My Darling Clementine

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My Darling Clementine
1946.my.darling.clementine.jpg
Theatrical release poster
Directed byJohn Ford
Produced bySamuel G. Engel
Written byStory:
Sam Hellman
Screenplay:
Samuel G. Engel
Winston Miller
Based onWyatt Earp: Frontier Marshal 
by Stuart N. Lake
StarringHenry Fonda
Victor Mature
Linda Darnell
Walter Brennan
Music byMusical Direction:
Alfred Newman
Music:
Cyril Mockridge
David Buttolph (uncredited)
CinematographyJoseph MacDonald
Edited byDorothy Spencer
Production
  company
Twentieth Century Fox Film Corporation
Distributed byTwentieth Century Fox Film Corporation
Release date(s)December 3, 1946
Running time97 Minutes
103 Minutes
Director's Cut
CountryUnited States
LanguageEnglish
Budget$2 million[1]
 
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This article is about the John Ford Western. For the song see Oh My Darling, Clementine. For the 1943 Roy Acuff film, see O, My Darling Clementine.
My Darling Clementine
1946.my.darling.clementine.jpg
Theatrical release poster
Directed byJohn Ford
Produced bySamuel G. Engel
Written byStory:
Sam Hellman
Screenplay:
Samuel G. Engel
Winston Miller
Based onWyatt Earp: Frontier Marshal 
by Stuart N. Lake
StarringHenry Fonda
Victor Mature
Linda Darnell
Walter Brennan
Music byMusical Direction:
Alfred Newman
Music:
Cyril Mockridge
David Buttolph (uncredited)
CinematographyJoseph MacDonald
Edited byDorothy Spencer
Production
  company
Twentieth Century Fox Film Corporation
Distributed byTwentieth Century Fox Film Corporation
Release date(s)December 3, 1946
Running time97 Minutes
103 Minutes
Director's Cut
CountryUnited States
LanguageEnglish
Budget$2 million[1]

My Darling Clementine is a 1946 Western film[2][3] directed by John Ford and starring Henry Fonda as Wyatt Earp during the Gunfight at the OK Corral. The ensemble cast also features Linda Darnell, Victor Mature, Walter Brennan, Tim Holt and Ward Bond.

The title derives from the folk song "Oh My Darling, Clementine", which is the theme song of the movie (sung in parts over the opening and closing credits). The screenplay by Samuel G. Engel and Winston Miller is based on the biography of Wyatt Earp written by Stuart Lake, as were 1934 and 1939 films titled Frontier Marshal. The film incorporated elements from Sam Hellman's screenplay for the 1939 film, which was directed by Alan Dwan. Ford reshot some scenes from the earlier film for My Darling Clementine.

Plot[edit]

In 1882 (the wrong year is marked on the tombstone of James, since Oct 26th, 1881 was the date of the Gunfight at the O.K. Corral), the Earp brothers (Wyatt, Morgan, Virgil and James) are driving cattle to California when they cross Old Man Clanton, played by Walter Brennan. Told of a nearby town, Tombstone, the older brothers ride in, leaving the youngest brother James to watch over the cattle. The Earps quickly find Tombstone a lawless town. Wyatt is the only man in the town who will face the drunkard Indian shooting at the townspeople. When they return to their camp, they find the cattle rustled and James dead.

Seeking to avenge his brother's murder, Wyatt returns to Tombstone. In order to seek out the perpetrator, he takes the vacant job of town marshal and has several meetings with Doc Holliday and the Clanton gang. During this time, a young woman from Boston named Clementine Carter arrives in town, and is given a room at the same hotel where both Wyatt and Doc Holliday are residing.

Cast[edit]

Plot devices[edit]

The final script of the movie varies considerably from historical fact to create additional dramatic conflict and character. Clementine Carter is not a historical person, and in this script appears to be an amalgam of Big Nose Kate and Josephine Earp. Unlike the movie characters, the Earps were never cowboys, drovers, or cattle owners. Important plot devices in the film and personal details about the main characters were all liberally adapted for the movie.[citation needed]

Old Man Clanton actually died prior to the gunfight and probably never met any of the Earps. Doc was– a dentist, not a surgeon, and ––survived the shoot out. James Earp, who was the first to die in the story, actually lived until 1926. The key women in Wyatt's and Doc's lives—Wyatt's common law wife Josephine and Doc's common-law wife Big Nose Kate—were not present in Lake's original story and were kept out of the movie as well. The film gives the date of the gunfight as 1882 when it actually occurred in 1881.[citation needed]

Origins[edit]

In 1931, Stuart Lake published the first biography two years after Earp's death.[4] Lake retold the story in the 1946 book My Darling Clementine[4] that Ford bought the rights to. The two books have since been determined to be largely fictionalized stories about the Earp brothers and the Gunfight at the O.K. Corral and their conflict with the outlaw Cowboys Billy Clanton, Tom McLaury and his brother Frank McLaury. The gunfight was relatively unknown to the American public until Lake published the two books and after the movie was made.[4]

Director John Ford said that when he was a prop boy in the early days of silent pictures, Earp would visit pals he knew from his Tombstone days on the sets."I used to give him a chair and a cup of coffee, and he told me about the fight at the O.K. Corral. So in My Darling Clementine, we did it exactly the way it had been.”[5][6] Ford was working on his last silent feature Hangman's House in 1928, which included the first credited screen appearances by John Wayne. John Wayne later told Hugh O'Brian that he based his image of the Western lawman on his conversations with Earp.[6][7] Ford didn't want to make the movie, but his contract required him to make one more movie for 20th Century Fox.[8]

In their later years Wyatt and Josephine Earp worked hard to eliminate any mention of Josephine's previous relationship with Johnny Behan or Wyatt's previous common law marriage to Matty Blaylock. They successfully kept Josephine's name out of Lake's biography of Wyatt and after he died, Josephine threatened to sue the movie producers to keep it that way.[9]:p101 Lake corresponded with Josephine, and he claimed she attempted to influence what he wrote and hamper him in every way possible, including consulting lawyers. Josephine insisted she was striving to protect Wyatt Earp’s legacy.[10]

After the movie Gunfight at the O.K. Corral was released in 1957, the shootout came to be known by that name. Since then, the conflict has been portrayed with varying degrees of accuracy in numerous Western films and books.

Production notes[edit]

Much of the film was shot in Monument Valley, a scenic desert region straddling the Arizona-Utah border used in other John Ford movies.

After seeing a preview screening of the film, 20th Century Fox studio boss Darryl F. Zanuck felt Ford's original cut was too long and had some weak spots, so he had Lloyd Bacon shoot new footage and heavily edited the film.[7] Zanuck had Bacon cut 30 minutes from the film.[8] While Ford's original cut of the film has not survived, a "pre-release" cut – dating from a few months after the preview screening – was discovered in the UCLA film archives; this version preserves some additional footage as well as alternative scoring and editing. UCLA film preservationist Robert Gitt edited a version of the film that incorporates some of the earlier version.[11] Perhaps the most significant change is the film's ending; in Ford's original version, Earp awkwardly shakes hands with Clementine Carter. In the version released in 1946, Earp kisses her on the cheek.[12]

Critical reception[edit]

At the time of its release, Bosley Crowther lauded the film and wrote, "The eminent director, John Ford, is a man who has a way with a Western like nobody in the picture trade. Seven years ago his classic Stagecoach snuggled very close to fine art in this genre. And now, by George, he's almost matched it with My Darling Clementine...But even with standard Western fiction—and that's what the script has enjoined—Mr. Ford can evoke fine sensations and curiously-captivating moods. From the moment that Wyatt and his brothers are discovered on the wide and dusty range, trailing a herd of cattle to a far-off promised land, a tone of pictorial authority is struck—and it is held. Every scene, every shot is the product of a keen and sensitive eye—an eye which has deep comprehension of the beauty of rugged people and a rugged world".[13]

Variety magazine wrote, "Trademark of John Ford's direction is clearly stamped on the film with its shadowy lights, softly contrasted moods and measured pace, but a tendency is discernible towards stylization for the sake of stylization. At several points, the pic comes to a dead stop to let Ford go gunning for some arty effect".[14] The film has received a 100% fresh rating on Rotten Tomatoes.[15]

In 1991, the film was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry; the film is among the first 75 films entered into the registry.[7] 50 years after its release, Roger Ebert reviewed the film and included it in his list of "Great Movies".[16]

In 2004, Matt Bailey summarized the film and its significance, writing "If there is one film that deserves every word of praise ever uttered or written about it, it is John Ford’s My Darling Clementine. Perhaps the greatest film in a career full of great films, arguably the finest achievement in a rich and magnificent genre, and undoubtedly the best version of one of America’s most enduring myths, the film is an undeniable and genuine classic."[17]

In popular culture[edit]

Director Sam Peckinpah considered My Darling Clementine his favorite Western,[18] and paid homage to it in several of his Westerns, including Major Dundee (1965) and The Wild Bunch (1969).

In the popular TV series, M*A*S*H, Colonel Potter's favorite film is My Darling Clementine. Clips from the film are shown in the season 5 episode, "Movie Tonight".

References[edit]

  1. ^ THE HOLLYWOOD WIRE: In the Clear MORE HOLLYWOOD ITEMS By Meets Girl By FRED STANLEY. New York Times (1923-Current file) [New York, N.Y] 05 May 1946: X1
  2. ^ Variety film review; October 9, 1946, page 14.
  3. ^ Harrison's Reports film review; October 12, 1946, page 163.
  4. ^ a b c Goodman, Michael (July 30, 2005). Wyatt Earp. The Creative Company. p. 95. ISBN 9781583413395. 
  5. ^ Andrew, Paul. "Wyatt Earp's Last Film". True West Magazine. Retrieved 3 May 2013. 
  6. ^ a b Gallagher, Tag (1986). John Ford: the Man and His Films. Berkeley: University of California Press. p. 234. ISBN 978-0-520-06334-1. Retrieved 27 January 2014. 
  7. ^ a b c Nixon, Rob. "The Big Idea Behind My Darling Clementine". Turner Classic Movies. Retrieved 17 April 2013. 
  8. ^ a b Faragher, John Mack (1996). "The Tale of Wyatt Earp: Seven Films". In Carnes, Marck C. Past Imperfect: History According to the Movies. New York: Heny Holt. pp. 154–161. 
  9. ^ Rosa, Joseph G. (1980). The Gunfighter: Man or Myth?. Norman: University of Oklahoma Press. p. 156. ISBN 978-0-8061-1561-0. 
  10. ^ "Josephine Earp, Wyatt Earp’s Jewish Widow, Admits Her Destitution to Earp’s Biographer". Shapell Manuscript Collection. Retrieved 10 November 2011. 
  11. ^ Turan, Kenneth (April 5, 1995). "Unearthing Hollywood Treasures : Movies: The annual extravaganza from UCLA's Film and Television Archive offers a cornucopia of treats.". The Los Angeles Times. 
  12. ^ Arnold, Jeremy; Steiner, Richard. "My Darling Clementine(1946) - Home Video Reviews". Turner Classic Movies. Retrieved 27 January 2014. 
  13. ^ Crowther, Bosley (December 4, 1946). "Darling Clementine With Henry Fonda as Marshal of Tombstone, a Stirring Film of West". The New York Times Film Review. Retrieved 28 January 2008. 
  14. ^ Variety. Film review, 1946. Retrieved 27 January 2014.
  15. ^ "My Darling Clementine". Retrieved 18 April 2013. 
  16. ^ Ebert, Roger (October 26, 1997). "My Darling Clementine". 
  17. ^ Bailey, Matt (July 11, 2004). "My Darling Clementine". Not Coming to a Theater Near You. 
  18. ^ Erickson, Steve. "The Essential Movie Library #10: My Darling Clementine (1946)". Los Angeles Magazine. Retrieved 21 November 2013. 

External links[edit]