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Wertheim is the author of three books that collectively consider the role of theoretical physics in the cultural landscape of modern Western society. The first, Pythagoras' Trousers, is a history of the relationship between physics, religion, and gender relations. The second, The Pearly Gates of Cyberspace, charts the history of scientific thinking about space from Dante to the Internet. The third book in this series, Physics on the Fringe, looks at the idiosyncratic world of "outsider physicists" such as Jim Carter, people with little or no scientific training who develop their own alternative theories of the universe.
As a journalist, Wertheim has contributed to the New York Times and the Los Angeles Times and is a contributing editor to Cabinet magazine, the international arts and culture quarterly. From 2001 to 2005, she wrote the "Quark Soup" science column for the LA Weekly, sister paper to the Village Voice. In 2006, her writing was awarded the print journalism prize from the American Institute of Biological Sciences and, in 2004, she was the National Science Foundation visiting journalist to Antarctica. Her work was included in Best American Science Writing 2003, edited by Oliver Sacks.
In 2003, Wertheim and her twin sister Christine founded the Institute For Figuring, an organization based in Los Angeles that promotes the public understanding of the poetic and aesthetic dimensions of science and mathematics. Christine Wertheim is a faculty member of the Department of Critical Studies at CalArts. Through their work with the IFF, the Wertheim twins have curated exhibitions on scientific and mathematical themes at art galleries and science museums around the world, including the Santa Monica Museum of Art, the Art Center College of Design, the Machine Project, the Museum of Jurassic Technology, the Science Gallery at Trinity College in Dublin, and the Smithsonian's National Museum of Natural History in Washington D.C. The IFF's "Hyperbolic Crochet Coral Reef" project is perhaps the biggest art and science community project in the world. More than 5000 people from New York and London, to Riga and Cape Town, have actively contributed pieces to Crochet Reef exhibitions. As of mid-2011, more than three million people have seen these shows. The "Hyperbolic Crochet Coral Reef" offers an intersection between mathematics, science, handicraft, environmentalism and community art practice.