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|Born||1 August 1948|
|Died||28 July 2006 (aged 57)|
|Pen name||Ross Harding|
|Children||2 (to first wife)|
|Born||1 August 1948|
|Died||28 July 2006 (aged 57)|
|Pen name||Ross Harding|
|Children||2 (to first wife)|
David Andrew Gemmell (1 August 1948 – 28 July 2006) was a bestselling British author of heroic fantasy. A former journalist and newspaper editor, Gemmell had his first work of fiction published in 1984. He went on to write over thirty novels. Best known for his debut, Legend, Gemmell's works display violence, yet also explore themes of honour, loyalty and redemption. With over one million copies sold, his work continues to sell worldwide.
In 2008, the David Gemmell Legend Award was established, intended to "restore fantasy to its proper place in the literary pantheon"; a steering group of 18 authors is chaired by writer Stan Nicholls and the award is decided by a public vote.
"Some of the other children had no father, but their lack was honorable [sic]. [Their] Dad died in the war, you know. He was a hero. This boy's lack was the subject of sly whispers from the adults, and open jeering from his peers. This boy's mother was—the boy heard so many times —a whore… the word was less hurtful than the blows that would follow it. Most of the blows came from other children, but sometimes adults too would weigh in."—David Gemmell 
David Gemmell was born in 1948 in west London. Raised alone by his mother until the age of six, he experienced a harsh upbringing in a tough urban area, suffering bullying and taunts from his peers, partly due to the absence of his father, and often sustained serious injuries through fighting. Preferring reading books to fighting, he was compelled to take up boxing by his stepfather, who insisted he learn how to stand up for himself without "hiding behind walls or running away", this philosophy informing much of Gemmell's later writing. As a child, he said he "would have given anything" to stand beside King Harold II at the Battle of Hastings. As a teenager, he wanted to stand with Marshal Will Kane in the film High Noon. He was expelled from school at the age of sixteen for organizing a gambling syndicate and as a youth was arrested several times. He claimed that one psychologist's report at the time labelled him a psychopath. Gemmell went on to work as a labourer, a lorry-driver's mate and a nightclub bouncer, before his mother set up a job interview with a local newspaper. Of 100 applicants, he was probably the least qualified for the position, but was hired owing to his display of arrogance during the interview, which was mistaken for self-confidence. He went on to work as a journalist for several local newspapers in East Sussex, eventually becoming editor-in-chief for five. He also worked freelance as a stringer for the Daily Mail, Daily Mirror, and Daily Express national newspapers. Coming from a staunch socialist family, Gemmell carried banners and campaigned for eventual Labour Prime Minister Harold Wilson in the 1960s, nevertheless admitting a grudging alignment with Thatcherite policies on issues of foreign policy, especially the Falklands Conflict, and with Reaganite views on East-West relations. Gemmell married twice; his first marriage produced two children, before he met his second wife, Stella. The couple made their home in Hastings on the south-east coast of England until the author's death.
Gemmell first attempted writing a novel in the 1970s, but The Man from Miami failed to find a publisher. He later admitted that the book "was so bad it could curdle milk at 50 paces." In 1976, after being diagnosed with a cancer he believed to be terminal, he wrote The Siege of Dros Delnoch in order to take his mind off his illness and to realise his ambition of having a novel published before he died. Written in two weeks, the novel told of a siege resisted against overwhelming odds, at the time serving as a metaphor for his illness; the fortress at the center of the tale was Gemmell, the invaders were his cancer. Leaving the ending of the novel open, he planned to let the fortress stand or fall dependent upon his own prognosis. When Gemmell later learned that he had suffered a misdiagnosis, he set The Siege of Dros Delnoch to one side until 1980, when a friend read the manuscript and convinced Gemmell to sharpen up the novel in order to make one last attempt at publication. It was accepted in 1982 and published in 1984 under the new title, Legend, going on to achieve considerable commercial success. Gemmell said that while it had "all the flaws you expect in a first novel", the writing of Legend was "a golden time" in his life, citing it as the favourite of all his novels. He said that while he could "write it better" after becoming an established author, "[its heart] wouldn't be bettered by improving its style." Gemmell's journalism career overlapped with his career writing novels until the publication of his third novel Waylander in 1986, when he was fired after using colleagues' names for characters in the book. Gemmell later said that his Managing Director had regarded it "a poisonous attack on his integrity."
After the publication of Waylander, Gemmell became an author full-time, writing over thirty novels in total, some as part of long-running series, others as standalone works. Most of his novels were in the heroic fantasy genre; White Knight, Black Swan was a crime thriller, appearing under the pseudonym Ross Harding, and was Gemmell's only novel not to become a bestseller. Two of Gemmell's novels have also been adapted into graphic novel format. Gemmell's books have sold more than one million copies.
|Gemmell preferring to go to bed late, with his wife favouring an early start, on 28 July 2006 she was surprised to wake up to discover the bed empty. "I thought, 'Oh good, he must be working', and went to take him a cup of tea in his study." Finding him slumped over his desk, she "hoped he was asleep but I knew, really, that he was dead."|
|— Gemmell's wife recalls his death|
In mid-2006, Gemmell was on a trip to Alaska when he became discomforted. Immediately travelling back to the UK, he underwent quadruple heart bypass surgery in a private London hospital. Within two days he was able to take physical exercise and returned home to resume work on his latest novel. On the morning of 28 July 2006, four days before his 58th birthday, Gemmell was discovered by his wife, slumped over his computer, having died of coronary artery disease.
At the time of his death, Gemmell was writing the final novel in an alternate-history trilogy based upon the legend of the siege of Troy, having completed 70,000 words. Only hours after his death, Gemmell's wife Stella resolved to complete the second half of the novel based upon his chapter plan and notes, contacting Gemmell's publisher two weeks after his funeral in order to make the offer. As a former junior reporter, aspiring novellist and subeditor, and having been involved in Gemmell's writing process for a number of years, Stella Gemmell felt she was "the only one who could do it." Preparing for the task, she reread her husband's previous work, deconstructing the battle scenes in order to build her own. Troy: Fall of Kings was published in 2007 under the joint authorship of David and Stella Gemmell.
Up until his death, Gemmell was also patron of the Hastings Writers' Group, following founder member Catherine Cookson. As patron, he was the main judge in the national literary competition run by the group, the Legend Writing Award, which was named after his breakthrough novel. In 2008, the David Gemmell Legend Award was established, intended to "restore fantasy to its proper place in the literary pantheon"; a steering group of 18 authors is chaired by writer Stan Nicholls and the award is decided by a public vote. At the inaugural ceremony in June 2009, the first recipient was the Polish writer Andrzej Sapkowski, for his novel Blood of Elves. The youngest author to be nominated for this award was 17 year old Liam Gillen.
|" The Alamo had a big effect on me when I first read about it. Unfortunately I now know the truth about the Alamo… The Alamo is a consistent story of cock-up after cock-up. Nobody there expected to die. I'm not saying they weren't very brave men. But the whole thing was mismanaged to the point of ineptness... I don't like to believe that, but it's the reality of life, so perhaps I shouldn't have studied the Alamo. Legend is the Alamo spirit - or what should have been that spirit."|
|— David Gemmell on the influence of The Alamo|
Originally intending to be a historical novelist, Gemmell was intrigued by events which ended badly for the protagonists. Citing the Battle of the Alamo and the grisly fate of William Wallace as influences, he said that had he written about the 13th century Scottish revolutionary, he would have found a way in which he was ultimately victorious despite the odds, eventually realising this kind of storytelling would be more palatable in a fantasy setting. Gemmell's work typically deals with themes of honour and loyalty, advancing age, lost causes and the possibility of redemption for even the most corrupt (he was interested in the "true nature" of heroes, considering most to be unreliably so). The consistent presence of redemption in Gemmell's work reflected his Christian beliefs. He claimed that all of his novels have a religious basis, calling them "essentially Christian books" and saying that Christianity stopped him from "promoting the cause of evil" by writing "mindless savagery" in the vein of George G. Gilman's Edge westerns. Propelled by often didactic writing, his work typically features a charismatic warrior tortured by loss and self-doubt, who bands together with a group of unlikely companions in order to defeat a dark enemy, usually aided by mystical forces. While all his novels are violent, successes are often Pyrrhic and the villains complex. Gemmell credited his time as a journalist for providing him with his pacey, succinct style, though critics labelled his work "macho" and would often cite his limited vocabulary and the repetitive nature of his stories. Violent events usually provide the sole impetus for plot development, and are resolved by physical violence or heroics. Known for his strong characterisation, he attributed this to his tendency to draw from real life; having been acquainted with violent men, he understood and enjoyed writing them. Gemmell based the hero from his novel Legend on his stepfather Bill Woodford, calling men like him "…the havens, the safe harbours of childhood. They are the watch hounds who keep the wolves at bay." Bill reappeared in many of Gemmell's subsequent novels, in many different forms. When Bill died during the writing of Ravenheart, as a tribute Gemmell reworked the novel to give the "Bill" character centre stage.
This series is known by several names. The entire series deals with the Stones of Power, also known as the Sipstrassi. The first two books contain a re-imagining of the Arthurian legend. The last three novels involve the protagonist Jon Shannow. The first four novels were published in an omnibus edition as Stones of Power: A Sipstrassi Omnibus in 1992. Sipstrassi is also used in the Greek series by Aristotle to perform feats of magic
It should be noted that in official printings, these two books are grouped with the "Stones of Power" series and contain some of the same characters and assumptions on how the world works.
Published by Arrow Books.
|This section does not cite any references or sources. (April 2009)|
In 1986, Gemmell wrote The Lost Crown as a children's novel with his daughter, who was just seven at the time. His publishers liked the idea and commissioned the work. However, not knowing when it would be printed they gave it a fake ISBN and a 1999 publication date. At the time, this date was often used for any book not yet written, but that had been commissioned. This was fine way back in 1986, but when 1999 actually arrived, a great number of novels started to "appear" in bibliographies and publication schedules on the Internet, although they may not have been published or even written.
After Gemmell finished The Lost Crown, he sent the manuscript to his publishers. Unfortunately, they didn't like it, saying that they didn't think it had a "voice" for children. So it was shelved. When Gemmell asked for the manuscript back the following year, so that he could work on it, he was told it had been lost. As if that wasn't enough, it had been saved only on an old Amstrad PCW disk that had become corrupted.
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