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Fat Pig 2008 London Run poster
|Written by||Neil Labute|
Fat Pig 2008 London Run poster
|Written by||Neil Labute|
|This article's lead section may not adequately summarize key points of its contents. (May 2011)|
Fat Pig is an American play.
Fat Pig tells us the story of Tom, a stereotypical professional in a large city, who falls for a very plus-size librarian named Helen. They meet in a crowded cafeteria at lunchtime and get to talking. Tom is taken with her brash acceptance of the way people see her and her honesty. He asks her for her number and they start to date. A couple of weeks later, Carter, Tom’s best friend, starts to notice the signs of Tom having a new girlfriend. He obnoxiously pesters him for information about the new girl and in order to get it mentions it in front of a woman from accounting, Jeannie, who has been seeing Tom on-and-off for a while. She gets very upset which gets Tom to admit that he is “sort of” seeing her. Carter asks Tom what he is doing that night, and Tom says he is busy. Carter knows then that he is meeting Helen at a restaurant Tom frequents, Tom denies it and says it is a business dinner with people from the Chicago branch of their firm. Carter, not believing him, stops by the restaurant and sees them together. He approaches them and introduces himself to Helen, and she excuses herself to go to the restroom. While she is gone Carter thoroughly insults her weight and calling her a lot of horrible things, not knowing that this is Tom’s new girlfriend. He assumes then that Tom was telling the truth about the people coming in from Chicago, since he thought that Tom would never date anyone that “fat”.
Later that week Jeannie pays a visit to Tom in his office. She has found out that no people from Chicago came to visit. She demands to know what is going on with him and her and he says that he is not interested and will never be again. Earlier, she and Carter had been gossiping about the “fat cow from Chicago,” which is how Jeannie found out about the whole thing. So once Tom says that it wasn’t a business dinner, she flips out and smacks him, hurt that he would pick someone like Helen over her. Carter looks on and sort of apologizes for being rude about Helen, saying that he didn’t know she was his girlfriend. He asks to see a picture and after a lot of pestering gets one from Tom. He then proceeds to run down the hall and show everyone. Throughout the rest of the play, Carter tries to convince Tom that he should “stick to his own kind.”
Meanwhile Tom and Helen are falling more and more in love. Helen is offered a better job in another town but she doesn’t want to leave Tom. She asks if she can meet his friends, when he is hesitant, she knows that he is ashamed of her. But not wanting to give her that impression he tells her that she will meet his friends when they have a work barbecue on the beach. The day arrives for the outing, but once they get there they are secluded from everyone. Helen brings up her concerns and gives him an ultimatum, either accept all of her and that includes defending her to his friends, or this cannot work. He replies that he cannot handle it and that she should take the job in the other town and both are left broken hearted.
Labute provides very few details about the specifics of the characters' lives, beside from the fact that they all work and are in approximately the same age group.
Opened on November 17, 2004 Off-Broadway at the MCC Theater in New York City and directed by Jo Bonney. Cast was as follows: Ashlie Atkinson (Helen), Andrew McCarthy (Carter), Jeremy Piven (Tom), Keri Russell (Jeannie). This production was hailed as a provocative comedy that made the audience think. David Amsden said in New York Magazine,
“You emerge from his plays either praising him for the metaphoric slap in the face or simply wishing you knew where he lived, so you can hunt down the bastard and deliver a literal slap of your own. The guy is doing something right, in short.... His cruel wit and chronicles of immoral moralizers have made him, arguably, the most legitimately provocative and polarizing playwright at work today.”
The play made its West Coast and true first Bay Area production in San Jose, at City Lights Theatre Company of San Jose, under the direction of Tom Gough, its former Artistic Director. It held a successful run, opening from January 25, 2007, to February 25, 2007, and received high praise.
The play made its New England debut in Boston from March 16, 2007 to April 7, 2007 at the Boston Center for the Arts by the SpeakEasy Stage Company. The cast included James Ryen(Tom), Liliane Klein (Helen), Michael Daniel Anderson (Carter), and Laura Latreille (Jeannie).
The Los Angeles premiere was May 11, 2007 at the Geffen Playhouse's Audrey Skirball-Kenis Theater, with a cast including Kirsten Vangsness as Helen, Scott Wolf as Tom, Chris Pine as Carter, and Andrea Anders as Jeannie. The play, originally scheduled to run until June 10, 2007, was extended to July 1, 2007, with a new cast - original New York cast member Ashlie Atkinson as Helen, Joe Sikora as Tom, Jon Bernthal as Carter, and Jamie Ray Newman as Jeannie.
In August it was announced that both Marshall and Webb would be stepping down from their roles and be replaced by Kevin Bishop and Nicholas Burns, respectively. Also announced later in the same month was that Page would be stepping down from her role and would be replaced by Kelly Brook in October 2008.
On September 11, 2008, the play was shown at the Comedy Theatre.
The Colombia premiere was March, 31 at the Teatro Nacional La Castellana in Bogota, with the cast Constanza Hernández as Helena, Fabián Mendoza as Tommy, Tatiana Rentería as Julia and Juan Sebastián Aragón. Directed by Mario Morgan. http://www.teatronacional.com.co/
The play made its East Bay Area premiere in Berkeley, CA at the Aurora Theatre Company. Previews began on October 30, 2009 and opening night was November 5, 2009. The play was directed by Barbara Damashek and featured Boston cast member Liliane Klein as Helen, Jud Williford as Tom, Peter Ruocco as Carter, and Alexandra Creighton as Jeannie. Originally scheduled to run through December 6, 2009, the play was extended 1 week through December 13, 2009.
“Playwright Neil LaBute's "Fat Pig"... is an alternately rude and heartwarming play laced with sweet moments, insults and profanity. It is an all-out assault at the image-obsessed, morally craven culture that the current generation constantly is bombarded with and often embraces. And it is so good it is almost painful to watch. It is, in short, the type of theater we need to be seeing.”
Theatre Horizon produced the play April 9 - May 1, 2010. It was directed by Matthew Decker and featured Ed Renninger as Tom, Melissa Joy Hart as Helen, Paul Felder as Carter and Erin Mulgrew as Jeannie.
The show is currently, as of April 2010, being staged in Mexico City at the Teatro Fernando Soler, in Spanish, with the title "Gorda" (literally, 'fat woman'). The play is set in Mexico.
The show is being staged in São Paulo at Teatro Procópio Ferreira. It premiered in the four of March 2010 and it's being stagged until the end of May. The play is titled "Gorda" (literally 'Fat Woman'). It is directed by the Argentinian Daniel Veronese, which also stagged this version of the play for two years in Buenos Aires, Argentina
The play is set in Brasil, with the characters names adapted accordingly. Helen (played by Fabiana Karla) became Helena, Tom became Tony (played by Michel Bercovitch, nominated for the Shell award for his performance in this play). Carter, played by Mouhamed Harchouf became Caco and Jeannie became Joana played by Flávia Rubim. This same play was previously presented in Rio de Janeiro with the same cast.
The show would be played at Hong Kong Cultural Centre Studio from August 20, 2010 to August 29, 2010 as Asia Premiere, with the play being translated by Chong Mui-Ngam and directed by Wong Long-Bun. 4 young local actors being as main casts.
Josh Hamilton, as Tom, Dane Cook as Carter, and Julia Stiles as Jeannie were scheduled to star in a production at the Belasco Theatre on April 12, 2011 in previews and officially on April 26, 2011. This would have marked the Broadway directorial debut of Labute as well. However, before the show began it was postponed for financial reasons, with intent to reschedule it for the 2011-12 season instead.