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Hooping or "Hula-Hooping," or "Hoop-Dance" generally refers to manipulation of and artistic movement or dancing with a hoop (or hoops). Hoops can be made of metal, wood or plastic. Hooping combines technical moves and tricks with freestyle or technical dancing. Hooping can be practiced to or performed with music. In contrast to the classic toy hula hoop, modern hoopers use heavier and larger diameter hoops, and frequently rotate the hoop around parts of the body other than the waist, including the hips, chest, neck, shoulders, thighs, knees, arms, hands, thumbs, feet and toes. The hoop can also be manipulated and rotated off the body as well. Modern hooping has been influenced by art forms such as rhythmic gymnastics, hip-hop, freestyle dance, fire performance, twirling, poi, and other dance and movement forms.
Hooping is part of the greater spectrum of flow arts[according to whom?], which are playful movement arts involving skill toys that are used to evoke the exploration of dynamic, flowing, and sequential movements. This movement, and the related mind/body state, is referred to as "flow". Technically, hooping is a form of object manipulation and therefore shares some lineage with juggling.
In its modern incarnation as an art or dance form, and form of exercise, the practice of manipulating a hoop is referred to either as "hoop dance" or simply "hooping". Hoop dance artists commonly refer to themselves, and the greater hoop dance community, as hoopers.
Hoopers generally use hoops crafted from polyethylene (HDPE) or polypropylene (1" or 3/4" or 1/2" diameter) piping and wrapped with colorful tape, which serves the dual purpose of providing decoration and grip.[according to whom?] These modern hoops differ from the water-filled plastic toys commonly available for children. The heavier weight of these hoops allows for more controlled movement around the body; the larger diameter and heavier rotational mass allows for both slower rotation, and ease of learning moves such as "portal" tricks, where the hooper steps through the hoop while it is still rotating. In contrast, children's hoops are typically made of lightweight plastic, have a very small diameter, and are incredibly difficult for most adults to use.
Typically, an adult will begin with a hoop of approximately 38-44" diameter. While these hoops may seem huge compared to children's hoops, they are typically required for adults to learn the skill quickly. As their skill improves people can use hoops of a smaller diameter. Advanced hoopers typically use a hoop between 30" and 36" diameter.
Many modern hoopers make their own hoops out of polyvinyl chloride, polyethylene, high-density polypropylene, or polypropylene tubing. The size and the weight of the hoop affects style of the hooper. Heavier, larger hoops are more often used for slow hooping and body tricks while lighter, thinner tubing is used for quick hand tricks. These hoops may be covered in a fabric or plastic tape to ease the amount of work in keeping a hoop twirling around the dancer, and can be very colourful. Some use glow-in-the dark, patterned, or sparkling tape, and others are produced with clear tubing and filled with plastic balls, glitter, or even water to produce visual or audio effects when used.
Hoops can be made collapsible for easy transport and versatility: each hoop breaks down into four or more pieces to later be reassembled. Other collapsible hoops are simply twisted down, and folded in half for easy storage.
Other types of hoops are also used by hoopers including fire hoops and LED or glow hoops
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The earliest known incidence of hooping was in ancient Egypt as early as 1000 BC, where children used large hoops made of grape vines, which they rolled along the ground propelled by sticks, or swung around their waists a la the modern hoop. In other parts of the ancient world, hoops were made of stiff grasses as opposed to vine.
In the 14th century, recreational hooping swept across England. The records of doctors at the time attribute numerous dislocated backs and heart attacks to "hooping." The word "hula" became associated with the toy in the early 19th century when British sailors visited the Hawaiian Islands and noted the similarity between "hooping" and traditional hula dancing.
Independently, Native Americans developed their own traditions surrounding the Hoop Dance. Native American Hoop Dance focuses on very rapid moves, and the construction of hoop formations around and about the body. Up to 30 hoops may be used in storytelling rituals to create formations such as the butterfly, the eagle, the snake, and the coyote. Native American hoops are typically of very small diameter (1 to 2.5 feet).
In the late 1800s and early 1900s saw the introduction of hoop dancing into the world of physical fitness a Swedish instructor began to incorporate the hoop into his special training system for dancers and musicians.
In 1957, an Australian company began manufacturing bamboo hoops for sale in retail stores. This caught the attention of a new California-based toy company by the name of Wham-O, founded by Richard P. Knerr and Arthur K. Melin. In 1958, Knerr and Melin traveled to playgrounds across Southern California, where they gave away free hula hoops and performed hooping demonstrations for the children. From this humble beginning, over 25 million hula hoops were sold in a four-month period.
Over the ensuing years, hula hoop contests were organized across the United States of America, and over 100 million hoops were sold in total.
In the mid-1990s, the jam band The String Cheese Incident began tossing hoops from the stage into the audience and encouraging participants to groove, thus contributing to the modern hooping movement. The annual Burning Man festival has also served as a melting pot and fertile ground for hoopers from all around the world to share their tricks, techniques, and energy. Ubiquitous grassroots "hoop jams" and "convergences" such as HoopCamp (Watsonville, CA), Hoop Convergence (Efland, NC), SWOOP (Bristol, UK), and Return to Roots Hoop Gathering (Hawley, PA) happen throughout the world almost every month of the year. These meet-ups, as well as various online communities, are the foundations of the hooping subculture.
An International celebration World Hoop Day began in 2007 and has continued every year since. Hoopers perform in many cities and countries to raise money for charity and donate hoops to people who can't afford them.
Native American Hoop Dance has been recognized as a cultural heritage. The most popular Native Hoop Dance competition occurs annually at the Heard Museum in Phoenix, Arizona. Recent competitions have drawn as many as 10,000 spectators.
The hooping movement vocabulary now includes core or 'on body' moves, 'off body' moves and a multitude of transitions creating the possibility for endless permutations and combinations. When a hoop dancer improvises combinations of movements (usually to music) he or she can get into a 'flow' state where the moves seem almost to direct themselves. The mind detaches from planning or judging the dance and exists in a state of blissful awareness. In order to get to a place of flow more easily and frequently it is advised that one should have a steady practice - daily, if possible. It takes a certain amount of drill to get comfortable enough to get to the flow. Both drill and flow count towards 'flight time' - the actual amount of time in the hoop that is logged.
Costuming has become an important part of the hooping phenomenon. As with any form of dance, dressing in creative ways can be inspiring.
A Fire hoop consists of a plastic hoop with four to six spokes radiating outward. The spokes typically extend 6-8 inches from the connection points on the hoop, and are capped with a roll of cotton and Kevlar wicking, which can then be lit. This design keeps the fire a fair distance from the hooper's body. Any skill where fire is a component risks injury to the person doing it.
The construction and weight of the fire hoop, combined with the fact that it is on fire, limits the possible moves or tricks than those possible with a standard hoop. Some modern fire hoops have been designed to be much lighter, with smaller diameter tubing and with flexible wick spokes. The use of these hoops has enabled hoopers to perform a greater range of tricks than with standard fire hoops.
The knowledge of fire safety is important for anyone using a fire hoop.
LED hooping involves the use of a translucent or transparent hoop which has multiple LEDs inside the tube. LED hoops have internal batteries and are lit with light-emitting diodes (LEDs).
These hoops are slightly heavier than standard hoops, although typically lighter than fire hoops.
There are a variety of LED hoops that hoopers use including ones with various color LEDs, ones that are programmable through the use of a microchip and ones that are collapsible.
Programmable hoops can be programmed to create patterns due to the persistence of vision effect. The quickly changing the color of the LEDs, and the movement of the hoop can create basic pixel images or geometric patterns.
The standard grip tape is not typically used on LED hoops because it would block the lights. Sanded tubing can provide added friction, as can a thin strip of grip tape along the inside of the hoop.
In recent years hooping has become popularized as a fitness regimen alongside kickboxing, breakdancing and bellydancing. Hoop dance classes can now be found in gyms, and is often combined with Pilates or yoga disciplines, all of which build strength, balance, and flexibility.
Hooping is widely recognized by health and fitness experts as being a superb form of exercise. Hooping increases muscle tone and strength; it also improves cardiovascular health and burns calories, since it is a type of aerobic exercise. A study by the American Council on Exercise found that a thirty-minute hooping workout burns around 200 calories. Hooping works many muscles in the body and has the potential to build core muscle strength while improving flexibility and balance.