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|Origin||Bruederschaft (journal), 1886|
|Named after||Horatio Caro and Marcus Kann|
|Parent||King's Pawn Game|
|Origin||Bruederschaft (journal), 1886|
|Named after||Horatio Caro and Marcus Kann|
|Parent||King's Pawn Game|
The Caro–Kann is a common defense against the King's Pawn Opening and is classified as a "Semi-Open Game" like the Sicilian Defence and French Defence, although it is thought to be more solid and less dynamic than either of those openings. It often leads to good endgames for Black, who has the better pawn structure.
|This article uses algebraic notation to describe chess moves.|
The opening is named after the English player Horatio Caro and the Austrian player Marcus Kann who analysed it in 1886. Kann scored an impressive 17-move victory with the Caro–Kann Defence against German-British chess champion Jacques Mieses at the 4th German Chess Congress in Hamburg in May 1885:
1.e4 c6 2.d4 d5 3.e5 Bf5 4.Bd3 Bxd3 5.Qxd3 e6 6.f4 c5 7.c3 Nc6 8.Nf3 Qb6 9.0-0 Nh6 10.b3 cxd4 11.cxd4 Nf5 12.Bb2 Rc8 13.a3 Ncxd4 14.Nxd4 Bc5 15.Rd1 Nxd4 16.Bxd4 Bxd4+ 17.Qxd4 Rc1 0–1
The usual continuation is
followed by 3.Nc3 (Classical and Modern variations), 3.exd5 (Exchange Variation), 3.e5 (Advance Variation), or 3.Nd2 (almost always same as 3.Nc3). The classical variation (3.Nc3) has gained much popularity.
The most common way of handling the Caro–Kann, the Classical Variation (often referred to as the Capablanca Variation after José Capablanca), is defined by the moves:
This was long considered to represent best play for both sides in the Caro–Kann. White usually continues:
Much of the Caro–Kann's reputation as a solid defence stems from this variation. Black makes very few compromises in pawn structure and plays a timely c6–c5 to contest the d4-square. Variations with Black castling queenside gave the Caro–Kann its reputation of being solid but somewhat boring. More popular recently are variations with Black castling kingside and even leaving his king in the centre. These variations can be sharp and dynamic.
Here is a brilliancy illustrating White's attacking chances when the players castle on opposite sides in the Classical Variation:
Lev Milman–Joseph Fang, Foxwoods Open, 2005
1. e4 c6 2. d4 d5 3. Nc3 dxe4 4. Nxe4 Bf5 5. Ng3 Bg6 6. h4 h6 7. Nf3 Nd7 8. h5 Bh7 9. Bd3 Bxd3 10. Qxd3 e6 (10...Qc7 avoids White's next) 11. Bf4 Bb4+ 12. c3 Be7 13. 0-0-0 Ngf6 14. Kb1 0-0 15. Ne5 c5?! (15...Qa5 is usual and better) 16. Qf3 Qb6? (necessary was 16...cxd4 17.Rxd4 Nxe5 18.Bxe5 Qc8 19.Rhd1 Rd8 20.Ne4 with a small White advantage) 17. Nxd7 Nxd7 18. d5 exd5 19. Nf5! Bf6 20. Rxd5 Qe6 21. Bxh6 Ne5 (21...gxh6 22.Rd6 Qe8 23.Rxf6 Nxf6 24.Qg3+ mates on g7) 22. Qe4 Nc6 23. Qf3 Ne5? (23...gxh6 24.Rd6 Qe5 25.Nxh6+ Kg7 26.Nf5+ Kh7 with an unclear position) 24. Qe4 Nc6 25. Qg4! Qxd5 (25...Ne5 26.Rxe5 Qxe5 27.Bxg7 Bxg7 28.h6 wins) 26. Bxg7 Qd3+ 27. Ka1 Ne5 28. Ne7+!! Kh7 29. Qg6+!! fxg6 30. hxg6+ Kxg7 31. Rh7# (White is down a queen, a rook, and a bishop!)
Another solid positional line, this variation is characterised by the moves:
At one time named after the first world champion Wilhelm Steinitz, nowadays the variation is variously referred to as the Smyslov Variation after the seventh world champion Vasily Smyslov who played a number of notable games with it, the Karpov Variation, after the twelfth World Champion Anatoly Karpov, in whose repertoire it appeared quite often, or, most commonly, the Modern Variation. The short-term goal of 4...Nd7 is to ease development by the early exchange of a pair of Knights without compromising the structural integrity of his position. Play is similar to the Classical Variation except that Black has more freedom by delaying the development of his bishop, and is not forced to play it to the g6 square. However, this freedom comes at a cost as White enjoys added freedom in taking up space in the center, and often plays the aggressive 5.Ng5!? where Black's development is brought into question as well as the positional weakness of the f7-square. The famous last game of the Deep Blue versus Garry Kasparov rematch where Kasparov committed a known blunder and lost was played in this very line.
Specialist knowledge is a must to play this opening. Otherwise Black could fall prey to early attacks such as the quick mating trap for White 5.Qe2 and then 6.Nd6#.
The Bronstein–Larsen Variation and Korchnoi Variation both begin with the following moves:
The Bronstein–Larsen Variation arises after:
Black has voluntarily opted for an inferior pawn structure and a practical necessity of castling queenside, while gaining dynamic compensation in the form of the open g-file for the rook and unusually active play for the Caro–Kann. It is generally considered somewhat unsound, though world championship challenger David Bronstein and former world championship candidate Bent Larsen employed it with some success.
The Korchnoi Variation arises after:
Viktor Korchnoi has played 5...exf6 many times (including his first world championship match with Anatoly Karpov), and this line has also been employed by Ulf Andersson. Black's 5...exf6 is regarded as sounder than 5...gxf6!? of the Bronstein–Larsen Variation and offers Black rapid development, though also ceding White the superior pawn structure and long-term prospects (Black has to be cautious that the d pawn is now a potential passed pawn in the endgame).
The 3...Bf5 variation that follows with:
has gained popularity after having previously been widely regarded as inferior for many years, owing chiefly to the strategic demolition that Aron Nimzowitsch (playing as White) suffered at the hands of José Capablanca in one of their games at the New York 1927 tournament:
1. e4 c6 2. d4 d5 3. e5 Bf5 4. Bd3?! (after the exchange of the light-square bishops, Black's play is based on White's light-square weakness) 4... Bxd3 5. Qxd3 e6 6. Nc3 Qb6 7. Nge2 c5?! (7...Ne7 8.0-0 Qa6) 8. dxc5 Bxc5 9. 0–0 Ne7 10. Na4? (10.b4! Bxb4 [10...Qxb4 11.Nb5 Qa5 12.Be3 a6 13.Rab1 axb5 14.Bxc5 Nbc6 15.Rxb5 Qc7 16.Bd6 Qd7 17.Rfb1 Nd8 18.Rc5±] 11.Rb1 Qa5 12.Nb5= Moutousis-Cilia Vincenti, Thessalonika, 13 Nov 1988, 1–0) 10... Qc6 11. Nxc5 (11.Qg3 Nf5 12.Qb3 Nc6) 11... Qxc5 12. Be3 Qc7 13. f4 Nf5 14. c3 Nc6 15. Rad1 g6 16. g4 Nxe3 17. Qxe3 h5 18. g5 0–0 19. Nd4 Qb6 20. Rf2 Rfc8 21. a3 Rc7 22. Rd3 Na5 23. Re2 Re8 24. Kg2 Nc6 25. Red2 Rec8 26. Re2 Ne7 27. Red2 Rc4 28. Qh3 Kg7 29. Rf2 a5 30. Re2 Nf5 31. Nxf5+ gxf5 32. Qf3 Kg6 33. Red2 Re4 34. Rd4 Rc4 35. Qf2 Qb5 36. Kg3 Rcxd4 37. cxd4 Qc4 38. Kg2 b5 39. Kg1 b4 40. axb4 axb4 41. Kg2 Qc1 42. Kg3 Qh1 43. Rd3 Re1 44. Rf3 Rd1 45. b3 Rc1 46. Re3 Rf1 0–1
The Advance Variation has since been revitalized by aggressive lines such as the Bayonet Attack (4.Nc3 e6 5.g4), a popular line in the 1980s and later favoured by Latvian Grandmaster Alexei Shirov, or the less ambitious variation 4.Nf3 e6 5.Be2 c5 6.Be3, popularised by English Grandmaster Nigel Short and often seen in the 1990s.
The 3...c5 variation that follows with:
is an important alternative and avoids the weight of theory associated with 3...Bf5. It was used by Mikhail Botvinnik in his 1961 match versus Mikhail Tal (though with a negative outcome for Botvinnik – two draws and a loss). The line was christened the "Arkell/Khenkin Variation" in the leading chess magazine New in Chess yearbook 42 in recognition of the work these two Grandmasters did and the success they were having with the variation. In comparison to the French Defence, Black lacks the tempo normally spent on ...e6. However, White can only exploit this by the weakening of his own central bind with 4. dxc5 when Black has good chances of regaining the pawn.
The Exchange Variation is 1.e4 c6 2.d4 d5 3.exd5 cxd5.
The "true" Exchange Variation begins with 4.Bd3 Nc6 5.c3 Nf6 6.Bf4 Bg4 7.Qb3. This line is considered to offer equal chances, and was tried by Bobby Fischer. Some of the strategic ideas are analogous to the Queen's Gambit Declined, Exchange Variation, (1.d4 d5 2.c4 e6 3.Nc3 Nf6 4.cxd5 exd5) with colours reversed.
The Panov–Botvinnik Attack begins with the move 4.c4. It is named after Vasily Panov and the world champion Mikhail Botvinnik. This system often leads to typical isolated queen's pawn (IQP) positions, with White obtaining rapid development, a grip on e5, and kingside attacking chances to compensate for the long-term structural weakness of the isolated d4-pawn. The major variation in this line is 4...Nf6 5.Nc3 e6 6.Nf3, when Black's main alternatives are 6...Bb4 (a position often transposing into lines of the Nimzo-Indian Defence) and 6...Be7, once the most common line. 6...Nc6?! is inferior as it is favourably met by 7.c5!, after which White plans on seizing the e5-square by advancing the b-pawn to b5, or by exchanging the black knight on c6 after Bb5.
White can play 2.c4. Then Black may play 2...d5 (see 1.e4 c6 2.c4 d5). This can transpose to the Panov–Botvinnik (B14, given above, with exd5 cxd5 d4) or Caro–Kann (B10, with the double capture on d5). Or Black may play 2...e5 (see 1.e4 c6 2.c4 e5).
Also White can play 2.Nc3. Then Black may play 2...d5 (see 1.e4 c6 2.Nc3 d5). This can lead to the Steinitz Variation (B17, given above), Caro–Kann (B15), Two Knights, 3...Bg4 (B11), or Caro–Kann (B10). Or Black may play 2...g6 (see 1.e4 c6 2.Nc3 g6).
After moves 1.e4 c6 2.d4, Black can also play 2...g6. Usually White will play 3.Nc3. Then Black may play 3...Bg7 or 3...d5.
Two Knights Variation: 1.e4 c6 2.Nf3 d5 3.Nc3, played by Bobby Fischer in his youth, where White's intention is to benefit from rapid development as well as to retain options regarding the d-pawn. Black's logical and probably best reply is 3...Bg4. After 4.h3 Bxf3 5.Qxf3, the positional continuation, Black has the option of 5...Nf6 or 5...e6. This variation sets a trap: if Black plays along the lines of the Classical Variation, he gets in trouble after 3...dxe4 4.Nxe4 Bf5 (4...Nd7 is playable) 5.Ng3 Bg6?! (5...Bg4) 6.h4 h6 7.Ne5 Bh7 (7...Qd6 may be best) 8.Qh5! g6 (forced) 9.Bc4! e6 (9...gxh5?? 10.Bxf7#) 10.Qe2 with a huge advantage for White. Now 10...Qe7! is best. Instead, Lasker-Radsheer, 1908 and Alekhine-Bruce, 1938 ended quickly after, respectively, 10...Bg7?? 11.Nxf7! and 10...Nf6?? 11.Nxf7! 4...Bh5 is a complex line, in which White can trap the bishop, though Black gains tremendous compensation.
Fantasy or Tartakower Variation: 1.e4 c6 2.d4 d5 3.f3, which somewhat resembles the Blackmar–Diemer Gambit. 3...e6 is probably the most solid response, preparing to exploit the dark squares via ...c5, though 3....g6 has been tried by Yasser Seirawan. GM Lars Schandorff and GM Sam Shankland both prefer 3...dxe4 4.fxe4 e5 5.Nf3 Bg4 6.Bc4 Nd7 7.0-0 Ngf6 8.c3 Bd6 with play being sharp and double-edged. Interesting, though probably insufficient is 3...e5. This so-called 'Twisted Fantasy Variation' aims to exploit white's weaknesses on the a7-g1 diagonal. An idea which is similar to 3...Qb6, a variation championed by Baadur Jobava. Related to the Fantasy Variation are the gambits 1.e4 c6 2.d4 d5 3.Nc3 dxe4 4.f3, originated by Sir Stuart Milner-Barry, and 1.e4 c6 2.d4 d5 3.Nc3 dxe4 4.Bc4 Nf6 5.f3 by (von Hennig).
Gurgenidze Variation: 1.e4 c6 2.d4 d5 3.Nc3 g6; it is because of this variation, originated by Bukhuti Gurgenidze, that 3.Nc3 fell from favour in the 1970s. 3.Nd2 has since been regarded as the accurate way to reach the positions arising from ....dxe4. After 3.Nd2,....g6 is met by 4.c3, when the fianchettoed bishop has little to do.
Hillbilly Attack: 1.e4 c6 2. Bc4?! This is often played by club players. Black can simply play 2...d5 3. exd5 cxd5, gaining a tempo on the bishop.
The Dunst Attack The Dunst Opening, 1.Nc3, has many transpositional possibilities, and one of them involves the Caro–Kann. After the moves 1.e4 c6 2.Nc3 d5 3.Qf3!?, White's position is sound according to Graham Burgess.
Note that the Caro–Kann can sometimes be reached by transposition of moves from the English Opening: 1.c4 c6 2.e4 d5.
The Encyclopaedia of Chess Openings (ECO) has ten codes for the Caro–Kann Defence, B10 through B19:
|The Wikibook Chess Opening Theory has a page on the topic of: Caro-Kann Defence|