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Lagertha was, according to legend, a Viking shieldmaiden from what is now Norway, and the onetime wife of the famous Viking Ragnar Lodbrok. Her tale, as recorded by the chronicler Saxo in the 12th century, may be a reflection of tales about Þorgerðr Hölgabrúðr, a Norse deity.
Her name as recorded by Saxo, Lathgertha, is likely a Latinization of the Old Norse Hlaðgerðr (Hladgerd). It is frequently rendered in English-language sources as "Lagertha", and has also been recorded as Ladgertha, Ladgerda or similar.
Lagertha's tale is recorded in passages in the ninth book of the Gesta Danorum, a 12th-century work of Danish history by Saxo Grammaticus. According to the Gesta (¶ 9.4.1–9.4.11), Lagertha's career as a warrior began when Frø (Old Norse Freyr), king of Sweden, invaded Norway and killed the Norwegian king Siward. Freyr put the women of the dead king's family into a brothel for public humiliation. Hearing of this, Ragnar Lodbrok came with an army to avenge his grandfather Siward. Many of the women Freyr had ordered abused dressed themselves in men's clothing and fought on Ragnar's side. Chief among them, and key to Ragnar's victory, was Lagertha. Saxo recounts:
Ladgerda, a skilled Amazon, who, though a maiden, had the courage of a man, and fought in front among the bravest with her hair loose over her shoulders. All-marveled at her matchless deeds, for her locks flying down her back betrayed that she was a woman.
Impressed with her courage, Ragnar courted her from afar. Lagertha feigned interest and Ragnar arrived to seek her hand, bidding his companions wait in the Gaular valley. He was set upon by a bear and a great hound which Lagertha had guarding her home, but killed the bear with his spear and choked the hound to death. Thus he won the hand of Lagertha in marriage. According to Saxo, Ragnar had a son with her, Fridleif, as well as two daughters, whose names are not recorded.
After returning to Denmark to fight a civil war, Ragnar (who, according to Saxo, was still annoyed that Lagertha had set beasts against him) divorced Lagertha in order to marry Þóra Borgarhjǫrtr, daughter of King Herrauðr of Sweden. He won the hand of his new love after numerous adventures, but upon returning to Denmark was again faced with a civil war. Ragnar sent to Norway for support, and Lagertha, who still loved him, came to his aid with 120 ships, according to Saxo. When at the height of the battle, Ragnar's son Siward was wounded, Lagertha saved the day for Ragnar with a counterattack:
Ladgerda, who had a matchless spirit though a delicate frame, covered by her splendid bravery the inclination of the soldiers to waver. For she made a sally about, and flew round to the rear of the enemy, taking them unawares, and thus turned the panic of her friends into the camp of the enemy.
Upon returning to Norway, she quarreled with her husband, and slew him with a spearhead she concealed in her gown. Saxo concludes that she then "usurped the whole of his name and sovereignty; for this most presumptuous dame thought it pleasanter to rule without her husband than to share the throne with him".
According to Judith Jesch, the rich variety of tales in the first nine books of Saxo's Gesta, which include the tale of Lagertha, are "generally considered to be largely fictional". In portraying the several warrior women in these tales, Saxo drew on the legend of the Amazons from classical antiquity, but also on a variety of Old Norse (particularly Icelandic) sources, which have not been clearly identified. Saxo's depiction of women warriors is also colored by misogyny: Like most churchmen of the time, Saxo thought of women only as sexual beings. To him, the Viking shieldmaidens who refused this role were an example of the disorder in old heathen Denmark that was later cured by the Church and a stable monarchy.
A woman called Hlaðgerðr, who rules the Hlaðeyjar, also appears in the sagas of the 6th century Scylding king Halfdan. She gives him twenty ships to help defeat his enemies. Hilda Ellis Davidson, in her commentary on the Gesta, also notes suggestions in the literature that the name was used by the Franks, for instance by Luitgarde of Vermandois (c. 914–978), and that the tale of Lagertha could have originated in Frankish tradition.
When Saxo describes Lagertha as "flying round" (circumvolare) to the rear of the enemy, he ascribes to her the power of flight, indicating a kinship with the valkyries. The tale notably recalls that of Kára, the valkyrie lover of Helgi Haddingjaskati, who flies above Helgi in battle as a swan, casting spells in his support.
Thorgerd was worshipped by, and sometimes said to be wed to, the Norwegian ruler Haakon (c. 937–995), who lived at Hlaðir (Lade). This may be the origin of the name Hlaðgerðr. Gaulardal, the Gaular valley – where Lagertha lived according to Saxo – lies nearby and was the center of Thorgerd's cult. It was also, according to Snorri, the abode of Haakon's wife Thora. Finally, the description of Lagertha coming to Ragnar's aid with flying hair is similar to how the Flateyjarbók describes Thorgerd and her sister Irpa assisting Haakon.
Christen Pram's historical drama Lagertha (1789) is based on Saxo's account. The choreographer Vincenzo Galeotti based his ballet Lagertha (1801), the first ballet to feature a Nordic theme, on Pram's work. Set to music by Claus Schall, the ballet was a significant success for Galeotti's Royal Theater. It was conceived as a gesamtkunstwerk incorporating song, pantomime, dance, and originally also dialog parts.