Henry Spencer Ashbee

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Henry Spencer Ashbee (21 April 1834 – 29 July 1900) was a book collector, writer, and bibliographer, notorious for his massive, clandestine three volume bibliography of erotic literature written under the pseudonym of Pisanus Fraxi.

Life[edit source | edit]

Ashbee was born in Southwark, London. He was by occupation a textile trader, the senior partner in the London branch of the firm of Charles Lavy & Co.[1] He travelled extensively during his life, including Europe, Japan, and San Francisco, collaborating with Alexander Graham on Travels in Tunisia, published in 1887. He was an avid book collector, with perhaps the world's most extensive collections of Cervantes and erotica.

Ashbee was a part of a loose intellectual fraternity of English gentlemen who discussed sexual matters with a freedom that was at odds with Victorian mores; this fraternity included Richard Francis Burton, Richard Monckton Milnes, Algernon Charles Swinburne, and others. He also amassed thousands of volumes of pornography in several languages. He wrote on sex under the pseudonyms "Fraxinus" (Ash) and "Apis" (Bee), and sometimes combined them as "Pisanus Fraxi".

Ashbee's will left his entire collection to the British Museum, with the condition that the erotic works had to be accepted along with the conventional items. Because the trustees wanted the materials related to Cervantes, they decided to accept the bequest. The trustees were allowed to destroy any of the books if they had a duplicate, but in practice went much further and destroyed six boxes "of offensive matter which is of no value or interest" including cheaply produced Victorian erotica.[2] The remainder of the works formed the core of the Private Case which were kept hidden from readers in the British Library for many years; they include a work by William Simpson Potter.[3]

Ashbee married Elisabeth Lavy[4] in Hamburg, Germany in 1862. They had one son, Charles (the designer Charles Robert Ashbee, born 1863), and three daughters.[5] His family life grew unhappier as he aged.[6] As he became more conservative, his family followed the progressive movement of the era. "The 'excessive education' of his daughters irritated him, his Jewish wife's pro-suffragism infuriated him, and he became tragically estranged from his socialist homosexual son, Charles".[7] Henry and Elisabeth separated in 1893.[5] Henry Spencer Ashbee is buried in Kensal Green Cemetery.

Books[edit source | edit]

Ashbee's most famous works were his three bibliographies of erotic works:

The Index was arranged by author, the Centuria and Catena by subject. Ashbee includes plot summaries of the works listed, with liberal quotations. Of particular note are the 300 pages of the "Centuria" devoted to anti-Catholic pornography.[8] Initially only 250 copies of each volume were printed.[9][10][11]

My Secret Life[edit source | edit]

Ashbee is also suspected to be "Walter", the author of My Secret Life, a lengthy sexual memoir of a Victorian gentleman. Gershon Legman was the first to link "Walter" and Ashbee in his introduction to the 1962 reprints of Ashbee's bibliographies; the 1966 Grove Press edition of My Secret Life included an expanded version of that essay.

Influences[edit source | edit]

A character based on him is central to Sarah Waters's award-winning novel Fingersmith: a man obsessively collecting and indexing pornography and works about human sexuality, in an atmosphere of oppressive Victorian hypocrisy.[12]

Notes[edit source | edit]

  1. ^ Steven Marcus (1969) The Other Victorians: 36
  2. ^ David Chambers, 'Ashbee, Henry Spencer (1834–1900)', Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2008, accessed 23 Oct 2011.
  3. ^ Costas Douzinas, Lynda Nead, "Law and the image: the authority of art and the aesthetics of law", University of Chicago Press, 1999, ISBN 0-226-56954-3, p.212
  4. ^ Felicity Ashbee, "Janet Ashbee: love, marriage, and the arts & crafts movement", Syracuse University Press, 2002, ISBN 0-8156-0731-8, p.15 (photograph of Elisabeth Ashbee by Frank Lloyd Wright)
  5. ^ a b A. James Hammerton, "Cruelty and companionship: conflict in nineteenth-century married life", Routledge, 1992, ISBN 0-415-03622-4, pp.144-145
  6. ^ Hammerton, A. James (1992). Cruelty and companionship: conflict in nineteenth-century married life. Routledge. pp. 117–121. ISBN 0-415-03622-4. 
  7. ^ Rachel Holmes, "Sexual intercourse began in 1863..." a review of Gibson's biography, The Observer, 25 February 2001
  8. ^ Steven Marcus (1969) The Other Victorians: 34-77
  9. ^ Joseph W. Slade, "Pornography and Sexual Representation: A Reference Guide", Greenwood Publishing Group, 2001, ISBN 0-313-31519-1, p.107
  10. ^ Walter M. Kendrick, "The secret museum: pornography in modern culture", University of California Press, 1996, ISBN 0-520-20729-7, p.71
  11. ^ Suzanne G. Frayser, Thomas J. Whitby, "Studies in human sexuality: a selected guide", Libraries Unlimited, 1995, ISBN 1-56308-131-8, p.615
  12. ^ Forman, Ross G. Governing Pleasures: Pornography and Social Change in England, 1815-1914 (review), Victorian Studies 45 (2003) 777-779 doi:10.1353/vic.2004.0015

References[edit source | edit]