Dinah Washington

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Dinah Washington
Dinah Washington 1952.jpg
Washington in 1952
Background information
Birth nameRuth Lee Jones
Also known asQueen of the Blues, Queen of the Jukebox, Queen of Jam Sessions
Born(1924-08-29)August 29, 1924
Tuscaloosa, Alabama, United States
OriginChicago, Illinois, United States
DiedDecember 14, 1963(1963-12-14) (aged 39)
Detroit, Michigan, United States
GenresJazz, blues, R&B, gospel, traditional pop music
OccupationsSinger
InstrumentsVocals, piano, vibraphone
Years active1941–1963
LabelsKeynote, Mercury,
EmArcy, Roulette
Associated actsLionel Hampton
Brook Benton
 
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Dinah Washington
Dinah Washington 1952.jpg
Washington in 1952
Background information
Birth nameRuth Lee Jones
Also known asQueen of the Blues, Queen of the Jukebox, Queen of Jam Sessions
Born(1924-08-29)August 29, 1924
Tuscaloosa, Alabama, United States
OriginChicago, Illinois, United States
DiedDecember 14, 1963(1963-12-14) (aged 39)
Detroit, Michigan, United States
GenresJazz, blues, R&B, gospel, traditional pop music
OccupationsSinger
InstrumentsVocals, piano, vibraphone
Years active1941–1963
LabelsKeynote, Mercury,
EmArcy, Roulette
Associated actsLionel Hampton
Brook Benton

Dinah Washington, born Ruth Lee Jones (August 29, 1924 – December 14, 1963), was an American singer and pianist, who has been cited as "the most popular black female recording artist of the '50s".[1] Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music,[1] and gave herself the title of "Queen of the Blues".[2] She is a 1986 inductee of the Alabama Jazz Hall of Fame,[3] and was inducted into the Rock and Roll Hall of Fame in 1993.

Career[edit]

Ruth Lee Jones was born in Tuscaloosa, Alabama, and moved to Chicago as a child. She became deeply involved in gospel and played piano for the choir in St. Luke's Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and being a member of the Sallie Martin Gospel Singers. She sang lead with the first female gospel singers formed by Ms. Martin, who was co-founder of the Gospel Singers Convention. Her involvement with the gospel choir occurred after she won an amateur contest at Chicago's Regal Theater where she sang "I Can't Face the Music".[4]

After winning a talent contest at the age of 15, she began performing in clubs. By 1941-42 she was performing in such Chicago clubs as Dave's Rhumboogie and the Downbeat Room of the Sherman Hotel (with Fats Waller). She was playing at the Three Deuces, a jazz club, when a friend took her to hear Billie Holiday at the Garrick Stage Bar. Club owner Joe Sherman was so impressed with her singing of "I Understand", backed by the Cats and the Fiddle, who were appearing in the Garrick's upstairs room, that he hired her. During her year at the Garrick - she sang upstairs while Holiday performed in the downstairs room - she acquired the name by which she became known. She credited Joe Sherman with suggesting the change from Ruth Jones, made before Lionel Hampton came to hear Dinah at the Garrick.[5] Hampton's visit brought an offer, and Washington worked as his female band vocalist after she had sung with the band for its opening at the Chicago Regal Theatre.

She made her recording debut for the Keynote label that December with "Evil Gal Blues", written by Leonard Feather and backed by Hampton and musicians from his band, including Joe Morris (trumpet) and Milt Buckner (piano).[1][6][7] Both that record and its follow-up, "Salty Papa Blues", made Billboard's "Harlem Hit Parade" in 1944.[8]

She stayed with Hampton's band until 1946 and, after the Keynote label folded, signed for Mercury Records as a solo singer. Her first record for Mercury, a version of Fats Waller's "Ain't Misbehavin'", was another hit, starting a long string of success. Between 1948 and 1955, she had 27 R&B top ten hits, making her one of the most popular and successful singers of the period. Both "Am I Asking Too Much" (1948) and "Baby Get Lost" (1949) reached Number 1 on the R&B chart, and her version of "I Wanna Be Loved" (1950) crossed over to reach Number 22 on the US pop chart.[8] Her hit recordings included blues, standards, novelties, pop covers, and even a version of Hank Williams' "Cold, Cold Heart" (R&B Number 3, 1951). At the same time as her biggest popular success, she also recorded sessions with many leading jazz musicians, including Clifford Brown and Clark Terry on the album Dinah Jams (1954), and also recorded with Cannonball Adderley and Ben Webster.[1][7]

In 1959, she had her first top ten pop hit, with a version of "What a Diff'rence a Day Made",[9] which made Number 4 on the US pop chart. Her band at that time included arranger Belford Hendricks, with Kenny Burrell (guitar), Joe Zawinul (piano), and Panama Francis (drums). She followed it up with a version of Irving Gordon's "Unforgettable", and then two highly successful duets in 1960 with Brook Benton, "Baby (You've Got What It Takes)" (No. 5 Pop, No. 1 R&B) and "A Rockin' Good Way (To Mess Around and Fall in Love)" (No. 7 Pop, No. 1 R&B). Her last big hit was "September in the Rain" in 1961 (No. 23 Pop, No. 5 R&B).[8]

According to Richard S. Ginell at Allmusic:[1]

"[Washington] was at once one of the most beloved and controversial singers of the mid-20th century - beloved to her fans, devotees, and fellow singers; controversial to critics who still accuse her of selling out her art to commerce and bad taste. Her principal sin, apparently, was to cultivate a distinctive vocal style that was at home in all kinds of music, be it R&B, blues, jazz, middle of the road pop - and she probably would have made a fine gospel or country singer had she the time. Hers was a gritty, salty, high-pitched voice, marked by absolute clarity of diction and clipped, bluesy phrasing..."

Washington was well known for singing torch songs.[10] In 1962, Dinah hired a male backing trio called the Allegros, consisting of Jimmy Thomas on drums, Earl Edwards on sax, and Jimmy Sigler on organ. Edwards was eventually replaced on sax by John Payne. A Variety writer praised their vocals as "effective choruses".[11]

Washington's achievements included appearances at the Newport Jazz Festival (1955–59), the Randalls Island Jazz Festival in New York City (1959), and the International Jazz Festival in Washington D.C. (1962), frequent gigs at Birdland (1958, 1961–62), and performances in 1963 with Count Basie and Duke Ellington.

Death[edit]

Early on the morning of December 14, 1963, Washington's seventh husband, football great Dick "Night Train" Lane, went to sleep with his wife, and awoke later to find her slumped over and not responsive. Doctor B. C. Ross came to the scene to pronounce her dead.[11] An autopsy later showed a lethal combination of secobarbital and amobarbital, which contributed to her death at the age of 39. She is buried in the Burr Oak Cemetery in Alsip, Illinois.

Awards[edit]

Grammy Award
YearCategoryTitleGenre
1959Best Rhythm & Blues PerformanceWhat a Difference a Day MakesR&B
Grammy Hall of Fame

Recordings by Dinah Washington were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."[12]

YearTitleGenreLabelYear Inducted
1959Unforgettablepop (single)Mercury2001
1954Teach Me TonightR&B (single)Mercury1999
1959What a Diff'rence a Day Makestraditional pop (single)Mercury1998
Rock and Roll Hall of Fame

The Rock and Roll Hall of Fame listed a song of Dinah Washington as one of the songs that shaped rock and roll.[13]

YearTitleGenre
1953TV Is The Thing (This Year)R&B
Honors and Inductions
YearTitleResultNotes
1993Rock and Roll Hall of FameInductedEarly Influences
1984Big Band and Jazz Hall of FameInducted

Discography[edit]

As leader[edit]

As sideman[edit]

With Clifford Brown

Singles[edit]

YearSongPeak chart positions
USUS R&BUK
1944"Salty Papa Blues"8
"Evil Gal Blues"9
1948"Ain't Misbehavin'"6
"West Side Baby"7
"Walkin' and Talkin' (And Crying My Blues Away)"13
"I Want to Cry"11
"Resolution Blues"15
"Am I Asking Too Much"1
"It's Too Soon To Know"2
1949"You Satisfy"8
"Baby Get Lost"1
"Good Daddy Blues"9
"Long John Blues"3
1950"I Only Know"3
"It Isn't Fair"5
"I Wanna Be Loved"225
"I'll Never Be Free"3
"Time Out For Tears"6
1951"Harbor Lights"10
"My Heart Cries for You"7
"I Won't Cry Anymore"6
"Cold, Cold Heart"3
1952"Wheel of Fortune"3
"Tell Me Why"7
"Trouble in Mind"4
"New Blowtop Blues"5
1953"TV Is the Thing (This Year)"3
"Fat Daddy"10
1954"I Don't Hurt Anymore"3
"Dream"9
"Teach Me Tonight"234
1955"I Concentrate on You"11
"I Diddle"14
"If It's the Last Thing I Do"13
"That's All I Want from You"8
"You Might Have Told Me"14
1956"I'm Lost Without You Tonight"13
"Soft Winds"13
1958"Make Me a Present of You"27
1959"What a Diff'rence a Day Makes"84
"Unforgettable"1715
1960"Baby (You've Got What It Takes)" (with Brook Benton)51
"A Rockin' Good Way (To Mess Around and Fall in Love)" (with Brook Benton)71
"This Bitter Earth"241
"Love Walked In"3016
"It Could Happen to You"53
1961"September in the Rain"23*535
1962"Tears and Laughter"71*
"Cold, Cold Heart" (new version of 1951 hit)96
"Dream" (new version of 1954 hit)92
"I Want to Be Loved" (new version of 1950 hit)76
"Where Are You?"36*
"You're a Sweetheart"98
"You're Nobody till Somebody Loves You"87
1963"Soulville"92
1992"Mad About the Boy"41

See also[edit]


Notes[edit]

  1. ^ a b c d e "Dinah Washington | Music Biography, Credits and Discography". AllMusic. Retrieved 2014-06-27. 
  2. ^ "Notable Black American Women - Google Books". Books.google.co.uk. Retrieved 2014-06-27. 
  3. ^ Bogdanov et al. All Music Guide to the Blues: The Definitive Guide to the Blues p. 373. Backbeat Books. ISBN 0-87930-736-6
  4. ^ Nadine Cohodas, Queen: The Life and Music of Dinah Washington (2004).
  5. ^ Nadine Cohodas, Queen: The Life and Music of Dinah Washington (2004).
  6. ^ "Keynote Records Catalog: 78rpm 500/600, 1300, 100 series". Jazzdisco.org. Retrieved 2014-06-27. 
  7. ^ a b "Dinah Washington Biography | The Rock and Roll Hall of Fame and Museum". Rockhall.com. Retrieved 2014-06-27. 
  8. ^ a b c Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 469. 
  9. ^ Gilliland, John (1969). "Show 17 - The Soul Reformation: More on the evolution of rhythm and blues. [Part 3]" (audio). Pop Chronicles. Digital.library.unt.edu. 
  10. ^ "Theatre Review". The New York Times. Retrieved 2014-06-27.  (subscription required)
  11. ^ a b Cohodas, Nadine (2004). Queen: The Life and Music of Dinah Washington
  12. ^ "GRAMMY Hall Of Fame". GRAMMY.org. Retrieved 2014-06-27. 
  13. ^ "Experience The Music: One Hit Wonders and The Songs That Shaped Rock and Roll | The Rock and Roll Hall of Fame and Museum". Rockhall.com. 2013-04-15. Retrieved 2014-06-27. 
  14. ^ "The Board of Commissioners of the Chicago Park District". Chicagoparkdistrict.com. February 9, 2005. Retrieved 2014-06-27. 
  15. ^ "Odetta should be memorialized". TuscaloosaNews.com. Retrieved 2014-06-27. 
  16. ^ "Tuscaloosa unveils Dinah Washington Avenue". TuscaloosaNews.com. 2009-03-13. Retrieved 2014-06-27. 
  17. ^ "Dinah Washington Cultural Arts Center ready for its debut in downtown Tuscaloosa". TuscaloosaNews.com. Retrieved 2014-06-27. 
  18. ^ Though "1958 - 1960" in the title, it clearly contains only 1959 and 1960 recording sessions.

References[edit]

External links[edit]