Fathers and Sons (novel)

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Fathers and Sons
Otsy1880.jpg
Title page of the second edition (Leipzig, Germany, 1880)
AuthorIvan Turgenev
Original titleОтцы и дети (Otcy i deti, IPA: [ɐˈtsɨ i ˈdʲetʲi])
CountryRussia
LanguageRussian
GenrePolitical, romance, philosophical
PublisherThe Russian Messenger
Publication date
February 1862
Media typeHardback and paperback
Pages226 pp (2001 Modern Library Paperback Edition)
Preceded byOn the Eve
Followed bySmoke
 
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Fathers and Sons
Otsy1880.jpg
Title page of the second edition (Leipzig, Germany, 1880)
AuthorIvan Turgenev
Original titleОтцы и дети (Otcy i deti, IPA: [ɐˈtsɨ i ˈdʲetʲi])
CountryRussia
LanguageRussian
GenrePolitical, romance, philosophical
PublisherThe Russian Messenger
Publication date
February 1862
Media typeHardback and paperback
Pages226 pp (2001 Modern Library Paperback Edition)
Preceded byOn the Eve
Followed bySmoke

Fathers and Sons is an 1862 novel by Ivan Turgenev, one of his best-known works.[1] The title of this work in Russian is Отцы и дети (Otcy i Deti), which literally means "Fathers and Children"; the work is often translated to Fathers and Sons in English for both euphony and tradition.

Plot[edit]

Arkady Kirsanov has just graduated from the University of Petersburg and returns with a friend, Bazarov, to his father's modest estate in an outlying province of Russia. His father, Nikolai, gladly receives the two young men at his estate, called Marino, but Nikolai's brother, Pavel, soon becomes upset by the strange new philosophy called "nihilism" which the young men advocate.

Nikolai feels awkward with his son at home, partially because Arkady's views have dated his own beliefs, and partially because he has taken a servant, Fenichka, into his house to live with him and has already had a son by her.

The two young men remain at Marino for a short time, then decide to visit a relative of Arkady's in a neighboring province. There they observe the local gentry and meet Madame Odintsova, an elegant woman of independent means who invites them to spend a few days at her estate, Nikolskoe.

At Nikolskoe, they also meet Katya, Madame Odintsova's sister. Although they remain for only a short period, both characters change a lot. Their relationship with each other is especially affected, because they both find themselves drawn to Madame Odintsova. Bazarov in particular, finding this distressing because falling in love goes against his beliefs. Eventually, he announces that he loves her. She does not respond to his declaration, and soon after, Arkady and Bazarov leave for Bazarov's home.

At Bazarov's home, they are received enthusiastically by his parents. Bazarov is still disturbed by his rejection, and treats them poorly as a result. Later, he almost comes to blows with Arkady after the latter makes a joke about fighting over Bazarov's cynicism. After a brief stay, they decide to return to Marino, stopping on the way to see Madame Odintsova, who receives them coolly. They leave almost immediately and return to Arkady's home.

Arkady remains for only a few days, and makes an excuse to leave in order to go to Nikolskoe. Once there, he realizes he is no longer in love with Odintsova, but instead with her sister Katya. Bazarov stays at Marino to do some scientific research, and tension between him and Pavel increases. Bazarov enjoys talking with Fenichka and playing with her child, and one day he gives her a quick, harmless kiss. Pavel observes this kiss and, secretly in love with Fenichka himself, challenges Bazarov to a duel. Pavel is wounded slightly, and Bazarov must leave Marino. He stops for an hour or so at Madame Odintsova's, then continues on to his parents' home. Meanwhile, Arkady and Katya have fallen in love and have become engaged.

At home, Bazarov cannot keep his mind on his work and while performing an autopsy fails to take the proper precautions. He accidentally cuts himself and contracts typhus. On his deathbed, he sends for Madame Odintsova, who arrives just in time to hear Bazarov tell her how beautiful she is. She kisses him on the forehead and leaves; Bazarov later dies from his illness the following day.

Arkady marries Katya and takes over the management of his father's estate. His father marries Fenichka and is delighted to have his son home with him. Pavel leaves the country and lives the rest of his life as a "noble" in Dresden, Germany.

Major characters[edit]

Historical context and notes[edit]

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov, a nihilist who rejects the old order.

Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the Slavophiles, who believed that Russia's path lay in its traditional spirituality.

Turgenev's novel was responsible for popularizing the use of the term nihilism, which became widely used after the novel was published.[2]

Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, was referred to by the author as a poem or epic in prose as in the style of Dante's Divine Comedy, and was at any rate never completed). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.

The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert,[3] Guy de Maupassant,[4] and Henry James.[5]

Adaptations[edit]

Canadian playwright George F. Walker's 1988 play Nothing Sacred is a stage adaptation of Fathers and Sons.[6] Irish playwright Brian Friel has also adapted the novel, under the same title.

References[edit]

  1. ^ Turgenev, Ivan (1941). The best known works of Ivan Turgenev; including Fathers and sons, Smoke and nine short stories. Greystone Press. 
  2. ^ "Nihilismus". Johannes Kepler University. Retrieved 24 September 2013. 
  3. ^ Kakutani, Michiko. "Books of the Times". New York Times. Retrieved 24 September 2013. 
  4. ^ Power, Chris. "a brief survey of the short story part 50: Ivan Turgenev". Guardian News. Retrieved 24 September 2013. 
  5. ^ James, Henry. "Ivan Turgenev". Eldritch Press. Retrieved 24 September 2013. 
  6. ^ "Refracting Russia Through the Present". Newsday, October 23, 1992.

Footnotes[edit]

  1. ^ Ivan Turgenev, Fathers and Sons, 38.
  2. ^ Ibid., 42.
  3. ^ Ibid., 98.
  4. ^ Ibid., 142-3.
  5. ^ Ibid., 176
  6. ^ Ibid., 75-6
  7. ^ Ibid., 80
  8. ^ Ibid., 156-7.

External links[edit]