The Queen of the Night from Mozart's The Magic Flute has been Damrau's most frequently performed role to date, as she has been engaged to perform it in over 15 productions at houses including Covent Garden, the Salzburg Festival, the Vienna State Opera, Oper Frankfurt and the Bavarian State Opera, Munich. Damrau made Metropolitan Opera history in the 2007/2008 season by appearing as both Pamina and Queen of the Night in different performances of the same run. Another notable engagement was her assumption of all four heroines in Offenbach's Les contes d'Hoffmann in a new production at the Bavarian State Opera in October 2011. Other coloratura roles in her repertoire include Zerbinetta, Lucia, Elvira, Rosina, Gilda, Adina, Marie, Linda and Aminta. She also performs roles in the lyric repertoire including Manon, Donna Anna, Gretel and Pamina.
Damrau has furthered her exploration of the bel canto repertoire in recent years with highlights including new productions of Rossini's comic opera Le comte Ory at the Metropolitan Opera and the title role in Donizetti's Linda di Chamounix at the Liceu, Barcelona. The soprano has since returned to the Metropolitan Opera as both Adina and Rosina and brought her portrayal of Donizetti's Lucia to Berlin and Vienna. Following the birth of her second child in Autumn 2012, Damrau returned to the stage with a new production of Verdi's Rigoletto at the Metropolitan Opera in February 2013, this is to be followed by her role debut in the title role of Verdi's La traviata in the same house. Later in the year she will create the title role in the world premiere of A Harlot's Progress, an opera written for her by young British composer Iain Bell based on the etchings of William Hogarth, at Vienna's Theater an der Wien.
Metropolitan Opera: La traviata (Violetta), The Magic Flute (Queen of the Night and Pamina), Ariadne auf Naxos (Zerbinetta), Il barbiere di Siviglia* (Rosina), Die ägyptische Helena* (Aithra), Die Entführung aus dem Serail (Konstanze), Lucia di Lammermoor (Lucia), Rigoletto* (Gilda), La fille du régiment (Marie), Le comte Ory* (Adèle), L'elisir d'amore (Adina)
Vienna State Opera: Die Fledermaus (Adele), Rigoletto (Gilda), Ariadne auf Naxos (Zerbinetta), Der Riese vom Steinfeld* by Cerha (Small Woman), The Marriage of Figaro (Susanna), Die Entführung aus dem Serail* (Konstanze), The Magic Flute (Queen of the Night), Il barbiere di Siviglia (Rosina), Manon (Manon), Lucia di Lammermoor (Lucia)
Salzburg Festival: Die Entführung aus dem Serail* (Blondchen / Konstanze), Ascanio in Alba* (Fauno), The Magic Flute* (Queen of the Night), The Marriage of Figaro (Susanna)
Bavarian State Opera, Munich: Les contes d'Hoffmann* (Olympia/Antonia/Giulietta/Stella), Die schweigsame Frau* (Aminta), The Magic Flute (Queen of the Night), Die Entführung aus dem Serail* (Konstanze), Arabella (Zdenka), Ariadne auf Naxos*(Zerbinetta), Rigoletto* (Gilda), The Marriage of Figaro (Susanna), Der Rosenkavalier (Sophie), Fidelio (Marzelline), Der Freischütz (Ännchen), Die Fledermaus (Adele)
NB: * indicates a new production of the piece
Early recordings include Verdi's canzoni, Mahler's Des Knaben Wunderhorn, and Schumann's Myrthen, Op. 25, with the Telos label and live recordings of her summer 2005 Liederabend at the Salzburg Festival and her summer 2006 Liederabend at the Schubertiade are released on the Orfeo label.