The Widow, kitsch example of late 19th century popular lithograph of a humorous painting by Frederick Dielman.
Cottage-shaped tea pot and milk jug
Kitsch (/ˈkɪtʃ/; loanword from German) is a low-brow style of mass-produced art or design using popular or cultural icons. Kitsch generally includes unsubstantial or gaudy works or decoration, or works that are calculated to have popular appeal.
The concept of kitsch is applied to artwork that was a response to the 19th-century art with aesthetics that convey exaggerated sentimentality and melodrama. Hence, kitsch art is closely associated with sentimental art. Kitsch is also related to the concept of camp, because of its humorous, ironic nature.
The kitsch aesthetic can also be found in indie music, especially lo-fi which utilizes the aesthetic to create a product that feels somewhat quirky and unrefined. The aesthetic is commonly used to separate the indie sound from that of the more refined and well produced sound of mainstream music.
Kitsch is usually used to reference decoration; for example "the living room was decorated in cheap 1950s style monster movie kitsch."
As a descriptive term, kitsch originated in the art markets of Munich in the 1860s and the 1870s, describing cheap, popular, and marketable pictures and sketches. In Das Buch vom Kitsch (The Book of Kitsch), Hans Reimann defines it as a professional expression “born in a painter's studio”.
The study of kitsch was done almost exclusively in German until the 1970s, with Walter Benjamin being an important scholar in the field.
Hermann Broch argues that the essence of kitsch is imitation: kitsch mimics its immediate predecessor with no regard to ethics—it aims to copy the beautiful, not the good. According to Walter Benjamin, kitsch is, unlike art, a utilitarian object lacking all critical distance between object and observer; it "offers instantaneous emotional gratification without intellectual effort, without the requirement of distance, without sublimation".
Giesz, Ludwig (1971). Phänomenologie des Kitsches. 2. vermehrte und verbesserte Auflage München: Wilhelm Fink Verlag. [Partially translated into English in Dorfles (1969)]. Reprint (1994): Ungekürzte Ausgabe. Frankfurt am Main: S. Fischer Verlag. ISBN 3-596-12034-9 / ISBN 978-3-596-12034-5.
Gorelik, Boris (2013). Incredible Tretchikoff: Life of an artist and adventurer. Art / Books, London. ISBN 978-1-908970-08-4
"Kitsch. Texte und Theorien", (2007). Reclam. ISBN 978-3-15-018476-9. (Includes classic texts of kitsch criticism from authors like Theodor Adorno, Ferdinand Avenarius, Edward Koelwel, Walter Benjamin, Ernst Bloch, Hermann Broch, Richard Egenter, etc.).