From Wikipedia, the free encyclopedia - View original article
The difference or distance between two colors is a metric of interest in color science. It allows people to quantify a notion that would otherwise be described with adjectives, to the detriment of anyone whose work is color critical. Common definitions make use of the Euclidean distance in a device independent color space.
The International Commission on Illumination (CIE) calls their distance metric ΔE*ab (also called ΔE*, dE*, dE, or "Delta E") where delta is a Greek letter often used to denote difference, and E stands for Empfindung; German for "sensation". Use of this term can be traced back to the influential Hermann von Helmholtz and Ewald Hering.
Different studies have proposed different ΔE values that have a JND (just noticeable difference). Unempirically, a value of '1.0' is often mentioned, but in a recent study, Mahy et al. (1994) assessed a JND of 2.3 ΔE. However, perceptual non-uniformities in the underlying CIELAB color space prevent this and have led to the CIE's refining their definition over the years, leading to the superior (as recommended by the CIE) 1994 and 2000 formulas. These non-uniformities are important because the human eye is more sensitive to certain colors than others. A good metric should take this into account in order for the notion of a "just noticeable difference" to have meaning. Otherwise, a certain ΔE that may be insignificant between two colors that the eye is insensitive to may be conspicuous in another part of the spectrum. The values L, a, and b (like used in the equations below) are usually double precision values scaled between (-1,1). When a Lab image is saved, L is used as an unsigned 8bit integer, and a and b as signed 8bit integers, in order to keep the image normal in file size.
The 1976 formula is the first color-difference formula that related a measured to a known Lab value. This formula has been succeeded by the 1994 and 2000 formulas because the Lab space turned out to be not as perceptually uniform as intended, especially in the saturated regions. This means that this formula rates these colors too highly as opposed to other colors.
Using and , two colors in L*a*b*:
The 1976 definition was extended to address perceptual non-uniformities, while retaining the L*a*b* color space, by the introduction of application-specific weights derived from an automotive paint test's tolerance data.
ΔE (1994) is defined in the L*C*h* color space with differences in lightness, chroma and hue calculated from L*a*b* coordinates. Given a reference color and another color , the difference is:
and where kC and kH are usually both unity and the weighting factors kL, K1 and K2 depend on the application:
Geometrically, the quantity corresponds to the arithmetic mean of the chord lengths of the equal chroma circles of the two colors. 
atan2(b, a′)which usually has a range from −π to π radians; color specifications are given in 0 to 360 degrees, so some adjustment is needed. The inverse tangent is indeterminate if both a′ and b are zero (which also means that the corresponding C′ is zero); in that case, set the hue angle to zero. See Sharma 2005, eqn. 7.
In 1984, the Colour Measurement Committee of the Society of Dyers and Colourists defined a difference measure, also based on the L*C*h color model. Named after the developing committee, their metric is called CMC l:c. The quasimetric has two parameters: lightness (l) and chroma (c), allowing the users to weight the difference based on the ratio of l:c that is deemed appropriate for the application. Commonly used values are 2:1 for acceptability and 1:1 for the threshold of imperceptibility.
The distance of a color to a reference is:
Tolerancing concerns the question "What is a set of colors that are imperceptibly/acceptably close to a given reference?" If the distance measure is perceptually uniform, then the answer is simply "the set of points whose distance to the reference is less than the just-noticeable-difference (JND) threshold." This requires a perceptually uniform metric in order for the threshold to be constant throughout the gamut (range of colors). Otherwise, the threshold will be a function of the reference color—useless as an objective, practical guide.
In the CIE 1931 color space, for example, the tolerance contours are defined by the MacAdam ellipse, which holds L* (lightness) fixed. As can be observed on the diagram on the right, the ellipses denoting the tolerance contours vary in size. It is partly due to this non-uniformity that lead to the creation of CIELUV and CIELAB.
More generally, if the lightness is allowed to vary, then we find the tolerance set to be ellipsoidal. Increasing the weighting factor in the aforementioned distance expressions has the effect of increasing the size of the ellipsoid along the respective axis.