A rebus is an allusional device that uses pictures to represent words or parts of words. It was a favourite form of heraldic expression used in the Middle Ages to denote surnames, for example in its basic form three salmon fish to denote the name "Salmon". A more sophisticated example was the rebus of Bishop Walter Lyhart (d.1472) of Norwich, consisting of a stag (or hart) lying down in a conventional representation of water. The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder Non verbis, sed rebus, which Latin expression signifies "not by words but by things" (res, rei (f), a thing, object, matter; rebus being ablative plural).
Rebuses are used extensively as a form of heraldic expression as a hint to the name of the bearer; they are not synonymous with canting arms. A man might have a rebus as a personal identification device entirely separate from his armorials, canting or otherwise. For example, Sir Richard Weston (d.1541) bore as arms: Ermine, on a chief azure five bezants, whilst his rebus, displayed many times in terracotta plaques on the walls of his mansion Sutton Place, Surrey, was a "tun" or barrel, used to designate the last syllable of his surname. An example of canting arms proper are those of the Borough of Congleton in Cheshire consisting of a conger eel, a lion (in Latin, leo) and a tun (another word for a barrel). This word sequence "conger-leo-tun" enunciates the town's name. Similarly, the coat of arms of St. Ignatius Loyola contains wolves (in Spanish, lobo) and a kettle (olla), said by some (probably incorrectly) to be a rebus for "Loyola".
Modern rebuses, word plays
A modern example of the rebus used as a form of word play is:
H + = Hear, or Here.
By extension, it also uses the positioning of words or parts of words in relation to each other to convey a hidden meaning, for example:
p walk ark: walk in the park
These are often referred to as Plexers.
Three rebus-style "escort cards" from the 1860s or 1870s
The term rebus also refers to the use of a pictogram to represent a syllabic sound. This adapts pictograms into phonograms. A precursor to the development of the alphabet, this process represents one of the most important developments of writing. Fully developed hieroglyphs read in rebus fashion were in use at Abydos in Egypt as early as 3400 BCE.
The writing of correspondence in rebus form became popular in the 18th century and continued into the 19th century. Lewis Carroll wrote the children he befriended picture-puzzle rebus letters, nonsense letters, and looking-glass letters, which had to be held in front of a mirror to be read. Rebus letters served either as a sort of code or simply as a pastime.
In linguistics, the rebus principle means using existing symbols, such as pictograms, purely for their sounds regardless of their meaning, to represent new words. Many ancient writing systems used the rebus principle to represent abstract words, which otherwise would be hard to be represented by pictograms. An example that illustrates the Rebus principle is the representation of the sentence "I can see you" by using the pictographs of "eye—can—sea—ewe." Some linguists believe that the Chinese developed their writing system according to the rebus principle, and Egyptian hieroglyphs sometimes used a similar system. A famous rebus statue of Ramses II uses three hieroglyphs to compose his name: Horus (as Ra), for Ra; the child, mes; and the sedge plant (stalk held in left hand), su; the name Ra-mes-su is then formed.
Catchphrase was a long-running TV show which required contestants to decipher a rebus. There is an Australian version of the show hosted by John Burgess.
In 1998, Granada TV produced 'Waffle,' a single word rebus puzzle show that was hosted by Nick Weir, and included premium telephone line viewer participation.
Rebuses were central to the television game show Concentration. Contestants had to solve a rebus, usually partially concealed, to win a game. The HBO children's game series Crashbox features three rebus puzzles in the game segment "Ten Seconds."
It is reported that when Voltaire was the guest of Frederick the Great at Sanssouci Palace, they exchanged puzzle notes. Frederick sent over a page with two picture blocks on it: two hands below the letter P, and then the number 100 below a picture of a handsaw, all followed by a question mark. Voltaire replied with: Ga!
Both messages were rebuses in the French language: deux mains sous Pé, cent sous scie? (= demain souper, Sanssouci? "supper tomorrow, Sanssouci?"); reply: "big G, small a!" Gé grand, A petit! (= j'ai grand appétit! "I am very hungry!").
The early 16th century Bishop of Exeter, Hugh Oldham adopted the owl as his personal device. It bore a scroll in its beak bearing the letters D.O.M., forming a rebus based on his surname, which would probably have been pronounced at the time as owl-dom.
The 19th century French sculptor Jean-Pierre Dantan would place rebuses on the socles of his caricature busts to identify the subject. For example, Victor Hugo was an axe (hache in French, which sounds like the French pronunciation of "H") + UG + crossed bones (os, sounding like "O"). Hector Berlioz was represented by the letters BER low on the socle, with a bed (lit, for "li") comparatively high on the socle (to mean "haut", the French for high, pronounced with a silent "h" and "t" and so sounding like "O").
In the U.S., a rebus was used on the Continental Congress patterns minted in 1776 and later on the Fugio Cent, the first federal coin, minted in 1787. According to Walter Breen, Elisha Gaullaudet engraved the dies, using sketches of Benjamin Franklin. The obverse depicts a sundial with the terms "Fugio" and "Mind Your Business". Fugio means "I flee", the sundial means time, and "mind your business" means "do your work". Therefore this rebus read, "Time flees, so do your work."
There is an old book from 1790 called A curious hieroglyphick bible (available on Archive.org): containing rebuses from the Bible.
In Japan, the rebus was known as "hanjimono(判じ物?)" was immensely popular during the Edo period. A piece by ukiyo-e artist Kunisada was "Actor Puzzles" (Yakusha hanjimono) that featured rebuses.Kabuki actors would wear yukata and other clothing whose pictorial design, in rebus, represented their Yagō "guild names", and would distribute tenugui cloth with their rebused names as well. The practice was not restricted to the acting profession and was undertaken by townsfolk of various walks of life. There were also pictorial calendars called egoyomi(ja) that represented the Japanese calendar in rebus so it could be "read" by the illiterate.
In popular culture
In the 1958 children's book Tom's Midnight Garden, Tom uses an elongated image of a cat as his signature to represent his name, Tom Long.
In the TV show The Electric Company, Danny can throw a word ball with his secret code named after the article.
In the underground comic Zap No. 8 from 1975, Robert Williams' story 'Innocence Squandered' features a character called Counselor Rebus. He is the defense attorney in a courtroom scene for the protagonist of the story, F. Leonoid Baldpubis. Mr. Willams' fanciful artwork style comes into play here as well as his sense of humour: Counselor Rebus has a body made of Rebuses (glass of beer for the 'head', ruler for a foot) and speaks entirely in rebuses throughout the story.
^Izzard, Sebastian; J. Thomas Rimer, John T. Carpenter (1993). Kunisada's world. Japan Society, in collaboration with Ukiyo-e Society of America. ISBN978-0-913304-37-2.Cite uses deprecated parameters (help), p.23