From Here to Eternity

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From Here to Eternity
From Here to Eternity film poster.jpg
original movie poster
Directed byFred Zinnemann
Produced byBuddy Adler
Written byJames Jones (novel)
Screenplay byDaniel Taradash
Based onFrom Here to Eternity (novel)
StarringBurt Lancaster
Montgomery Clift
Deborah Kerr
Donna Reed
Frank Sinatra
Ernest Borgnine
Philip Ober
Jack Warden
Music byGeorge Duning
CinematographyBurnett Guffey
Editing byWilliam A. Lyon
Distributed byColumbia Pictures
Release dates
  • August 5, 1953 (1953-08-05)
Running time118 minutes
CountryUnited States
LanguageEnglish
Budget$1,650,000
Box office$30,500,000[1]
 
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From Here to Eternity
From Here to Eternity film poster.jpg
original movie poster
Directed byFred Zinnemann
Produced byBuddy Adler
Written byJames Jones (novel)
Screenplay byDaniel Taradash
Based onFrom Here to Eternity (novel)
StarringBurt Lancaster
Montgomery Clift
Deborah Kerr
Donna Reed
Frank Sinatra
Ernest Borgnine
Philip Ober
Jack Warden
Music byGeorge Duning
CinematographyBurnett Guffey
Editing byWilliam A. Lyon
Distributed byColumbia Pictures
Release dates
  • August 5, 1953 (1953-08-05)
Running time118 minutes
CountryUnited States
LanguageEnglish
Budget$1,650,000
Box office$30,500,000[1]

From Here to Eternity is a 1953 drama film directed by Fred Zinnemann and based on the novel of the same name by James Jones. The picture deals with the tribulations of three soldiers, played by Burt Lancaster, Montgomery Clift, and Frank Sinatra, stationed on Hawaii in the months leading up to the attack on Pearl Harbor. Deborah Kerr and Donna Reed portray the women in their lives and the supporting cast includes Ernest Borgnine, Philip Ober, Jack Warden, Mickey Shaughnessy, and George Reeves.

The film won eight Academy Awards out of 13 nominations, including for Picture, Best Director (Fred Zinnemann), Adapted Screenplay, Supporting Actor (Frank Sinatra) and Supporting Actress (Donna Reed).[2] The film's title comes originally from a quote from Rudyard Kipling's 1892 poem "Gentlemen-Rankers", about soldiers of the British Empire who had "lost [their] way" and were "damned from here to eternity".

Plot[edit]

In 1941, bugler Private Robert E. Lee Prewitt (Montgomery Clift) transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes (Philip Ober) has heard he is a talented middleweight boxer and wants him to join his regimental boxing team. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes is adamant, but so is Prewitt.

Holmes makes life as miserable as possible for Prewitt, hoping he will give in. Holmes orders First Sergeant Milton Warden (Burt Lancaster) to prepare general court martial papers after Sergeant Galovitch (John Dennis) first insults Prewitt, then gives an unreasonable order which Prewitt refuses to obey. Warden, however, suggests that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers assist in the conspiracy. Prewitt is supported only by his friend, Private Angelo Maggio (Frank Sinatra).

Lancaster and Kerr in the beach scene at Halona Cove, Oahu, Hawaii.

Meanwhile, Warden begins an affair with Holmes' neglected wife Karen (Deborah Kerr). Warden tells Karen the penalty for their affair is a twenty-year prison sentence. Sergeant Maylon Stark (George Reeves) has told Warden about Karen's many previous affairs at Fort Bliss, including with him. As their relationship develops, Warden asks Karen about her affairs to test her sincerity. Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, resulting in her being unable to bear any more children. She then affirms her love for Warden.

Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene (Donna Reed). She wants to marry a "proper" man with a "proper" job and live a "proper" life. Maggio and Staff Sergeant James R. Judson (Ernest Borgnine) nearly come to blows at the club.

Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but Warden intervenes. When Judson advances on Warden, Warden breaks a beer bottle to make a makeshift weapon, causing Judson to back down. However, Judson warns Maggio that sooner or later he will end up in the stockade, where Judson is the Sergeant of the Guard.

Karen tells Warden that if he became an officer, she could divorce Holmes and marry him. Warden reluctantly agrees to consider it. Warden gives Prewitt a weekend pass. He goes to see Lorene. Maggio then walks in drunk, having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.

Then Sergeant Galovitch picks a fight with Prewitt. At first, Prewitt refuses to fight back, then resorts to only body blows. His fighting spirit re-emerges, and Prewitt comes close to knocking Galovitch out before Holmes finally stops the fight. Galovitch accuses Prewitt of starting the fight, but the man in charge of the detail says that it was Galovitch. Holmes lets him off the hook and disperses the crowd. The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. After Holmes' motives are revealed, the base commander orders a court-martial. When Holmes begs for an alternative, an aide suggests that Holmes resign his commission. Holmes' replacement, Captain Ross (John Bryant), reprimands the others involved and has the boxing team's framed photographs and trophies removed. He then demotes Galovitch to private and puts him in charge of the latrine.

Maggio escapes and dies in Prewitt's arms after telling of the abuse he suffered in the stockade at Judson's hands. Prewitt tracks Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but sustained a serious stomach wound. Prewitt goes into hiding at Lorene's house.

When the Japanese attack Pearl Harbor, Prewitt attempts to rejoin his company under cover of darkness but is shot dead by a patrol. Warden notes the irony that the boxing tournament has been cancelled because of the attack.

When Karen finds out that Warden did not apply for officer training, she realizes they have no future together. She returns to the mainland with her husband. Lorene and Karen meet on the ship. Lorene tells Karen that her fiancé was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name, but says nothing.

Cast[edit]

The novel's author, James Jones, had a small, uncredited part.

Production[edit]

Hollywood legend has it that Frank Sinatra got the role in the movie because of his alleged Mafia connections, and that this was the basis for a similar subplot in The Godfather.[3] This has been dismissed on several occasions, however, by the cast and crew of the film. Director Fred Zinneman commented that "...the legend about a horse's head having been cut off is pure invention, a poetic license on the part of Mario Puzo who wrote The Godfather."[3] More plausible is the notion that Sinatra's then-wife Ava Gardner persuaded studio head Harry Cohn's wife to use her influence with him; this version is related by Kitty Kelley in her Sinatra biography.[3] Sinatra himself had been bombarding Cohn with letters and telegrams asking to play the ill-fated Maggio, even signing some of the letters "Maggio". Sinatra benefited when Eli Wallach, who was originally cast as Maggio, dropped out to appear on Broadway instead. Sinatra gained the role, ultimately taking a pay cut in the process (earning $8,000, a huge drop from his $130,000 salary for Anchors Aweigh) to star in the film.

Sinatra's screen-test was used in the final cut of the film; the scene included Sinatra improvising with two olives, "the terror of Gimbels Basement," pretending the olives were a pair of dice.

Joan Crawford and Gladys George were offered roles, but George lost her role when the director decided he wanted to cast the female roles against type while Crawford's demands to be filmed by her own cameraman led to the studio taking a chance on Deborah Kerr, also playing against type.[4]

The material of the rather explicit novel had to be considerably toned down to appease the censors of the time, but author James Jones objected to this. For example, in the famous beach scene, it is less obvious that Kerr's and Lancaster's characters are having sex than it is in the novel and in the later miniseries based on the book. Though she wore a bathing suit, Deborah Kerr was told to wear a skirt before the scene. Others wanted the suit to have a fixed skirt, but both Kerr and Lancaster stuck with doing the passage with no change to their beachwear. The two refused to do the scene standing up, so Zinnemann let them do the scene with waves of the water hitting them and staying wet as they both kissed. The censors also wanted the scene to be trimmed totally, but Columbia refused and the scene stayed in. Also left out of the film are Maggio being a male hustler and the portrait of the gay nightlife in Waikiki.

The on-screen chemistry between Lancaster and Kerr may have spilled off-screen; it was alleged that the stars became romantically involved during filming.[5]

A rumor has been circulating for years that George Reeves, who played Sgt. Maylon Stark, had his role drastically edited after preview audiences recognized him as television's Superman. This is depicted in the film Hollywoodland. However, Zinnemann maintains all his scenes were kept intact from the first draft, nor was there ever a preview screening.

The U.S. Army withheld its cooperation from the production (most of the movie was filmed where it was set, at Schofield Barracks, Hawaii) until the producers agreed to several modifications, most noticeably the fate of Captain Holmes. Numerous barracks locations are still intact and still occupied by active duty troops. In both the movie and the book the bar and restaurant called Choy's, where the fight scene takes place in the movie and where the novel opens is named Kemo'o (pronounced "kay-moe-o" in Hawaiian) Farms Bar and Grill. Choy's was chosen by James Jones in honor of Kemo'o Farms' head chef. Kemo'o Farms Bar and Grill is still in operation and remains deeply associated with the adjacent Schofield Barracks, and the cast and crew, especially Sinatra, are reputed to have patronized the bar to the point of excess.

Two songs are noteworthy: "Re-Enlistment Blues" and "From Here to Eternity", by Robert Wells and Fred Karger.

Reception[edit]

Opening to rave reviews, From Here to Eternity proved to be an instant hit with critics and the public alike, the Southern California Motion Picture Council extolling: "A motion picture so great in its starkly realistic and appealing drama that mere words cannot justly describe it." Variety agreed: "The James Jones bestseller, 'From Here to Eternity,' has become an outstanding motion picture in this smash screen adaptation. It is an important film from any angle, presenting socko entertainment for big business. The cast names are exceptionally good, the exploitation and word-of-mouth values are topnotch, and the prospects in all playdates are very bright whether special key bookings or general run." [6]

Of the actors, Variety went on to say, "Burt Lancaster, whose presence adds measurably to the marquee weight of the strong cast names, wallops the character of Top Sergeant Milton Warden, the professional soldier who wet-nurses a weak, pompous commanding officer and the GIs under him. It is a performance to which he gives depth of character as well as the muscles which had gained marquee importance for his name. Montgomery Clift, with a reputation for sensitive, three-dimensional performances, adds another to his growing list as the independent GI who refuses to join the company boxing team, taking instead the "treatment" dished out at the C.O.'s instructions. Frank Sinatra scores a decided hit as Angelo Maggio, a violent, likeable Italo-American GI. While some may be amazed at this expression of the Sinatra talent versatility, it will come as no surprise to those who remember the few times he has had a chance to be something other than a crooner in films.[6]

The New York Post applauded Frank Sinatra, remarking that "He proves he is an actor by playing the luckless Maggio with a kind of doomed gaiety that is both real and immensely touching." Newsweek also stated that "Frank Sinatra, a crooner long since turned actor, knew what he was doing when he plugged for the role of Maggio."

The cast agreed, Burt Lancaster commenting in the book Sinatra: An American Legend that "His fervour (Sinatra), his bitterness had something to do with the character of Maggio, but also with what he had gone through the last number of years. A sense of defeat and the whole world crashing in on him... They all came out in that performance."[3]

With a gross of $30.5 million equating to earnings of $12.2 million, From Here to Eternity was not only one of the top grossing films of 1953, but one of the ten highest-grossing films of the decade. Adjusted for inflation, its box office gross would be equivalent to in excess of $240 million U.S. in recent times.[1]

Awards and nominations[edit]

AwardCategoryNominee(s)Result
Academy AwardBest PictureBuddy AdlerWon
Best DirectorFred ZinnemannWon
Best ActorMontgomery CliftNominated
Best ActorBurt LancasterNominated
Best ActressDeborah KerrNominated
Best Writing, ScreenplayDaniel TaradashWon
Best Supporting ActorFrank SinatraWon
Best Supporting ActressDonna ReedWon
Best Cinematography (Black-and-White)Burnett GuffeyWon
Best Costume Design (Black-and-White)Jean LouisNominated
Best Film EditingWilliam A. LyonWon
Best Score of a Dramatic or Comedy PictureGeorge Duning and Morris StoloffNominated
Best Sound (Recording)John P. LivadaryWon
Golden Globe AwardBest Supporting ActorFrank SinatraWon
Best DirectorFred ZinnemanWon
New York Film Critics Circle AwardsBest FilmWon
Best ActorBurt LancasterWon
Best DirectorFred ZinnemanWon
Cannes Film FestivalSpecial Award of MeritWon
Grand Prize of the FestivalNominated[7]
BAFTA AwardBest Film from Any SourceNominated
Directors Guild of AmericaOutstanding Directorial AchievementFred ZinnemanWon
Writers Guild of AmericaBest Written American DramaWon
Photoplay AwardGold MedalWon

William Holden, who won the Best Actor Oscar for Stalag 17, felt that Lancaster or Clift should have won. Sinatra would later comment that he thought his performance of heroin addict Frankie Machine in The Man With the Golden Arm was more deserving of an Oscar than his role as Maggio.

National Film Registry[edit]

In 2002, the United States Library of Congress deemed the film "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.

American Film Institute[edit]

References[edit]

Notes
  1. ^ a b "Box Office Information for 'From Here to Eternity'." The Numbers. Retrieved: April 12, 2012.
  2. ^ "The 26th Academy Awards (1954) Nominees and Winners". oscars.org. Retrieved 2011-08-20. .
  3. ^ a b c d Sinatra 1995, p. 106
  4. ^ "From Here to Eternity (1953)." moviesplanet.com. Retrieved: May 31, 2011.
  5. ^ Buford 2000
  6. ^ a b Brogdon, William. "Review:'From Here to Eternity'." Variety, July 29, 1953. Retrieved: January 14, 2010.
  7. ^ "From Here to Eternity." Festival de Cannes. Retrieved: January 25, 2009.
Bibliography
  • Buford, Kate. Burt Lancaster: An American Life. New York: Knopf, 2000. ISBN 0-679-44603-6.
  • Dolan Edward F. Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN 0-86124-229-7.
  • Evans, Alun. Brassey's Guide to War Films. Dulles, Virginia: Potomac Books, 2000. ISBN 1-57488-263-5.
  • Sinatra, Nancy. Frank Sinatra: An American Legend. Chappaqua, New York: Readers Digest Association, 1995. ISBN 0-7621-0134-2.

External links[edit]

Awards
Preceded by
A Streetcar Named Desire
Academy Award winner for Best Supporting Actor and Best Supporting ActressSucceeded by
Sayonara