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A character arc is the status of a character as it unfolds throughout a narrative. A character begins the narrative with certain viewpoints that change through events in the narrative, in part because they must adapt to changes throughout the storyline. In many narratives, the main characters or protagonists seem unable to resolve their problems because they lack the skills to overcome the forces of antagonism that confront them. This flaw is a driving element of the story's plot. In order to improve their predicaments, not only do they often learn new skills but also must arrive at a higher sense of self-awareness and capability. In turn, they can only achieve such awareness in contact with their environment and usually mentors and co-protagonists aid them. The new awareness changes who they are or are becoming. A character arc affects the protagonist in a narrative, though other characters can go through similar changes.
The phrase character arc takes its name from the Narrative Arc whose shape, often depicted as an oblong half-circle, emerges from the rising and falling qualities after the noument and denoument or tying and untying events in the common five-part dramatic structure of the Freytag pyramid or the three-part structure of many films. Although the narrative arc resolves within a given text typically after a climax and "falling action," most character arcs do not fully resolve in a single text because life continues for that character beyond the confines of the text's narrative. A narrative arc usually does not contain an entire character arc because most characters' births and deaths are not depicted. For those whose birth is depicted at the beginning of the narrative (as in a bildungsroman) or death is depicted at the end of the narrative (for example novels about the death of a protagonist or that involve the protagonist's death at the end), such a character arc dovetails with the narrative arc in one place. Both can occur for the protagonist of a biography or auto-biography or in fictional texts that follow the protagonist from birth to death as long, given that the character does not re-appear in an afterlife.
Frequently non-protagonists, such as antagonists and secondary characters, a character's life might end before the narrative does. Thus, the portion of the character arc that is visible to the audience will appear shorter than the narrative arc. Non-protagonists character arc will not involve as profound of a change in the character so the amplitude of the arc will not appear as broad as that of the narrative arc. On the other hand, the protagonist's amplitude may appear deeper throughout the character arc than that of the narrative arc. Although the elements of the outer life of the plot are not particularly dramatic, they cause a profound change in the protagonist's inner life.
Throughout the trajectory of narratives with a tri-partate structure, character arcs often unfold beside the narrative arc in the following way:
During the first act, the character arc is established or re-established for at least one character, the main character (the protagonist), within the exposition (noument) of the environment including relationships to other characters. Later in the first act, a dynamic, on-screen incident, known as the inciting incident, or catalyst occurs that confronts the protagonist, whose attempts to deal with this incident lead to a second and more dramatic situation, known as the first turning point. By the first turning point, life will never be the same for the protagonist and raises a dramatic question that will be answered in the climax of the film. The dramatic question should be framed in terms of the protagonist's call to action, (Will X recover the diamond? Will Y get the girl? Will Z capture the killer?).
During the second act, also referred to as "rising action," the character arc develops as the protagonist attempts to resolve the problem initiated by the first turning point, only to discover ever worsening situations, which will lead often to the learning of new skills, and the discovery of capability, and (sometimes late in the second act if at all) the raising of self-awareness.
During the third act, including the climax, "falling action," and resolution (denoument,) the narrative arc completes itself though the character arc does not typically. During the climax, because the main tensions of the story are brought to their most intense point and the dramatic question answered, a character arc reaches a place where the character gains a new sense of who they are becoming. As the plot and its subplots resolve, the character arc's emphasis shifts from the learning of any new skills or the discovery of dormant capability to the awakening of a higher level of self-awareness, which in turn changes who the character is becoming.
Some examples include:
Like a story arc, which often follows serializes many narrative arcs, the character arc is not confined within the limits of one narrative. The character arc may extend over to the next story, a sequel, or another episode. In episodic TV series, the character arc has become a hook that writers often use to ensure viewers continue watching.