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Destiny or fate is a predetermined course of events.  It may be conceived as a predetermined future, whether in general or of an individual. It is a concept based on the belief that there is a fixed natural order to the cosmos.
Although often used interchangeably, the words "fate" and "destiny" have distinct connotations.
In Hellenistic civilization, the chaotic and unforeseeable turns of chance gave increasing prominence to a previously less notable goddess, Tyche (literally "Luck"), who embodied the good fortune of a city and all whose lives depended on its security and prosperity, two good qualities of life that appeared to be out of human reach. The Roman image of Fortuna, with the wheel she blindly turned, was retained by Christian writers, revived strongly in the Renaissance and survives in some forms today.
In daily language, "destiny" and "fate" are synonymous, but with regard to 19th century philosophy, the words gained inherently different meanings.
For Arthur Schopenhauer, destiny was just a manifestation of the Will to Live, which can be at the same time living fate and choice of overrunning the fate same, by means of the Art, of the Morality and of the Ascesis.
For Nietzsche, destiny keeps the form of Amor fati (Love of Fate) through the important element of Nietzsche's philosophy, the "will to power" (der Wille zur Macht), the basis of human behavior, influenced by the Will to Live of Schopenhauer. But this concept may have even other senses, although he, in various places, saw the will to power as a strong element for adaptation or survival in a better way. Nietzsche eventually transformed the idea of matter as centers of force into matter as centers of will to power as mankind’s destiny to face with amor fati. The expression Amor fati is used repeatedly by Nietzsche as acceptation-choice of the fate, but in such way it becomes even another thing, precisely a "choice" destiny.
Many Greek legends and tales teach the futility of trying to outmaneuver an inexorable fate that has been correctly predicted. This form of irony is important in Greek tragedy, as it is in Oedipus Rex and in the Duque de Rivas' play that Verdi transformed into La Forza del Destino ("The Force of Destiny") or Thornton Wilder's The Bridge of San Luis Rey, or in Macbeth's uncannily-derived knowledge of his own destiny, which in spite of all his actions does not preclude a horrible fate.
Other notable examples include Thomas Hardy's Tess of the d'Urbervilles, in which Tess is destined to the miserable death that she is confronted with at the end of the novel; Samuel Beckett's Endgame; the popular short story "The Monkey's Paw" by W.W. Jacobs.
Destiny is a recurring theme in the literature of Hermann Hesse (1877–1962), including Siddharta (1922) and his magnum opus, Das Glasperlenspiel, also published as The Glass Bead Game (1943). The common theme of these works involves a protagonist who cannot escape a destiny if their fate has been sealed, however hard they try.
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