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Masonic ritual refers to the scripted words and actions that are spoken or performed during the degree work in a Masonic Lodge. Masonic symbolism is that which is used to illustrate the principles which Freemasonry espouses. Masonic ritual has appeared in a number of contexts within literature including in The Man Who Would Be King by Rudyard Kipling and War and Peace by Leo Tolstoy.
Freemasonry is described in its own ritual as a Beautiful or Peculiar system of morality, veiled in allegory and illustrated by symbols. The symbolism of Freemasonry is found throughout the Masonic Lodge, and contains many of the working tools of a medieval or renaissance stonemason. The whole system is transmitted to initiates through the medium of Masonic ritual, which consists of lectures and allegorical plays.
Common to all of Freemasonry is the three grade system of Craft or Blue Lodge Freemasonry, whose allegory is centred on the building of the Temple of Solomon, and the story of the chief architect, Hiram Abiff. Further degrees have different underlying allegories, often linked to the transmission of the story of Hiram. Participation in these is optional, and usually entails joining a separate Masonic body. The type and availability of the Higher Degrees also depends on the Masonic Jurisdiction of the Craft Lodge that first initiated the mason.
Freemasons conduct their degree work, often from memory, following a preset script and ritualised format. There are a variety of different Masonic rites for Craft Freemasonry. Each Masonic jurisdiction is free to standardize (or not standardize) its own ritual. However, there are similarities that exist among jurisdictions. For example, all Masonic ritual for the first three degrees makes use of the architectural symbolism of the tools of the medieval operative stonemason. Freemasons, as speculative masons (meaning philosophical rather than actual building), use this symbolism to teach moral and ethical lessons, such as the four cardinal virtues of Fortitude, Prudence, Temperance and Justice, and the principles of "Brotherly Love, Relief Or morality), and Truth" (commonly found in English language rituals), or "Liberty, Equality, Fraternity" (commonly found in French rituals).
The Volume of the Sacred Law is always displayed in an open Lodge. In many French Lodges, the Masonic Constitutions are used instead. A candidate will be given his choice of religious text for his Obligation, according to his beliefs. UGLE alludes to similarities to legal practice in the UK, and to a common source with other oath taking processes. In Lodges with a membership of mixed religions it is common to find more than one sacred text displayed.
In keeping with the geometrical and architectural theme of Freemasonry, the Supreme Being is referred to in Masonic ritual by the titles of the Great Architect of the Universe, Grand Geometrician or similar, to make clear that the reference is generic, and not tied to a particular religion's conception of God.
Some lodges make use of tracing boards. These are painted or printed illustrations depicting the various symbolic emblems of Freemasonry. They can be used as teaching aids during the lectures that follow each of the three Degrees, when an experienced member explains the various concepts of Freemasonry to new members.
Solomon's Temple is a central symbol of Freemasonry, which holds that the first three Grand Masters were King Solomon, King Hiram I of Tyre, and Hiram Abiff - the craftsman/architect who built the temple. Masonic initiation rites include the reenactment of a scene set on the Temple Mount while it was under construction. Every Masonic Lodge, therefore, is symbolically the Temple for the duration of the degree, and possesses ritual objects representing the architecture of the Temple. These may either be built in to the hall or be portable. Among the most prominent are replicas of the pillars Boaz and Jachin through which every initiate has to pass.
The Masonic handshake, or "token", was originally used as a way to gain admission to meetings and identify legitimate visitors.
Mormon temple worship shares an extensive commonality of symbols, signs, vocabulary and clothing with Freemasonry, including robes, aprons, handshakes, ritualistic raising of the arms, etc. The interpretation of many of these symbols has been adapted to the Mormon narrative from their original meanings in Freemasonry. For example, whereas Masons exchange secret handshakes to identify fellow Freemasons, Mormonism teaches that these handshakes must be given to sentinel angels in order for Mormons to be admitted into the highest kingdom of heaven. Mormon temple garments also bear the Masonic symbols of the Square and Compass, although Mormons have imbued these symbols with religious meaning that exceeds the meaning of the symbols as intended by Freemasonry.
In the "Temple and Salvation for the Dead" part of Discourses of Brigham Young, Brigham Young gives a quote about the temple which directly relates to the story of Hiram Abiff from Masonic folklore. Although Young changed some of the key masonic aspects about Hiram to fit better with Mormonism's view of the temple, the story is the same.
The mysterious disappearance of William Morgan in 1826 was said to be due to his threat to publish a book detailing the secret rituals of Freemasonry. After an attempt was made to burn down the publishing house and arresting Morgan on charges of petty larceny, he was seized and taken to Fort Niagara, after which he disappeared. The suspicion behind this led to the creation of the Anti-Masonic Party which was a forerunner of the Republican Party.
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