Murray Melvin

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Murray Melvin and Georgina Hale, October 2007 PA310040.jpg
Murray Melvin talks to actress Georgina Hale at the Young Vic Theatre 31 October 2007
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Murray Melvin and Georgina Hale, October 2007 PA310040.jpg
Murray Melvin talks to actress Georgina Hale at the Young Vic Theatre 31 October 2007
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Murray Melvin (born 10 August 1932) is an English stage and film actor noted for his work with Joan Littlewood, Ken Russell and Stanley Kubrick. He is the author of two books: The Art of Theatre Workshop (2006) and The Theatre Royal, A History of the Building (2009).

Early years[edit]

The son of Hugh Victor Melvin and Maisie Winifred Driscoll, Murray Melvin left his North London secondary school at the age of fourteen unable to master fractions but as Head Prefect, a qualification he says he gained by always having clean fingernails and well combed hair.

He started work as an office boy for a firm of Holiday Agents off Oxford Street

To help channel the energies of the young after the disturbing times of the war, his parents had helped to found a youth club in Hampstead, financed by the Co-operative Society of which they were long standing members. A drama section formed with Murray its most enthusiastic member.

A short-lived job as an import and export clerk in a shipping office. He inadvertently exported quantities of goods to destinations that had not ordered them. followed by two unhappy years of National Service in the Royal Air Force (his father had served in the RAF during the Second World War).

He was employed as clerk and secretary to the Director of the Royal Air Force Sports Board at the Air Ministry, then in Kingsway. Knowing nothing about sport, he considered his clean fingernails, well combed hair and his father's service had done the trick.

At the Theatre Workshop[edit]

He attended evening classes at the nearby City Literary Institute and studied Drama, Mime and Classical Ballet. During an extended lunch-break from the Ministry, he applied to Joan Littlewood's Theatre Workshop company at the Theatre Royal Stratford East and auditioned on-stage singing and dancing for Joan Littlewood and Gerry Raffles. On being asked to create a character he knew from life he impersonated a rather rotund director of the Sports Board. Having ascertained that he had to return that afternoon to work for this character Joan Littlewood said to Gerry Raffles: "the poor little bugger, we must get him away from there". And they did.

In October 1957 he became an assistant stage manager, theatre painter and general dogsbody to John Bury, the theatre designer, and he went on stage in his first professional role as the Queen's Messenger in the then in-rehearsal production of Macbeth. From the Scottish Court to a building site his next performance was as a bricky in 'You Won't Always Be On Top', soon followed by a peasant in 'And the Wind Blew', Bellie in Pirandello's 'Man Beast and Virtue', Calisto in De Roja's Celestina; Young Jodi Maynard in Paul Green's Unto Such Glory' (all 1957) and then came the last play of the 1957-58 season which was to be the start of an extraordinary year in the history of Theatre Workshop and Murray's career. He was cast as Geoffrey in Shelagh Delaney's play, A Taste of Honey. After the summer break in 1958, he played the title role in the seminal production of Brendan Behan's The Hostage. Both scripts had been transformed in rehearsals by Joan Littlewood's painstaking and inspired methods of getting to the truth of the text and building a lively poetic and dangerous theatrical event. Though both plays were to blow a refreshing wind through the British theatre, neither play transferred to the West End immediately, so Melvin stayed on to play Scrooge's Nephew in Joan Littlewood's adaptation of 'A Christmas Carol' (1958).

In February 1959, A Taste of Honey opened at the Wyndham's Theatre and transferred to the Criterion some six months later. It was the hit of the season. Murray Melvin went on to play his role of Geoffrey in the film of A Taste of Honey, directed by Tony Richardson, for which he won the Prix de Cannes as best actor at the Festival in 1962. He was also nominated for the BAFTA "Most Promising Newcomer" award.

In April 1960, William Soroyan, on a world tour, stopped off in London where he wrote and directed a play for the workshop in which he cast Murray as the leading character called "Sam, the Highest Jumper of Them All". Then the workshop paid their annual visit to the Sarah Bernhardt Theatre for the Paris World Theatre Season with Ben Johnson's 'Everyman in his Humour' in which he played Brainworm. Rehearsals then started for Stephen Lewis's Sparrers Can't Sing in which Murray Melvin played the role of Knocker Jugg. The following year he transferred to the role Georgie Brimsdown for the film adaptation of the play. The film, her first, was directed by Joan Littlewood.

After a break of nearly two years the company came together to create the musical, Oh, What a Lovely War!. After its initial run at Stratford it went to the Paris Festival and won it. The company returned to the Wyndham's Theatre where the play won the Evening Standard Best Musical Award. Between the end of its London run and the opening at the Broadhurst Theatre in New York, the company visited the Edinburgh Festival with Shakespeare's Henry IV parts 1 and 2, in which Murray Melvin metamorphosed as Gadshill, Shallow, Vernon and the Earl of March.

The production of Oh, What a Lovely War! in New York in 1964 was his last for Joan Littlewood and the Theatre Workshop Company.

The production attracted the interest of filmmakers, including Ken Russell and Lewis Gilbert. Murray Melvin became a member of what has often been called the Ken Russell Repertory Company, appearing in many of Russell’s most celebrated films, including The Devils and The Boy Friend. Lewis Gilbert cast Murray in H.M.S. Defiant (1962), alongside Dirk Bogarde, and in Alfie, where he played Michael Caine’s work friend, stealing petrol and taking photographs to sell to tourists.

The Ken Russell connection[edit]

The first Ken Russell film Murray Melvin appeared in was Diary of a Nobody, filmed at the Ealing Studios on a specially built ‘silent film’ set. Alongside Murray Melvin, who played the errant son, Lupin, were other actors from John Littlewood’s Theatre Workshop, including Bryan Pringle and Brian Murphy, who also became Russell regulars. Lupin’s girlfriend in the film is played by Vivian Pickles, whose performance at the Royal Court Theatre in John Osborne’s Plays for England had attracted national attention.

Murray Melvin cameoed in the final scenes of Ken Russell’s film of Isadora Duncan (1966), which starred Vivian Pickles as the great American dancer.

Murray Melvin most famous role is Father Mignon in Ken Russell’s The Devils (1971). Mignon is the catalyst to the true-life horrors documented in the film. His appointment to the covent of Loudon, whose leading members were expecting Father Grandier (played by Oliver Reed), causes the nun’s demonic condemnation of Grandier to spiral out of control.

After the film, Melvin directed two operas by The Devils composer, Peter Maxwell-Davies. These were Miss Donnithorn’s Magot and The Martydom of St. Magnus. Further work with Maxwell Davies followed. He was the Performer in a production of Maxwell-Davies’s Missa Super L’Homme Arme; and he played the Virgin in the very first first production of Maxwell-Davies’s Notre Dame des Fleur.

In Russell’s The Boy Friend (1971), Murray Melvin and another Theatre Workshop regular, Brian Murphy, are among the company players trying to catch the eye of a Hollywood producer who watches their provincial performance of Sandy Wilson's The Boy Friend. In the film, Melvin has a spectacular solo dance number in a caped French officer’s outfit.

He cameoed as Hector Berlioz in Ken Russell’s Lisztomania, as a test-run to a film about Berlioz which Russell was preparing.

He appeared in Russell’s film about the poet, Samuel Coleridge, The Rime of the Ancient Mariner (1978).

Returning with the French theme, Murray Melvin played an enthusiastic French lawyer in Prisoner of Honour (1991), Ken Russell’s all-star film about the French Dreyfus Affair.

Murray Melvin remained a lifelong friend of Ken Russell, and was often seen with Russell at festival screening of Russell’s films. At the Barbican screening of the director’s cut of The Devils, 1 May 2011, Murray Melvin and Ken Russell arrived together, with Melvin pushing Ken Russell’s wheelchair. <http://www.barbican.org.uk/film/event-detail.asp?ID=12167>

Other notable film performances[edit]

He had an important role as Reverend Samuel Runt in Stanley Kubrick's Barry Lyndon (1975). In the video-project Stanley and Us, Melvin talks about Kubrick’s “57 takes (plus 20)”. http://www.youtube.com/watch?v=Op8D_Vwr42c

He appeared in the Swinging Sixties comedy Smashing Time (1967), which also featured Bruce Lacey and his robots. Ken Russell had made a film about Lacey called The Preservation Man (1962).

He co-starred with Russell regular Oliver Reed in Richard Fleischer’s film of The Prince and the Pauper Crossed Swords (1977) and in Alberto Lattuada’s lavish four-part television film 'Christopher Columbus (1985).

Peter Medak cast Murray Melvin in five films: A Day in the Death of Joe Egg (1972), starring Alan Bates; Ghost in the Noonday Sun (1973, starring Peter Sellers); The Krays (1990); Let Him Have It (1991); and as Dr. Chilip in David Copperfield (2000).

He has featured in two films by Christine Edzard, Little Dorrit (1988), and As You Like It (1992).

In 2004 he appeared as Monsieur Reyer, the musical director and conductor of the Opera Populaire, in Joel Schumacher’s film adaptation of the musical The Phantom of the Opera.

Notable television performances[edit]

He appeared in the very first episode of the cult television series The Avengers in 1960.

He played the Dauphin in Shaw’s St. Joan, directed in 1966 by Warris Hussein. He played Bertold in a television production of Pirandello’s Henry IV directed by Michael Hayes; Don Pietro in Peter Drummond’s film of The Little World of Don Camillo; and The Hermit in Mai Zetterling’s production of William Tell. And he appeared as the Barber in Rex Harrison's Don Quixote in the 1973 television film directed by Alvin Rakoff.

He starred in the The Tyrant King, the six-part children's television series directed in 1967 by Mike Hodges

In 1994, Melvin supplied the voice of the villain Lucius on the British children's animated TV series Oscar's Orchestra for the BBC and France 3.

In 1998 he appeared in a Christmas Special episode of the BBC's Jonathan Creek called "The Black Canary".

In 2007 he appeared as the sinister Bilis Manger in the Doctor Who spinoff, Torchwood.

In July 2011 Murray Melvin played the Professor in a short comedy/drama called The Grey Mile, a story about two ex master criminals who are now confined to a care home.

Other work[edit]

Murray was a founder member of the Actors' Centre and was its chairman for four years during which time he started a centre in Manchester in honour of Joan Littlewood and the Theatre Workshop.

As a Theatre Director, he has worked across all genre's including opera, recital, drama and comedy. He directed the first productions of three of Graeme Garden's perennially popular pantomimes.[1]

In 1991, thirty-four years after first making the tea and sweeping the stage at the Theatre Royal he was invited to become a member of the Board of the theatre, a position he held until 2011. It is partly in this role that he is becoming widely known as a learned and popular theatre and film historian — he can be seen and heard, for example, on the BFI DVD release of the Bill Douglas Trilogy.

In 1992 he became the Theatre Royal’s voluntary archivist and in 2009 he was appointed a member of the Theatre Workshop Trust. He led the successful campaign to erect a statue of Joan Littlewood in Theatre Square at Stratford.

On Thursday 18th. July 2013. Awarded Honorary Doctorate of Arts by De Montford University.

Several commercial available audio recordings have been made featuring Murray Melvin. These include four plays on LPs produced by Caedmon Records (Two Gentlemen of Verona (1965); A Midsummer's Night Dream (ISBN 978-0694515851); Bernard Shaw's St. Joan (1966); The Poetry of Kipling). His performance in Oh, What a Lovely War is available on Decca Records (1969).

In 2007, he narrated 'Tales of the Supernatural Volume 3' by M. R. James for Fantom Films (ISBN 978-1906263041). This was followed in 2009 by 'M.R. James - A Ghost Story for Christmas' (ISBN 978-1906263423), and in 2011 and 2012 by two recordings of Wilkie Collins: Supernatural Stories, Volumes 2 & 3 (ISBN 978-1906263645 and ISBN 978-1906263652).

Selected filmography[edit]

Selected theatre performances (as an actor)[edit]

Selected music theatre performances[edit]

Selected theatre and opera performances as a director[edit]

Selected television performances[edit]

Bibliography[edit]

References[edit]

http://www.youtube.com/watch?v=Op8D_Vwr42c

External links[edit]