From Wikipedia, the free encyclopedia - View original article
Phos Hilaron (Φῶς Ἱλαρόν) is an ancient Christian hymn originally written in New Testament Greek. Often referred to by its Latin title Lumen Hilare it has been translated into English as 'Hail Gladdening Light' or 'O Gladsome/Joyous Light'. It is the earliest known Christian hymn recorded outside of the Bible that is still in use today. The hymn is part of vespers in the Eastern Orthodox Church,[note 1] and also included in some modern Anglican and Lutheran liturgies.
The hymn is first recorded by an unknown author in the Apostolic Constitutions, which was written in the late 3rd or early 4th century AD. It is found in a collection of songs to be sung in the morning, in the evening, before meals, and at candle lighting. Phos Hilaron is to be sung at the lighting of lamps in the evening and so is sometimes known as the 'Lamp-lighting Hymn'. Despite some of the words to the other three songs being from Scripture or in one case dated to around 150 A.D., Phos Hilaron is the first to be considered an actual hymn in the modern sense. It is certainly the first complete example. It is far more rhythmic than the others and is divided into twelve verses varying between five, six, eight, nine, ten and eleven syllables a verse. St. Basil the Great (329-379 AD) spoke of the singing of the Phos Hilaron as a cherished tradition of the church, the hymn being already considered old in his day (though some attribute the composition of the song to St Basil himself). The original melody, as used by the Greek Orthodox Church on the original text, is considered taxing on the voice as it spans almost two octaves, with the voice peaking on the words "Heavenly" and "the Father" (see word painting).
At that time in Jerusalem a lamp was kept perpetually burning in the empty tomb of Christ, its glow a symbol of the living light of Jesus. As Christians gathered to worship the hymn was sung and, in a tradition known as the lighting of the lamps, a candle lit from the lamp was brought forth from the tomb, its bright, solitary flame calling the church to celebrate the Risen Lord.
Saint Athenogenes, a saint of unknown date but whose saint's day is 16 July, is believed by some to have composed this hymn on the way to being martyred. He is often depicted as an elderly bishop with the executioner's arm paralyzed until the saint has completed his song. The Roman Martyrology states: "In Pontus, the birthday of Saint Athenogenes, [is celebrated. He was] an aged theologian, who, when about to consummate his martyrdom by fire, sang a hymn of joy, which he left in writing to his disciples." He is probably identical to the bishop who martyred with ten disciples in Sebaste, Armenia, on July 16 during the reign of the Emperor Diocletian, most probably ca. 305 AD.
St. Sophronius of Jerusalem (560-638), who was known for his poetry, is believed to have revised the hymn and Orthodox liturgical books often identify him as the author, e.g., in the Slavonic text below.
The hymn is a fixed part of the Orthodox vespers service, sung or recited daily, at the entrance when great vespers is celebrated and, in all cases, after the "lamp lighting psalms", aka, "Lord, I have cried..." and their stichera and immediately preceding the prokeimenon.
The hymn was translated into English meter by John Keble, one of the leaders of the Oxford Movement within Anglicanism, in 1834. Keble's version was set for eight voices as an anthem by Charles Wood in 1912. Another translation was made by the 19th-century U.S. poet Henry Wadsworth Longfellow; a third translation, by Robert Bridges, has appeared in several hymnals with music composed by Louis Bourgeois.
The traditional Anglican service of Evening Prayer did not call for the use of the hymn, though any of these versifications might be sung at those points in the service which provided for the singing of a hymn or anthem. More recently, some Anglican bodies have adopted it as part of the evening liturgy. For example, the 1979 American Book of Common Prayer prescribes it, in the prose translation given below, as an optional invitatory canticle immediately preceding the psalms appointed for the day.
Original Ancient Text
Transliteration (into Classical Greek pronunciation as opposed to that of the time period in which it was written)
Lumen hilare iucunda lux tu gloriæ, fons luminis de lumine, beate Iesu cælitus a Patre sancto prodiens. Fulgor diei lucidus solisque lumen occidit, et nos ad horam vesperam te confitemur cantico. Laudamus unicum Deum, Patrem potentem, Filium cum Spiritu Paraclito in Trinitatis gloria. O digne linguis qui piis lauderis omni tempore, Fili Dei, te sæcula vitæ datorem personent. Amen.
The top line (in red) translates as "The Work of Sophronius, Patriarch of Jerusalem"
Transliteration into modern Russian letters: Свете Тихий святыя славы, безсмертнаго Отца небеснаго, святаго блаженнаго, Иисусе Христе: пришедше на запад солнца, видевше свет вечерний, поем Отца, Сына, и Святаго Духа, Бога. Достоин еси во вся времена пет быти гласы преподобными, Сыне Божий, живот даяй: темже мир тя славит.
O Gentle Light of the holy glory of the immortal, heavenly, holy, blessed Father, O Jesus Christ: Having come to the setting of the sun, having beheld the evening light, we praise the Father, the Son, and the Holy Spirit: God. Meet it is for Thee at all times to be hymned with reverent voices, O Son of God, Giver of life. Wherefore, the world doth glorify Thee.
O Gladsome Light of the Holy Glory of the Immortal Father, Heavenly, Holy, Blessed Jesus Christ! Now that we have come to the setting of the sun and behold the light of evening, we praise God Father, Son and Holy Spirit. For meet it is at all times to worship Thee with voices of praise. O Son of God and Giver of Life, therefore all the world doth glorify Thee.
O Gladsome Light of the holy glory / of the Immortal Father, / heavenly, holy, blessed, O Jesus Christ.
Having Come to sunset / and beholding the evening light, we hymn the Father, Son, and Holy Spirit: God.
Meet it is at all times that thou be hymned / with fitting voices, O Son of God, thou Giver of Life; wherefore the world doth glorify thee.
O Joyful Light of the holy glory of the immortal, heavenly, holy blessed Father, O Jesus Christ. Having come to the setting of the sun, having beheld the evening light, we hymn the Father, Son, and Holy Spirit, God. Meet it is at all times to hymn Thee with reverend voices, O Son of God, Giver of Life, wherefore the whole world doth glorify Thee.
O Joyful Light of the holy glory of the Father Immortal, the heavenly, holy, blessed One, O Jesus Christ, now that we have reached the setting of the sun, and see the evening light, we sing to God, Father, Son, and Holy Spirit (+). It is fitting at all times to raise a song of praise in measured melody to you, O Son of God, the Giver of Life. Therefore, the universe sings your glory.
Oh, Joyful Light, of the Holy Glory of the Father Immortal. Heavenly, Holy, Blessed, Jesus Christ, since we have come, to the setting of the sun, and have seen the evening light, we praise God: the Father, the Son, and the Holy Spirit (+). It is proper for you to be praised at all times by fitting melody. Oh, Son of God, Giver of Life, wherefore the world glorifies You.
O radiant light, O sun divine
Of God the Father's deathless face,
O image of the light sublime
That fills the heav'nly dwelling place.
Lord Jesus Christ, as daylight fades,
As shine the lights of eventide,
We praise the Father with the Son,
The Spirit blest and with them one.
O Son of God, the source of life,
Praise is your due by night and day;
Unsullied lips must raise the strain
Of your proclaimed and splendid name.
Hail, gladdening Light, of His pure glory poured
Who is th’immortal Father, heavenly, blest,
Holiest of Holies – Jesus Christ our Lord!
Now we are come to the sun’s hour of rest;
The lights of evening round us shine;
We hymn the Father, Son, and Holy Spirit divine!
Worthiest art thou at all times to be sung
With undefiled tongue,
Son of our God, giver of life, alone:
Therefore in all the world thy glories, Lord, they own.
O gladsome light, O grace
Of God the Father's face,
The eternal splendour wearing;
Celestial, holy, blest,
Our Saviour Jesus Christ,
Joyful in thine appearing.
Now, ere day fadeth quite,
We see the evening light,
Our wonted hymn outpouring;
Father of might unknown,
Thee, his incarnate Son,
And Holy Spirit adoring.
To thee of right belongs
All praise of holy songs,
O Son of God, Lifegiver;
Thee, therefore, O Most High,
The world doth glorify,
And shall exalt forever.
O gracious Light,
pure brightness of the everliving Father in heaven,
O Jesus Christ, holy and blessed!
Now as we come to the setting of the sun,
and our eyes behold the vesper light,
we sing your praises, O God: Father, Son, and Holy Spirit.
You are worthy at all times to be praised by happy voices,
O Son of God, O Giver of life,
and to be glorified through all the worlds.
Joyous light of glory of the immortal Father,
Heavenly, holy, blessed Jesus Christ,
We have come to the setting of the Sun
And we look to the evening light.
We sing to God, the Father, the Son and Holy Spirit.
You are worthy of being praised with pure voices forever.
O Son of God, O Giver of Light,
The universe proclaims your glory.
Light of the world in grace and beauty,
mirror of God's eternal face,
transparent flame of love's free duty,
you bring salvation to our race.
Now, as we see the lights of evening,
we raise our voice in hymns of praise;
worthy are you of endless blessing,
Sun of our night, Lamp of our days.
a szent és boldog,
mennyei Atya isteni dicsőségének,
Eljövén a Napnak lenyugvásához
és látván az esteli fényt;
áldjuk az Atyát
s a Fiút, és a Szentlélek Istent!
Mert te méltó vagy,
hogy minden időben,
szent hangon énekeljünk tenéked,
ki éltet adsz a világnak;
miért is ez a világ dicsőít téged.
은혜로운 빛이여, 하늘에 계시며 영원하신 성부의 찬란한 빛이여, 거룩하시고 복되시도다. 주 예수 그리스도여! 해 저무는 이 때에, 우리는 황혼 빛을 바라보며, 주님께 찬양의 노래를 부르나이다. 하나님, 성부 성자 성령이여! 주님은 언제나 찬양 받으시기에 합당하시오니, 생명을 주시는 하나님의 성자여, 온 세상으로부터 영광 받으소서.
Avé, alegre luz, puro esplendor
da gloriosa face paternal,
Avé, Jesus, bendito Salvador,
Cristo ressuscitado e imortal.
No horizonte o sol já declinou,
brilham da noite as luzes cintilantes:
ao Pai, ao Filho, ao Espírito de amor
cantemos nossos hinos exultantes.
De santas vozes sobe a adoração
prestada a Ti, Jesus, Filho de Deus.
Inteira, canta glória a criação,
o universo, a terra, os novos céus.
Translation by David Lewis (ap Ceredigion) 1870-1948
O lewyrch wyneb y tragwyddol Dad,
Fendigaid Fab o’r nef,
Crist Iesu, mae gwirionedd Duw a’i rad
Yn eglur ynddo ef.
Yn awr machluda’r haul yn gylch o dân,
Daw’r sêr o un i un;
A Duw – y Tad, y Mab a’r Ysbryd Glân –
Glodforwn yn gytûn.
Tydi sydd deilwng o glodforedd gwiw,
Yn wastad, Arglwydd mawr,
Tydi fo nod ein moliant, O Fab Duw,
Drwy gyrrau daear lawr.
|Tradition or composer||Language||Text with musical notation||Audio||Remarks|
|Byzantine Chant||English||PDF – Western notation; 2 parts (melody and ison), retrieved 2011-12-14||MP3 – 2 parts (melody and ison), retrieved 2011-12-14|
MIDI – Non-vocal, retrieved 2011-12-14
|Tone plagial 1|
|Byzantine Chant||English||PDF – Byzantine neumes, retrieved 2011-12-14||MIDI – Non-vocal, retrieved 2011-12-14||Tone 2 adapted from version attributed to John Sakellarides as chanted on the Holy Mountain|
|Byzantine Chant||English||PDF – Byzantine neumes, retrieved 2011-12-14||MIDI – Non-vocal, retrieved 2011-12-14||Tone 2 adapted from Ancient Melody as abbreviated by Socrates Papadopoulos|
|Carpatho-Russian Chant||English||PDF – 4-part harmony, retrieved 2011-12-14|
|Carpatho-Russian Chant||English||PDF – 2 parts, retrieved 2011-12-14||MP3 – 2 parts, retrieved 2011-12-14|
MIDI – Non-vocal, retrieved 2011-12-14
|Arranged by Fr. Lawrence Margitich (Old Version)|
|Carpatho-Russian Chant||English||PDF – 2 parts, retrieved 2011-12-14||Arranged by Fr. Lawrence Margitich (New Version)|
|Valaam Chant||English||PDF – 2 parts, retrieved 2011-12-14||MP3 – 2 parts, retrieved 2011-12-14|
MIDI – Non-vocal, retrieved 2011-12-14
|Znamenny Chant||English||PDF – Includes 2nd part in Treble Clef for Altos, retrieved 2011-12-14||MP3 – Vocal, retrieved 2011-12-14|
MIDI – Non-vocal, retrieved 2011-12-14
|Tone 5 – 'Tikhonovsky Chant' based on Znamenny Chant|
|Znamenny Chant||English||PDF – 2 parts, retrieved 2011-12-14||MIDI – Non-vocal, retrieved 2011-12-14||Tone 7 – Great Znamenny Chant – difficult|
|Alexander Kopylov (1854 - 1911)||Slavonic||PDF – 4-part harmony – written in Old Orthography Russian Characters, retrieved 2011-12-14||MIDI – Non-vocal, retrieved 2011-12-14||specified "not very slowly"|
|Dvoretsky||English||PDF – 4-part harmony, retrieved 2011-12-14|
|Charles Wood (1866 – 1926)||English||PDF and HTML – A cappella – Number of voices: 8vv, retrieved 2012-01-04||MID, SIB – A cappella – Number of voices: 8vv, retrieved 2012-01-04|
ChoralWiki – lyrics attributed to Keble - music score provided. (1792-1866), translated from the early Christian hymn Φως ιλαρον.
|Gouzes||French||PDF – 4-part harmony, retrieved 2012-12-31|