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The name Golasecca culture comes from the first findings that were discovered from excavations conducted from 1822, at several locations in the Comune of Golasecca, by the antiquarian abbot Father Giovanni Battista Giani (1788–1857), who identified the clearly non-Roman burials as remains of the Battle of Ticinus of 218 BCE between Hannibal and Scipio Africanus.
In 1865 Louis Laurent Gabriel de Mortillet, a founder of European archaeology, rightly assigned the same tombs to a pre-Roman culture of the early Iron Age, with a likely Celtic substratum given the similarities with the Hallstatt Culture. He made several trips there bringing back to France part of the Abbot Giani's collection to enrich the Musée des Antiquités nationales collections, of which he was Vice-curator.
The excavations spread over various sites throughout the late 19th century. Alexandre Bertrand, also curator of the Musée des Antiquités nationales in turn went on site in 1873 and conducted some excavations by himself. With the collaboration of French, Italian and German archaeologists meeting at the Archaeological Congress of Stockholm in 1874, the timing of the Culture of Golasecca became clearer, divided into three periods from 900 to 380 BCE. It ended with the Gallic invasion of the Po Valley in 388 BCE.
The modern assessment of Golasecca culture is derived from the campaigns of 1965-69 on Monsorino,  directed by A. Mira Bonomi. More recent chronological studies have been produced by Raffaele De Marinis.
Sites characteristic of Golasecca culture have been identified in western Lombardy, eastern Piedmont, the Canton Ticino and Val Mesolcina, in a territory stretching north of the Po River to sub-alpine zones, between the course of the Serio to the east and the Sesia to the west . The site of Golasecca, where the Ticino exits from Lake Maggiore, flourished from particularly favorable geographical circumstances as it was quite suitable for long-distance exchanges, in which Golaseccans acted as intermediaries between Etruscans and the Halstatt culture of Austria, on the all-important trade in salt.
The commercial mediation then broadened to include the Greek world, bringing in oil and wine, bronze objects, Attic pottery, incense and coral, and northwards the more distant transalpine world, sources of tin for bronze and amber from the Baltic Sea).
In a broader context, the subalpine Golasecca culture is the very last expression of the Middle European Urnfield culture of the European Bronze Age. The culture's richest flowering was Golasecca II, in the first half of the 6th to early 5th centuries BCE. It lasted until it was overwhelmed by the Gaulish Celts in the 4th century and was finally incorporated into the hegemony of the Roman Republic.
Golasecca culture is divided for convenient reference into three parts: the first two cover the period of the 9th to the first half of the 5th century BCE; the third, coinciding with La Tène A-B of the later Iron Age in this region and extending to the end of the 4th century BCE, is marked by increasing Celtic influences, culminating in Celtic hegemony after the conquests of 388 BCE. The very earliest finds are of the Late Bronze Age (9th century), apparently building upon a local culture.
In Golasecca culture some of the first evolved characteristics of historic society may be seen in the specialized use of materials and the adaptation of the local terrain. The early-period habitations were circular wooden constructions along the edge of the river's floodplain; each was built on a low basement of stone round a central hearth and floored with river pebbles set in clay. Hand-shaped ceramics, made without a potter's wheel, were decorated in gesso. The use of the wheel is known from the carts in the Tomb of the Warrior at the Sesto Calende site. Amber beads from the Baltic Sea, doubtless brought down the Amber Road, and obsidian reveal networks of long-distance trade. From the 7th century onwards some tombs contain burial goods imported from Etruscan areas and Greek objects
The settlements depended on domesticated animals: remains reveal the presence of goats, sheep, pigs, cattle and horses. Some legume and cereal crops were cultivated; nuts and fruits were collected. The dugout boats from Castelletto Ticino and Porto Tolle are conserved at the museum of Isola Bella. Metal, though rare, was in increasing use.
The old sites—Golasecca, Sesto Calende, Castelletto Ticino—maintained their traditional autochthonous character through the 6th century, when outside influences begin to be detectable. At the beginning of the 5th century, pastoral practices resulted in the development of new settlements in the plains.
The Golasecca culture is best known by its burial customs, where an apparent ancestor cult imposed respect of the necropoli, a sacred area untouched by agrarian use or deforestation. The early-period burials took place in selected raised positions oriented with respect to the sun. Burial practices were direct inhumation or in lidded cistae. Stone circles and alignments are found. Burial urns were painted with designs, with accessory ceramics, such as cups on tall bases. Bronze objects are usually of wearing apparel: pins and fibulas, armbands, rings, earrings, pendants and necklaces. Bronze vessels are rare. The practice of cremation persists into the second period (early sixth to mid-fourth centuries).
Cremation near the burial site, followed by ash and bone burials in terracotta jars, in excavated pits set at determined distances one from the other in scattered necropolises, characterize a culture of many small village settlements.
At the site of Sesto Calende, south of Lake Maggiore, were two chariot burials dating to the 7th and 6th century BCE accompanied with weapons, ornaments and a large situla  while an earlier burial at Ca' Morta - Como (c. 700 BCE) included a four-wheeled wagon in the tomb.