The album reached peak positions of number 153 on the Billboard 200 and number 2 on Billboard's Top Jazz Albums chart.Allmusic'sScott Yanow gives the album four stars and states that "Marsalis' tone is quite beautiful on the well-balanced set; even the ballads have their unpredictable moments."The Penguin Guide to Jazz rates the album three and a half stars and says of Marsalis' performance, "[The album] was wonderfully judged, a programme of pieces that distanced him from the modernists without ever consigning him to the ranks of the Old Believers. Even after more than a decade, Marsalis Standard Time retains its burnish and class."
Marsalis twists the time around on "April in Paris," tries a little tenderness on "Goodbye," turns bassist Bob Hurst loose on "A Foggy Day" and presents his pianist Marcus Roberts, who senses the beauty of the melody on "Memories of You." Except for two Marsalis originals (a personalized blues and a delicate, muted "In the Afterglow") the trumpeter's mature approach to old pop songs is the focus. Incredibly, the verbose notes by Stanley Crouch manage to plow through some 2,000 words without once mentioning George Gershwin, Jerome Kern, Juan Tizol, Ray Noble, Eubie Blake or Hoagy Carmichael. These men merely composed the melodies without which there would have been no standard time.