Ferdowsi

From Wikipedia, the free encyclopedia - View original article

Hakīm Abul-Qāsim Firdawsī Tūsī
حکیم ابوالقاسم فردوسی توسی
Statue of Ferdowsi in Rome.JPG
Statue of Ferdowsi in Rome, Italy
Born940 CE
Tus, Iran
Died1020 (aged 79–80)
Tus
OccupationPoet
EthnicityPersian
PeriodSamanids and Ghaznavids
GenresPersian poetry, national epic
 
  (Redirected from Ferdousi)
Jump to: navigation, search
Hakīm Abul-Qāsim Firdawsī Tūsī
حکیم ابوالقاسم فردوسی توسی
Statue of Ferdowsi in Rome.JPG
Statue of Ferdowsi in Rome, Italy
Born940 CE
Tus, Iran
Died1020 (aged 79–80)
Tus
OccupationPoet
EthnicityPersian
PeriodSamanids and Ghaznavids
GenresPersian poetry, national epic

Hakīm Abul-Qāsim Firdawsī Tūsī (Persian: حکیم ابوالقاسم فردوسی توسی‎, most commonly known as Ferdowsi (فردوسی) ; also spelled as Firdausi or Firdusi; 940 – 1020 CE), was a highly revered Persian poet. He is the author of the Shahnameh, the national epic of Iran and the Persian-speaking world.

The Shahnameh was originally composed by Ferdowsi for the princes of the Samanid dynasty, who were responsible for a revival of Persian cultural traditions after the Arab invasion of Persia in the seventh century. After the fall of the Samanids, he dedicated his work to the new ruler, Mahmud of Ghazni, who was also a great patron of Persian arts and literature.

The Shahnameh chronicles the legendary history of the pre-Islamic kings of Iran from Keyumars to Yazdegerd III. Ferdowsi spent over three decades (from 977 to 1010) working on the Shahnameh, which became one of the most influential works of Persian literature.

Life[edit]

Family[edit]

Ferdowsi was born into a family of Iranian landowners (dehqans) in 940 C.E. in the village of Paj, near the city of Tus in the province of Khorasan, now in northeastern Iran.[1] Little is known about Ferdowsi's early life. The poet had a wife, who was probably literate and came from the same dehqan class. He had a son, who died aged 37, and was mourned by the poet in an elegy which he inserted into the Shahnameh.[2] Ferdowsī was a Shi'ite Muslim, which is apparent from the Shahnama itself[3] and confirmed by early accounts.[4] In recent times, however, some have cast doubt on his religion and his Shi'ism.[2]

Background[edit]

Ferdowsi belonged to the class of dehqans. These were landowning Iranian aristocrats who had flourished under the Sassanid dynasty (the last pre-Islamic dynasty to rule Iran) and whose power, though diminished, had survived into the Islamic era which followed the Arab conquests of the seventh century. The dehqans were intensely patriotic (so much so that dehqan is sometimes used as a synonym for "Iranian" in the Shahnameh) and saw it as their task to preserve the cultural traditions of Iran, including the legendary tales about its kings.[5][6]

The Muslim conquests of the seventh century had been a watershed in Iranian history, bringing the new religion of Islam, submitting Iranians to the rule of the Arab caliphate and promoting Arabic culture and language at the expense of Persian. By the late 9th century, the power of the caliphate had weakened and local Iranian dynasties emerged.[7] Ferdowsi grew up in Tus, a city under the control of one of these dynasties, the Samanids, who claimed descent from the Sassanid general Bahram Chobin (whose story Ferdowsi recounts in one of the later sections of the Shahnameh).[8] The Samanid bureaucracy used the New Persian language rather than Arabic and the Samanid elite had a great interest in pre-Islamic Iran and its traditions and commissioned translations of Pahlavi (Middle Persian) texts into New Persian. Abu Mansur ʿAbd-al-Razzāq, a dehqan and governor of Tus, had several local scholars compile a prose Shahnameh ("Book of Kings"), which was completed in 957.[9] Although it no longer survives, Ferdowsi used it as one of the sources of his epic. Samanid rulers were patrons of such important Persian poets as Rudaki and Daqiqi. Ferdowsi followed in the footsteps of these writers.[10]

Details about Ferdowsi's education are lacking. Judging by the Shahnameh, there is no evidence he knew either Arabic or Pahlavi.[11] Although New Persian was permeated by Arabic vocabulary by Ferdowsi's time, there are relatively few Arabic loan words in the Shahnameh. This may have been a deliberate strategy by the poet.[12]

Life as a poet[edit]

Firdausi and three Ghaznavid court poets

It is possible that Ferdowsi wrote some early poems which have not survived. He began work on the Shahnameh around 977, intending it as a continuation of the work of his fellow poet Daqiqi, who had been assassinated by a slave. Like Daqiqi, Ferdowsi employed the prose Shahnameh of ʿAbd-al-Razzāq as a source. He received generous patronage from the Samanid prince Mansur and completed the first version of the Shahnameh in 994.[2] When the Turkic Ghaznavids overthrew the Samanids in the late 990s, Ferdowsi continued to work on the poem, rewriting sections to praise the Ghaznavid Sultan Mahmud. Mahmud's attitude to Ferdowsi and how well he rewarded the poet are matters which have long been subject to dispute and have formed the basis of legends about the poet and his patron (see below). The Turkic Mahmud may have been less interested in tales from Iranian history than the Samanids.[13] The later sections of the Shahnameh have passages which reveal Ferdowsi's fluctuating moods: in some he complains about old age, poverty, illness and the death of his son; in others, he appears happier. Ferdowsi finally completed his epic on 8 March 1010. Virtually nothing is known with any certainty about the last decade of his life.[2]

Tomb[edit]

Ferdowsi was buried in his own garden, burial in the cemetery of Tus having been forbidden by a local cleric. A Ghaznavid governor of Khorasan constructed a mausoleum over the grave and it became a revered site. The tomb, which had fallen into decay, was rebuilt between 1928 and 1934 on the orders of Reza Shah and has now become the equivalent of a national shrine.[14]

Legend[edit]

According to legend, Sultan Mahmud of Ghazni offered Ferdowsi a gold piece for every couplet of the Shahnameh he wrote. The poet agreed to receive the money as a lump sum when he had completed the epic. He planned to use it to rebuild the dykes in his native Tus. After thirty years of work, Ferdowsi finished his masterpiece. The sultan prepared to give him 60,000 gold pieces, one for every couplet, as agreed. However, the courtier Mahmud had entrusted with the money despised Ferdowsi, regarding him as a heretic, and he replaced the gold coins with silver. Ferdowsi was in the bath house when he received the reward. Finding it was silver not gold, he gave the money away to the bathkeeper, a refreshment seller and the slave who had carried the coins. When the courtier told the sultan about Ferdowsi's behaviour, he was furious and threatened to execute him. Ferdowsi fled Khorasan, having first written a satire on Mahmud, and spent most of the remainder of his life in exile. Mahmud eventually learned the truth about the courtier's deception and had him either banished or executed. By this time, the aged Ferdowsi had returned to Tus. The sultan sent him a new gift of 60,000 gold pieces but as the caravan bearing the money arrived in Tus it met a funeral procession: the poet had died from a heart attack.[15]

Works[edit]

Scenes from the Shahnameh carved into reliefs at Ferdowsi's mausoleum in Tus, Iran

Ferdowsi's Shahnameh is the most popular and influential national epic in Iran and other Persian-speaking nations. The Shahnameh is the only surviving work by Ferdowsi regarded as indisputably genuine. He may have written poems earlier in his life but they no longer exist. A narrative poem, Yūsof o Zolaykā (Joseph and Zuleika), was once attributed to him but scholarly consensus now rejects the idea it is his.[16] There has also been speculation about the satire Ferdowsi allegedly wrote about Mahmud of Ghazni after the sultan failed to reward him sufficiently. Nezami Aruzi, Ferdowsi's early biographer, claimed that all but six lines had been destroyed by a well-wisher who had paid Ferdowsi a thousand dirhams for the poem. Introductions to some manuscripts of the Shahnameh include verses purporting to be the satire. Some scholars have viewed them as fabricated, others are more inclined to believe in their authenticity.[17]

Influence[edit]

Mausoleum of Ferdowsi in Tus, Iran

Ferdowsi is one of the undisputed giants of the Persian literature. After Ferdowsi's Shahnameh a number of other works similar in nature surfaced over the centuries within the cultural sphere of the Persian language. Without exception, all such works were based in style and method on Ferdowsi's Shahnameh, but none of them could quite achieve the same degree of fame and popularity as Ferdowsi's masterpiece.

Ferdowsi has a unique place in Persian history because of the strides he made in reviving and regenerating the Persian language and cultural traditions. His works are cited as a crucial component in the persistence of the Persian language, as those works allowed much of the tongue to remain codified and intact. In this respect, Ferdowsi surpasses Nizami, Khayyam, Asadi Tusi, and other seminal Persian literary figures in his impact on Persian culture and language. Many modern Iranians see him as the father of the modern Persian language.

The statue of Ferdowsi in front of Faculty of Literature and Humanities, University of Tehran

Ferdowsi in fact was a motivation behind many future Persian figures. One such notable figure was Reza Shah Pahlavi who established an "Academy of Culture" in Iran, in order to attempt to remove Arabic and Turkish words from the Persian language, replacing them with suitable Persian alternatives. In 1934, Reza Shah set up a ceremony in Mashad, Khorasan celebrating a thousand years of Persian literature since the time of Ferdowsi, titled "Ferdowsi's Millenary Celebration" inviting notable European as well as Iranian scholars.[18] Ferdowsi University of Mashhad, is a university established in 1949 that also takes its name from Ferdowsi.

Ferdowsi's influence in the Persian culture is explained by the Encyclopædia Britannica:[19]

The Persians regard Ferdowsi as the greatest of their poets. For nearly a thousand years they have continued to read and to listen to recitations from his masterwork, the Shah-nameh, in which the Persian national epic found its final and enduring form. Though written about 1,000 years ago, this work is as intelligible to the average, modern Iranian as the King James version of the Bible is to a modern English-speaker. The language, based as the poem is on a Dari original, is pure Persian with only the slightest admixture of Arabic.

See also[edit]

References[edit]

  1. ^ Ferdowsi, Dick Davis (2006). Shahnameh: the Persian book of kings. Penguin. 
  2. ^ a b c d Iranica article "Ferdowsi"
  3. ^ (ed. Khaleghi, I, pp. 1o-11)
  4. ^ (Neẓāmī ʿArūżī, text, pp. 80, 83; Naṣīr-al-Dīn Qazvīnī, pp. 251–52)
  5. ^ Dick Davis The Shahnameh (Viking Penguin, 2006) p.xviii
  6. ^ Iranica article on Ferdowsi, section on "Social background"
  7. ^ Davis Shahnameh p.xviii
  8. ^ Richard N. Frye The Golden Age of Persia (Weidenfield, 1975) p.200
  9. ^ Iranica article on Abu Mansur
  10. ^ Frye p.202
  11. ^ Iranica article on Ferdowsi: sub-section on "Education"
  12. ^ Frye p.233
  13. ^ Dick Davis (translator) Shahnameh: The Persian Book of Kings (Viking Penguin, 2006) p.xxiii
  14. ^ Iranica article
  15. ^ Donna Rosenberg (1997). Folklore, myths, and legends: a world perspective. McGraw-Hill Professional. pp. 99–101. 
  16. ^ Iranica article on "Ferdowsi"
  17. ^ Iranica article on "Hajw-nāma"
  18. ^ Cyrus Ghani, Sirus Ghani (2001). Iran and the rise of Reza Shah: from Qajar collapse to Pahlavi rule. I.B.Tauris. p. 400. 
  19. ^ "Ferdowsi". Encyclopædia Britannica Online. 2007. Retrieved 4 June 2007. 

External links[edit]

Media related to Ferdowsi at Wikimedia Commons