Edwin Black is an American syndicated columnist and journalist. He specializes in human rights, the historical interplay between economics and politics in the Middle East, petroleum policy, the abuses practiced by corporations, and the financial underpinnings of Nazi Germany.
Black is the son of Polish Jews who were survivors of the Holocaust. His mother, Ethel "Edjya" Katz, hailed from Białystok, and had only managed to survive the Holocaust when as a 13-year old in August 1943 she was pushed to safety by her mother and other prisoners through the vent of a boxcar en route to the Treblinka extermination camp. She was subsequently shot by militiamen and left for dead in a shallow grave, from which she was pulled to safety.
Black's father had escaped his own murder by successfully fleeing to the woods from a long march to an isolated "shooting pit" and had subsequently fought the fascists as a Betarpartisan. The pair had survived World War II by hiding in the forests of Poland for two years, emerging only after the end of the conflict and emigrating to the United States.
Of his own origins, Black has written: "I was born in Chicago, raised in Jewish neighborhoods, and my parents never tried to speak of their experience again."
In his book The Transfer Agreement Black notes that following in the beliefs of his parents he was from his earliest days a supporter of the State of Israel. As a young man he spent time on a kibbutz, visited Israel on several other occasions, and gave earnest consideration to permanent residency there.
In 1978 Black interviewed the American Civil Liberties Union lawyer who represented members of the American Nazi Party which in an intended provocation had marched through the predominantly Jewish Chicago suburb of Skokie. In preparing himself for that interview, Black's interest was piqued in the hidden history of relations between the government of Adolf Hitler and German-JewishZionists during the first years of the Nazi regime. Five years of research followed, ending in the 1984 publication of his controversial first book, The Transfer Agreement: The Dramatic Story of the Pact Between the Third Reich and Jewish Palestine.
Black's books have typically made use of networks of volunteer and professional researchers assembled for each project. Three years before completion of his 2001 book, IBM and the Holocaust, Black began to put together what would ultimately become a team of more than 100 researchers, translators, and assistants to work on discovery and analysis of primary source documents written in German, French, and Polish. In all, more than 20,000 documents from some 50 different libraries, archives, museums, and other collections were assembled and analyzed in the writing of the book.
In the fall of 2012 it was reported that Plan B, a production company owned by actor Brad Pitt, had taken an option on a cinematic adaptation of Black's IBM and the Holocaust. Marcus Hinchey, co-writer of the 2010 film All Good Things, was tapped for script-writing responsibilities.
Black has written on topics beyond that of 1933-1945 German history, including books on the issue of oil dependence, the history of Iraq, and alternative energy. He is presently a contributor to the online magazine, The Cutting Edge.
In March 2013, the author began the syndicated Edwin Black Show, which initially ran on the IBC-TV internet channel. The show, which frequently touches upon matters of politics and human rights, is currently in licensing.
Black has also occasionally written on the subject of film and television music, contributing opinion pieces and composer interviews to various print and online publications. An aficionado of musical soundtracks, Black regularly credits specific works which have provided "musical inspiration that propelled the writing" in the introductory notes to each book.
War Against the Weak: Eugenics and America's Campaign to Create a Master Race. New York: Basic Books, 2003.
Banking on Baghdad: Inside Iraq's 7,000-Year History of War, Profit, and Conflict. Hoboken, NJ: John Wiley & Sons, 2004.
Internal Combustion: How Corporations and Governments Addicted the World to Oil and Derailed the Alternatives. New York: St. Martin's Press, 2006.
The Plan: How to Rescue Society When the Oil Stops — or the Day Before. (cover title) Washington, DC: Dialog Press, 2008.
Nazi Nexus: America's Corporate Connections to Hitler's Holocaust. Washington, DC: Dialog Press, 2009.
The Farhud: The Arab-Nazi Alliance in the Holocaust. Washington, DC: Dialog Press, 2010.
British Petroleum and the Redline Agreement. Washington, DC: Dialog Press, 2011.
Financing the Flames: How Tax-Exempt and Public Money Fuel a Culture of Confrontation and Terror in Israel. Washington, DC: Dialog Press, 2013.
Götz Aly and Karl Heinz Roth, The Nazi Census: Identification and Control in the Third Reich. Introduction and translation by Edwin Black. Additional translation by Assenka Oksiloff. Philadelphia: Temple University Press, 2004.
John Friedman (ed.), The Secret Histories: Hidden Truths That Challenged the Past and Changed the World. New York: Picador Books, 2005.
Eric Katz (ed.), Death By Design: Science, Technology, and Engineering in Nazi Germany. New York: Pearson Longman, 2006.
Alan Dershowitz (ed.), What Israel Means to Me: By 80 Prominent Writers, Performers, Scholars, Politicians, and Journalists. Hoboken, NJ: John Wiley & Sons, 2006.
Michael T. Wilson (ed.), Democracy: Opposing Viewpoints. Farmington Hills, MI : Greenhaven Press/Thomson Gale, 2006.
Tobias Daniel Wabbel (ed.), Das Heilige Nichts: Gott nach dem Holocaust (The Holy Nothingness: God after the Holocaust), Düsseldorf, Germany: Patmos Publishers, 2007.
^Black, "Introduction to the 1984 Edition," The Transfer Agreement, pp. xxii-xxiii.
^ abcdEdwin Black, "Introduction to the 1984 Edition," The Transfer Agreement: The Dramatic Story of the Pact Between the Third Reich and Jewish Palestine. Washington, DC: Dialog Press, 2009; pg. xxii.
^See, for example, Edwin Black, Financing the Flames: How Tax-Exempt and Public Money Fuel a Culture of Confrontation and Terror in Israel. Washington, DC: Dialog Press, 2013; pg. xxiii, in which he credits specific works by Hans Zimmer, Anthony Gonzalez, and Jerry Goldsmith.