Graceland (album)

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Graceland
Studio album by Paul Simon
ReleasedAugust 25, 1986
RecordedOctober 1985-June 1986
GenreWorldbeat, pop, folk
Length43:18
LabelWarner Bros.
ProducerPaul Simon
Paul Simon chronology
Hearts and Bones
(1983)
Graceland
(1986)
Negotiations and Love Songs
(1988)
 
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Graceland
Studio album by Paul Simon
ReleasedAugust 25, 1986
RecordedOctober 1985-June 1986
GenreWorldbeat, pop, folk
Length43:18
LabelWarner Bros.
ProducerPaul Simon
Paul Simon chronology
Hearts and Bones
(1983)
Graceland
(1986)
Negotiations and Love Songs
(1988)

Graceland is the seventh studio album by American musician Paul Simon, released in August 1986.

It was a hit, topping the UK Album Chart, and reaching number three on the US Billboard 200. The album won the 1987 Grammy Award for Album of the Year, while the title song won the 1988 Grammy Award for Record of the Year. In 2007, the album was added to the United States National Recording Registry, along with another 24 significant recordings that year. It is included in many "best of" and "greatest" album lists including both Rolling Stone's[1] and Time's.[2]

Overview[edit]

Background[edit]

Coming at a time when Simon's musical career was at something of a low ebb following the disappointing public response to Hearts and Bones, the project was originally inspired, as Simon explained on the album notes of the first release of the record, when he listened to a cassette lent to him by Heidi Berg, a singer-songwriter who Simon was working with as a producer. The cassette, an instrumental called Gumboots: Accordion Jive Hits Number 1, was from a South African band, The Boyoyo Boys. In an interview, Simon described the Boyoyo Boys track as "instrumental music with an accordion, electric guitar, bass, and drums." He said it reminded him of "a certain kind of fifties rock 'n' roll."[3] Simon later wrote lyrics to sing over a re-recording of the song, which became the fourth track on the album, beginning with the structure and then adding the melody.

Music[edit]

Graceland features an eclectic mixture of musical styles including pop, a cappella, isicathamiya, rock, and mbaqanga. The album was strongly influenced by the earlier work of South African musicians Johnny Clegg and Sipho Mchunu, and the Zulu-Western pop cross-over music realized in their band Juluka. Juluka was South Africa's first integrated pop band. Simon includes thanks to Johnny Clegg, Juluka and Juluka's producer Hilton Rosenthal in the "Special Thanks" citation included in Graceland's liner notes. Much of the album was recorded in South Africa, and it features many South African musicians and groups. Simon faced accusations by organisations such as Artists United Against Apartheid,[4] anti-apartheid musicians including Billy Bragg, Paul Weller and Jerry Dammers[5] and the then Ghanaian Ambassador to the United Nations James Victor Gbeho[6] that he had broken the cultural boycott imposed by the rest of the world against the apartheid regime in South Africa, which was in its final years at the time. Although supported by the United Nations Anti-Apartheid Committee, as the album showcased the talents of the black South African musicians while offering no support to the South African government, even the ANC protested the collaboration as a break in the cultural boycott.[4] However Simon also received praise for encouraging South African music from Hugh Masekela, one of South Africa's most prominent musicians and an exiled opponent of apartheid, who subsequently toured alongside Simon and Miriam Makeba.[5] The worldwide success of the album introduced some of the musicians, especially the vocal group Ladysmith Black Mambazo, to global audiences of their own. The song "Homeless" was written jointly by Paul Simon and Joseph Tshabalala, the lead singer of Ladysmith Black Mambazo, to a melody from a traditional Zulu wedding song.[7]

Simon included American 'roots' influences with tracks featuring Zydeco musicians such as Clifton Chenier and Tex-Mex musicians. The Everly Brothers sing harmony on the title track. Linda Ronstadt appears on the track "Under African Skies", the second verse of which Simon wrote based on her childhood experiences.[citation needed]

Reception[edit]

Professional ratings
Review scores
SourceRating
Allmusic5/5 stars[8]
Robert ChristgauA[9]
Pitchfork Media(9.2/10)[10]
Rolling Stone(Very favorable)[11]
Rolling Stone Album Guide5/5 stars [12]
American Songwriter5/5 stars [13]
Drowned in Sound(10/10)[14]
PopMatters(10/10)[15]
The Independent5/5 stars[16]

Graceland was Paul Simon's highest charting album in the U.S. in over a decade, reaching #3 in the national Billboard charts, receiving a certification of 5× Platinum by the RIAA and eventually selling over 14 million copies, making it Simon's most commercially successful album. Critics welcomed its eclectic mix of sounds and broad, quirky subject matter and it regularly shows up in critic polls and "recommended" lists. The album also helped to draw worldwide attention to the music of South Africa.

The album drew accolades from the beginning. Rolling Stone called it "lovely, daring and accomplished"[11] and Robert Christgau enthused it was "so strange, so sweet, so willful, so radically incongruous and plainly beautiful."[9] It was so acclaimed by other critics that he later anticipated that it would top The Village Voice Pazz & Jop critics poll for that year (1986).[17]

"I don't like the idea that people who aren't adolescents make records. Adolescents make the best records. Except for Paul Simon. Except for Graceland. He's hit a new plateau there, but he's writing to his own age group. Graceland is something new. That song to his son is just as good as 'Blue Suede Shoes': 'Before you were born dude when life was great.' That's just as good as 'Blue Suede Shoes,' and that is a new dimension."

Joe Strummer, in an interview with Richard Cromelin for the Los Angeles Times on January 31, 1988[18]
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In the Graceland Classic Albums video, Simon states that he considers the title track the best song he has ever written. A popular music video starring Simon and Chevy Chase was made for the hit song "You Can Call Me Al". Simon toured the album extensively, featuring many of the artists from the album in addition to exiled South Africans Hugh Masekela and Miriam Makeba. Two concerts in Harare, Zimbabwe, were filmed in 1987 for release as "The African Concert". The audience was a multi-racial mix with many travelling from South Africa.

The success of the album earned Paul Simon the Best International Solo Artist award at The Brit Awards in 1987.[19]

In 1998, Q magazine readers voted it the 56th greatest album of all time. In 2006, Q magazine placed the album at #39 in its list of "40 Best Albums of the '80s".[20] It was also ranked #84 in a 2005 survey held by British television's Channel 4 to determine the 100 greatest albums of all time. In 1989, it was rated #5 on Rolling Stone magazine's list of the 100 Best Albums of the Eighties.[21] It was placed 81st (71st in the updated version from 2012) on the list of Rolling Stone magazine's 500 Greatest Albums of All Time as "an album about isolation and redemption that transcended "world music" to become the whole world's soundtrack."[1] The song "Graceland" was voted #485 in the list of Rolling Stone's 500 Greatest Songs of All Time. In 2002, Pitchfork named it the 85th best album of the 1980s citing it as "a phenomenal musical achievement".[22] In 2006, Time named it one of the All-Time 100 Albums.[2] In 2012, Slant Magazine listed the album at #19 on its list of "Best Albums of the 1980s".[23]

A 2012 documentary film, Under African Skies, directed by Joe Berlinger celebrates the 25th anniversary of the album's release, and includes archival footage, interviews, discussion of the controversy associated with the original release, and coverage of an anniversary reunion concert.[24][25][26]

In 2012, American Songwriter gave the 25th anniversary re-issue 5 stars, describing the album as "a cultural experiment that changed the way the western world viewed South Africa."[27] In 2012 the 25th Anniversary edition of the album entered the UK top 10 once again.

Track listing[edit]

Side one
No.TitleWriter(s)Length
1."The Boy in the Bubble"  Forere Motloheloa, Paul Simon3:59
2."Graceland"  Simon4:48
3."I Know What I Know"  General MD Shirinda, Simon3:13
4."Gumboots"  Lulu Masilela, Jonhjon Mkhalali, Simon2:44
5."Diamonds on the Soles of Her Shoes"  Joseph Shabalala, Simon5:45
Side two
No.TitleWriter(s)Length
6."You Can Call Me Al"  Simon4:39
7."Under African Skies"  Simon3:37
8."Homeless"  Shabalala, Simon3:48
9."Crazy Love, Vol. II"  Simon4:18
10."That Was Your Mother"  Simon2:52
11."All Around the World or the Myth of Fingerprints"  Simon3:15

Additional tracks

No.TitleWriter(s)Length
12."Homeless" (demo version)Shabalala, Simon2:28
13."Diamonds on the Soles of Her Shoes" (alternate version)Shabalala, Simon4:43
14."All Around the World or the Myth of Fingerprints" (early version)Simon3:17

Personnel[edit]

Songwriting credit dispute with Los Lobos[edit]

The group Los Lobos appear on the last track, "All Around the World or The Myth of Fingerprints." According to Los Lobos's saxophone player Steve Berlin, Simon stole the song from Los Lobos, giving them no songwriting credit:[29]

"It was not a pleasant deal for us. I mean he [Simon] quite literally—and in no way do I exaggerate when I say—he stole the song from us... We go into the studio, and he had quite literally nothing. I mean, he had no ideas, no concepts, and said, 'Well, let's just jam.' ...Paul goes, 'Hey, what's that?' We start playing what we have of it, and it is exactly what you hear on the record. So we're like, 'Oh, ok. We'll share this song.'" [30]

Paul Simon answered:

"I just said at this stage I don't care whether the album comes out without Los Lobos on it. I was getting really tired of it—I don't want to get into a public slanging match over this, but this thing keeps coming up. So we finished the recordings. And three months passed, and there was no mention of 'joint writing.' The album came out and we heard nothing. Then six months passed and Graceland had become a hit and the first thing I heard about the problem was when my manager got a lawyer's letter. I was shocked." [31]

Accolades[edit]

Grammy Awards[edit]

YearRecipientAwardResult
1987GracelandAlbum of the Year[32]Won
Best Pop Vocal Performance, Male[33]Nominated
"Graceland"Song of the Year[33]Nominated
1988Record of the Year[34]Won

Charts[edit]

Peak positions[edit]

Certifications[edit]

RegionCertificationSales/shipments
Australia (ARIA)[77]8× Platinum560,000^
France (SNEP)[78]Platinum300,000*
Germany (BVMI)[79]3× Gold750,000^
Netherlands (NVPI)[80]Platinum100,000^
Spain (PROMUSICAE)[81]Platinum100,000^
United Kingdom (BPI)[82]5× Platinum1,600,000^
United States (RIAA)[83]5× Platinum5,000,000^

^shipments figures based on certification alone
xunspecified figures based on certification alone

References[edit]

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  2. ^ a b Tyrangiel, Josh (November 2, 2006). "Graceland - The ALL-TIME 100 Albums". Time. Retrieved 23 May 2008. 
  3. ^ Silverman, Rena. "Paul Simon Looks Back on the Anniversary of the Amazing Graceland". National Geographic. Retrieved 9 February 2013. 
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  6. ^ "100 Best Albums of the Eighties: Paul Simon "Graceland"". rollingstone.com. Retrieved 28 September 2013. 
  7. ^ Geoff Hill The Battle for Zimbabwe: The Final Countdown 2003 - Page 211 "The song was written jointly by Paul Simon and Joseph Tshabalala, the lead singer of Ladysmith Black Mambazo, and the melody is from an old Zulu wedding song: We are homeless, we are homeless . . . Somebody cry, why, why, why?"
  8. ^ Ruhlmann, William. Graceland (album) at AllMusic. Retrieved 22 January 2005.
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