2000–09 decade. Slant Magazine listed it as the second best album of 2008. Entertainment Weekly ranked it at number four on its list of the 10 Best CDs of 2008, praising Robyn as "an autonomous, thrillingly eccentric dance diva capable of both wrenching techno ballads [...] and saucy, whip-smart kiss-offs". Pitchfork Media, on its list of the Top 50 Albums of 2005, placed the album at number thirty-nine on its list and called Robyn "one of the best things that happened to music this year that folks on the wrong side of the Atlantic never heard". Pitchfork Media also included it at number sixty-eight on its list of The Top 200 Albums of the 2000s and claimed that "[n]obody [...] made a more lovable pop album this decade than Robyn", describing it as "an indie-as-fuck fairytale: Freed from proto-Mouseketeer teen-pop servitude and inspired by the Knife, Robyn experiments across genres, emotes from the heart, and gradually amasses a netroots fanbase." Aside from critics' lists, the album received a nomination for Best Electronic/Dance Album at the 2009 Grammy Awards, but lost out to Daft Punk's Alive 2007.
Robyn debuted at number one on the Swedish Albums Chart, becoming Robyn's first number-one album in her home country. The album spent thirty-six weeks altogether on the chart, and was certified platinum on 6 April 2006 for sales in excess of 40,000 copies in Sweden. The album reached the number thirty-five in Norway, and remained on the albums chart for one week. Although the album had charted only in Sweden and Norway, it reached number sixty on the European Top 100 Albums chart on the issue dated 21 May 2005. It became Robyn's first album to chart on the UK Albums Chart, where it debuted at number twenty on 19 August 2007, before peaking at number nineteen the following week. On 13 January 2008, the album re-entered the top forty at number eighteen, then climbed to number eleven three weeks later. On 14 September 2007, Robyn was certified gold by the British Phonographic Industry (BPI), having sold 242,000 copies in the UK.
In 2007, Robyn signed a North American distribution deal with Interscope Records. She was asked by Interscope to include a rapper on the album to highlight its hip hop elements. In an interview with Metro Sweden, Robyn said she understood why the label wants her to include a rapper, but did not want to "work with Akon or some other lame rapper. I want to work with someone who's gangsta, like Snoop [Dogg] or Method Man". On 29 April 2008, Robyn was finally released in North America and debuted at number 100 on the Billboard 200, selling 7,000 copies in its first week. It would only spend one week on the charts, and has sold 33,000 copies in the US as of June 2010. "Dream On" later appeared on the North American release of Robyn without Ola Salo's vocals.
"Be Mine!", the album's first single release in Sweden, reached number three and spent nineteen weeks on the singles chart. The song received positive reviews from critics, and was named the fourth best song of 2005 by Stylus Magazine. The second single, "Who's That Girl", reached number thirty-seven in Sweden. Its lyrics discuss the feelings of a female who had been left beaten by the unpredictability of gender and image politics. The songs "Handle Me" and "Crash and Burn Girl" were released as radio-only promotional singles in Sweden and were accompanied by music videos that featured Robyn dancing in a nightclub.
The album's lead single in the United Kingdom, "Konichiwa Bitches", received positive reviews from critics due to its "hip-hop sensibilities" and ability to illustrate "the zeal [Robyn] takes in making music". The song received limited airplay and reached number ninety-eight on the UK Singles Chart. "With Every Heartbeat", a collaboration with Kleerup, was released as the second single in the UK. It reached number one on the UK chart, becoming Robyn's most successful single release in the UK. The album's third UK single, "Handle Me", backed by remixes by Soul Seekerz, reached number seventeen. "Be Mine!" was released as the album's fourth single on 14 January 2008, reaching number ten. "Who's That Girl" was the fifth UK single released from the album on 28 April 2008 and reached number twenty-six. "Dream On" was released on 17 November 2008 as the lead single from the special edition of the Robyn album, peaking at number twenty-nine.
The album's lead single in the United States, "With Every Heartbeat", was released on 29 January 2008 as a digital download only. It was serviced to dance clubs and DJs, eventually reaching number five on Billboard's Hot Dance Club Play chart, as well as number twelve on the Hot Dance Airplay chart. "Handle Me" was released the second US single on 1 April 2008, reaching number five on the Hot Dance Club Play chart and number four on the Hot Dance Airplay chart.
|1.||"Curriculum Vitae" (featuring Swingfly)||Robyn, Klas Åhlund||Åhlund||Åhlund||1:53|
|2.||"Who's That Girl" ||Robyn||Robyn, The Knife, Alexander Kronlund||The Knife||3:47|
|3.||"Handle Me" ||Åhlund||Åhlund||Åhlund||3:47|
|4.||"Robotboy" ||K. Åhlund||K. Åhlund, Joakim Åhlund||K. Åhlund||3:31|
|5.||"Be Mine!" ||Robyn, Åhlund||Åhlund||Åhlund||3:27|
|6.||"Bionic Woman" (Interlude)|| || || ||0:16|
|7.||"Crash and Burn Girl" ||Robyn, Åhlund||Robyn, Åhlund||Åhlund||3:35|
|8.||"Tomteverkstan" (Interlude)|| || || ||0:17|
|9.||"Konichiwa Bitches" ||Robyn, Åhlund||Robyn, Åhlund||Åhlund||2:37|
|10.||"Bum Like You" ||Robyn, Åhlund||Robyn, Åhlund||Åhlund||3:42|
|12.||"Should Have Known" ||Robyn, Kronlund||Robyn, Kronlund||Fabian Torsson||3:59|
|13.||"Anytime You Like" ||Robyn||Robyn, Johan Liljedahl, Patrik Berger||Berger, Liljedahl*||3:52|
|1.||"Curriculum Vitae" (featuring Swingfly)||Robyn, Åhlund||Åhlund||Åhlund||1:53|
|2.||"Konichiwa Bitches" ||Robyn, Åhlund||Robyn, Åhlund||Åhlund||2:37|
|3.||"Cobrastyle" ||K. Åhlund, J. Åhlund, Patrick Arve, Ewart Brown, Torsson, Troy Rami, David Parker, Sylvia Robinson||K. Åhlund, J. Åhlund, Arve, Brown, Torsson, Rami, Parker, Robinson||Teddybears||4:10|
|4.||"Handle Me" ||Åhlund||Åhlund||Åhlund||3:47|
|5.||"Bum Like You" ||Robyn, Åhlund||Robyn, Åhlund||Åhlund||3:28|
|6.||"Be Mine!" ||Robyn, Åhlund||Åhlund||Åhlund||3:27|
|7.||"With Every Heartbeat" (with Kleerup)||Robyn||Robyn, Andreas Kleerup||Kleerup||4:13|
|8.||"Who's That Girl" ||Robyn||Robyn, The Knife, Kronlund||The Knife||3:47|
|9.||"Bionic Woman" || || || ||0:16|
|10.||"Crash and Burn Girl" ||Robyn, Åhlund||Robyn, Åhlund||Åhlund||3:35|
|11.||"Robotboy" ||K. Åhlund||K. Åhlund, J. Åhlund||K. Åhlund||3:31|
|13.||"Should Have Known" ||Robyn, Kronlund||Robyn, Kronlund||Fabian Torsson||3:59|
|14.||"Anytime You Like" ||Robyn||Robyn, Liljedahl, Berger||Berger, Liljedahl*||3:52|
|15.||"Jack U Off" ||Prince||Prince||Berger, Liljedahl*||2:16|
|17.||"Bum Like You" (Alt. Version)||Robyn, Åhlund||Robyn, Åhlund||Åhlund||3:39|
|16.||"Robotboy" (Alternate Version)||K. Åhlund||K. Åhlund, J. Åhlund||K. Åhlund||3:28|
|15.||"Dream On" (New Version)||Åhlund||Robyn, Falk, Åhlund||Falk||3:14|
|1.||"Konichiwa Bitches" (video)||Johan Sandberg, Henrik Timonen|| |
|2.||"With Every Heartbeat" (with Kleerup) (video)||StyleWar|| |
|3.||"Handle Me" (video)||Johan Renck|| |
|4.||"Be Mine!" (new version) (video)||Max Vitali|| |
|5.||"Be Mine!" (old version) (video)||Lukas Hammar|| |
|6.||"Interview" || || |
|15.||"Dream On" ||Åhlund||Robyn, Falk, Åhlund||Falk||3:14|
|16.||"Keep This Fire Burning" (2008 Mix)||Remee, Robyn, Ulf Lindström, Johan Ekhé||Remee, Robyn, Lindström, Ekhé||Ghost, Robyn||3:41|
|17.||"Show Me Love" (2008 Mix)||Robyn, Max Martin||Robyn, Martin||Robyn, Markus Jägerstedt||2:29|
|18.||"Jack U Off" ||Prince||Prince||Berger, Liljedahl*||2:17|
(*) indicates co-producer
Credits adapted from Robyn album liner notes.
- Robyn – lead vocals, backing vocals, drums, mixing
- Klas Åhlund – producer, engineer, mixing, string arrangements
- Christoffer Berg – mixing
- Patrik Berger – producer, mixing
- Cass Bird – photography (international edition)
- Björn Engelmann – mastering
- Mary Fagot – art direction (international edition)
- Janne Hansson – mixing
- Mattias Helldén – cello
- Henrik – mixing
- Örjan Högberg – violin
- Michael Ilbert – mixing, vocal mix
- Frippe Jonsäter – sound effects
- Andreas Kleerup – producer, mixing
- The Knife – producers
- Johan Liljedahl – co-producer, mixing
- Karin Liljenberg – violin
- Cecilia Linné – cello
- Ljunligan – sound effects
- Blake E. Marquis – design (international edition)
- Joakim Milder – string arrangements
- New® – artwork (Swedish edition)
- Ida Nyman – viola
- Malin Ny-Nilsson – viola
- Ollie – mixing
- Georg Riedel – upright bass
- Frederik Skogkvist – photography (Swedish edition)
- Johanna Tafvelin – violin
- Teddybears – producers, mixing
- Fabian "Phat Fabe" Torsson – producer, mixing
- Erik Wikström – mixing
- Björn Yttling – grand piano
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- ^ "Robyn – Robyn". Island Records. http://www.islandrecords.co.uk/release.php?id=18. Retrieved 4 February 2012.
- ^ "Robyn : Releases : Robyn". Interscope Records. http://www.interscope.com/artist/releases/detail.aspx?pid=495&aid=590. Retrieved 4 February 2012.
- ^ "Robyn Robyn Japanese Cd Album". 991.com. http://991.com/Buy/ProductInformation.aspx?StockNumber=431517. Retrieved 18 November 2008.