Ekseption was a Dutch jazz-rock band active from 1967 to 1989, playing mostly-instrumental progressive rock and classical rock. The central character in the changing list of members, the only band member present on every album, was conservatory-trained trumpeter Rein van den Broek. The band knew some commercial success in the 1970s, having Dutch top ten hit singles with their adaptations of Beethoven's "Fifth" and Bach's (Celebrated) "Air." The second album, "Beggar Julia's Time Trip" (1969), won the Dutch Edison Award for album of the year, and the first five albums all went gold.
Ekseption grew out of the high-school band The Jokers, which van den Broek formed in 1958. They changed their name to The Incrowd (after the Ramsey Lewissong) before discovering that name was already taken. Finally they settled on the name Ekseption (Dutch spelling) in 1967. The group played jazz, pop and R&Bcovers, but in 1969, shortly after keyboardist Rick van der Linden joined, they were impressed by a gig of The Nice, and van der Linden decided to concentrate on producing classical rock, modern re-interpretations of classical works for rock band. Most of their subsequent albums contain both original songs and re-interpreted classical pieces.
Van der Linden left the group in late 1973 to form Trace, during which time he was replaced by Dutch keyboardist Hans Jansen. Jansen took the band in a jazzier direction, with two LPs of original compositions, but lackluster sales caused the band to break up in 1976. An offshoot band, named Spin, formed later that year and released two more albums, but success also eluded them. In 1978 Trace and Spin merged to become Ekseption once again. Periodic reunions (with new members) appeared until van der Linden's death in 2006.
Rein van den Broek - trumpet, flugelhorn (1967-1989)
Note: This is the only Ekseption album which does not list personnel. Instead the liner notes say, "The pieces were recorded by musicians who were with EKSEPTION between 1969 and 1975, joined by Holland's best session musicians to replace those members who had to be excluded because of contractual obligations". Since at this time all of the principals were busy with Trace or Spin, it seems likely that this album was put together without the band's permission, or at the very least as a contractual obligation album, by Philips executives intending to trade on the name and style of the old Ekseption.