The "Great American Novel" is the concept of a novel that is distinguished in both craft and theme as being the most accurate representation of the spirit of the age in the United States at the time of its writing or in the time it is set. It is presumed to be written by an American author who is knowledgeable about the state, culture, and perspective of the common American citizen. The author uses the literary work to identify and exhibit the language used by the American people of the time and to capture the unique American experience, especially as it is perceived for the time. In historical terms, it is sometimes equated as being the American response to the national epic.
While fiction was written in colonial America as early as the 17th century, it was not until a distinct "American" identity developed during the 18th century that what is understood to be "American literature" began. America's identity as a nation was reflected alongside the development of its literature.
In modern usage, the term is often figurative and represents a canonical writing, a literary benchmark emblematic of what defines American literature in a given era. Aspiring writers of all ages, but especially students, are often said to be driven to write "the Great American Novel". Theoretically, such is, presumably, the greatest American book ever written, or which could ever be written. Thus, "Great American Novel" is a metaphor for identity, a Platonic ideal that is not achieved in any specific texts, but whose aim writers strive to mirror in their work.
Authors and books referred to as "Great American Novel"
At one time or another, the following works have been considered to be a Great American Novel:
^Brown, Robert B. (June–July 1984). "One Hundred Years of Huck Finn". American Heritage Publishing. Retrieved 2011-12-10. It was called the “great American novel” as early as 1891 by the English writer Andrew Lang... ”
^Gone with the Wind, Powell's Books; accessed 2013.12.10 ("Heralded by readers everywhere since its publication in 1936 as The Great American Novel...").
^Gone With the Wind, Georgia Public Broadcasting; accessed 2013.12.10 ("Margaret Mitchell’s epic novel of love and war has long been heralded as The Great American Novel.").
^Hammond, Margo (February 6, 2004). "Norman Mailer on the Media and the Message". Book Babes. The Poynter Institute. Retrieved 2010-09-21. Norman Mailer is a Pulitzer Prize winning literary critic, and it is his opinion that: "The Great American Novel is no longer writable. We can't do what John Dos Passos did. His trilogy on America came as close to the Great American Novel as anyone. You can't cover all of America now. It's too detailed."
^Dana, Gioia. "The Grapes of Wrath Radio Show - Transcript". The Big Read. The National Endowment for the Arts. Retrieved 2010-09-22.Richard Rodriguez is a famous American writer. In this interview he referred to the Grapes of Wrath as The Great American Novel: "There hasn't been anything like this novel since it was written. And this is the great American novel that everyone keeps waiting for but it has been written now."
^Nixon, Rob. "The Grapes of Wrath". This Month Spotlight. Turner Classic Movies. Retrieved 2010-09-22. Nixon quotes John Springer, author of The Fondas (Citadel, 1973), a book about Henry Fonda and his role in film version of The Grapes of Wrath: "The Great American Novel made one of the few enduring Great American Motion Pictures."
^Amis, Martin, Review, The Atlantic Monthly (quoted by Powell's Books)Martin Amis is a well-known British novelist and professor of creative writing at the University of Manchester. It is his opinion that "The Adventures of Augie March is the Great American Novel. Search no further. All the trails went cold 42 years ago. The quest did what quests very rarely do; it ended."
^Williams, Mary Elizabeth. "Lolita by Vladimir Nabokov". Personal Best. Salon. Retrieved 2013-01-26. Mary Elizabeth Williams is Salon's Table Talk host. She opens her review with these lines: "Some say the Great American Novel is Huckleberry Finn, some say it's The Jungle, some say it's The Great Gatsby. -- Vladimir Nabokov's Lolita".
^Jameson, Frederick (1996). The Seeds of Time. New York, NY: Columbia University Press. pp. 214 pages. "These are familiar features of daily life in the super state from which, it should be noted, high modernism in the United States - in theory and in practice alike, fifties aestheticism organized around Pound and Henry James and Wallace Stevens and the New Criticism - was in desperate flight; of our great modern writers, only Nabokov handled this kind of material, in Lolita, which thereby at once became The Great American Novel,- but of course he was a foreigner to begin with." (Page 146-147).
^Patterson, Troy (January 27, 2009). "Rabbit at Rest". Slate. Retrieved 2014-06-28. "To consider the 1,700-odd pages of his Harry Angstrom saga—the bounding tetralogy of Rabbit books and their limping postscript—is to find yourself considering a work with an excellent claim as the Great American Novel"
^Ruch, Alan (April 1, 1997). "Introduction to GR". The Modern World. Retrieved 2010-09-22. "It is the Great American Novel come at last, a postmodern masterpiece."
^Weisenburger, Steven (2006). A Gravity's Rainbow Companion. University of Georgia Press. p. 412. "Thomas Pynchon's big book quickly confirmed him as one of the few novelists of unprecedented genius to emerge in the postwar era. Here was the Great American Novel at last. The reviewers' favorite comparisons were to Moby Dick and Ulysses."