C. J. Cherryh

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C. J. Cherryh
Carolyn.jpg
NorWesCon, Seattle, April 2006
BornCarolyn Janice Cherry
(1942-09-01) September 1, 1942 (age 71)
St. Louis, Missouri
Pen nameC. J. Cherryh
OccupationNovelist, short story author, essayist, high school teacher
NationalityUnited States
Period1976–
GenresScience fiction, fantasy
Notable work(s)Alliance-Union universe
Notable award(s)Hugo Award, Locus Award

www.cherryh.com
 
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C. J. Cherryh
Carolyn.jpg
NorWesCon, Seattle, April 2006
BornCarolyn Janice Cherry
(1942-09-01) September 1, 1942 (age 71)
St. Louis, Missouri
Pen nameC. J. Cherryh
OccupationNovelist, short story author, essayist, high school teacher
NationalityUnited States
Period1976–
GenresScience fiction, fantasy
Notable work(s)Alliance-Union universe
Notable award(s)Hugo Award, Locus Award

www.cherryh.com

Carolyn Janice Cherry (born September 1, 1942), better known by the pen name C. J. Cherryh, is a United States science fiction and fantasy author. She has written more than 60 books since the mid-1970s, including the Hugo Award winning novels Downbelow Station (1981) and Cyteen (1988), both set in her Alliance-Union universe.

Cherryh (pronounced "Cherry") appended a silent "h" to her real name because her first editor, Donald A. Wollheim, felt that "Cherry" sounded too much like a romance writer. Her initials, C.J., were used to disguise the fact that she was female at a time when almost all science fiction authors were male.[1]

The author has an asteroid, 77185 Cherryh, named after her. Referring to this honor, the asteroid's discoverers wrote of Cherryh: "She has challenged us to be worthy of the stars by imagining how mankind might grow to live among them."[2] Cherryh was the Guest of Honor at FenCon IX in Dallas/Fort Worth on September 21–23, 2012.[3]

Biography[edit]

Cherryh was born in 1942 in St. Louis, Missouri and raised primarily in Lawton, Oklahoma. She began writing stories at the age of ten when she became frustrated with the cancellation of her favorite TV show, Flash Gordon. In 1964, she received a Bachelor of Arts degree in Latin from the University of Oklahoma (Phi Beta Kappa), with academic specializations in archaeology, mythology, and the history of engineering. In 1965, she received a Master of Arts degree in classics from Johns Hopkins University in Baltimore, Maryland, where she was a Woodrow Wilson fellow.

After graduation, Cherryh taught Latin, Ancient Greek, the classics, and ancient history at John Marshall High School in the Oklahoma City public school system. While her job was teaching Latin, her passion was the history, religion, and culture of Rome and Ancient Greece. During the summers, she would conduct student tours of the ancient ruins in England, France, Spain, and Italy. In her spare time, she would write, using the mythology of Rome and Greece as plots for her stories of the future. Cherryh did not follow the professional path typical of science fiction writers at the time, which was to first publish short stories in science fiction and fantasy magazines and then progress to novels. In fact, Cherryh did not consider writing short stories until after she had several novels published.

Instead, Cherryh wrote novels in her spare time away from teaching and submitted these manuscripts directly for publication. Initially, she met with little success. In fact, she was forced to re-write some of her early works when various publishers lost the manuscripts she submitted. Retyping from carbon copies of her manuscripts was cheaper than paying for photocopying, and, in effect, forced her to rewrite those lost manuscripts (using carbon paper to make at least one copy of a manuscript was standard practice until the advent of the personal computer). Her breakthrough came in 1975 when Donald A. Wollheim purchased both manuscripts she had submitted to DAW Books, Gate of Ivrel and Brothers of Earth. The two novels were published in 1976, Gate of Ivrel preceding Brothers of Earth by several months (although she had completed and submitted Brothers of Earth first). The books won her immediate recognition and the John W. Campbell Award for Best New Writer in 1977.

Although not all of her works have been published by DAW Books, during this early period, she developed a strong relationship with the Wollheim family and their publishing company, frequently traveling to New York City and staying with the Wollheims in their Queens family home. Other companies that have published her novels include Baen Books, HarperCollins, Warner Books, and Random House (under its Del Rey Books imprint). She published six additional novels in the late 1970s.

In 1979, her short story "Cassandra" won the Best Short Story Hugo, and she quit teaching to write full-time. She has since won the Hugo Award for Best Novel twice, first for Downbelow Station in 1982 and then again for Cyteen in 1989.

In addition to developing her own fictional universes, Cherryh has contributed to several shared world anthologies, including Thieves' World, Heroes in Hell, Elfquest, Witch World, Magic in Ithkar, and the Merovingen Nights series, which she edited. Her writing has encompassed a variety of science fiction and fantasy subgenres and includes a few short works of non-fiction. Her books have been translated into Czech, Dutch, French, German, Hebrew, Hungarian, Italian, Japanese, Latvian, Lithuanian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish and Swedish. She has also translated several published works of fiction from French into English.

She now lives near Spokane, Washington, with science fiction/fantasy author and artist Jane Fancher. She enjoys skating, traveling and regularly makes appearances at science fiction conventions.

Her brother David A. Cherry is a science fiction and fantasy artist.

Writing style[edit]

Cherryh uses a writing technique she has variously labeled "very tight limited third person", "intense third person", and "intense internal" voice.[4] In this approach, the only things the writer narrates are those that the viewpoint character specifically notices or thinks about.[4] If a starship captain arrives at a space station, for example, the narration may not mention important features of the station with which the captain is already familiar, even though these things might be of interest to the reader, because the captain does not notice them or think about them due to their familiarity. This technique can offer a similar experience to that of reading the viewpoint character's mind—sometimes at great length—and thus it can resemble stream of consciousness narrative.

Genres[edit]

Because of her varied and prolific output, it is difficult to classify her writing as part of any single subgenre of science fiction and fantasy. She considers the two to be part of a unified whole, and opposes attempts to segregate writers and fans by increasingly specific subgenre definitions. Regarding this issue, she has written, "[I] don't like this specialization in which one side sniffs at the other as if they were some other species. No, no, no. We started out one creature. I don't care if 'they' have spots. We're still the same breed of cat."[5]

World building[edit]

Cherryh's works depict fictional worlds with great realism supported by her strong background in linguistics, history, archaeology, and psychology. In her introduction to Cherryh's first book, Andre Norton compared the effect of the work to Tolkien's: "Never since reading The Lord of the Rings have I been so caught up in any tale as I have been in Gate of Ivrel." Another reviewer commented, "Her blend of science and folklore gives the novels an intellectual depth comparable to Tolkien or Gene Wolfe".[6] Cherryh creates believable alien cultures, species, and perspectives, causing the reader to reconsider basic assumptions about human nature. Her worlds have been praised as complex and realistic because she presents them through implication rather than explication.[7] She describes the difficulties of translating/expressing concepts between differing languages. This is best demonstrated in both the Chanur and Foreigner series.

She has described the process she uses to create alien societies for her fiction as being akin to asking a series of questions, and letting the answers to these questions dictate various parameters of the alien culture. In her view, "culture is how biology responds to its environment and makes its living conditions better." Some of the issues she considers critical to consider in detailing an intelligent alien race include:[8]

Major themes[edit]

Her protagonists often attempt to uphold existing social institutions and norms in the service of the greater good while the antagonists often attempt to exploit, subvert or radically alter the predominant social order for selfish gain. She uses the theme of the outsider finding his (or her) place in society and how individuals interact with The Other. A number of Cherryh's novels focus on military and political themes. One underlying theme of her work is an exploration of gender roles. Her characters reveal both strengths and weaknesses regardless of their gender, although her female protagonists are portrayed as especially capable and determined, and many of her male characters are portrayed as damaged, abused, or otherwise vulnerable.

Works[edit]

Her career began with publication of her first books in 1976, Gate of Ivrel and Brothers of Earth. She has been prolific since that time, publishing over 60 novels, short-story compilations, with continuing production as her blog attests.[9] Ms. Cherryh has received the Hugo and Locus Awards for some of her novels. Her novels are divided into various spheres, focusing mostly around the Alliance-Union universe, The Chanur novels, the Foreigner universe, and her fantasy novels.

Scholarship[edit]

Awards and honors[edit]

Organizations[edit]

Notes[edit]

  1. ^ rec.arts.sf.written FAQ. Pronunciation of Cherryh.
  2. ^ JPL Small-Body Database Browser Asteroid 77185 Cherryh.
  3. ^ "FenCon IX archive site". FenCon. 
  4. ^ a b "C.J. Cherryh Short Story Essay Novel Writer". EncycloCentral. Retrieved 2008-02-20. 
  5. ^ C. J. Cherryh homepage. FIAWOL and all That.
  6. ^ "C. J. Cherryh, Science Fiction, and the Soft Sciences". Dancing Badger. Retrieved 2007-06-18. 
  7. ^ "Brilliant Literature is Unearthed in Cherryh's Novels". Los Angeles Daily News. November 29, 1987. Retrieved April 10, 2012. "CJ Cherryh will be the guest of honor at LOSCON 14, this year's annual convention for Los Angeles-area science fiction and fantasy fans." 
  8. ^ Cherryh, C. J. "The Panel Room". C. J. Cherryh homepage. Retrieved 2007-06-18. 
  9. ^ Cherryh, C. J. "The Journal: Progress Report". C. J. Cherryh homepage. Retrieved 2007-06-18. 
  10. ^ "Special Collections". Eastern New Mexico University. Retrieved 2007-06-18. 
  11. ^ Bacon-Smith, Camille. "Military Command in Women's Science Fiction: C.J. Cherryh's Signy Mallory (part 1)". The Swan. Retrieved 2007-06-18. 
  12. ^ Bacon-Smith, Camille. "Military Command in Women's Science Fiction: C.J. Cherryh's Signy Mallory (part 2)". The Swan. Retrieved 2007-06-18. 
  13. ^ Turner, Lynn (September 2011). "Animal Transference: A "Mole-like Progression" in C.J. Cherry". Mosaic: a journal for the interdisciplinary study of literature 44 (3): 163–175. Retrieved 2013-02-05. 
  14. ^ "Science Fiction & Fantasy Books: 1982 Award Winners & Nominees". Worlds Without End. Retrieved 2009-01-26. 
  15. ^ Galvan, Manuel (September 7, 1982). "Science-fiction awards given to out-of-this-world writers". Chicago Tribune. p. 16. Retrieved April 10, 2012. 
  16. ^ a b "Science Fiction & Fantasy Books: 1989 Award Winners & Nominees". Worlds Without End. Retrieved 2009-01-26. 
  17. ^ Arrell Gibson Award/Oklahoma Center for the Book
  18. ^ "Board of Advisors". National Space Society. Retrieved 2007-06-18. 
  19. ^ "Foundation for Endangered Languages". Retrieved 2007-06-18. 

External links[edit]