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Green is the color of emeralds, jade, and growing grass. In the visible spectrum of light it is located between yellow and blue, and it is one of the three additive colors, along with red and blue, which are combined on computer screens and color televisions to make all other colors. Green is the color most commonly associated with nature and the environmental movement, Islam, spring, hope and envy.
The word green comes from the Middle English and Old English word grene, which, like the German word grün, has the same root as the words grass and grow. It is from a Common Germanic *gronja-, which is also reflected in Old Norse grænn, Old High German gruoni (but unattested in East Germanic), ultimately from a PIE root *ghre- "to grow", and root-cognate with grass and to grow. The first recorded use of the word as a color term in Old English dates to ca. AD 700.
Latin with viridis (and hence the Romance languages, and English vert, verdure etc.) also has a genuine term for "green". Likewise the Slavic languages with zelenъ. Ancient Greek also had a term for yellowish, pale green, χλωρός, cognate with χλοερός "verdant" and χλόη "the green of new growth".
Thus, the languages mentioned above (Germanic, Romance, Slavic, Greek) have old terms for "green" which are derived from words for fresh, sprouting vegetation. However, comparative linguistics makes clear that these terms were coined independently, over the past few millennia, and there is no identifiable single Proto-Indo-European or word for "green". For example, the Slavic zelenъ is cognate with Sanskrit hari "yellow, ochre, golden". The Turkic languages also have jašɨl "green" or "yellowish green", compared to a Mongolian word for "meadow".
(Main article: color term)
The Chinese character 青 (pronounced qīng in Mandarin and ao in Japanese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of "青." In more contemporary terms, they are 藍 (lán, in Mandarin) and 綠 (lǜ, in Mandarin) respectively. Japanese also has two terms that refer specifically to the color green, 緑 (midori which is derived from the classical Japanese descriptive verb midoru 'to be in leaf, to flourish' in reference to trees) and グリーン (guriin, which is derived from the English word 'green'). However, in Japan, although the traffic lights have the same colors that other countries' have, the green light is described using the same word as for blue, "aoi", because green is considered a shade of aoi; similarly, green variants of certain fruits and vegetables such as green apples, green shiso (as opposed to red apples and red shiso) will be described with the word "aoi".
"Green" in modern European languages corresponds to about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow")
In the comparative study of color terms in the world's languages, green is only found as a separate category in languages with the fully developed range of six colors (white, red yellow, green, blue, black), or more rarely in systems with five colors (white, red yellow, green, black/blue). (See distinction of green from blue  These languages have introduced supplementary vocabulary to denote "green", but these terms are recognizable as recent adoptions that are not in origin color terms (much like the English adjective orange being in origin not a color term but the name of a fruit). Thus, the Thai word เขียว besides meaning "green" also means "rank" and "smelly" and holds other unpleasant associations.
The Celtic languages had a term for "blue/green/grey", Proto-Celtic *glasto-, which gave rise to Old Irish glas "green, grey" and to Welsh glas "blue". This word is cognate with the Ancient Greek γλαυκός "bluish green", contrasting with χλωρός "yellowish green" discussed above.
In modern Japanese, the term for green is 緑, while the old term for "blue/green", blue (青 Ao ) now means "blue". But in certain contexts, green is still conventionally referred to as 青, as in in blue traffic light (青信号 Ao shingō ) and blue leaves (青葉 Aoba ), reflecting the absence of blue-green distinction in old Japanese (more accurately, the traditional Japanese color terminology grouped some shades of green with blue, and others with yellow tones).
The Persian language is traditionally lacking a black/blue/green distinction. The Persian word سبز sabz can mean "green", "black" or "dark". Thus, Persian erotic poetry, dark-skinned women are addressed as sabz-eh, as in phrases like سبز گندم گون sabz-eh-gandom-gun (literally "dark wheat colored") or سبز مليح sabz-eh-malih ("a dark beauty"). Similarly, in Sudanese Arabic, dark-skinned people are described as أخضر akhḍar, the term which in Standard Arabic stands unambiguously for "green".
Neolithic cave paintings do not have traces of green pigments, but neolithic peoples in northern Europe did make a green dye for clothing, made from the leaves of the birch tree. it was of very poor quality, more brown than green. Ceramics from ancient Mesopotamia show people wearing vivid green costumes, but it is not known how the colors were produced. .
In Ancient Egypt green was the symbol of regeneration and rebirth, and of the crops made possible by the annual flooding of the Nile. For painting on the walls of tombs or on papyrus, Egyptian artists used finely-ground malachite, mined in the west Sinai and the eastern desert- A paintbox with malachite pigment was found inside the tomb of King Tutankhamun. They also used less expensive green earth pigment, or mixed yellow ochre and blue azurite. To dye fabrics green, they first colored them yellow with dye made from saffron and then soaked them in blue dye from the roots of the woad plant..
For the ancient Egyptians, green had very positive associations. The hieroglyph for green represented a growing papyrus sprout, showing the close connection between green, vegetation, vigor and and growth. In wall paintings, the ruler of the underworld, Osiris, was typically portrayed with a green face, because green was the symbol of good health and rebirth. Palettes of green facial makeup, made was malachite, were found in tombs. It was worn by both the living and dead, particularly around the eyes, to protect them from evil. Tombs also often contained small green amulets in the shape of scarab beetles made of malachite, which would protect and give vigor to the deceased. It also symbolized the sea, which was called the "Very Green.".
In Ancient Greece, green and blue were sometimes considered the same color, and the same word sometimes described the color of the sea and the color of trees. The philosopher Democritus described two different greens; cloron, or pale green, and prasinon, or leek green. Aristotle considered that green was located midway between black, symbolizing the earth, and white, symbolizing water. However, green was not counted among of the four classic colors of Greek painting; red, yellow, black and white, and is rarely found in Greek art. 
The Romans had a greater appreciation for the color green; it was the color of Venus, the goddess of gardens, vegetables and vineyards.The Romans made a fine green earth pigment, which was widely used in the wall paintings of Pompeii, Herculaneum, Lyon, Vaison-la-Romaine, and other Roman cities. They also used the pigment verdigris, made by soaking copper plates in fermenting wine.  By the Second Century A.D., the Romans were using green in paintings, mosaics and glass, and there were ten different words in Latin for varieties of green. .
Ancient Roman fresco of Flora, or Spring, from Stabiae (2nd century AD)
In the Middle Ages the color of clothing often showed a person's social rank and profession. Red was worn by the nobility, brown and gray by peasants, and green by merchants, bankers and the gentry and their families. The Mona Lisa wears green in her portrait, as does the bride in the Arnolfini portrait by Jan Van Eyck.
Unfortunately for those who wanted or were required to wear green, there were no good vegetal green dyes which resisted washing and sunlight. Green dyes were made out of ferns, plantain, buckthorn berries, the juice of nettles and of leeks, the digitalis plant, the broom plant, the leaves of the fraxinus, or ash tree, and the bark of the alder tree, but they rapidly faded or changed color. Only in the 16th century was a good green dye produced, by first dyeing the cloth blue with woad, and then yellow with weld, or yellow-weed..
The pigments available to painters were more varied; monks in monasteries used use of verdigris, made by soaking copper in fermenting wine, to color medieval manuscripts. They also used finely-ground malachite, which made a luminous green. They used green earth colors for backgrounds.
During the early Renaissance, painters such as Duccio di Buoninsegna learned to paint faces first with a green undercoat, then with pink, which gave the faces a more realistic hue. Over the centuries the pink has faded, making some of the faces look green. 
Duccio di Buoninsegna painted the faces in this painting (1308-1311) with an undercoat of green earth pigment. The surface pink has faded, making the faces look green today.
In the 18th and 19th century, green was associated with the romantic movement in literature and art. The French philosopher Jean-Jacques Rousseau celebrated the virtues of nature, The German poet and philosopher Goethe declared that green was the most restful color, suitable for decorating bedrooms. Painters such as John Constable and Jean-Baptiste-Camille Corot depicted the lush green of rural landscapes and forests. Green was contrasted to the smoky grays and blacks of the Industrial Revolution.
The 19th century also saw the arrival of synthetic green pigments and dyes, which rapidly replaced the earlier mineral and vegetable pigments and dyes. Some of these dyes contained high levels of arsenic, and were eventually banned.
In the 1980s green became a political symbol, the color of the Green Party in Germany and in many other European countries. It symbolized the environmental movement, and also a new politics of the left which rejected traditional socialism and communism.
In the paintings of Jean-Baptiste-Camille Corot (1796-1875), the green of trees and nature became the central element of the painting, with the people secondary.
|violet||668–789 THz||380–450 nm|
|blue||606–668 THz||450–495 nm|
|green||526–606 THz||495–570 nm|
|yellow||508–526 THz||570–590 nm|
|orange||484–508 THz||590–620 nm|
|red||400–484 THz||620–750 nm|
Green is the color you see when you look at light with a wavelength of roughly 520–570 nanometers. In the subtractive color system, it is not a primary color, but is created out of a mixture of yellow and blue, or yellow and cyan; it is considered one of the additive primary colors. On the HSV color wheel, also known as the RGB color wheel, the complement of green is magenta; that is, a purple color corresponding to an equal mixture of red and blue light. On a color wheel based on traditional color theory (RYB), the complementary color to green is considered to be red.
The perception of greenness (in opposition to redness forming one of the opponent mechanisms in human color vision) is evoked by light which triggers the medium-wavelength M cone cells in the eye more than the long-wavelength L cones. Light which triggers this greenness response more than the yellowness or blueness of the other color opponent mechanism is called green. A green light source typically has a spectral power distribution dominated by energy with a wavelength of roughly 487–570 nm.
In additive color devices such as computer displays and televisions, one of the primary light sources is typically a narrow-spectrum yellowish-green of dominant wavelength ~550 nm; this "green" primary is combined with an orangish-red "red" primary and a purplish-blue "blue" primary to produce any color in between – the RGB color model. A unique green (green appearing neither yellowish nor bluish) is produced on such a device by mixing light from the green primary with some light from the blue primary.
By contrast in process color printing, a subtractive color system, green can be produced via a mixture of cyan and yellow ink, and in traditional color theory, green is produced by mixing yellow and blue paint.
The sensitivity of the dark-adapted human eye is greatest at about 507 nm, a bluish-green color, while the light-adapted eye is most sensitive about 555 nm, a yellowish-green color. Human eyes have color receptors known as cone cells, of which there are three types. In some cases, one is missing or faulty, which can cause color blindness, including the common inability to distinguish red and yellow from green, known as deuteranopia or red–green color blindness. Green is restful to the eye. Studies show that a green environment can reduce fatigue.
Many minerals provide pigments which have been used in green paints and dyes over the centuries. Pigments, in this case, are minerals which reflect the color green, rather that emitting it through luminescent or phosphorescent qualities. The large number of green pigments makes it impossible to mention them all. Among the more notable green minerals, however is the emerald, which is colored green by trace amounts of chromium and sometimes vanadium. Chromium(III) oxide (Cr2O3), is called chrome green, also called viridian or institutional green when used as a pigment. For many years, the source of amazonite's color was a mystery. Widely thought to have been due to copper because copper compounds often have blue and green colors, the blue-green color is likely to be derived from small quantities of lead and water in the feldspar. Copper is the source of the green color in malachite pigments, chemically known as basic copper(II) carbonate. Early painters would also use copper in the form of verdigris mixed with wax and turpentine to create green pigmentation in paints. Mixtures of oxidized cobalt and zinc were also used to create green paints as early as the 18th century. A more complete list of green minerals and pigments can be seen here.
Malachite was used by the ancient Egyptians to make the first known green pigments, used in tomb paintings
Cobalt green pigment.
Viridian, a pigment made with chromium oxide dihydrate, was patented in 1859. It became popular with painters, since, unlike other synthetic greens, it was stable and not toxic. Vincent Van Gogh used it, along with Prussian blue, to create a dark blue sky with a greenish tint in his painting The Night Cafe.
There is no natural source for green food colorings which has been approved by the US Food and Drug Administration. Chlorophyll, the E numbers E140 and E141, is the most common green chemical found in nature, and only allowed in certain medicines and cosmetic materials. Quinoline Yellow (E104) is a commonly used coloring in the United Kingdom but is banned in Australia, Japan, Norway and the United States. Green S (E142) is prohibited in many countries, for it is known to cause hyperactivity, asthma, urticaria, and insomnia.
To create green sparks, fireworks use barium salts, such as barium chlorate, barium nitrate crystals, or barium chloride, also used for green fireplace logs. Copper salts typically burn blue, but cupric chloride (also known as "campfire blue") can also produce green flames. Green pyrotechnic flares can use a mix ratio 75:25 of boron and potassium nitrate. Smoke can be turned green by a mixture: solvent yellow 33, solvent green 3, lactose, magnesium carbonate plus sodium carbonate added to potassium chlorate.
Leaves and growing fresh grass are green because they contain a natural pigment known as chlorophyll. Chlorophyll takes the energy of sunlight and uses it to convert carbon dioxide and water into chemical energy, in the form of glucose, or natural sugar, which allows the plant to grow. This process is called photosynthesis. Chlorophyll absorbs the long wavelengths (red) and short wavelengths (blue) of the light, but the green light is reflected, making the grass and leaves appear green. Chlorophyll does not absorb green light because it first arose in organisms living in oceans where purple halobacteria were already exploiting photosynthesis. Their purple color arose because they extracted energy in the green portion of the spectrum using bacteriorhodopsin. The new organisms that then later came to dominate the extraction of light were selected to exploit those portions of the spectrum not used by the halobacteria.
Animals typically use the color green as camouflage, blending in with the chlorophyll green of the surrounding environment. Green animals include, especially, amphibians, reptiles, and some fish, birds and insects. Most fish, reptiles, amphibians, and birds appear green because of a reflection of blue light coming through an over-layer of yellow pigment. Perception of color can also be affected by the surrounding environment. For example, broadleaf forests typically have a yellow-green light about them as the trees filter the light. Turacoverdin is one chemical which can cause a green hue in birds, especially. Invertebrates such as insects or mollusks often display green colors because of porphyrin pigments, sometimes caused by diet. This can causes their feces to look green as well. Other chemicals which generally contribute to greenness among organisms are flavins (lychochromes) and hemanovadin. Humans have imitated this by wearing green clothing as a camouflage in military and other fields. Substances that may impart a greenish hue to one's skin include biliverdin, the green pigment in bile, and ceruloplasmin, a protein that carries copper ions in chelation.
An eastern green mamba, a highly poisonous tree snake from the east coast of Africa.
A yellow-naped Amazon parrot.
Lasers emitting in the green part of the spectrum are widely available to the general public in a wide range of output powers. Green laser pointers outputting at 532 nm (563.5 THz) are relatively inexpensive compared to other wavelengths of the same power, and are very popular due to their good beam quality and very high apparent brightness. The most common green lasers use diode pumped solid state (DPSS) technology to create the green light. An infrared laser diode at 808 nm is used to pump a crystal of neodymium-doped yttrium vanadium oxide (Nd:YVO4) or neodymium-doped yttrium aluminium garnet (Nd:YAG) and induces it to emit 281.76 THz (1064 nm). This deeper infrared light is then passed through another crystal containing potassium, titanium and phosphorus (KTP), whose non-linear properties generate light at a frequency that is twice that of the incident beam (563.5 THz); in this case corresponding to the wavelength of 532 nm ("green"). Other green wavelengths are also available using DPSS technology ranging from 501 nm to 543 nm. Green wavelengths are also available from gas lasers, including the Helium-neon laser (543 nm), the Argon-ion laser (514 nm) and the Krypton-ion laser (521 nm and 531 nm), as well as liquid dye lasers. Green lasers have a wide variety of applications, including pointing, illumination, surgery, laser light shows, spectroscopy, interferometry, fluorescence, holography, machine vision, non-lethal weapons and bird control.
Green is the color most commonly associated in Europe and the U.S. with nature, vivacity and life  It is the color of many environmental organizations, such as Greenpeace, and of the Green Parties in Europe. Many cities have designated a garden or park as a green space, and use green trash bins and containers. A green cross is commonly used to designate pharmacies in Europe.
In China, green is associated with the east, with sunrise, and with life and growth. In Thailand, the color green is consider auspicious for those born on a Wednesday day (light green for those born at night).
Green is the color most commonly associated in the U.S. and Europe with springtime, freshness, and hope. Green is often used to symbolize rebirth and renewal and immortality. In Ancient Egypt; the god Osiris, king of the underworld, was depicted as green-skinned. Green as the color of hope is connected with the color of springtime; hope represents the faith that things will improve after a period of difficulty, like the renewal of flowers and plants after the winter season.
Green the color most commonly associated in Europe and the U.S. with youth. It also often is used to describe anyone young, inexperienced, probably by the analogy to immature and unripe fruit. 
Green is often associated with jealousy and envy. The expression "green-eyed monster" was first used by William Shakespeare in Othello: "it is the green-eyed monster which doth mock the meat it feeds on." Shakespeare also used it in the Merchant of Venice, speaking of "green-eyed jealousy."
Green today is not commonly associated in Europe and the United States with love and sexuality , but in stories of the medieval period it sometimes represented love  and the base, natural desires of man. It was the color of the serpent in the Garden of Eden who caused the downfall of Adam and Eve. However, for the troubadours, green was the color of growing love, and light green clothing was reserved for young women who were not yet married. 
In Persian and Sudanese poetry, dark-skinned women, called "green" women, were considered erotic.  The Chinese term for cuckold is "to wear a green hat." This was because in ancient China, prostitutes were called "the family of the green lantern" and a prostitute's husband would wear a green headscarf.
In the Middle Ages, the devil was usually shown as either red, black or green. Dragons were usually green, because they had the heads, claws and tails of reptiles.
Modern Chinese dragons are also often green, but unlike European dragons, they are benevolent; Chinese dragons traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, hurricane, and floods. The dragon is also a symbol of power, strength, and good luck. The Emperor of China usually used the dragon as a symbol of his imperial power and strength. The dragon dance is a popular feature of Chinese festivals.
In Irish folklore and English folklore, the color was sometimes was associated with witchcraft, and with faeries and spirits. The type of Irish fairy known a leprachaun is commonly portrayed wearing a green suit, though before 20th century he was usually described as wearing a red suit.
In the theater and in films, green was often connected with horror or ghost stories, and with corpses. The earliest films of Frankenstein were in black and white, but in the poster for the 1935 version The Bride of Frankenstein, the monster had a green face.Actor Bela Lugosi wore green-hued makeup for the role of Dracula in the 1927–28 Broadway stage production. 
Like other common colors, green has several completely opposite associations. While it is the color most associated by Europeans and Americans with good health, it is also the color most often associated with toxicity and poison. There was a solid foundation for this association; in the nineteenth century several popular paints and pigments, notably vert-de-gris, vert de Schweinfurt, and vert de Paris, were highly toxic, containing copper or arsenic.
A green tinge in the skin is sometimes associated with nausea and sickness. The expression 'green at the gills' means appearing sick. The color, when combined with gold, is sometimes seen as representing the fading of youth. In some Far East cultures the color green is used as a symbol of sickness and/or nausea.
Green is sometimes thought to be an unlucky color in British and British-derived cultures. In the Celtic tradition, green was avoided in clothing for its superstitious association with misfortune and death.. Green wedding dresses and green cars were considered unlucky, even though British racing green was the official color for British racing cars.  Green costumes for actors were also considered unlucky in France and England, a superstition connected with the death on stage of the French playwright Moliere, who was said to have been wearing a green costume. Spider-Man villains were often colored green to represent a contrast to the hero's red.
Green can communicate safety to proceed, as in traffic lights. Green and red were standarized as the colors of international railroad signals in the 19th century. The first traffic light, using green and red gas lamps, was erected in 1868 in front of the Houses of Parliament in London. It exploded the following year, injuring the policeman who operated it. In 1912, the first modern electric traffic lights were put up in Salt Lake City, Utah. (See traffic lights). Red was chosen largely because of its high visibility, and its association with danger, while green was chosen largely because because it could not be mistaken for red. Today green lights universally signal that a system is turned on and working as it should.
In areas that use the U.S. Dollar as currency, green carries a connotation of money, wealth, and capitalism, because green is the color of United States banknotes, giving rise to the slang term greenback for cash. One of the more notable uses of this meaning is found in The Wonderful Wizard of Oz. In this story is the Emerald City, where everyone wears tinted glasses which make everything look green. According to the populist interpretation of the story, the city's color is used by the author, L. Frank Baum, to illustrate the financial system of America in his day, as he lived in a time when America was debating the use of paper money versus gold.
The reverse of the United States one-dollar bill has been green since 1861, giving it the popular name greenback.
Several countries use green on their flags for symbolic or cultural reasons. Green, for example is one of the three colors (along with red and black, or red and gold) of Pan-Africanism. Several African countries thus use the color on their flags, including Nigeria, South Africa, Ghana, Senegal, Mali, Ethiopia, Togo, Guinea, Benin, and Zimbabwe. The Pan-African colors are borrowed from the Ethiopian flag, one of the oldest independent African countries. Green in these cases represents the natural richness of Africa.
Many flags of the Islamic world are green, as the color is considered sacred in Islam (see below). The flag of Hamas, as well as the flag of Iran, is green, symbolizing their Islamist ideology. The 1977 flag of Libya consists of a simple green field with no other characteristics. It was the only national flag in the world with just one color and no design, insignia, or other details. In the run-up to Iran's 2009 presidential election, the reformist candidate Mir-Hossein Mousavi chose green as his campaign color, and it became pervasive among his supporters during the campaign and the post-election protests.
Other countries use flags for reasons of heraldry, or to represent lush national vegetation. In heraldry, green is called vert (French for "green"). Fourteenth century documents describe vert as a symbol of "jolliness and youth, but also of beauty and shame" as well as of death. Vert is used for the flags of Wales and Hungary, and is the basis for the Brazilian flag as well—here as a tribute to Positivist movement which Auguste Comte had connected to the color both as it stood for life and as it seemed to him powerful as the color of Islam. Other countries using green in their flags use it to represent their country's lush vegetation, as in the flag of Jamaica, and hope in the future, as in the flags of Portugal and Nigeria.
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Green is a symbol of Ireland, which is often referred to as the "Emerald Isle". The color is particularly identified with the republican and nationalist traditions in modern times. It is used this way on the flag of the Republic of Ireland, in balance with white and the Protestant orange. Green is a strong trend in the Irish holiday St. Patrick's Day.
The flag of India I (1947). The green has been said at different times to represent the Muslim community of India, hope, or prosperity.
Green has become the symbolic color of environmentalism, chosen for its association with nature, health, and growth. The Green Party is any of various political parties emphasizing ecology, grassroots democracy, nonviolence, and social justice. Green Parties, now active in over one hundred countries, are more broadly included in the green movement, and most are members of the Global Green Network. The association of green with advocates of the environment has extended to other circles as well, as is the case with Patriarch Bartholomew I of Constantinople, who is often referred to as the "Green Patriarch" because the new environmental focus which he brought about within the Ecumenical Patriarchate.
Green is considered the traditional color of Islam. Muhammad is reliably quoted in a hadith as saying that "water, greenery, and a beautiful face" were three universally good things. In the Qur'an, sura Al-Insan, believers in God in Paradise wear fine green silk. Also, Al-Khidr ("The Green One"), is a Qur'anic figure who met and traveled with Moses.
Roman Catholic and more traditional Protestant clergy wear green vestments at liturgical celebrations during Ordinary Time. In the Eastern Catholic Church, green is the color of Pentecost. Green is one of the Christmas colors as well, possibly dating back to pre-Christian times, when evergreens were worshiped for their ability to maintain their color through the winter season. Romans used green holly and evergreen as decorations for their winter solstice celebration called Saturnalia, which eventually evolved into a Christmas celebration. In Ireland and Scotland especially, green is used to represent Catholics, while orange is used to represent Protestantism. This is shown on the national flag of Ireland.
In the metaphysics of the "New Age Prophetess", Alice Bailey, in her system called the Seven Rays which classifies humans into seven different metaphysical psychological types, the "third ray" of "creative intelligence" is represented by the color green. People who have this metaphysical psychological type are said to be "on the Green Ray". In Hinduism, Green is used to symbolically represent the fourth, heart chakra (Anahata). Psychics who claim to be able to observe the aura with their third eye report that someone with a green aura is typically someone who is in an occupation related to health, such as a physician or nurse, as well as people who are lovers of nature and the outdoors.
A green belt in judo.
A baccarat palette and cards on a casino gambling table,
A billiards table, colored green after the lawns where the game was originally played.
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Shades of green
|Apple green||Asparagus||Bright green||Cal Poly||Chartreuse||Dark olive green||Dark spring green||Dartmouth green||Fern green||Forest green|
|Green||Green-yellow||Harlequin||Honeydew||Hunter green||India green||Islamic green||Jungle green||Lawn green||Lime|
|Lime green||Mantis||Mint||Mint cream||Office green||Olive||Olive drab||Pakistan green||Paris Green||Persian green|
|Phthalo green||Pigment green||Pine green||Pistachio||Sea green||Shamrock green||Spring bud||Spring green||Teal||Yellow-green|
|The samples shown above are only indicative.|