Church of the Savior on Blood

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The Church of the Savior on Spilled Blood
Храм Спаса на Крови (Russian)
Basic information
LocationSt. Petersburg, Russia
Geographic coordinates59°56′24″N 30°19′43″E / 59.94000°N 30.32861°E / 59.94000; 30.32861Coordinates: 59°56′24″N 30°19′43″E / 59.94000°N 30.32861°E / 59.94000; 30.32861
AffiliationRussian Orthodox
Ecclesiastical or organizational statusState Historical Museum
StatusSecularized (1930's)
WebsiteSavior on the Spilled Blood
Architectural description
Architect(s)Alfred Alexandrovich Parland
Architectural typeChurch
Architectural styleRomantic Nationalism
Groundbreaking1883 (1883)
Completed1907
 
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The Church of the Savior on Spilled Blood
Храм Спаса на Крови (Russian)
Basic information
LocationSt. Petersburg, Russia
Geographic coordinates59°56′24″N 30°19′43″E / 59.94000°N 30.32861°E / 59.94000; 30.32861Coordinates: 59°56′24″N 30°19′43″E / 59.94000°N 30.32861°E / 59.94000; 30.32861
AffiliationRussian Orthodox
Ecclesiastical or organizational statusState Historical Museum
StatusSecularized (1930's)
WebsiteSavior on the Spilled Blood
Architectural description
Architect(s)Alfred Alexandrovich Parland
Architectural typeChurch
Architectural styleRomantic Nationalism
Groundbreaking1883 (1883)
Completed1907

The Church of the Savior on Spilled Blood (Russian: Церковь Спаса на Крови, Tserkovʹ Spasa na Krovi) is one of the main sights of St. Petersburg, Russia. It is also variously called the Church on Spilt Blood (Russian: Церковь на Крови, Tserkov’ na Krovi) and the Cathedral of the Resurrection of Christ (Russian: Собор Воскресения Христова, Sobor Voskreseniya Khristova), its official name.

"The preferred Russian name for this great church is Храм Спаса на Крови (Khram Spasa na Krovi), but each English-language tourist publication seems to list it under a different name. The moniker of "Spilled Blood" is most popular in preference to the likes of the Church of the Resurrection, Church of our Savior on the Blood, Cathedral of the Ascension, Resurrection of the Christ, or Assumption, Church of the Redeemer, or any permutation of the above." [1]

This Church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. It should not to be confused with the Church on Blood in Honour of All Saints Resplendent in the Russian Land, located in the city of Yekaterinburg where the former Emperor Nicholas II (1868–1918) and several members of his family and household were executed following the Bolshevik Revolution.

Contents

Construction and features

Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.

The Church is prominently situated along the Griboedov Canal. The embankment at that point runs along either side of a canal. On March 13, 1881 (Julian date: March 1), as Tsar Alexander's carriage passed along the embankment, a grenade thrown by an anarchist conspirator exploded. The tsar, shaken but unhurt, got out of the carriage and started to remonstrate with the presumed culprit. A second conspirator took the chance to throw another bomb, killing himself and mortally wounding the tsar. The tsar, bleeding heavily, was taken back to the Winter Palace where he died a few hours later.

Detail of the richly decorated façade and onion domes

A temporary shrine was erected on the site of the attack while the project for a more permanent memorial was undertaken. It was decided that the section of the street where the assassination had taken place was to be enclosed within the walls of a church. The embankment was therefore extended out into the canal to allow the shrine to fit comfortably within the building and to provide space on the exterior wall for a memorial marking the spot where the assassination took place. Inside, an elaborate shrine was constructed on the exact place of Alexander's death, garnished with topaz, lazurite and other semi-precious stones. Amid such rich decoration, the simple cobblestones on which the tsar's blood was spilled and which are exposed in the floor of the shrine provide a striking contrast.

Architecture

Mosaics in the interior.
Interior view of an onion dome mosaic.
View from Griboedov Canal
Interior lit by natural light

Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.

The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.

Russian Revolution of 1917

In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.

Modern times

In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.

Cultural references

The church from the park
The church at night

The church appears on the cover of the 2011 contemporary classical album Troika. [2]

References

External links