Chatsworth House

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Chatsworth House
Large country house by river with wooded hillside beyond
Chatsworth House across the River Derwent, with the Hunting Tower visible above
Chatsworth House is located in Derbyshire
Location within Derbyshire
General information
Architectural styleEnglish Baroque, Italianate
Locationnear Bakewell, Derbyshire
CountryEngland
Coordinates53°13′40″N 1°36′36″W / 53.22778°N 1.61000°W / 53.22778; -1.61000
Elevation125 m (410 ft)
OwnerDuke of Devonshire
Design and construction
ArchitectWilliam Talman
Thomas Archer
Jeffry Wyattville
Joseph Paxton
James Paine
Website
www.chatsworth.org
 
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Chatsworth House
Large country house by river with wooded hillside beyond
Chatsworth House across the River Derwent, with the Hunting Tower visible above
Chatsworth House is located in Derbyshire
Location within Derbyshire
General information
Architectural styleEnglish Baroque, Italianate
Locationnear Bakewell, Derbyshire
CountryEngland
Coordinates53°13′40″N 1°36′36″W / 53.22778°N 1.61000°W / 53.22778; -1.61000
Elevation125 m (410 ft)
OwnerDuke of Devonshire
Design and construction
ArchitectWilliam Talman
Thomas Archer
Jeffry Wyattville
Joseph Paxton
James Paine
Website
www.chatsworth.org

Chatsworth House is a stately home in the county of Derbyshire in the East Midlands region of England. It lies within the Derbyshire Dales administrative district, about 3.5 miles (5.6 km) northeast of Bakewell and 9 miles (14 km) west of Chesterfield (SK260700). It is the seat of the Duke of Devonshire, and has been home to his family, the Cavendish family, since Bess of Hardwick settled at Chatsworth in 1549.

Standing on the east bank of the River Derwent, Chatsworth looks across to the low hills that divide the Derwent and Wye valleys. The house, set in expansive parkland and backed by wooded, rocky hills rising to heather moorland, contains a unique collection of priceless paintings, furniture, Old Master drawings, neoclassical sculptures, books and other artefacts. Chatsworth has been selected as the United Kingdom's favourite country house several times.[1][2]

Outline of structure of present building[edit]

The River Derwent, Bridge and House at Chatsworth

Chatsworth house is built on sloping ground, lower on the north and west sides than on the south and east sides and has changed greatly since it was first built. The main block was re-built by the 1st Duke between 1687 and 1707, on the site of Bess of Hardwick's original Tudor mansion. The long north wing was added by the 6th Duke in the early nineteenth century.

There are many structures other than the house on the estate, including two surviving Elizabethan buildings — the Hunting Tower and Queen Mary's Bower. Flora's Temple and the 1st Duke's Greenhouse survive from the 1690s, the Stable block and bridge were built by James Paine in the 1760s and Joseph Paxton's Conservative Wall and other glasshouses date from the 19th century. The 11th Duke and Duchess added the Display Greenhouse in 1970.

History[edit]

Early Chatsworth[edit]

The name 'Chatsworth' is a corruption of 'Chetel's-worth' meaning 'the Court of Chetel'.[3] In the reign of Edward the Confessor a man of Norse origin named 'Chetel' held lands jointly with a Saxon named 'Leotnoth' in three townships; Ednesoure to the west of the Derwent, and Langoleie and Chetesuorde to the east.[4] Chetel was deposed after the Norman Conquest and in the Domesday Book the Manor of Chetesuorde is listed as the property of the Crown in the custody of William de Peverel.[3] Chatsworth ceased to be a large estate, until the 15th century when it was acquired by the Leche family who owned property nearby. They enclosed the first park at Chatsworth and built a house on the high ground in what is now the south-eastern part of the garden. In 1549 they sold all their property in the area to Sir William Cavendish, Treasurer of the King's Chamber and the husband of Bess of Hardwick, who had persuaded him to sell his property in Suffolk and settle in her native county.

17th-century painting of the west front of the Elizabethan Chatsworth

Bess began to build the new house in 1553. She selected a site near the river, which was drained by digging a series of reservoirs, which doubled as fish ponds. The house was on the same site as the present main block and had the same quadrangle layout, approximately 170 feet (50 m) from north to south and 190 feet (60 m) from east to west, with a large central courtyard. The front entrance was on the west front, which was embellished with four towers or turrets, and the great hall in the medieval tradition was on the east side of the courtyard, where the Painted Hall remains the focus of the house to this day. Sir William died in 1557, but Bess finished the house in the 1560s and lived there with her fourth husband, George Talbot, 6th Earl of Shrewsbury. In 1568 Shrewsbury was entrusted with the custody of Mary, Queen of Scots, and brought his prisoner to Chatsworth several times from 1570 onwards. She lodged in the apartment now known as the Queen of Scots rooms, on the top floor above the great hall, which faces onto the inner courtyard. Bess died in 1608 and Chatsworth was passed to her eldest son, Henry. The estate was purchased from Henry by his brother William Cavendish, 1st Earl of Devonshire, for £10,000.

The 1st Duke's Chatsworth[edit]

The South Front of Chatsworth from Colen Campbell's Vitruvius Britannicus.

The 4th Earl of Devonshire, who was to become the 1st Duke in 1694, was an advanced Whig and was forced to retire to Chatsworth during the reign of James II. This called for a rebuilding of the house, which began in 1687. Cavendish initially planned to reconstruct only the south wing, so he decided to retain the Elizabethan courtyard plan, despite the fact that this layout was becoming increasingly unfashionable.

The south and east fronts were built under the order of William Talman and were complete by 1696. The 1st Duke's Chatsworth was a key building in the development of English Baroque architecture. According to the architectural historian Sir John Summerson, "It inaugurates an artistic revolution which is the counterpart of the political revolution in which the Earl was so prominent a leader." The design of the south front was revolutionary for an English house, with no attics or hipped roof, but instead two main stories supported by a rusticated basement. The facade is dramatic and sculptural with ionic pilasters and a heavy entablature and balustrade. The existing heavy and angular stone stairs from the first floor down to the garden are a 19th-century replacement of an elegant curved double staircase. The east front is the quietest of the four on the main block. Like the south front it is unusual in that it has an even number of bays and no centrepiece. The emphasis is placed on the end bays, each highlighted by double pairs of pilasters, of which the inner pairs project outwards.

The West Front of Chatsworth from Colen Campbell's Vitruvius Britannicus.

The west and north fronts may have been the work of Thomas Archer, possibly in collaboration with the Duke himself. The west front has nine wide bays with a central pediment supported by four columns and pilasters to the other bays. Due to the slope of the site this front is taller than the south front. It is also large with many other nine bay three storey facades are little more than half as wide and tall. The west front is very lively with much carved stonework, and the window frames are highlighted with gold leaf, which catches the setting sun. The north front was the last to be built. It presented a challenge, as the north end of the west front projected nine feet (3 m) further than the north end of the east front. This problem was overcome by building a slightly curved facade to distract the eye. The north front was altered in the nineteenth century when the long north wing was attached to the north-east corner of the house. The attic windows on this side are the only ones visible on the exterior of the house and are set into the main facade, rather than into a visible roof. Those in the curved section were originally oval, but are now rectangular like those in the end sections.

The facades to the central courtyard were also rebuilt by the 1st Duke. The courtyard was larger than it is now, as there were no corridors on the western side and the northern and southern sides only had enclosed galleries on the first floor (second floor in American English) with open galleries below. In the 19th century new accommodation was built on these three sides on all three levels. The only surviving baroque facade is that on the eastern side, where five bays of the original seven remain, and are largely as built. There are carved trophies by Samuel Watson, a Derbyshire craftsman who did a lot work at Chatsworth in stone, marble and wood. A richly appointed Baroque suite of state rooms open one from another in an enfilade across the south front. Other surviving interiors from this period include the chapel and the painted hall.

The 6th Duke's Chatsworth[edit]

A view of Chatsworth from the south-west circa 1880. The stables can be seen behind the house and the Hunting Tower is visible in Stand Wood.

The 6th Duke (known as 'the Bachelor Duke') was a passionate traveller, builder, gardener and collector who transformed Chatsworth. In 1811 he inherited the title and eight major estates; Chatsworth and Hardwick Hall in Derbyshire, Devonshire House, Burlington House and Chiswick House in London, Bolton Abbey and Londesborough Hall in Yorkshire, and Lismore Castle in Ireland. These estates covered 200,000 acres (810 km2) of land in England and Ireland.

The 6th Duke wrote that he was tempted to demolish the state apartment, to make way for new bedrooms. However, sensitive to his family's heritage, he left the rooms largely untouched, making additions rather than change the existing spaces of the house. At around the same time, Queen Victoria decided that Hampton Court, with its state apartments in the same style, was uninhabitable.

Venus supported by Iris, complaining to Mars by George Hayter, exhibited in 1820 at the RA "to acclaim" (in the Ceiling of the Ante Library Chatsworth House) – Winner of the Royal Academy Painting of the Year in 1823

The 6th Duke employed architect Jeffry Wyatville to modernise Chatsworth, meeting 19th century standards of comfort and suiting a less formal lifestyle than that of the 1st Duke's time. This demanded more corridors around the edges of the courtyard, so that rooms could be easily reached from indoors, and more shared living rooms to replace individual guest apartments. The Oak Stairs were built at the northern end of the Painted Hall to improve internal communications. The Duke was a great book collector and had the long gallery converted into a library with an elegant white decor embellished with green malachite columns. He soon found that he needed more shelf space, so he had the room stripped bare and installed a new interior with bookcases covering nearly all of the walls and a wooden gallery for access to the higher shelves. Changes to the main baroque interiors were restricted to details such as stamped leather hangings on the walls of the State Music Room and State Bedroom, and a wider and shallower, but less elegant staircase in the Painted Hall, which was itself later replaced.

In the 1st Duke's house the most important service rooms were in the main block. There was also a straggle of service buildings to the north of the house, which was replaced with an unassuming neoclassical service wing in the second half of the 18th century. The 6th Duke and Wyatville built a new North Wing, doubling the size of the house. Most of this wing only has two storeys, compared to the three of the main block's. It is attached to the north-east corner of the house near the library, and is around 400 feet (120 m) long. On the first floor, facing west, were two sets of bachelor bedrooms called 'California' and 'The Birds'. The entire ground floor was occupied by service rooms, including a kitchen, servants' hall, laundry, butler and housekeeper's rooms, and many others.

The main rooms in the new wing face east. The link to the main house is a small library called the Dome Room. The first room beyond this is a dining room, with a music gallery in the serving lobby where the Duke's musicians played. Next is the sculpture gallery, the largest room in the house, and then the orangery. At the end of the North Wing is the North, or Belvedere Tower. This contains a plunge bath and Chatsworth's private Theatre. Above the theatre is the belvedere itself, an open viewing platform below the roof. The Duke built a gatehouse at this end of the house with three gates. The central and largest gate led to the North Entrance, then the main entrance to the house. This is now the entrance used by visitors. The north gate led to the service courtyard, and the matching south gate led to the original front door in the west front, which was relegated to secondary status in the Bachelor Duke's time, but is now the family's private entrance once again.

The 6th Duke's dining room.

The work was carried out in an Italianate style that blends smoothly with the elaborate finish of the baroque house. The Duke had a passion for marble, and used it repeatedly to embellish the new interiors. A Latin transcription over the fireplace in the painted hall translates as, "William Spencer, Duke of Devonshire, inherited this most beautiful house from his father in the year 1811, which had been begun in the year of English liberty 1688, and completed it in the year of his bereavement 1840". 1688 was the year of the Glorious Revolution, supported by the Whig dynasties including the Cavendishes. The year 1840 saw the death of the Duke's beloved niece Blanche, who was married to his heir, the future 7th Duke. In 1844 he published a book called Handbook to Chatsworth and Hardwick.

In October 1832, Princess Victoria (later Queen Victoria) and her mother, the Duchess of Kent, visited Chatsworth. The 6th Duke had another opportunity to welcome Victoria in 1843 when the Queen and Prince Albert returned to be entertained by a large array of illuminated fountains.

Early 20th-century Chatsworth[edit]

In the early 20th century social change and taxes began to affect the Devonshires' lifestyle. When the 8th Duke died in 1908 over £500,000 of death duties became due. This was a small charge compared to what followed forty-two years later, but the estate was already burdened with debt from the 6th Duke's extravagances, the failure of the 7th Duke's business ventures at Barrow-in-Furness, and the depression in British agriculture that had been apparent since the 1870s. In 1912 the family sold twenty-five books printed by William Caxton and a collection of 1,347 volumes of plays acquired by the 6th Duke, including four Shakespeare folios and thirty-nine Shakespeare quartos, to the Huntington Library in California. Tens of thousands of acres of land in Somerset, Sussex and Derbyshire were also sold during, and immediately after, World War I.

The Great Conservatory at Chatsworth. Built from 1836 to 1841 and demolished in 1920.

In 1920 the family's London mansion, Devonshire House, which occupied a 3 acres (12,000 m2) site on Piccadilly, was sold to developers and demolished. Much of the contents of Devonshire House was moved to Chatsworth and a much smaller house at 2 Carlton Gardens near The Mall was acquired. The Great Conservatory in the garden at Chatsworth was demolished as it needed ten men to run it, huge quantities of coal to heat it, and all the plants had died during the war when no coal had been available for non-essential purposes. To further reduce running costs, there was also talk of pulling down the 6th Duke's north wing, which was then regarded as having no aesthetic or historical value, but nothing came of it. Chiswick House—the celebrated Palladian villa in the suburbs of West London that the Devonshires inherited when the 4th Duke married Lord Burlington's daughter—was sold to Brentford Council in 1929.

Nonetheless, life at Chatsworth continued much as before. The household was run by a comptroller and domestic staff were still available, although more so in the country than in the cities. The staff at Chatsworth at this time consisted of a butler, under butler, groom of the chambers, valet, three footmen, a housekeeper, the Duchess's maid, eleven housemaids, two sewing women, a cook, two kitchen maids, a vegetable maid, two or three scullery maids, two stillroom maids, a dairy maid, six laundry maids and the Duchess's secretary. All of these thirty-eight or thirty-nine people lived in the house. Daily staff included the odd man, upholsterer, scullery-maid, two scrubbing women, laundry porter, steam boiler man, coal man, two porter's lodge attendants, two night firemen, night porter, two window cleaners, and a team of joiners, plumbers and electricians. The Clerk of Works supervised the maintenance of the house and other properties on the estate. There were also grooms, chauffeurs and gamekeepers. The number of garden staff was somewhere between the eighty of the 6th Duke's time and the twenty or so of the early 21st century. There was also a librarian, Francis Thompson, who wrote the first book-length account of Chatsworth since the 6th Duke's handbook.

Most of the UK's country houses were put to institutional use during World War II. Some of those used as barracks were badly damaged, but the 10th Duke, anticipating that schoolgirls would make better tenants than soldiers, arranged for Chatsworth to be occupied by Penrhos College, a girls' public school in Colwyn Bay, Wales. The contents of the house were packed away in eleven days and, in September 1939, 300 girls and their teachers moved in for a six-year stay. The whole of the house was used, including the state rooms, which were turned into dormitories. Condensation from the breath of the sleeping girls caused fungus to grow behind some of the pictures. The house was not very comfortable for so many people, with a shortage of hot water, but there were compensations, such as skating on the Canal Pond. The girls grew vegetables in the garden as a contribution to the war effort.

In 1944 Kathleen Kennedy, sister of John F. Kennedy, married William Cavendish, Marquess of Hartington, the elder son of the 10th Duke of Devonshire. However, he was killed in action in Belgium later in 1944, and Kathleen died in a plane crash in 1948. His younger brother Andrew became the 11th Duke in 1950. He was married to Deborah Mitford, one of the Mitford girls and sister to Nancy Mitford, Diana Mitford, Pamela Mitford, Unity Mitford and Jessica Mitford

Modern Chatsworth[edit]

Chatsworth House viewed from the top of the Cascade

The modern history of Chatsworth begins in 1950. The family had not yet moved back after the war and, although the 10th Duke had transferred his assets to his son during his lifetime in the hope of avoiding death duties, he died a few weeks too early for the lifetime exemption to apply, and tax was charged at 80% on the whole estate. The amount due was £7 million (£203 million as of 2014),[5]. Some of the family's advisors considered the situation to be irretrievable, and there was a proposal to transfer Chatsworth to the nation as a V&A of the North; instead, the Duke decided to retain his family's home if he could. He sold tens of thousands of acres of land, transferred Hardwick Hall to the National Trust in lieu of tax, and sold some major works of art from Chatsworth. The family's Sussex house, Compton Place was lent to a school. The effect of the death duties was mitigated to some extent by the historically low value of art during the post-war years and the increase in land values, subsequent to 1950, during the post-war agricultural revival, and, on the face of it, the losses were considerably less than 80% in terms of physical assets. In Derbyshire 35,000 acres (140 km2) were retained out of 83,000 acres (340 km2). The Bolton Abbey estate in Yorkshire and the Lismore Castle estate in Ireland remained in the family. Nonetheless, it took seventeen years to complete negotiations with the Inland Revenue, interest being due in the meantime. The Chatsworth Estate is now managed by the Trustees of the Chatsworth Settlement, which was established in 1946.

The 10th Duke was pessimistic about the future of houses like Chatsworth, and made no plans to move back in after the war. After Penrhos College left in 1945 the only people who slept in the house were two housemaids, but over the winter of 1948–49 the house was cleaned and tidied for reopening to the public by two Hungarian women who had been Kathleen Kennedy's cook and housemaid in London and a team of their compatriots.

In the mid-1950s, the 11th Duke and Duchess began to think about moving into the house. The pre-war house had relied entirely on a large staff for its comforts, and lacked modern facilities. The building was rewired, the plumbing and heating were overhauled, and six self-contained staff flats were created to replace the small staff bedrooms and communal servants' hall. Including those in the staff flats, seventeen bathrooms were added to the existing handful. The 6th Duke's cavernous kitchen was abandoned and a new one was created closer to the family dining room. The family rooms were repainted, carpets were brought out of store, and curtains were repaired or replaced. The Duke and Duchess and their three children moved across the park from Edensor House in 1959.

A modern view of the house

In 1981 the family trustees created a separate charitable trust called 'The Chatsworth House Trust', to preserve the house and its setting. This trust was granted a 99-year lease by the Trustees of the Chatsworth Settlement of the house, its essential contents, the garden, park and some woods, a total of 1,822 acres (7.37 km2). The Chatsworth House Trust pays an annual rent of £1. The family sold some works of art, mainly old master drawings that could not be put on regular display, to raise a multimillion pound endowment fund. The family is represented on the trust council, but there is a majority of non-family members. The family pays a market rent for the use of its private apartments in the house. The cost of running the house and grounds is around £4 million a year.

The 11th Duke died in 2004 and was succeeded by his son, the current Duke, Peregrine Cavendish, 12th Duke of Devonshire. The 11th Duke's widow, the Dowager Duchess of Devonshire, is very active in promoting the estate and increasing its visitor income. She has been responsible for many additions to the gardens, including the maze, the kitchen, the cottage gardens and several commissions of modern sculpture. She has also written seven books about different aspects of Chatsworth and its estate.

Interiors[edit]

The 1st and 6th Dukes both inherited an old house and tried to adapt to the lifestyle of their time without changing the fundamentals of its layout, making the Chatsworth's layout unique and full of irregularities and the interiors are a collection of different styles. Many of the rooms are recognisably of one main period but, in nearly every case, they have been altered more often than might be supposed at first glance.

18th-century alterations[edit]

In the 1760s the 4th Duke had the old kitchen in the centre of the north front made into an entrance hall. The upper part was made into bedrooms, which are rather oddly shaped due to the curve in the facade. Improbably for one of the major houses in England in this age of elegance, the main entrance was through a converted kitchen, back outside to the open colonnade in the courtyard, through a passage past the cook's bedroom and the back stairs and into the painted hall. The Duke's grandson later improved the access by enclosing the colonnade to make a corridor and furnishing it with a multicoloured marble floor. The cook's bedroom and the back stairs made way for the present Oak Staircase. The 5th Duke had some of the family's private rooms redecorated and some partition walls were moved, but there are few traces of the mid- and late 18th century in the public rooms.

6th Duke's rooms[edit]

The sixth Duke of Devonshire, William Cavendish (1790–1858, also known as the Bachelor Duke) conducted many modernisations of Chatsworth House. The most notable being the addition of the North Wing to house his collections of books, minerals and contemporary sculptures.[6]:6

Chatsworth Country House Parties

The early 19th century saw a rise in popularity of the 'English Country House Party' and so in 1830 the Duke converted rooms on the east side of the house into guest bedrooms. People who were invited to stay at Chatsworth spent their days hunting, riding, reading and playing billiards. In the evening formal dinners would take place followed by music, charades and smoking for the men. Women would return to their bedroom many times during the day to change their outfits. These guest bedrooms at Chatsworth are the most complete set of bedrooms from the period to survive with their original furnishings.[6]:52 There is much eastern influence in the decoration including hand-painted Chinese wallpapers and fabrics which are typical of Regency Taste, which developed during the reign of George IV (1762–1830). People who have stayed at Chatsworth include Queen Victoria and Charles Dickens.

Chatsworth Collections

As well as adapting Chatsworth to allow him to entertain guests, the Sixth Duke also created more space for his growing collections. His architect, Sir Jeffry Wyatville (1766–1840) designed the new north wing, which now holds the Sculpture Gallery and the old Orangery (now the gift shop). Plans for a symmetrical wing to the South were begun but later abandoned. The Duke also turned four floors of rooms into a single grand staircase, topped by a glass dome, which would lead to his new north wing. Along this staircase hang portraits of the first 11 Dukes and some of their family members. Another main modernisation carried out by the Duke was the transformation of the long gallery, originally created by the First Duke, into a library. He was a great lover of books and purchased entire libraries. The Ante-Library in the adjoining room was originally used by the first Duke as a dining room and then a billiard room before the Sixth Duke used it to house his increasing collection of books. This was just one of the rooms in which the Duke installed a single pane window, which he believed to be the 'greatest ornament of modern decoration'.[6]:58 The window in the Ante-Library is the only one to have been preserved. Much of the scientific library of Henry Cavendish (1731–1810) is in this room. This is where the north wing begins. Elsewhere in the house, the sixth Duke created a 'Plunge Bath' using the marble from the first Duke's bathroom and a ballroom that was later turned into a theatre by the eighth Duke.

Private rooms[edit]

Chatsworth has 126 rooms, with nearly 100 of them closed to visitors. The house is well-adapted to allow the family to live privately in their apartments while the house is open to the public. Deborah, Dowager Duchess of Devonshire describes the family rooms in detail in her book Chatsworth: The House. She now lives at Edensor, and the present (12th) Duke and Duchess have moved into Chatsworth. The family occupies rooms on the ground and first floors of the south front, all three floors of the west front, and the upper two floors of the north front. Staircases in the northeast corner of the main block and in a turret in the east front enable them to move about without crossing the public route.

The main family living rooms are on the first floor of the south front. The family dining room is in the southeast corner and has the same dimensions as the State Dining Room directly above. This has been the usual location of the family dining room; the Bachelor Duke's dining room in the north wing took over that role for an interlude of little more than a hundred years. Both Bess of Hardwick's house and the 1st Duke's house had a hierarchy of three dining rooms in this corner, each taller and more lavishly decorated than the one below. A common parlour on the ground floor was used by the gentlemen of the household, and later for informal family meals. Above it was the main family dining room, and at the top the Great Chamber, which was reserved for royalty, although the Bachelor Duke wrote that, to his knowledge, it had never been used.

The family's best drawing room, called the yellow drawing room, is next to the dining room and directly underneath the State Drawing Room. The Dowager Duchess has written that the house is so solidly built that the crowds passing above are imperceptible. The trio of reception rooms here is completed by the blue drawing room, which is below the State Music Room. This was created in the 18th century by knocking together the 1st Duke's bedroom and dressing room, and has a door to his private gallery at the upper level of the chapel. It has also served as a billiard room and as a school room. Charity events are sometimes held in this part of the house. Both drawing rooms have access to the garden through the South Front's external staircase.

Three corridors called 'the Tapestry Gallery', 'the Burlington Corridor' and 'the Book Passage' are wrapped around the south, west and north passages at this level, and give access to family bedrooms. There is a sitting room in the north-west corner — one of the few rooms in the house with view in two directions. There are more family bedrooms on the second floor facing west and north. The Scots and Leicester bedrooms in the east wing are still used when there is a large house party, which is the reason why sometimes they are available as a separately charged optional extra in the tour of the house and sometimes they are not. This suite of rooms now contains the 11th Duke's Exhibition. Visitors bypass the first floor on their way down the West Stairs from the state rooms to the Chapel.

The private north stairs lead down to more private rooms on the ground floor of the West Front. In the centre is the West Entrance Hall, which is, once again, the family entrance. To the right, on entering, is a passage room known as the mineral room, which leads through to a study. To the left there is the Leather Room; with walls of leather and a great many books this is one of at least six libraries in the house. The next room is the Duke's Study, which has two windows, many more books and floral decoration painted for the Bachelor Duke by, in his own words, "three bearded artists in blouses imported from Paris." The corner room on the ground floor is the former 'little dining room'. These rooms are all very high as the ground level in the west wing is lower than that of the Painted Hall and the ground floor corridors around the courtyard. Steps from the West Entrance Hall lead up to the west corridor.

The other family living rooms are in the eastern half of the ground floor of the South Front and can be reached through the Chapel Corridor on the public route, or the turret staircase from the dining room. The room in the south-east corner was once the Ducal bathroom, until the Bachelor Duke built his new plunge bath in the North Wing, and is now the pantry where the family china is kept. This connects to the modern kitchen, which is under the library and was made out of the steward's room and the linen room. Next to the pantry in the south front are offices.

Trompe l'oeil[edit]

The State Music Room features a very convincing trompe l'oeil of a violin and bow "hanging" on a silver knob on a door, painted around 1723 by Jan van der Vaart.[7][8]

Chatsworth's garden[edit]

Chatsworth's garden attracts around 300,000 visitors a year. It has a complex blend of different features from six different centuries and covers 105 acres (0.42 km2). The garden is surrounded by a wall 1.75 miles (2.8 km) long. It sits on the eastern side of the valley of the Derwent River and blends into the landscape of the surrounding park, which covers 1,000 acres (4.0 km2). The woods on the moors to the east of the valley form a backdrop to the garden. There is a staff of approximately 20 full-time gardeners. The average rainfall is around 33.7 inches (855 mm) a year, and there are an average of 1,160 sunshine hours a year. Most of the principal features of the garden were created in five main phases of development.

Elizabethan garden[edit]

The house and garden were first constructed by Sir William Cavendish and Bess of Hardwick in 1555. The Elizabethan garden was much smaller than the modern garden is now. There were terraces to the east of the house where the main lawn is now, ponds and fountains to the south, and fishponds to the west by the river. The main visual remnant of this time is a squat stone tower known as Queen Mary's Bower on account of a legend that Mary, Queen of Scots, was allowed to take the air there while she was a prisoner at Chatsworth. The bower is now outside the garden wall in the park. Some of the retaining walls of the West Garden also date to this era, but they were reconstructed and extended later.

1st Duke's garden (1684–1707)[edit]

A panoramic view of Chatsworth House and Park, early 18th century (Pieter Tillemans)

At the same time as he was rebuilding the house, the 1st Duke also created baroque gardens. It featured numerous parterres cut into the slopes above the house, and many fountains, garden buildings and classical sculptures. The principal surviving features from this time are:

The Cascade house in full flow
The Cascade from below, with the Cascade House in the distance
This engraving by Kip and Knyff shows Chatsworth part way through the 1st Duke's alterations. The south front has been rebuilt but the original east front survives. The baroque garden has been laid out, but only the first, smaller version of the Cascade has been built, and the Canal Pond has not been dug. The 1st Duke's stables are to the left of the house.

4th Duke's garden (1755–1764)[edit]

This late 18th-century oil painting by William Marlow emphasises the romantic aspect of Chatsworth's setting on the edge of the Peak District. The hills behind house were windswept moorland when it was built. They were not forested until the 18th century, and are still partially exposed in this view. The buildings can be seen clearly by clicking through to the full sized image.

The 4th Duke commissioned the Landscape architect, Lancelot "Capability" Brown to transform the garden in the fashionable naturalistic landscape style of the day. Most of the ponds and parterres were converted to lawns, but as detailed above several important features were spared. A large amount of tree planting was carried out, including a variety of American species specially imported from Philadelphia in 1759. The main aim of this work was to improve integration of the garden and park. Brown's 5.5 acre (22,000 m²) Salisbury Lawns still form the setting of the Cascade.

6th Duke's garden (1826–1858)[edit]

In 1826 a 23-year-old named Joseph Paxton, who had been trained at Kew Gardens, was appointed head gardener at Chatsworth. The 6th Duke had inherited Chatsworth fifteen years earlier and had previously shown little interest in improving the neglected garden, but he soon formed a productive and extravagantly funded partnership with Paxton, who proved to be the most innovative garden designer of his era, and remains the greatest single influence on Chatsworth's garden. Features that survive from that time include:

Paxton's daughter Annie standing on a Victoria amazonica leaf in the lily house.

Paxton was responsible, along with architect Decimus Burton, for Chatsworth's Great Conservatory, which began construction in 1836 and was completed in 1841. It was 277 feet (84 m) long, 123 feet (37 m) wide and 61 feet (19 m) high making it the largest glass house in the world at that time and cost £33,099. A carriage drive ran the length of the building between lush tropical vegetation. One W. Adam called it "A mountain of glass ... an unexampled structure ... like a sea of glass when the waves are settling and smoothing down after a storm." The King of Saxony compared it to "A tropical scene with a glass sky." The Great Conservatory was demolished after World War I as all the plants had died as it had not been heated during the war, and the cost of running became too much. Another large glasshouse at Barbrook, on the edge of the park, was devoted to cultivation of the giant Amazon water lily, Victoria amazonica, which flowered in captivity there for the first time. This Lily House has also been lost.

Modern garden (1950–present)[edit]

The South Front and the South Lawn with the Seahorse Fountain. The exterior steps are a 19th-century replacement for the original horseshoe shaped steps.

The 7th, 8th, 9th and 10th Dukes made few changes to the garden. The garden suffered during World War II, but the 11th Duke and his wife the present Dowager Duchess were keen gardeners and oversaw a revival in its fortunes. British gardening personality Alan Titchmarsh wrote in 2003: "Chatsworth's greatest strength is that its owners have refused to let the garden rest on its Victorian laurels. It continues to grow and develop, and that is what makes it one of the best and most vibrant gardens in Britain." Many of the historical features have been restored to an immaculate condition, and unusually for an English country house garden in modern times, numerous important new features have been added including:

Stables[edit]

The stable block at Chatsworth is prominently situated on the rising ground to the north-east of the house. Its entrance gate features four Doric columns with rusticated banding, a pediment containing a huge carving of the family coat of arms, two life-size stags in embellished with real antlers, and a clock tower topped by a cupola. The building was designed by James Paine for the 4th Duke and was built in around 1760. It is approximately 190 feet (60 m) square and is two storeys tall. There are low towers in the corners in addition to the one over the entrance gate. The stables originally had stalls for 80 horses, and all necessary equine facilities including a blacksmiths shop. The first floor was occupied by granaries and accommodation for the many stable staff. According to the Dowager Duchess in her book, Chatsworth: The House, one room still has "Third Postillion" painted on the door. The 6th Duke added a carriage house behind the stables in the 1830s.

The last horses left the stables in 1939 and the building was then used as a store and garage. The grooms' accommodation was converted into flats for Chatsworth employees and pensioners and their families. When the house reopened to the public after the war, "catering" was limited to an outdoor tap, which has since been relabelled "water for dogs". In 1975 a tea bar was established with an investment of £120. The first attempt at a café opened in 1979. It seated 90 in some old horse stalls in the stables and was not satisfactory; either to the customers or from a commercial point of view. In 1987 the Duke and Duchess's private chef, a Frenchman named Jean-Pierre Béraud who was also a leading light in the success of the Chatsworth Farm Shop and Chatsworth Foods, took charge of the catering. After a failed attempt to obtain planning permission for a new building incorporating the old ice house in the park, a 250-seat restaurant was created in the carriage house. The nineteenth-century coach used by the Dowager Duchess and the late Duke at the Queen's Coronation is on display there. Other facilities included Jean-Pierre's Bar, now known as The Cavendish Rooms, which also serves refreshments, a shop and three rooms available for hire. The stables cater for thirty thousand people a month during the visitor season.

Park, woods and farmyard[edit]

The Emperor Fountain

Chatsworth's park covers about 1,000 acres (4.0 km2) and is open to the public free of charge all year-round, except for the south-east section, known as the Old Park, which is not open since it is used for breeding by the herds of red and fallow deer. Other farm stock also graze in the park, many of which belong to tenant farmers or smallholders, who use the park for summer grazing. Bess of Harwick's park was entirely on the eastern side of the river and only extended as far south as the Emperor Fountain and as far north as the cricket ground. Seven fish ponds were dug to the north-west of the house, where the large, flat area used for events such as the annual Chatsworth Horse Trials and Angling and Country Fairs is now. The bridge across the river was at the southern end of the park and it crossed to the old village of Edensor, which was by the river in full sight of the house.

Capability Brown did at least as much work in the park as he did in the garden. The open, tree-flecked landscape that is admired today is man-made. Brown straightened the river, and there is a network of drainage channels under the grass. The park is fertilised with manure from the estates farms and managed to keep weeds and scrub under control. Brown filled in most of the fishponds and extended the park to the west of the river. At the same time James Paine designed the new bridge to the north of the house, which was set at an angle of 40 degrees to command the best view of the West Front of the house. Most of the houses in Edensor were demolished, and the village was rebuilt out of sight of the house. The hedges between the fields on the west bank of the river were grubbed up to create open parkland, and woods were planted on the horizon. These were arranged in triangular clumps so that the screen of trees could be maintained when each planting had to be felled. Brown's plantings reached their peak in the mid-20th century and are gradually being replaced. The 5th Duke had an elegant red-brick inn built at Edensor to accommodate the increasing numbers of well-to-do travellers who were coming to see Chatsworth. It is now the estate office.

The Hunting Tower

In 1823 the Bachelor Duke acquired the Duke of Rutland's land around Baslow to the north of Chatsworth in exchange for some land elsewhere. He extended the park around half a mile (800 m) north to its present boundary. He also had the remaining cottages from the old Edensor inside the park demolished apart from the home of one old man who did not wish to move, which still stands in isolation in the park today. The houses in Edensor were rebuilt in picturesque pattern-book styles. In the 1860s the 7th Duke had St Peter's Church in Edensor enlarged by Sir George Gilbert Scott. The church's spire embellishes the views from the house, garden and park, and inside there is a remarkable monument to Bess of Hardwick's sons Henry Cavendish and William, 1st Earl of Devonshire. St Peter's in Edensor is also where the 6th, 7th, 8th, 9th, 10th and 11th Duke of Devonshire and their wives are buried. Their remains are not entombed in a vault inside the church but lie, marked by simple headstones, in individual graves in the Cavendish family plot overlooking the churchyard.

On the hills of the eastern side of the park there is Stand Wood, which is named after Stand Tower. At the top of Stand Wood there is a plateau covering several square miles by lakes, woods and moorland. There are public paths through the area and Chatsworth offers guided tours with commentary in a 28-seater trailer pulled by a tractor. This area is the source of the water for all the gravity-fed waterworks in the garden. The Swiss Lake feeds the Cascade and the Emperor Lake feeds the Emperor Fountain. The Bachelor Duke had an aqueduct built, over which water tumbles on its way to the cascade.

The present Dowager Duchess is a keen advocate of rural life, and in 1973 the Chatsworth Farmyard exhibit was opened in the old building yard above the stables. The aim is to explain to those unfamiliar with rural life how food is produced. There are milking demonstrations and displays of rare breeds. An adventure playground was added in 1983, and a venue for talks and exhibitions called Oak Barn was opened by television gardener Alan Titchmarsh in 2005. Chatsworth also runs two annual rural-skills weeks during which demonstrations of agricultural and forestry are given to groups of schoolchildren on the estate farms and woods.

Estate[edit]

Weir on the River Derwent at the Chatsworth estate

Chatsworth is the hub of a 35,000-acre (140 km2) agricultural estate. The Chatsworth estate, together with 30,000 acres (120 km2) around Bolton Abbey in Yorkshire (mostly moorland) and some land in Eastbourne, belongs to The Trustees of Chatsworth Settlement, a family trust established in 1946. The Duke and other members of the family are entitled to the income. The family's 8,000-acre (32 km2) Lismore Castle estate in Ireland is held in a separate trust. The estate includes dozens of tenanted farms and over 450 houses and flats. There are five sub-estates scattered across Derbyshire:

The Chatsworth Settlement has a wide range of sources of income in addition to agricultural rents. Several thousand acres of the estate, mostly around Chatsworth and on the Staveley estate, are farmed in hand. A number of properties may be rented as holiday cottages, including the Bess of Hardwick's Hunting Tower in the park. Several quarries produce limestone and other minerals.

The 11th Duke and Duchess did not opt for the "theme park" approach to modernising a country estate, but they did throw off the traditional aristocratic reluctance to participate in commerce. The Chatsworth Farm Shop is a very large enterprise in the UK, employing over a hundred people.[12] A 90-seat restaurant opened at the farm shop in 2005. From 1999 to 2003 there was also a shop in the exclusive London district of Belgravia, but it was not successful and closed down. The Settlement also runs the four shops and the catering operations at Chatsworth, paying a percentage of turnover to the charitable Chatsworth House Trust in lieu of rent. It also runs the Devonshire Arms Hotel and the Devonshire Fell Hotel & Bistro on the Bolton Abbey estate and owns the Cavendish Hotel at Baslow on the edge of Chatsworth Park, which is let to a tenant. The old kitchen garden at Barbrook on the edge of the park is let to the Caravan Club, and a paddock at the southern end of the park where bucks used to be fattened for Chatsworth's table is a tenanted garden centre. In both cases the Settlement receives a percentage of turnover as rent. There is also a line of Chatsworth branded foods, endorsed with the Dowager Duchess's signature, which is available by mail order. The Dowager Duchess has also established Chatsworth Design to exploit intellectual property rights to the Devonshire collections, and a furniture company called Chatsworth Carpenters, but the latter has now been licensed to an American company.

Country Fair[edit]

The Park is host to the Chatsworth County Fair in the summer, typically towards the end of August.[13] The fair includes many things for visitors to watch, including a vintage car show, horse driving, pipe bands, highland dancing, many cooking demonstrations by renowned chefs,[14] and a display by the famous RAF Aerobatic Team, the Red Arrows[15] The fair also has several 'Have a go' things to do, including clay pigeon shooting, a .22 rifle range, laser clay pigeon shooting, archery, fly-fishing, an air rifle range and a large children's fairground containing a vintage ferris wheel, helter-skelter and chair-o-planes.[16] The fair also features a dog show, a display of old military and commercial vehicles, and a falconry display.[17] There is also a large 'Fine Food Village', where various large and small companies sell their products,[18] as well as a Chatsworth Farm Shop tent, where visitors can buy Chatsworth Burgers and Hot Dogs. Aside from the food tent, there are also hundreds of other commercial stalls, where visitors can buy products, often at discounted prices.[19]

Rights of way[edit]

The park is open to the public free of charge, other than parking costs. Public footpaths also pass through the woods above the house. The attitudes of the Dukes regarding wider access rights have changed significantly over the years. Upon his death, in 2004, the Ramblers Association praised the 11th Duke for his enlightened championing of open access, as well as his apologies for the attitude of the 10th Duke, who had restricted access to much estate land. Even during the 11th Duke's tenure, however, disputes arose—when the definitive rights of way were being compiled in the 1960s and 70s, the footpath to the Swiss Cottage (an isolated house by one of the lakes in the woods) was contested, and the matter went to the High Court, making Derbyshire one of the last counties to settle its definitive maps.

In popular culture[edit]

Chatsworth House appeared in the 2005 film adaptation of Jane Austen's Pride and Prejudice. It represented Pemberley, Mr Darcy's home.[20] The house itself is named in the novel as one of the estates Elizabeth Bennet visits before arriving at Pemberley. The house was also used in The Duchess (2008), featuring Keira Knightley and Ralph Fiennes, and The Wolfman (2010), with Benicio del Toro and Anthony Hopkins.

An episode of Interceptor was partially filmed in the grounds of Chatsworth (Derbyshire episode), as the key was hidden on the top of the Cascade waterwork. Griff Rhys Jones was a guest at Chatsworth while making and filming his show Rivers with Griff Rhys Jones.

Chatsworth House was the subject of a three-part documentary, Chatsworth, on BBC television. The series was broadcast as Chatsworth House in the United States by PBS in 2012.

Chatsworth appeared in Death Comes to Pemberley when it aired on BBC television on Boxing Day 2013.

See also[edit]

Other properties owned by the Dukes of Devonshire, currently or in the past, include:

Dog breeding situate there:

Notes[edit]

  1. ^ "Chatsworth Receives Top Honour in Prestigious NPI National Heritage Awards". Prnewswire.co.uk. Retrieved 2012-06-21. 
  2. ^ "bbc: Award boosts stately home visitors". BBC News. 2003-08-25. Retrieved 2012-06-21. 
  3. ^ a b Hall, Rev. George (1839). The history of Chesterfield: with particulars of the hamlets contiguous to the town and descriptive accounts of Chatsworth Hardwick and Bolsover. London: Whittaker and Co. 
  4. ^ Thompson, Francis (1949). "1". A history of Chatsworth: being a supplement to the sixth Duke of Devonshire's handbook. Country Life. p. 21. 
  5. ^ UK CPI inflation numbers based on data available from Gregory Clark (2013), "What Were the British Earnings and Prices Then? (New Series)" MeasuringWorth.
  6. ^ a b c Your Guide to Chatsworth. Streamline Press Ltd. 2012. ISBN 978-0-9537329-1-3. 
  7. ^ Anon. "Chatsworth House". tour K. Just Tour Ltd. Retrieved 3 September 2010. 
  8. ^ "Chatsworth – photo library". Web.archive.org. 2007-09-28. Retrieved 2012-06-21. 
  9. ^ "Chatsworth's Cascade is the best in England". Web.archive.org. 2007-09-28. Retrieved 2012-06-21. 
  10. ^ Emperor Fountain goes sky high, Chatsworth press release, 25 April 2007.
  11. ^ "Hidden Gems Walking Tour". Chatsworth Estate. Retrieved 22 August 2013. 
  12. ^ "unknown". [dead link]
  13. ^ "Chatsworth Country Fair". Chatsworth Country Fair. Retrieved 5 September 2012. 
  14. ^ "The Aga Rangemaster Cookery Theatre". Chatsworth Country Fair. Retrieved 5 September 2012. 
  15. ^ "Things to watch". Chatsworth Country Fair. Retrieved 5 September 2012. 
  16. ^ "Things to try". Chatsworth Country Fair. Retrieved 5 September 2012. 
  17. ^ "Things to enjoy". Chatsworth Country Fair. Retrieved 5 September 2012. 
  18. ^ "Fine Food Village". Chatsworth Country Fair. Retrieved 5 September 2012. 
  19. ^ "Shopping". Chatsworth Country Fair. Retrieved 5 September 2012. 
  20. ^ "Pride and Prejudice". The Castles and Manor Houses of Cinema's Greatest Period Films. Architectural Digest. January 2013. Retrieved 2 January 2013. 

References and further reading[edit]

External links[edit]

Gallery[edit]

Coordinates: 53°13′40″N 1°36′36″W / 53.22778°N 1.61000°W / 53.22778; -1.61000