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Christmas music comprises a variety of genres of music normally performed or heard around the Christmas season, which tends to begin in the months leading up to the actual holiday and end in the weeks shortly thereafter.
Music was an early feature of the Christmas season and its celebrations. The earliest chants, litanies, and hymns were Latin works intended for use during the church liturgy, rather than popular songs. The 13th century saw the rise of the carol written in the vernacular, under the influence of Francis of Assisi.
In the Middle Ages, the English combined circle dances with singing and called them carols. Later, the word carol came to mean a song in which a religious topic is treated in a style that is familiar or festive. From Italy, it passed to France and Germany, and later to England. Christmas carols in English first appear in a 1426 work of John Audelay, a Shropshire priest and poet, who lists 25 "caroles of Cristemas", probably sung by groups of wassailers, who went from house to house. Music in itself soon became one of the greatest tributes to Christmas, and Christmas music includes some of the noblest compositions of the great musicians.
During the Commonwealth of England government under Cromwell, the Rump Parliament prohibited the practice of singing Christmas carols as Pagan and sinful. Like other customs associated with popular Catholic Christianity, it earned the disapproval of Protestant Puritans. Famously, Cromwell's interregnum prohibited all celebrations of the Christmas holiday. This attempt to ban the public celebration of Christmas can also be seen in the early history of Father Christmas.
The Westminster Assembly of Divines established Sunday as the only holy day in the calendar in 1644. The new liturgy produced for the English church recognised this in 1645, and so legally abolished Christmas. Its celebration was declared an offence by Parliament in 1647. There is some debate as to the effectiveness of this ban, and whether or not it was enforced in the country.
Puritans generally disapproved of the celebration of Christmas—a trend which continually resurfaced in Europe and the USA through the eighteenth, nineteenth and twentieth centuries.
When in May 1660 Charles II restored the Stuarts to the throne, the people of England once again practiced the public singing of Christmas carols as part of the revival of Christmas customs, sanctioned by the king's own celebrations. William Sandys's Christmas Carols Ancient and Modern (1833), contained the first appearance in print of many now-classic English carols, and contributed to the mid-Victorian revival of the holiday. Singing carols in church was instituted on Christmas Eve 1880 (Nine Lessons and Carols) in Truro Cathedral, Cornwall, England, which is now seen in churches all over the world.
The tradition of singing Christmas carols in return for alms or charity began in England in the seventeenth century after the Restoration. Town musicians or 'waits' were licensed to collect money in the streets in the weeks preceding Christmas, the custom spread throughout the population by the eighteenth and nineteenth centuries up to the present day. Also from the seventeenth century, there was the English custom, predominantly involving women, of taking a 'wassail bowl' round their neighbours to solicit gifts, accompanied by carols. Despite this long history, almost all surviving Christmas carols date only from the nineteenth century onwards, with the exception of some traditional folk songs such as "God Rest You Merry Gentlemen", "As I Sat on a Sunny Bank" and "The Holly and the Ivy."
The status of Christmas as an important feast within the church year also means there is a long tradition of music specially composed for celebrating the season. The following is a brief and non-exhaustive list of notable compositions:
Songs which are traditional, even some without a specific religious context, are often called Christmas carols. Each of these has a rich history, some dating back many centuries.
A popular set of traditional carols that might be heard at any Christmas-related event include:
performed by James D. Blodget on a Roland U-20 synthesizer, December 23, 2004.
Performed a cappella by Kim Butler on December 15, 2006.
Tune of traditional English Christmas carol transcribed by CambridgeBayWeather.
A traditional Catalan Christmas carol, arranged for guitar.
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Less-often heard Christmas carols include:
These songs hearken from centuries ago, the oldest ('Wexford Carol') originating in the 12th century. The newest came together in the mid- to late-19th century. Many began in non-English speaking countries, often with non-Christmas themes, and were later converted into English carols with English lyrics added—not always translated from the original, but newly created—sometimes as late as the early 20th century.
More recent, copyrighted carols about the Nativity include "I Wonder as I Wander" (1933), "Mary's Boy Child" (1956), "Carol of the Drum" ("Little Drummer Boy") (1941), "Do You Hear What I Hear?" (1962), and "Mary, Did You Know?" (1984), "Little Donkey" by Eric Boswell (1959) and the "Calypso Carol" by Michael Perry (1964).
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More recently popular Christmas songs, often Christmas songs introduced in theater, television, film, or other entertainment media, tend to be specifically about Christmas or have a wintertime theme. They are typically not overtly religious. The most popular set of these titles—heard over airwaves, on the Internet, in shopping centres and lifts, even on the street during the Christmas season—have been composed and performed from the 1930s onward. "Jingle Bells", "Jolly Old Saint Nicholas", and "Up on the House Top", however, date from the mid-19th century.
The largest portion of these songs in some way describes or is reminiscent of Christmas traditions, how Western Christian countries tend to celebrate the holiday, i.e., with caroling, mistletoe, exchanging of presents, a Christmas tree, feasting, jingle bells, etc. Celebratory or sentimental, and nostalgic in tone, they hearken back to simpler times with memorable holiday practices—expressing the desire either to be with someone or at home for Christmas. Many titles help define the mythical aspects of modern Christmas celebration: Santa Claus bringing presents, coming down the chimney, being pulled by reindeer, etc. New mythical characters are created, defined, and popularised by these songs; "Rudolph the Red-Nosed Reindeer" and "Frosty the Snowman" were both introduced by Gene Autry a year apart (1949 and 1950 respectively).[n 1] Though overtly religious, and authored (at least partly) by a writer of many church hymns, no drumming child appears in any biblical account of the Christian nativity scene—this character was introduced to the tradition by Katherine K. Davis in her "The Little Drummer Boy" (written in 1941, with a popular version being released in 1958).
The winter-related songs celebrate the climatic season, with all its snow, dressing up for the cold, sleighing, etc.
According to the American Society of Composers, Authors and Publishers in 2006, the following are the Top 25 most-performed "holiday" songs written by ASCAP members, for the first five years of the 21st century: (tracking plays in the U.S. only, and in order of number of plays)
|1||"The Christmas Song"||Mel Tormé, Robert Wells||1944||traditions|
|2||"Have Yourself a Merry Little Christmas"||Ralph Blane, Hugh Martin||1944||celebratory/sentimental|
|3||"Winter Wonderland"||Felix Bernard, Richard B. Smith||1934||seasonal|
|4||"Santa Claus Is Coming to Town"||J. Fred Coots, Haven Gillespie||1934||mythical|
|5||"White Christmas"||Irving Berlin||1940||seasonal/sentimental|
|6||"Let It Snow! Let It Snow! Let It Snow!"||Sammy Cahn, Jule Styne||1945||seasonal|
|7||"Jingle Bell Rock"||Joseph Carleton Beal, James Ross Boothe||1957||celebratory/seasonal|
|8||"The Little Drummer Boy"||Katherine K. Davis, Henry V. Onorati, Harry Simeone||1941||religious|
|9||"Sleigh Ride"||Leroy Anderson, Mitchell Parish||1948||seasonal/birthday|
|10||"Rudolph the Red-Nosed Reindeer"||Johnny Marks||1939/1949||mythical|
|11||"It's the Most Wonderful Time of the Year"||Edward Pola, George Wyle||1963||seasonal/traditions|
|12||"I'll Be Home for Christmas"||Walter Kent, Kim Gannon, Buck Ram||1943||traditions/sentimental|
|13||"Silver Bells"||Jay Livingston, Ray Evans||1950||traditions|
|14||"Rockin' Around the Christmas Tree"||Johnny Marks||1958||traditions|
|15||"Feliz Navidad"||José Feliciano||1970||celebratory|
|16||"Blue Christmas"||Billy Hayes, Jay W. Johnson||1957||traditions/alternative|
|17||"Frosty the Snowman"||Steve Nelson, Walter E. Rollins||1950||mythical|
|18||"A Holly Jolly Christmas"||Johnny Marks||1964/5||traditions/celebratory|
|19||"It's Beginning to Look a Lot Like Christmas"||Meredith Willson||1951||traditions/celebratory|
|20||"I Saw Mommy Kissing Santa Claus"||Tommie Connor||1952||mythical/novelty|
|21||"Here Comes Santa Claus" (Right Down Santa Claus Lane)||Gene Autry, Oakley Haldeman||1947||mythical|
|22||"Carol of the Bells"||Peter J. Wilhousky, Mykola D. Leontovych||1921/47||celebratory|
|23||"Do They Know It's Christmas? (Feed the World)||Midge Ure, Bob Geldof||1984||traditions|
|24||"(There's No Place Like) Home for the Holidays"||Bob Allen, Al Stillman||1954||traditions/sentimental|
|25||"Santa Baby"||Joan Ellen Javits, Philip Springer, Tony Springer, and Fred Ebb||1953||mythical/alternative|
Of these, the oldest songs are "Santa Claus Is Coming to Town" and "Winter Wonderland", both published in 1934—though some element of the song came along earlier for two titles (the source or music). Almost a dozen were released in the 1940s, the next largest group coming in the 1950s. Only two became popular in the 1960s; one each in the 1970s and 1980s. "Do They Know It's Christmas? (Feed the World)" by Midge Ure and Bob Geldof is the only relatively new one on the list: "Recorded in 1984 by Band Aid—an all-star band of British musicians—this benefit single assisted famine relief efforts in Ethiopia, and sold millions of copies over the '84 holiday season."
Christmas songs introduced in theater, television, and film include "White Christmas" from Holiday Inn (1942), "Have Yourself a Merry Little Christmas" from Meet Me in St. Louis (1944), and "Silver Bells" in The Lemon Drop Kid (1950).
Elvis Presley introduced his cover of "Blue Christmas", and debuted the Leiber-Stoller "Santa Claus Is Back in Town", on his first Christmas album in 1957—along with versions of other standards such as "Here Comes Santa Claus", "White Christmas", and "I'll Be Home for Christmas". Bruce Springsteen and The Jackson Five recorded separate versions of "Santa Claus Is Coming to Town", as well as other Christmas titles. The unlikely pairing of Bing Crosby with David Bowie on the impromptu "The Little Drummer Boy/Peace on Earth" created one of the most popular Christmas duets ever recorded.
Other popular Christmas songs often heard include: "I've Got My Love to Keep Me Warm" (1937), "Happy Holiday" (1942), "Baby It's Cold Outside" (1944), "Merry Christmas Baby" (1947), "Mary's Boy Child" (1956), and "We Need a Little Christmas" (1966)—all recorded by a number of acts. Bing Crosby and the Andrews Sisters had a hit with "Mele Kalikimaka" in 1950, and Crosby introduced "Marshmallow World" (backed by The Lee Gordon Singers and the Sonny Burke Orchestra) in the same year. In 1951 he recorded "Christmas in Killarney". Frank Sinatra put "The Christmas Waltz" on the B-side of his version of "White Christmas" in 1954, and included "Mistletoe and Holly" on his 1957 album A Jolly Christmas From Frank Sinatra. Nat King Cole put his stamp on "The Happiest Christmas Tree", "Buon Natale (Means Merry Christmas to You)", and "The Little Boy that Santa Claus Forgot" on various Christmas album releases.
"Christmas Time is Here", written by Lee Mendelson and Vince Guaraldi for the 1965 A Charlie Brown Christmas animated TV special, was popularized by the choir of St. Paul's Episcopal Church in San Rafael, California. From the British Isles have come such popular titles as: "Happy Xmas" (1971) by John Lennon, "Step into Christmas" (1973) by Elton John, "I Believe in Father Christmas" (1975) by Greg Lake, "Wonderful Christmastime" (1979) by Paul McCartney, "Thank God It's Christmas" (1984) by Queen, "Fairytale of New York" (1987) by The Pogues, and "Mistletoe and Wine" by Cliff Richard in 1988.
In a 2007 survey, of United States radio listeners, the most liked songs were standards such as Bing Crosby's "White Christmas" (1942), Nat King Cole's "The Christmas Song" (1946), and Burl Ives' "A Holly Jolly Christmas" (1965). Other favorites like "Rockin' Around the Christmas Tree" (Brenda Lee, 1958), "Jingle Bell Rock" (Bobby Helms, 1957) and John Lennon and Yoko Ono's "Happy Xmas" (1971), scored well in one study. Also "loved" were Johnny Mathis' "Do You Hear What I Hear?" and Harry Simeone Chorale's "Little Drummer Boy". The newest song in one survey's top 10 was Mariah Carey's "All I Want for Christmas Is You" (1994); for another it was Lennon and Ono's.
The Pinnacle Media Worldwide survey divided its listeners into music-type categories:
Among the most-hated Christmas songs, according to Edison Media Research's 2007 survey, are Barbra Streisand's "Jingle Bells?", the Jackson 5's "Santa Claus Is Coming to Town", Elmo & Patsy's "Grandma Got Run Over by a Reindeer", and "O Holy Night" as performed by cartoon characters from Comedy Central's "South Park". The "most-hated Christmastime recording" is a rendition of "Jingle Bells" by Don Charles's Singing Dogs, a revolutionary novelty song originally released in 1955, and re-released as an edited version in 1970.
Rolling Stone magazine ranked Love's version of "Christmas (Baby Please Come Home)" (1963) first on its list of The Greatest Rock and Roll Christmas Songs in December 2010. Carey's "All I Want for Christmas Is You", co-written by Carey and Walter Afanasieff, was No. 1 on Billboard's Holiday Digital Songs chart in December 2013. "Fairytale of New York" by The Pogues is cited as the best Christmas song of all time in various television, radio and magazine related polls in the U.K. and Ireland.
Johnny Marks has three top Christmas songs, the most for any writer—"Rudolph the Red-Nosed Reindeer", "Rockin' Around the Christmas Tree", and "A Holly Jolly Christmas". By far the most recorded Christmas song is "White Christmas" by Irving Berlin, born Israel Isidore Beilin in Russia, with well over 500 versions in dozens of languages. Approximately half of the 25 best-selling Christmas songs were written by Jewish composers, including:
What is known as Christmas music today was often adopted from works initially composed for other purposes, coming to be associated with the holiday in some way. Many tunes adopted into the Christmas canon fall into the generic Winter classification, as they carry no Christmas connotation at all. Others were written to celebrate other holidays and gradually came to cover the Christmas season.
Some earlier-sourced material now popular at Christmastime includes:
Borrowing from the Scottish title, Dan Fogelberg's "Same Old Lang Syne" (released 1980) tells a Christmas Eve story and is now frequently played during the holiday season. Perry Como famously sang "Ave Maria" in his televised Christmas special each year, including the song on The Perry Como Christmas Album (1968) which "became a staple of family holiday record collections."
With a Welsh melody dating back to the sixteenth century, and English lyrics from 1862, "Deck the Halls" celebrates the pagan holiday of Yule and the New Year, but not explicitly Christmas ("Toll the ancient Yuletide carol . . See the blazing Yule before us . . While I tell of Yuletide treasure").
Additionally, many popular "Christmas tunes" of the 20th century were not originally written for the holiday at all:
A popular form of Christmas song are the musical parodies of the season—comical or nonsensical songs performed principally for their comical effect—usually classified as "novelty songs". The term arose in the Tin Pan Alley world of popular songwriting, with novelty songs achieved great popularity during the 1920s and 1930s.
Many novelty songs employ unusual lyrics, subjects, sounds, or instrumentation, and may not even be particularly musical. This Christmas novelty song genre started off with "I Yust Go Nuts At Christmas" written by Yogi Yorgesson and sung by him with the Johnny Duffy Trio in 1949, and include such notable titles as:
In the Seventies comedic singing duo Cheech & Chong's debut single in 1971 was "Santa Claus and His Old Lady". The Kinks did "Father Christmas" in 1977, and Elmo & Patsy came out with "Grandma Got Run Over by a Reindeer" in 1979. More recent titles added to the canon have included:
"Don't Shoot Me Santa" was released by The Killers in 2007, benefiting various AIDS charities. Christmas novelty songs can involve gallows humor and even morbid humor like that found in "Christmas at Ground Zero" and "The Night Santa Went Crazy", both by "Weird Al" Yankovic.
The Dan Band released several adult-oriented Christmas songs on their 2007 album "Ho: A Dan Band Christmas" which included "Ho, Ho, Ho" (ho being slang for a prostitute), "I Wanna Rock You Hard This Christmas", "Please Don't Bomb Nobody This Holiday" and "Get Drunk & Make Out This Christmas". Seattle radio personality Bob Rivers became nationally famous for his line of novelty Christmas songs and released five albums (collectively known as the Twisted Christmas quintilogy, after the name of Rivers' radio program, "Twisted Radio") consisting entirely of Christmas parodies from 1987 to 2002.
Christmas novelty songs include many sung by young teens, or performed largely for the enjoyment of a young audience. Kicking off with "I Saw Mommy Kissing Santa Claus" sung by 13-year-old Jimmy Boyd in 1952, other few notable novelty songs written to parody the Christmas season and sung by young singers include:
Akim and the Teddy Vann Production Company recorded "Santa Claus is a Black Man" in 1973.
The number of Christmas novelty songs is so immense that radio host Dr. Demento devotes an entire month of weekly two-hour episodes to the format each year, and the novelty songs receive frequent requests at radio stations across the country.
Radio broadcasting of Christmas music has been around for several decades in the U.S. and elsewhere. Traditionally, U.S. radio stations (particularly those with such formats as adult contemporary, adult standards, easy listening, or beautiful music) began adding some Christmas-themed selections to their regular playlists shortly after Thanksgiving each year, typically culminating in 36–48 hours of continuous Christmas music between December 24–25. Since the mid-1990s, it has become increasingly common for stations to switch their programming to continuous Christmas music around Thanksgiving, or earlier. This practice became even more widespread after 9/11, when many radio stations across the United States sought a sort of musical "comfort food".
As a part of a phenomenon known as "Christmas creep", radio stations—responsible for so much of Christmas music broadcasting, popularization, and appreciation—are "going Christmas" earlier each year. Many stations are now starting between October 16 and November 19 instead of Thanksgiving or Black Friday, because executives "think that listeners will stick with the first station to change to a seasonal theme." About 400 radio stations "across the United States play Christmas music around the clock." In Chicago, WLIT-FM saw its share of all radio listeners grow from a 2.9/3.6 share earlier in the year to 9.3 during the Nov. 28 to Dec. 11, 2003 Arbitron rating period. A 2002 Arbitron ratings study confirmed holiday-music surges at stations around the country.
The 24/7 all-Christmas format has been generally successful due in large part to Christmas creep. Many radio stations began airing an all-Christmas format by Thanksgiving, starting as early as the Friday one week prior. Several stations have started the format as early as November 1. As of November 21, 2011 (three days before Thanksgiving), there were over 150 commercial U.S. radio stations airing 24/7 Christmas music.
When a radio station in the U.S. makes the temporary switch to all-Christmas music its listener share regularly doubles. A sampling of radio stations that made the switch in 2010 with the change in market share:
Adult contemporary, oldies, and country listeners tend to adjust better to an all-Christmas switch than do listeners of other formats such as hip-hop or hard rock. However: "Nine times out of 10, many new listeners pour in, outweighing the listeners that do opt out," says Greg Strassell, senior vice president of programming at CBS Radio. However, this may not always transition well into financial success, since advertisers do not universally recognise Arbitron's holiday ratings book.
Some radio stations, even those that do not play full-time Christmas music prior to Christmas Eve, play Christmas music commercial-free the entire day on Christmas Day and often a portion of Christmas Eve as well (e.g. KOIT), with only interruptions for Christmas messages from station personnel and personnel from the station's parent company.
Although the Christmas season by definition runs until January 6 (Epiphany), and is observed until at least New Year's Eve by the public, almost all broadcasters skip the last Twelve Days of Christmas, abruptly ending all holiday music at or even before midnight on December 25, and not playing a single Christmas song again until the next November. (Several radio stations actually promote this, with ads that proudly proclaim to listeners weary of the Christmas music that the station's regular format will indeed return on December 26, as soon as Christmas Day is over.) It is not uncommon for broadcasters to market the twelve-day period preceding Christmas (December 14 to 25) as the "Twelve Days of Christmas", contrary to the traditional definition. One reason for this is that much popular Christmas music is so closely associated with Christmas Day itself that it would be difficult or impossible to play after December 25 without bringing up references that the broadcaster may wish to ignore (such as those that involve Santa Claus, who has already come and gone by Christmas morning). On occasion, some Christmas music stations will continue to play at least some Christmas music through the weekend following Christmas, or even through New Year's Day (particularly when stunting in anticipation of a format change; see below), but never any later.
Christmas music is a popular stunt format, used when a station is transitioning to a different format. For instance, a rock music station changing to a rhythmic oldies format will often air Christmas music in-between. This can occur at times when Christmas music seems out of place, such as in summer. The end of the calendar year is a common time of year for format switches. As such, Christmas music may be aired for a prolonged period of time from as early as October and/or extend as late as New Year's Day, while the station prepares the switch. Conversely, when 94.9 in Atlanta changed from adult contemporary to country music in the middle of December 2006, it abruptly stopped playing its annual Christmas music a week before the holiday.
A brief 24/7 Christmas music format is also common during Christmas in July stunts.
Outside of traditional AM/FM radio, satellite radio providers XM and Sirius typically devote multiple channels to different genres of Christmas music during the holiday season. Numerous Internet radio services also offer Christmas music channels, some of them available year-round. Citadel Media produced The Christmas Channel, a syndicated 24-hour radio network, during the holiday season in past years (though in 2010, Citadel instead included Christmas music on its regular Classic Hits network). Music Choice offers nonstop holiday music to its digital cable, cable modem, and mobile phone subscribers between November 1 and New Year's Day on its "Sounds of the Seasons" (traditional), "R&B" (soul), "Tropicales" (Latin), and "Soft Rock" (contemporary) channels. DMX provides holiday music as part of its SonicTap music service for digital cable and DirecTV subscribers, as does Dish Network via its in-house Dish CD music channels. Services such as Muzak also distribute Christmas music to retail stores for use as in-store background music during the holidays.
The growing popularity of Internet radio has inspired other media outlets to begin offering Christmas music. In 2009 Phoenix television station KTVK launched four commercial-free online radio stations including Ho Ho Radio, which streams Christmas music throughout the month of December.
While the ASCAP list is relatively popular in the United Kingdom and Ireland, it remains largely overshadowed by a collection of chart hits recorded in a bid to be crowned the UK Christmas number one single during the 1970s and 1980s. According to a 2007 poll, the UK's most popular Christmas song is "Merry Xmas Everybody" by Slade, a band that was popular in the 1970s. The top ten most played Christmas songs in the United Kingdom based on a 2010 survey conducted by PRS for Music, who collect and pay royalties to its 75,000 song-writing and composing members, are as follows:
|1||"All I Want for Christmas Is You"||Mariah Carey and Walter Afanasieff||Mariah Carey||1994|
|2||"Last Christmas"||George Michael||Wham!||1984|
|3||"Fairytale of New York"||Jem Finer and Shane MacGowan||The Pogues with Kirsty MacColl||1987|
|4||"Do They Know It's Christmas?"||Bob Geldof and Midge Ure||Band Aid||1984|
|5||"Merry Xmas Everybody"||Noddy Holder and Jim Lea||Slade||1973|
|6||"White Christmas"||Irving Berlin||Louis Armstrong||1940|
|7||"Driving Home for Christmas"||Chris Rea||Chris Rea||1988|
|8||"Merry Christmas Everyone"||Bob Heatlie||Shakin' Stevens||1985|
|9||"Mistletoe and Wine"||Jeremy Paul, Leslie Stewart and Keith Strachan||Cliff Richard||1988|
|10||"Walking in the Air"||Howard Blake||Peter Auty||1982|
Included in previous lists—like those for 2009 and 2008—are such titles as "Stop the Cavalry"—Jona Lewie, "Santa Claus is Coming to Town"—Bruce Springsteen, "I Wish It Could Be Christmas Every Day"—Wizzard, "Step into Christmas"—Elton John, "Lonely This Christmas"—Mud, and "White Christmas" by Bing Crosby.
In Britain and Ireland, the terms "Christmas number one single" and "Christmas number two single" denote songs released around the time of the Christmas holiday and that reach the top of the UK Singles Chart and/or Irish Singles Chart respectively. Because of the two countries' proximity to each other, the Irish #1 is usually the same as the British #1 or No. 2. Though some of these songs do tend to develop an association with Christmas or the holiday season, such an association tends to be much shorter lived than the more traditionally themed Christmas songs such as "I Wish It Could Be Christmas Everyday", "Mistletoe and Wine" and "Merry Christmas Everyone", and the songs may have nothing to do with Christmas or even winter. Past Christmas number-ones include children's songs such as "Mr Blobby" (#1, 1993) and the theme from Bob the Builder (#1, 2000), novelty songs such as Benny Hill's "Ernie" (#1, 1971) and South Park's "Chocolate Salty Balls" (#2, 1998), and several examples of standard pop fare that would likely be just as popular outside the holiday season. Some songs will be "tweaked" to make them more related to Christmas. This is almost exclusively a British cultural phenomenon; some notable and longer-lasting examples include Band Aid's "Do They Know It's Christmas?" (#1, 1985, 1989 and 2004), Slade's "Merry Xmas Everybody" (#1, 1973) and Wham!'s "Last Christmas" (#2, 1984). Although Scotland maintains a separate chart, its results almost always parallel the main UK chart in this regard.
Reality television has had an impact on both the British and the Irish charts since 2002. In that year, the series Popstars The Rivals produced the top three singles on the Christmas charts: two produced by the two "rival" groups created as the result of the series (the girl group Girls Aloud and the boy band One True Voice) finished first and second respectively, while failed contestants The Cheeky Girls charted with a novelty hit at third, on the British charts. Will Young, winner of the first Pop Idol, charted at the top of the Irish charts in 2003, but not in his native Britain. Since the second series of the TV series The X Factor, which ends in December, the debut song from that series' winner generally is released at a time conducive to it becoming the Christmas number one in both countries, and most of the songs are unrelated to Christmas. X Factor winners have earned the Christmas number one in at least one of the two countries every year since 2005, and in both countries in a majority of those years (four times out of the last seven). As a result of the show's stranglehold on the top of the charts, each year since 2008 has seen protest campaigns to outsell the X Factor single and prevent it from reaching number one. Only one has actually been successful: in 2009, "Killing in the Name" by Rage Against the Machine reached number one in the UK instead of that year's X Factor winner, Joe McElderry; McElderry did reach number one in Ireland. 2010 saw several campaigns to unseat the X Factor winner, but fracturing between the warring campaigns in Britain and a delay in the delivery of The Rubberbandits' "Horse Outside" to stores in Ireland led to X Factor winner Matt Cardle earning the number one in both countries. In 2011, "Wherever You Are", the single from a choir of military wives assembled by the TV series The Choir (which was not released specifically as a campaign against the X Factor single), earned the Christmas number-one single in Britain, pulling off an upset over X Factor winners Little Mix, whose single was mistakenly released one week earlier than usual and peaked in sales too soon, and a host of anti-X Factor campaigns supporting acts like Lou Monte, Nirvana and unsigned YouTube artist Alex Day; because the Military Wives Choir single was not released in Ireland, Little Mix succeeded in winning the Christmas number-one in Ireland that year due to a lack of competition. In 2012 The Christmas No. 1 was a cover of He Ain't Heavy, he's my Brother from an ensemble of Liverpudian celebrities in commemoration of the 1989 Hillsborough Disaster. X Factor winner Sam Bailey's single won the Christmas number-one competition in both countries in 2013.
Situated in the southern hemisphere, where seasons are reversed from the northern, the heat of early summer in Australia affects the way Christmas is celebrated and how northern hemisphere Christmas traditions are followed. Australians generally spend Christmas out of doors, going to the beach for the day, or heading to camp grounds for a vacation. International visitors to Sydney at Christmastime often go to Bondi Beach where tens of thousands gather on Christmas Day.
The tradition of an Australian Christmas Eve carol service lit by candles, started in 1937 by radio announcer Norman Banks, has taken place in Melbourne annually since then. Carols by Candlelight events can be "huge gatherings . . televised live throughout the country" or smaller "local community and church events." Carols in the Domain in Sydney is now a "popular platform for the stars of stage and music."
Some homegrown Christmas carols have become popular. William G. James' six sets of Australian Christmas Carols, with words by John Wheeler, include "The Three Drovers", "The Silver Stars are in the Sky", "Christmas Day", "Carol of the Birds" and others. "Light-hearted Australian Christmas songs" have become "an essential part of the Australian Christmas experience." Rolf Harris' "Six White Boomers", Colin Buchanan's "Aussie Jingle Bells", and the "Australian Twelve Days of Christmas", proudly proclaim the differing traditions Down Under. A verse from "Aussie Jingle Bells" makes the point:
"My Little Christmas Belle" (1909) composed by Joe Slater (1872-1926) to words by Ward McAlister (1872-1928) celebrates eastern Australian flora coming into bloom during the heat of Christmas. Blandfordia nobilis, also known as Christmas Bells, are the specific subject of the song—with the original sheet music bearing a depiction of the blossom. Whereas "The Holly and The Ivy" (1937) by Australian Louis Lavater (1867-1953) mentions northern hemisphere foliage.
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